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1000 tulosta hakusanalla Andy Sumner
Wahrend seiner Schaffensperioden wandte sich Andy Warhol zwei von der Kunstwissenschaft bislang kaum wahrgenommenen Medien zu: der Schallplatte und insbesondere der Schallplattenhulle, ihrem Grafik- und Produkt-Design. In der interdisziplinaren Untersuchung und Rekonstruktion dieses Werkbereichs wird detailliert auf Warhols mediale und schoepferische Vielfalt verwiesen und werden seine synthesenhaften Konzeptideen zwischen angewandter und bildender Kunst herausgestellt. Die Ergebnisse zeichnen dabei ein thematisch ubergreifendes Bild uber Warhols kunstlerische Expansion: Diese umfasst sein stilistisches und technisches Repertoire, UEberlegungen zu unterschiedlichen Materialien, Bildtragern und Formaten und schliesst die Beschaftigung mit Grafik, Malerei, Objektkunst, Film, Multimedia, die Verwendung von Text- und Bildelementen, von "Images" und einer individuellen Symbol- und Bildersprache ein.
Andy Warhols Campbell's Soup Cans, Thirty are better than one und Self-Portrait als Beispiele der Pop-Art
John Malc
Grin Publishing
2013
nidottu
Facharbeit (Schule) aus dem Jahr 2012 im Fachbereich Kunst - Kunstgeschichte, Sprache: Deutsch, Abstract: Andy Warhol gilt heute als bedeutendster Vertreter der amerikanischen Pop-Art - Epoche, die oft "als Antikunst" bezeichnet wurde. Diese Epoche besch ftigte sich "mit dem Trivialen." Sie "orientierte sich stark an Werbetafeln, Konsumg tern und weiteren Elementen des Gro stadtlebens." Ich interessiere mich in dieser Epoche sehr stark, und deswegen stelle ich mit dieser Arbeit drei Werke vor, die nach meiner Meinung zu den wichtigsten Abbildungen von Andy Warhol geh ren.
Andy Warhol's "Superstar" Edie Segdwick. The True Heroine of Bob Dylan's "Blonde on Blonde"?
Margarete Suppes
Grin Publishing
2016
pokkari
Andy Warhol, ein Selbstdarsteller? Der Künstler als Star und seine Selbstinszenierung
Luisa Dietsch
GRIN Verlag
2016
nidottu
Andy Warhols und Joseph Beuys' künstlerisches und gesellschaftspolitisches Wirken in den 60er Jahren
Uma Reiner
GRIN Verlag
2019
nidottu
In 2011 a sensational find came to light in Andy Warhol’s estate: an extensive collection of drawings that provides impressive evidence of Warhol’s artistic talents. He used iconic photographs and magazine illustrations, many of which were taken from LIFE magazine, as inspiration. This publication explores these sources and presents them in juxtaposition. Drawing was an essential element of Warhol’s everyday life during his early years in New York. He was particularly inspired by the blossoming magazine culture and its pictorial language. Extensive research has now identified the majority of the sources he used. Warhol drew a large number of subjects from the world-famous LIFE magazine. This publication presents notable examples of the copying technique developed by Warhol, known as “blotted line”, and presents the drawings in direct juxtaposition with the sources that he used. The accompanying essays explore Andy Warhol’s unique design process and his very own method for making transfers between the media of photography and drawing.
This book highlights two series of little known drawings from the 1950's, drawings where Andy Warhol first explored the controversial and for him deeply personal subject of drag. His oeuvre during the first decade of his career, before he became the god father of Pop, has proven to be enormously influential on his life's work but remains little known. In 1953, Warhol created two unique series of drawings, quite different from his commissioned work. In one series, he developed an ensemble of spirited wome n that were derived from photographs of stage divas and — of men in drag. He delved deeper into the art of dressing as the opposite sex with his second series, a set of portraits of men posing in high and low drag. This book considers Warhol's work and its d ebt to newly discovered photographs that his friend, photographer Otto Fenn, staged explicitly for Warhol’s purpose. Drag & Draw sheds light on New York's secret gay and drag scenes during the repressive 1950s
Throughout his career, Andy Warhol easily crossed the boundaries between fine art and graphic design; in fact, he made no distinction between art and advertising. Posters were a natural medium for this talented artist, and he was much in demand to promote some of the most renowned celebrities, causes, and brands of his time. This richly illustrated book catalogs all of Warhol's posters commissioned for a specific purpose and features original artwork. Arranged chronologically, they present a fascinating array of subjects, including cultural events, musicians, political campaigns, and iconic brands. Each of the posters is exquisitely reproduced, including some with multiple variations, and accompanied by informative texts and comparative illustrations. The author's introductory essay offers a brief history of poster art and contextualises Warhol's output against masters of the form such as Henri de Toulouse-Lautrec and Keith Haring. Seen in their entirety, these posters - bearing all the hallmarks of the artist's finest work - both reflect and reveal the cultural zeitgeist that drove Warhol's innovative practice.
Andy Warhol embodied many of the paradoxes of postwar America. Emerging as a successful commercial artist during the heyday of Madison Avenue, Warhol was obsessed with consumer objects and the production of fame. His early work reveals his fascination with Hollywood stars, everyday household products, disasters, car crashes, and the Kennedy assassination. In this provocative and stimulating collection of essays, Warhol and his art illuminate the utopian promise and the dark side of what Henry Luce called "the American Century." Stuart Morgan considers the public and private Andy Warhol; Barbara Kruger looks at the polarized responses to his work; Richard Prince offers a wry comparison between himself and his more famous predecessor; and other writers, artists and scholars contribute their own thoughts and reactions to Warhol the man and artist. Illustrated throughout with a wide-ranging series of illustrations of Warhol's famed and lesser-known works, this collection brings into clearer focus the artist's personal struggles to make sense of the world he inhabited.
Andy Warhol
Prestel
2024
sidottu
Andy Warhol's continuous pursuit of ideal beauty-visible in a body of his work that is brought here together for the first time. Andy Warhol is arguably one of the most widely known and discussed artists of the twentieth century. While his depictions of consumer products and celebrities led him to become household famous, there is a red thread throughout his career, starting even in the late forties until his untimely death in 1987. In the eighties Warhol was continuously searching to visualize an ideal of beauty, male beauty, finding form and creating lasting images of what he desired. He visualized and therefore eternalized this continuous pursuit of ideal beauty. From the early line and blotted line drawings to his screen tests and moving image experiments in the sixties, the torso paintings in the seventies through his collaborations with Jean-Michel Basquiat, there is a continuous search to express an ideal of male beauty. During his lifetime these works were either considered inappropriate, immoral, deviant or even pornographic and therefore illegal. Many of these works never received the public exposure and recognition that they deserve. Neue Nationalgalerie is for the first time putting together a large survey focusing on this thematic and central aspect throughout Warhol's different production phases and stages of career. This publication offers an insight into a Warhol, that during his lifetime never had a real "coming-out". Warhol died in 1987 at the age of only 58. He left behind an incredibly complex and influential body of work, which during his lifetime never experienced the open acceptance that we now have to look at these specific bodies of work.
Andy Warhol
PRESTEL VERLAG
2024
sidottu
Wortwitz, Mumpitz und Synapsengewitter.
“A picture means I know where I was every minute. That’s why I take pictures. It’s a visual diary.” - Andy WarholAndy Warhol was a relentless chronicler of life and its encounters. Carrying a Polaroid camera from the late 1950s until his death in 1987, he amassed a huge collection of instant pictures of friends, lovers, patrons, the famous, the obscure, the scenic, the fashionable, and himself. Created in collaboration with the Andy Warhol Foundation, this book features hundreds of these instant photos, many of them never seen before.Portraits of celebrities such as Mick Jagger, Alfred Hitchcock, Jack Nicholson, Yves Saint Laurent, Pelé, Debbie Harry are included alongside images of Warhol’s entourage and high life, landscapes, and still lifes from Cabbage Patch dolls to the iconic soup cans. Often raw and impromptu, the Polaroids document Warhol’s era like Instagram captures our own, offering a unique record of the life, world, and vision behind the Pop Art maestro and modernist giant.
Warhol's classic 1950s illustrated books for just $200 In 1950s New York, before he became one of the most famous names of the 20th century, Andy Warhol was a skilled and successful commercial artist. During this time, as part of his strategy to woo and cultivate clients and forge friendships, he created seven handmade promotional books for valued contacts, featuring his own unique drawings and quirky texts and revealing his fondness for-among other subjects-cats, food, myths, shoes, beautiful boys, and gorgeous girls. Decades later, with originals now changing hands for thousands of dollars at auction, TASCHEN presents an immaculate boxed series of these seven books, replicating Warhol's originals as closely as possible down to the format, dimensions, and paper stock. With titles such as Love Is A Pink Cake, 25 Cats Named Sam, and A la Recherche du Shoe Perdu, the series reveals the artist's quirky character as well as his accomplished draftsmanship, boundless creativity, and innuendo-laced humor. The books make delightful play with styles and genres as much as with design, materials, and formats. The lithograph portfolio, A Is for Alphabet, devotes a page to each letter of the alphabet, with illustrations complemented by stumbling three-line verses that tell of strange encounters between man and animal. is at once a Warhol twist on a children's book and a covert celebration of gay love. Wild Raspberries, meanwhile, is a spoof cookbook with a cornucopia of adventurous recipes on 19 portrait-format pages of instructions and illustrations. Little-known, much-coveted jewels in the Warhol crown, these hand-drawn delights are as appealing and original today as they were back in the halcyon days of the 1950s. With an introductory essay by Warhol scholar Nina Schleif as well as contemporary illustrations and photographs of Warhol, this meticulous reprint offers a unique glimpse at a budding genius on the cusp of global fame. Text in English, French, and German