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890 tulosta hakusanalla Michaelangelo Rodriguez

The Drawings of Michelangelo and his Followers in the Ashmolean Museum
This volume comprises the fullest and most detailed catalogue of the drawings by and after Michelangelo in the Ashmolean Museum. It is one of the most important collections of drawings by this artist, which also includes drawings after his own by contemporaries that shed light on lost works as well as the artist's reputation and influence during the sixteenth century. The introduction provides a history of Michelangelo's drawings generally and also surveys the various types of drawing practised by Michelangelo and an account of his development as a draughtsman. Most of the drawings in the Ashmolean Museum came from the collection of Sir Thomas Lawrence, and this book contains a detailed appendix that traces the histories of all of the drawings by or after Michelangelo that Lawrence owned, both before he acquired them and after they were dispersed.
God's Spies: Michelangelo, Shakespeare and Other Poets of Vision
Written with both passion and precision, God’s Spies is a work that will be welcomed by anyone interested in the vital interplay between poetry and religion. The authors represented, including poets such as Michelangelo, St Francis of Assisi, Charles Péguy, Dante and Shakespeare, all possess one great and surprising quality in common: audacity. All of them in their work offer fresh and unforeseen perspectives on life and literature. Some of these authors are religious in the strict meaning of the word, their work indicating a devout turning away from the distractions of the world to focus on God. Others, in contrast, are poets whose work is distinguished by a remarkable visionary focus on the many small and great dramas of life, attending with bright, imaginative genius to what Shakespeare calls ‘the mystery of things’.
God's Spies: Michelangelo, Shakespeare and Other Poets of Vision
Written with both passion and precision, God’s Spies is a work that will be welcomed by anyone interested in the vital interplay between poetry and religion. The authors represented, including poets such as Michelangelo, St Francis of Assisi, Charles Péguy, Dante and Shakespeare, all possess one great and surprising quality in common: audacity. All of them in their work offer fresh and unforeseen perspectives on life and literature. Some of these authors are religious in the strict meaning of the word, their work indicating a devout turning away from the distractions of the world to focus on God. Others, in contrast, are poets whose work is distinguished by a remarkable visionary focus on the many small and great dramas of life, attending with bright, imaginative genius to what Shakespeare calls ‘the mystery of things’.
The Electric Michelangelo

The Electric Michelangelo

Sarah Hall

Faber Faber
2016
nidottu
'Glorious.' Observer 'Wildly imaginative.' Independent'Intoxicating.' Financial TimesOn the windswept front of Morecambe Bay, Cy Parks spends his childhood years first in a guest house for consumptives run by his mother and then as apprentice to alcoholic tattoo-artist Eliot Riley. Thirsty for new experiences, he departs for America and finds himself in the riotous world of the Coney Island boardwalk, where he sets up his own business as 'The Electric Michelangelo'. In this carnival environment of roller-coasters and freak-shows, Cy becomes enamoured with Grace, a mysterious immigrant and circus performer who commissions him to cover her entire body in tattooed eyes.Hugely atmospheric, exotic and familiar, The Electric Michelangelo is a love story and an exquisitely rendered portrait of seaside resorts on opposite sides of the Atlantic by one of the most uniquely talented novelists of her generation.
Dreaming of Michelangelo

Dreaming of Michelangelo

Asher Biemann

Stanford University Press
2012
sidottu
Dreaming of Michelangelo is the first book-length study to explore the intellectual and cultural affinities between modern Judaism and the life and work of Michelangelo Buonarroti. It argues that Jewish intellectuals found themselves in the image of Michelangelo as an "unrequited lover" whose work expressed loneliness and a longing for humanity's response. The modern Jewish imagination thus became consciously idolatrous. Writers brought to life—literally—Michelangelo's sculptures, seeing in them their own worldly and emotional struggles. The Moses statue in particular became an archetype of Jewish liberation politics as well as a central focus of Jewish aesthetics. And such affinities extended beyond sculpture: Jewish visitors to the Sistine Chapel reinterpreted the ceiling as a manifesto of prophetic socialism, devoid of its Christian elements. According to Biemann, the phenomenon of Jewish self-recognition in Michelangelo's work offered an alternative to the failed promises of the German enlightenment. Through this unexpected discovery, he rethinks German Jewish history and its connections to Italy, the Mediterranean, and the art of the Renaissance.
Why Does Michelangelo Matter?

Why Does Michelangelo Matter?

Theodore K Rabb

Sposs
2018
pokkari
Every human society has produced images, and to try to really understand history, we need to study its visual arts as carefully as its written documents; ignore visual arts at your peril. With increasing success, Theodore Rabb, an eminent historian, has been making this important point ever since the 1970s, in articles and reviews directed towards his colleagues and members of the educated public alike. While focusing on European history, his chronological sweep has been wide, stretching from the late Middle Ages to the 1920s, and he discusses all forms of imagery--drawing, painting, engraving, sculpture, and architecture. Intended for interested general readers as well as historians and art historians, this book contains a collection of Rabb's best essays--superbly written, and thoroughly engaging, it can be hard to put the book down. Appropriately, the title essay is a discussion of Michelangelo, whose work is essential to an understanding of his society. The essays that follow are divided into sections that concentrate on specific topics or regions, and they are shaped as questions whose answers demonstrate the ways in which historians can learn from the arts. These essays reflect the growing interest in that cross-disciplinary work, and in turn encourage an ever broader engagement with it.Carlos Eire, Professor of History and Religious Studies at Yale University, highly recommends this book: "This is a marvelous introduction to Renaissance, Baroque, and later art that also doubles as an eloquent manifesto for the historical usefulness of images. The impressive inter-disciplinary scope of these essays sheds new light on multiple dimensions of early modern European history while transcending time and place.Moreover, Rabb's prose style, erudition, and perspicuity set a new benchmark for the writing of cultural history. This book should be required reading for every historian, everywhere, regardless of their area of specialization. It should also be ardently recommended to anyone who yearns to be truly learned."And so does David Armitage, Professor of History at Harvard University: "Ted Rabb is one of the few historians as comfortable with both visual and verbal evidence. In this masterly collection, he guides us through the history of western art from the early Renaissance to twentieth-century Germany to raise big questions and weigh great reputations. There is something for everyone in his bursting Wunderkammer of a book."
The Original Contract With Michelangelo for the Tomb of Pope Julius II, Dated May 6, 1513: a Critical Study, Transcription and Translation
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Architecture of Michelangelo

The Architecture of Michelangelo

James S. Ackerman

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Sonnets of Michael Angelo Buonarroti;

The Sonnets of Michael Angelo Buonarroti;

1475-1564 Michelangelo Buonarroti

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Architecture of Michelangelo

The Architecture of Michelangelo

James S. Ackerman

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Vita Di Michelangelo Buonarroti. [With] Catalogo Dei Disegni, Sculture [&c.] Di Michelangelo Buonarroti Esistenti in Inghilterra, Compilato Da L. Faga
Vita Di Michelangelo Buonarroti, by Aurelio Gotti and Louis Alexander Fagan, is a detailed biography of the renowned Renaissance artist Michelangelo Buonarroti. This edition includes a catalogue compiled by Fagan of Michelangelo's drawings, sculptures, and other works existing in England at the time of publication. The book delves into Michelangelo's life, artistic development, and significant works, offering valuable insights into his creative process and the historical context in which he lived and worked. Written in Italian, this biography provides an authentic and engaging account for scholars, art enthusiasts, and anyone interested in the life and legacy of one of history's greatest artists. This work remains an important resource for understanding Michelangelo's profound impact on the world of art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Vita Di Michelangelo Buonarroti. [With] Catalogo Dei Disegni, Sculture [&c.] Di Michelangelo Buonarroti Esistenti in Inghilterra, Compilato Da L. Faga
Vita Di Michelangelo Buonarroti, by Aurelio Gotti and Louis Alexander Fagan, is a detailed biography of the renowned Renaissance artist Michelangelo Buonarroti. This edition includes a catalogue compiled by Fagan of Michelangelo's drawings, sculptures, and other works existing in England at the time of publication. The book delves into Michelangelo's life, artistic development, and significant works, offering valuable insights into his creative process and the historical context in which he lived and worked. Written in Italian, this biography provides an authentic and engaging account for scholars, art enthusiasts, and anyone interested in the life and legacy of one of history's greatest artists. This work remains an important resource for understanding Michelangelo's profound impact on the world of art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.