A Stanford University Press classic.
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This is the first comprehensive biography in any language of Russia's leading statesman in the period following the Revolution of 1905. Prime Minister and Minister of Internal Affairs from 1906 to 1911 (when he was assassinated), P. A. Stolypin aroused deep passions among his contemporaries as well as subsequent historians. In the twilight of Nicholas II's reign he was virtually the only man who seemed to have a clear notion of how to reform the socioeconomic and political system of the empire. His efforts in that direction—in agriculture, local administration, religious freedom, social legislation, the legal system—were radically new departures for the Russian state. His detractors disdained him as a power-hungry, coldhearted politician who was unscrupulous in pursuing his own career and would use any means to restore the tsarist autocracy following the frightening turbulence of 1905. Stolypin's admirers, however, argued that he was a man of vision who pursued policies that would have transformed the country into a modern state with social and political institutions comparable to those of the West. Lenin's celebrated denunciation of Stolypin as "hangman-in-chief" set the tone for official Soviet work on his career. In the West, some historians and émigré writers, most notably Aleksandr Solzhenitsyn, erred in the opposite direction. By contrast, this book—on the basis of extensive Russian archival documentation only recently available to historians—seeks to provide a balanced portrait of Stolypin that encompasses the complex, even divergent, impulses that motivated him. Although Stolypin did not shrink from the use of force to stamp out unrest, he lamented the shedding of blood and much preferred nonviolent means to curb the opposition. In foreign affairs, he was uncompromising in his insistence that Russia should avoid entanglements that could lead to military conflict. To be sure, he was deeply committed to monarchical rule, but he did not consider it advisable to abolish the elected legislature or to deprive it of its authority. Stolypin's program, a blend of reformism, authoritarianism, and nationalism, was more likely than any other to lead Russia toward social and political stability. But Tsar Nicholas II, his entourage, and ultra-conservatives could not bring themselves to yield a portion of their privileges and prerogatives in return for a reduced, though still significant, role in a changed Russia. They succeeded in undermining the Prime Minister's attempts at fundamental reform and thus scuttled Imperial Russia's last such attempt before its demise.
First published in 1955 to wide acclaim, T. Harry Williams' P. G. T. Beauregard is universally regarded as ""the first authoritative portrait of the Confederacy's always dramatic, often perplexing"" general (Chicago Tribune). Chivalric, arrogant, and of exotic Creole Louisiana origin, Beauregard participated in every phase of the Civil War from its beginning to its end. He rigidly adhered to the principles of war derived from his studies of Jomini and Napoleon, and yet many of his battle plans were rejected by his superiors, who regarded him as excitable, unreliable, and contentious. After the war, Beauregard was almost the only prominent Confederate general who adapted successfully to the New South, running railroads and later supervising the notorious Louisiana Lottery. This paradox of a man who fought gallantly to defend the Old South and then helped industrialize it is the fascinating subject of Williams' superb biography.
Right Ho, Jeeves by P. G. Wodehouse, Fiction, Literary, Humorous
P G Wodehouse
WILDSIDE PRESS
2004
pokkari
The second full-length novel featuring the popular characters Jeeves and Bertie Wooster, after Thank You, Jeeves. It also features a host of other recurring Wodehouse characters (some of whom it introduces) and is mostly set at Brinkley Court, the home of Bertie's Aunt Dahlia.I would urge you, however, to get hold of the complete novel Right Ho, Jeeves, where you will encounter it fully in context and find that it leaps even more magnificently to life. I don't know if you have had the same experience, but the snag I always come up against when I'm telling a story is this dashed difficult problem of where to begin it. It's a thing you don't want to go wrong over, because one false step and you're sunk. I mean, if you fool about too long at the start, trying to establish atmosphere, as they call it, and all that sort of rot, you fail to grip and the customers walk out on you. Get off the mark, on the other hand, like a scalded cat, and your public is at a loss. It simply raises its eyebrows, and can't make out what you're talking about. And in opening my report of the complex case of Gussie Fink-Nottle, Madeline Bassett, my Cousin Angela, my Aunt Dahlia, my Uncle Thomas, young Tuppy Glossop and the cook, Anatole, with the above spot of dialogue, I see that I have made the second of these two floaters. I shall have to hark back a bit. And taking it for all in all and weighing this against that, I suppose the affair may be said to have had its inception, if inception is the word I want, with that visit of mine to Cannes. If I hadn't gone to Cannes, I shouldn't have met the Bassett or bought that white mess jacket, and Angela wouldn't have met her shark, and Aunt Dahlia wouldn't have played baccarat. Yes, most decidedly, Cannes was the point d'appui. . .
A Man of Means by P. G. Wodehouse, Fiction, Literary
P G Wodehouse; C H Bovill
WILDSIDE PRESS
2004
pokkari
"Please, sir, it's about my salary." His age was twenty-two and his name was Roland Bleke. Mr. Fineberg, at his word, drew himself together much as a British square at Waterloo must have drawn itself together at the sight of a squadron of cuirassiers. "Salary?" he cried. "What about it? What's the matter with it? You get it, don't you?" "Yes, sir, but --" "Well? Don't stand there like an idiot. What is it?" "It's too much." Mr. Fineberg's brain reeled. It was improbable that the millennium could have arrived with a jerk; on the other hand, he had distinctly heard one of his clerks complain that his salary was too large. . . .
My Man Jeeves by P. G. Wodehouse, Fiction, Literary, Humorous
P G Wodehouse
WILDSIDE PRESS
2004
pokkari
Jeeves -- my man, you know -- is really a most extraordinary chap. So capable. Honestly, I shouldn't know what to do without him. On broader lines he's like those chappies who sit peering sadly over the marble battlements at the Pennsylvania Station in the place marked "Inquiries." You know the Johnnies I mean. You go up to them and say: "When's the next train for Melonsquashville, Tennessee?" and they reply, without stopping to think, "Two-forty-three, track ten, change at San Francisco." And they're right every time. Well, Jeeves gives you just the same impression of omniscience. . . . In _My Man Jeeves, _ affable, indolent Bertie Wooster and his precise, capable valet, Jeeves -- the ever cool and capable gentleman's gentleman Jeeves who pulls hapless Wooster's fat from the fire time and again -- weave themselves through a series of delightful adventures. But the adventures are almost beside the point: what the Jeevs stories are about is the relationship between these two men of very different classes and temperaments. Where Bertie is impetuous and feeble, Jeeves is cool-headed and poised. A motley clutch of buffoons accompanies Jeeves's accounts of Wooster's misunderstandings, gaffes, and backfiring plans.My Man Jeeves was first published in the United Kingdom in May 1919 by George Newnes. Of the eight stories in the collection, half feature the popular characters Jeeves and Bertie Wooster, while the others concern Reggie Pepper, an early prototype for Wooster."Mr. Wodehouse's idyllic world can never stale." -- Evelyn Waugh
The Clicking of Cuthbert by P. G. Wodehouse, Fiction, Literary, Short Stories
P G Wodehouse
WILDSIDE PRESS
2004
pokkari
"This book marks an epoch in my literary career. It is written in blood. It is the outpouring of a soul as deeply seared by Fate's unkindness as the pretty on the dog-leg hole of the second nine was ever seared by my iron. It is the work of a very nearly desperate man, an eighteen-handicap man who has got to look extremely slippy if he doesn't want to find himself in the twenties again."
The world knows little of its greatest women, and it is possible that Mrs. Porter's name is not familiar to you. If this is the case, I am pained, but not surprised. If you are ignorant of Lora Delane Porter's books that is your affair. Perhaps you are more to be pitied than censured. Nature probably gave you the wrong shape of forehead. Mrs. Porter's mind worked backward and forward. She had one eye on the past, the other on the future. If she was strong on heredity, she was stronger on the future of the race. . . .
The Man Upstairs and Other Stories by P. G. Wodehouse, Fiction, Classics, Short Stories
P G Wodehouse
WILDSIDE PRESS
2004
pokkari
The Man Upstairs is a collection of short stories, it is a miscellaneous collection, not featuring any of Wodehouse's regular characters; most of the stories concern love and romance.There were three distinct stages in the evolution of Annette Brougham's attitude towards the knocking in the room above. In the beginning it had been merely a vague discomfort. Absorbed in the composition of her waltz, she had heard it almost subconsciously. The second stage set in when it became a physical pain like red-hot pincers wrenching her mind from her music. Finally, with a thrill in indignation, she knew it for what it was -- an insult. The unseen brute disliked her playing, and was intimating his views with a boot-heel. Defiantly, with her foot on the loud pedal, she struck -- almost slapped -- the keys once more. "Bang " from the room above. "Bang Bang "Also includes "Something to Worry About," "Deep Waters," "When Doctors Disagree," "By Advice of Counsel," "Rough-Hew Them How We Will," "The Man Who Disliked Cats," "Ruth in Exile," "Archibald's Benefit," "The Man, the Maid, and the Miasma," "The Good Angel," "Pots o'Money," "Out of School," "Three from Dunsterville," "The Tuppenny Millionaire," "Ahead of Schedule," "Sir Agravaine," "The Goal-Keeper and the Plutocrat," and "In Alcala."Wodehouse worked extensively on his books, sometimes having two or more in preparation simultaneously. He would take up to two years to build a plot and write a scenario of about thirty thousand words. After the scenario was complete he would write the story. Early in his career he would produce a novel in about three months but he slowed in old age to around six months. He used a mixture of Edwardian slang, quotations from and allusions to numerous poets and several literary techniques to produce a prose style that has been compared with comic poetry and musical comedy.
"This robbery of the pots is a rum thing," said Vaughan, thoughtfully, when the last shreds of Plunkett's character had been put through the mincing-machine to the satisfaction of all concerned. "Yes. It's the sort of thing one doesn't think possible till it actually happens." "What the dickens made them put the things in the Pav. at all? They must have known it wouldn't be safe." "Well, you see, they usually cart them into the Board Room, I believe, only this time the governors were going to have a meeting there. They couldn't very well meet in a room with the table all covered with silver pots." "Don't see why." "Well, I suppose they could, really, but some of the governors are fairly nuts on strict form. There's that crock who makes the two-hour vote of thanks speeches on Prize Day. You can see him rising to a point of order, and fixing the Old 'Un with a fishy eye." "Well, anyhow, I don't see that they can blame a burglar for taking the pots if they simply chuck them in his way like that." "No. I say, we'd better weigh in with the Livy. The man Ward'll be round directly. Where's the dic? AND our invaluable friend, Mr. Bohn? Right. Now, you reel it off, and I'll keep an eye on the notes." And they settled down to the business of the day.
It may be thought by some that in the pages which follow I have painted in too lurid colors the horrors of a foreign invasion of England. Realism in art, it may be argued, can be carried too far. I prefer to think that the majority of my readers will acquit me of a desire to be unduly sensational. It is necessary that England should be roused to a sense of her peril, and only by setting down without flinching the probable results of an invasion can this be done. This story, I may mention, has been written and published purely from a feeling of patriotism and duty. Mr. Alston Rivers' sensitive soul will be jarred to its foundations if it is a financial success. So will mine. But in a time of national danger we feel that the risk must be taken. After all, at the worst, it is a small sacrifice to make for our country. -- P.G. WODEHOUSE
For every parent who’s ever received a letter from a homesick child or anybody who’s ever written their parents with crazy requests from their bunk, P.S. I Hate It Here: Kids’ Letters From Camp will delight with hilarious and heartwarming real-life letters.In the bestselling tradition of nostalgic looks at classic rites of passage, such as Camp Camp and Bar Mitzvah Disco, P.S. I Hate It Here: Kids’ Letters from Camp captures a childhood experience shared by millions. This collection of real letters written by children ages eight to sixteen to their parents about their adventures at summer camp are laugh-out-loud funny and will have readers reminiscing about their own camp days.More than 150 letters cover all the imaginable scenarios of sleep away camp, from acing the cabin lice inspection, to rowing in the “ricotta” race, to breaking the bad news about a retainer lost in the wilderness. These letters reveal that kids are wittier and more sophisticated than we might assume, and that the experience of being away from home for the first time creates hilarious and lasting memories.Inspired by her daughter's "melodramatic rants" from camp, Diane Falanga collected 150 hilarious, poignant letters from kids 8-16 ... Read it and remember.- People MagazineWhether your kid is in camp or you cherish your own memories of s'mores and Color Wars, you'll get a kick out of P.S. I Hate It Here! , a book of real-life, laugh-out-loud letters from camp.- Redbook MagazineKids just left for sleepaway camp? See how their letters from home measure up to the humorous missives in the new book "P.S. I Hate It Here: Kids' Letters From Camp" by Diane Falanga, a collection of more than 150 real letters.- Newsday'P.S. I Hate It Here' compiles notes home from camp with love - a handsome, actually quite beautiful, little book.- Chicago TribuneTrust me when I tell you that not only will your kids get a kick out of the amazingly funny letters contained in this book, you and your friends will too.- Chicago Parent MagazineThis collection of kids' actual letters home brings back all the hilarity and homesickness of sleepaway camp. Each image displays children's creative spelling, their pleading to be picked up or for permission to stay "just two more weeks." Parents and seasoned campers will enjoy reading this collection and laughing at (or commiserating with) these familiar dilemnas: "I hate it here! The letter before this about me starting to have fun was not true ..."- San Diego Family Magazine
It's a movement. It's a call to action: re-imagine, re-use and re-invent. PS I Made This...will inspire and encourage readers to embrace the concept of: I see it, I like it, I make it. Part Designer DIY, part fashion and lifestyle inspiration guide, PS I Made This...was born from Erica Domesek's popular site of the same name. Domesek's collection of unique projects will tempt any fashionista who's ready for DIY style! The book features over 25 projects inspired by iconic fashion looks, runway trends, and celebrated style mavens for readers to create themselves. The user-friendly Designer DIY projects, which range from fashion accessories to apparel, are featured alongside inspirational, vivid fashion montages and clear, easy to follow, step-by-step instructions. The ultimate innovative style guide for the current economic climate, PS I Made This...shows readers how they can easily create designer inspired looks themselves. The book also includes a resource guide for readers on where to get ingredients " from each of the projects and sidebars chalk full of tips and tricks, making this the ultimate blend of fashion and craft.
P. C. Chang and the Universal Declaration of Human Rights
Hans Ingvar Roth
University of Pennsylvania Press
2018
sidottu
The Universal Declaration of Human Rights is one of the world's best-known and most translated documents. When it was presented to the United Nations General Assembly in December in 1948, Eleanor Roosevelt, chair of the writing group, called it a new "Magna Carta for all mankind." The passage of time has shown Roosevelt to have been largely correct in her prediction as to the declaration's importance. No other document in the world today can claim a comparable standing in the international community. Roosevelt and French legal expert RenÉ Cassin have often been represented as the principal authors of the declaration. But in fact, it resulted from a collaborative effort involving a number of individuals in different capacities. One of the declaration's most important authors was the vice chairman of the Human Rights Commission, Peng Chun Chang (1892-1957), a Chinese diplomat and philosopher whose contribution has been the focus of growing attention in recent years. Indeed, it is Chang who deserves the credit for the universality and religious ecumenism that are now regarded as the declaration's defining features. Despite this, Chang's extraordinary contribution has been overlooked by historians. Peng Chun Chang was a modern-day Renaissance man-teacher, scholar, university chancellor, playwright, diplomat, and politician. A true cosmopolitan, he was deeply involved in the cultural exchange between East and West, and the dramatic events of his life left a profound mark on his intellectual and political work. P. C. Chang and the Universal Declaration of Human Rights is the first biography of this extraordinary actor on the world stage, who belonged to the same generation as Mao Zedong and Chiang Kai-shek. Drawing on previously unknown sources, it casts new light on Chang's multifaceted life and involvement with one of modern history's most important documents.
The Philosophy of P. F. Strawson
P.F. Strawson; Lewis Edwin Hahn
Open Court Publishing Co ,U.S.
1999
sidottu
Born in 1919, Strawson was a leading proponent of ordinary language philosophy. He is the author of the early and extremely influential paper "On Referring" in which he criticized Russell's theory of definite descriptions. His most influential book, Individuals, helped to raise the status of metaphysics as a philosophical enterprise. Themes first addressed in this book continued to be of concern to him in his later work, including the possibility of objective knowledge, the subject-predicate distinction, the ontological status of persons, and the problem of individuation.Contributors to the book include: Ruth Garrett Millikan, Susan Haack, E. M. Adams, Panayot Butchvarov, Richard Behling, John McDowell, Simon Blackburn, Tadeusz Szubka, David Frederick Haight, Joseph S. Wu, Andrew G. Black, David Pears, Robert Boyd, Hilary Putnam, Paul F. Snowdon, Arindam Chakrabarti, Wenceslao J. Gonzalez, Ernest Sosa, Chung-M. Tse, John R. Searle, P. F. Strawson.
The Philosophy of P. F. Strawson
P.F. Strawson; Lewis Edwin Hahn
Open Court Publishing Co ,U.S.
1999
pokkari
The twenty-sixth volume in the highly acclaimed Library of Living Philosophers series is devoted to the work of British philosopher of logic and metaphysician, P. F. Strawson. Following the Library of Living Philosophers series format, the volume contains an intellectual autobiography, twenty critical and descriptive essays by leading philosophers from around the world, Strawson's replies to the essays, and a bibliography of Strawson's works.Born in 1919, Strawson was a leading proponent of ordinary language philosophy. He is the author of the early and extremely influential paper "On Referring" in which he criticized Russell's theory of definite descriptions. His most influential book, Individuals, helped to raise the status of metaphysics as a philosophical enterprise. Themes first addressed in this book continued to be of concern to him in his later work, including the possibility of objective knowledge, the subject-predicate distinction, the ontological status of persons, and the problem of individuation.Contributors to the book include: Ruth Garrett Millikan, Susan Haack, E. M. Adams, Panayot Butchvarov, Richard Behling, John McDowell, Simon Blackburn, Tadeusz Szubka, David Frederick Haight, Joseph S. Wu, Andrew G. Black, David Pears, Robert Boyd, Hilary Putnam, Paul F. Snowdon, Arindam Chakrabarti, Wenceslao J. Gonzalez, Ernest Sosa, Chung-M. Tse, John R. Searle, P. F. Strawson.
P-adic L-functions and P-adic Representations
AMERICAN MATHEMATICAL SOCIETY
2000
pokkari
Traditionally, $p$-adic $L$-functions have been constructed from complex $L$-functions via special values and Iwasawa theory. This book presents a theory of $p$-adic $L$-functions coming directly from $p$-adic Galois representations (or, more generally, from motives).