Many people who have ever owned a pet will swear that their dog or cat or other animal has exhibited some kind of behaviour they just can't explain.
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1000 tulosta hakusanalla Rupert Brooke
Have you ever had a premonition, the feeling of being watched, or a telepathic experience? Renowned biologist Rupert Sheldrake explores the intricacies of the mind and discovers that our perceptive abilities are stronger than many of us could have imagined.
Rupert Isaacson's The Horse Boy is one family's epic journey to rescue their son.Rupert and Kirstin Isaacson were heartbroken when they learned that their two-year-old son Rowan was autistic. And with each passing day, Rowan's growing isolation, his uncontrollable fits, each failed treatment, filled them with despair.Then one day Rowan escaped and ran into a field of horses. Rupert watched in horror - but saw a miracle occur. The horses responded lovingly to Rowan - and he to them. Could Rowan's affinity with these animals save their son from his condition?The Isaacsons left their home in Texas and travelled to the plains and mountains of Mongolia - the spiritual home of the horse - risking everything - their happiness, future and sanity - on an arduous epic horseback journey in search of a cure for Rowan . . .'An elegant, affecting narrative...a triumph of the human spirit' Daily Telegraph'Captivating, incredible, a magical journey, an impossible dream'Telegraph Weekend'It is probably only once in a critical lifetime that one will be moved almost to tears by [such] an account ... the excellence of his writing [creates an] elegant, affecting narrative ... a triumph of the human spirit'Telegraph'Magical, miraculous, uplifting'Daily MailRupert Isaacson is British but lives with his family in Texas, USA. He is an ex-professional horse trainer and founding director of the Indigenous Land Rights Fund. He is the author of The Healing Land: A Kalahari Journey and his journalism and travel writing has appeared in the Daily Telegraph, Esquire, National Geographic, Independent on Sunday, Conde Nast Traveller, Daily Mail and The Field.
UPDATED WITH TWO NEW CHAPTERS'One of the most provocative and startling books ever written by a British commander ... an update of the two great thinkers on war and peace, Clausewitz and Sun Tsu, for our time ... it is for anyone interested in the well-being of our world' Robert Fox, Evening StandardWhy do we try to use military force to solve our political problems? And why, when our forces win the military battles does this still fail to solve those problems? It is because the force lacks utility. From Iraq to the Balkans, and from Afghanistan to Chechneya, over the past fifteen years there has been a steady stream of military interventions that have not delivered on their promise for peace, or even political resolution. The Utility of Force explains this anomaly at the heart of our current international system.'Britain's outstanding soldier of modern times ... a book that will assure his reputation as a serious and original thinker among soldiers and strategists' Sir John Keegan, Daily Telegraph'It is hard to overstate the devastating nature of this book as an indictment of almost everything the West has done in recent years, and is doing today' Sir Max Hastings, Sunday Telegraph
Buddhism is a vast and complex religious and philosophical tradition with a history that stretches over 2,500 years, and which is now followed by around 115 million people. In this introduction to the foundations of Buddhism, Rupert Gethin concentrates on the ideas and practices which constitute the common heritage of the different traditions of Buddhism (Thervada, Tibetan, and Eastern) which exist in the world today. From the narrative of the story of the Buddha, through discussions of aspects such as textual traditions, the framework of the Four Noble Truths, the interaction between the monastic and lay ways of life, the cosmology of karma and rebirth, and the path of the bodhisattva, this books provides a stimulating introduction to Buddhism as a religion and way of life, which will also be of interest to those who are more familiar with the subject.
The Corpus of Late Celtic Hanging-Bowls
Rupert Bruce-Mitford; Sheila Raven
Oxford University Press
2005
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Celtic hanging-bowls were produced from the fifth to the eleventh century and range from simple functional vessels to great masterpieces of the period. The first part of the publication sets the bowls in their historical and cultural background and discusses all key aspects of hanging-bowl research, including the much-disputed topics of origin, use, and chronology. The second part is a comprehensive and highly detailed catalogue, dealing with the whole series from Britain and Europe. The publication is lavishly illustrated with over a thousand black and white illustrations and eight colour plates. This long-awaited book by the leading authority on the subject will become the definitive work on this distinctive class of Celtic artefact.
Liturgy is concerned with the worship of God. Yet in spite of that - some might say because of that - it is necessary to have rules. It is sometimes mistakenly thought that these rules are archaic and therefore irrevelant; in fact the rules and their interpretation have changed considerably in recent years, so much so that there is now widespread concern among the clergy and church administrators about the degree to which Liturgical Law is being correctly understood and applied. This book has a straight forward aim which is to describe and analyse a wide range of Ecclesiastical Law topics which are scarcely dealt with in other books on Church Law and Ecclesiastical Law. As such it provides not merely a statement of legal principles but also a discussion in-depth of the relevant law and its developments. The style is precise and easy to read. The authorities and foot-notes are comprehensive. Arguably it presents the most comprehensive coverage of Ecclesiastical Law published in modern times.
Modernism and the Museum proposes an entirely new way of looking at the evolution of Modernist art and literature in the West. It shows that existing surveys of Modernism tend to treat the early stages of the movement as a purely European phenomenon, and fail to take account of the powerful and direct influence of Asia, Africa, and the Pacific islands operating via museums and exhibitions, particularly in London. The book presents the poet Ezra Pound and the sculptor Jacob Epstein as two seminal figures whose development of a Modernist aesthetic depended almost entirely on innovations adapted from extra-European visual art, and makes similar revelations about the work of related figures such as Henri Gaudier-Brzeska, Eric Gill, T.E. Hulme, Laurence Binyon, Richard Aldington, Amy Lowell, Charles Holden, William Rothenstein, Ford Madox Ford, James Gould Fletcher, James Havard Thomas, W.B. Yeats, and D.H. Lawrence. The writing is engaging, but the scholarship is rigorous, and a large quantity of previously unpublished evidence is made available from the British Museum, the Victoria and Albert Museum, the Royal Institute of British architects, the Tate Gallery, and several private collections. The book positions the museums of London - and especially the British Museum - as the West's most significant hub of transcultural aesthetic exchange during the early Twentieth century. It essentially proposes that, far from representing a development rooted in provincial European culture, Modernism was in fact the result of an unprecedented willingness in the avant-garde of the West to engage with the rest of the world.
Step-by-step Q&As with detailed colour photographs for easy identification. The Firefly Guide to Minerals, Rocks & Gems is designed for easy and reliable identification of minerals, gems and rocks. Beginning with the stone's colour and any streak, and using a sequence of straightforward questions and answers - aided by 1,300 photographs and drawings - it's easy to narrow down the possibilities among 350 minerals, gems and rocks to the conclusive classification. The book organizes the rocks by colour: Blue, Red, Yellow, Brown, Green, Black, and White. Identification begins with noting the colour of the rock's streak (i.e., vein, line). Identification is then further narrowed down with respect to Colour, Crystal form, Hardness, Lustre, Density, Cleavage, Break and Tenacity. Each rock's main photograph shows the general or typical view, and identification tips about features are noted in the margins of the respective page. Similar stones are presented for comparison and tips are provided that can eliminate imposters. Drawings show the mineral's crystal shape. The chemical formula reveals the elements from which the mineral is composed. There is also information about where the stone is typically found and some of the ways that humans have utilized it. Packed with beautiful photographs of earth's many rocks, minerals and gems, The Firefly Guide to Minerals, Rocks & Gems is perfect for amateur mineralogists and collectors.
Mineral collecting by amateur “rockhounds” has never been more popular. Old quarries, road cuts, and exposed landscapes are being examined by new generations of minerals enthusiasts. Each needs a comprehensive guidebook with clear photographs and accurate data. This is it. In a thick but handy format, more than 700 different minerals and rocks are grouped by colour (for ease of location in the book) — blue, red, yellow, brown, green, white and black crystals; brown and grey sedimentary rocks; and meteorites for anyone lucky enough to find one. Each has a picture – four to a page—opposite detailed but clear data: Chemical formula; Hardness; Colour; Density; Lustre; Cleavage; Fracture; Tenacity; Crystal form; Similar minerals and where they are likely to occur. And many will have a diagram of its crystal form—up to four, for fluorite, for example. The Minerals Encyclopedia is unusual for the number of minerals it covers: more than 700 in 444 pages, with a useful glossary, an introduction to mineral collecting, and printed front and back flaps that offer quick reference in the field, and a measuring rule on the back cover. This is a superior reference for rockhounds, geology students and outdoors people with an interest in what’s under their feet.
'Beautiful and unflinching, Cloudless is a phenomenal debut' ANNA HOPEIt is autumn 2004 and in a farmhouse on the hills outside Llandudno, a family endures the agonizing wait for their son to return from Iraq. His decision to join up has left them reeling, yet there are other pressing concerns to be met at home: the working of the farmland that has been theirs for generations and what to do with their troubled younger son.Catrin’s childhood sweetheart comes back to their small town, giving the boys’ doting mother a glimpse into the life she could have had. And John, their father, falls once more into his gambling habit, even as the farm sits on the brink of bankruptcy.As each member of the family grasps at their own tenuous lifeline, they drift further from one another – until, on a cold winter evening, there is a fateful knock at the door.Written in luminous, exquisitely calibrated prose, Cloudless is a masterful portrayal of the fragility and resilience of human connection.‘A story about love and war, family and nation, addiction and recovery, told with intelligence, sensitivity and a huge heart. A must-read’ PAUL McVEIGH, author of The Good Son‘Elegant and quietly devastating . . . Dastur affords his characters such grace and complexity that they transcend fiction to become people you feel that you know and care for deeply’ Melissa Fu, author of Peach Blossom Spring
History is littered with wars and atrocities apparently inspired by religion, and today there seems no end to reports of cruelty and violence carried out in the name of God. But is it belief in God that motivates these evils? Or do they spring from other motives? At the same time, history testifies to numerous benefits to humanity brought about by religious individuals and movements. But despite these positive outcomes might it be true, as some atheists aver, that religion in general does more harm than good? Is religion itself inherently toxic? Or could it simply be that there is good religion and there is bad religion, and we just need to learn to tell the difference? Rupert Shortt's investigation of these questions will encourage both believers and unbelievers to discard the lazy thinking and easy assumptions that so often disfigure the arguments on either side of this debate. It will also facilitate a more sensitive, nuanced and honest approach to religious differences that today still lead to misunderstanding, hatred and violent conflict.
'A masterclass.' - Church Times 'A bracing demonstration that a Christian can myth-bust an atheist quite as effectively as vice versa.' Tom Holland In his latest book Outgrowing God, Richard Dawkins tries to show that all religious belief is intellectually nonsensical and thus highly damaging in practice. But does he even understand what he rejects? In this incisive rebuttal, Rupert Shortt exposes the main flaws in Dawkins's arguments - his weakness for crude caricatures, selective way with evidence, ignorance of philosophy and history as well as theology, and even his questionable interpretations of science. At the same time Outgrowing Dawkins demonstrates the coherence of a mature, self-critical faith and its contribution to human progress. 'A penetrating, concise and informed critique of Richard Dawkins. This is now the best starting point for anyone wanting to assess his views on science and faith.' Alister E. McGrath 'A great read. Rupert Shortt demolishes Richard Dawkins's arguments with consummate elegance.' Julia Neuberger
Psyche and Symbol in the Theater of Federico Garcia Lorca
Rupert C. Allen
University of Texas Press
1974
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Symbol and psyche are twin concepts in contemporary symbological studies, where the symbol is considered to be a "statement" by the psyche. The psyche is a manifold of conscious and unconscious contents, and the symbol is their mediator. Because Lorca's dramatic characters are psychic entities made up of both conscious and unconscious elements, they unfold, grow, and meet their fate in a dense realm of shifting symbols. In Psyche and Symbol in the Theater of Federico García Lorca, Rupert Allen analyzes symbologically three dramatic works of Lorca. He has found Perlimplín to be a good deal more complex in both psyche and symbol than it has been admitted to be. Yerma involves psychological complications that have not been considered in the light of modern critical analysis, and the symbolic reaches ofBlood Wedding have until this book remained largely unexplored. Lorca was no stranger to the "agony of creation," and this struggle sometimes appears symbolically in the form of his dramatic characters. Both Yerma and Blood Wedding reflect specific problems underlying the creative act, for they are "translations" into the realm of sexuality of the creative turmoil experienced by Lorca the poet. Perlimplín portrays the paradoxical suicide as a self-murder born out of the futile attempt to create not a poem, but a self. Previous criticism of these three plays has been dominated by critical assumptions that are transcended by Lorca's own twentieth-century mentality. Allen's analysis provides a new view of Lorca as a dramatist and presents new material to students of symbology.
After decades in prison for crimes gruesomely familiar to everyone in England, a murderer has finally died of natural causes, no less notorious in death than she was in life. Billy Tyler, a career policeman, has been assigned the task of guarding her body in the hospital morgue. But alone on a graveyard shift his wife begged him not accept, Billy has occasion to contemplate the various turns his life has taken and to discover why it is that on this dark night of the soul the reviled murderer seems to speak to him directly. Death of a Murderer is a gripping novel of crime, punishment, fear, and temptation.
Dogs That Know When Their Owners Are Coming Home: And Other Unexplained Powers of Animals
Rupert Sheldrake
Crown Publishing Group (NY)
2011
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With a scientist's mind and an animal lover's compassion, world-renowned biologist Rupert Sheldrake presents a groundbreaking exploration of animal behavior that will profoundly change the way we think about animals--and ourselves.How do cats know when it's time to go to the vet, even before the cat carrier comes out? How do dogs know when their owners are returning home at unexpected times? How can horses find their way back to the stable over completely unfamiliar terrain?After five years of extensive research involving thousands of people who have pets and work with animals, Dr. Sheldrake proves conclusively what many pet owners already know: there is a strong connection between humans and animals that defies present-day scientific understanding. Sheldrake compellingly demonstrates that we and our pets are social animals linked together by invisible bonds connecting animals to each other, to their owners, and to their homes in powerful ways. His provocative ideas about these social, or morphic, fields explain the uncanny behavior often observed in pets and help provide an explanation for amazing animal behavior in the wild, such as migration and homing.Dogs That Know When Their Owners Are Coming Home not only provides fascinating insight into animal, and human, behavior, but also teaches us to question the boundaries of conventional scientific thought, and shows that the very animals who are closest to us have much to teach us about biology, nature, and consciousness.
When his son Rowan was diagnosed with autism, Rupert Isaacson was devastated, afraid he might never be able to communicate with his child. But when Isaacson, a lifelong horseman, rode their neighbor's horse with Rowan, Rowan improved immeasurably. He was struck with a crazy idea: why not take Rowan to Mongolia, the one place in the world where horses and shamanic healing intersected? The Horse Boy is the dramatic and heartwarming story of that impossible adventure. In Mongolia, the family found undreamed of landscapes and people, unbearable setbacks, and advances beyond their wildest dreams. This is a deeply moving, truly one-of-a-kind story -- of a family willing to go to the ends of the earth to help their son, and of a boy learning to connect with the world for the first time.