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1000 tulosta hakusanalla Ruth Ware

Let's Cook Thai with Ruth

Let's Cook Thai with Ruth

Ruth Jennings

Independently Published
2019
nidottu
A book filled with family recipes from a Thai gourmet chef. Fantastic food to satisfy the body, mind and soul. From the roots of Thai cooking in the Royal Palace's kitchen, Ruth has provided secrets of how ingredients are combined into delicious meals - all within 30-45 minutes.
Ruth la Moabite: Là où tu iras, j'irai

Ruth la Moabite: Là où tu iras, j'irai

David Schwartzkopf

Independently Published
2019
nidottu
La v ritable histoire de Ruth la MoabiteL o tu iras, j'irai Un destin de femme unique et motivant Suivi de Destins de Femmes: Biographies de femmes d'exceptionEXTRAITCe fut l' poque o les juges furent jug s. Malheur la g n ration qui juge ses juges et malheur la g n ration dont les juges doivent tre jug s. En ces jours, il n'avait pas de roi en Isra l. Chacun faisait ce que bon lui semblait. L'idol trie et la corruption gangrenaient tout le pays. Les notables en apparence vertueux s'adonnaient en secret aux pires m faits. Le reste de la population se montrait juste dans leurs actes, mais la m chancet guidait leur coeur. Les juges, garants de l'int grit et de la justice, se fourvoyaient aux yeux de tous. De plus, la plupart d'entre eux taient ignorants en Torah.Autant dire qu'ils ne valaient gu re mieux que les malfrats qu'ils condamnaient. Tout le monde connaissait leurs p ch s. Et il arrivait souvent que les tribunaux deviennent le th tre de honteux sacril ges. Un jour, un marchand se pr senta devant la cour. Il tait accus de tricherie dans les poids et mesures, ainsi que de corruption. PROPOS DE L'AUTEURDavid Schwartzkopf est d j auteur de livres et d'articles sur le juda sme. Depuis une quinzaine d'ann es, il vit J rusalem o il enseigne la Pens e juive.
Ruth Gipps

Ruth Gipps

Jill Halstead

Routledge
2016
nidottu
When Ruth Gipps died in 1999, her legacy was as one of Britain's most prolific female composers. Her creative output spanned some seventy years and includes symphonies, tone poems, concertos, string quartets and various large-scale choral and chamber works. Not content with her creative activities, her boundless energy fuelled her other roles as conductor, concert pianist, orchestral musician and pedagogue. Her many talents were acknowledged but not always respected and she was a figure often dogged by controversy. She gained a reputation for being uncompromising both personally and musically, a reputation that was ultimately to leave her isolated. In the first major review of her life and work the importance of Ruth Gipps is established in two ways: first, as a pioneering woman composer and conductor whose work challenged prevailing attitudes in the era directly after the war and second, as a composer whose musical philosophy was often at odds with mainstream thinking. Although she was branded a reactionary, her position reveals a number of important counter currents in English musical life in the twentieth century. The first section of the book documents her formative years, her life as child prodigy, the disruption and opportunities offered by war, the dramatic end of her career as a concert pianist and her subsequent entry into the world of conducting. The influence of key figures such as Vaughan Williams, Arthur Bliss, Malcolm Arnold and George Weldon is explored, as is Gipps's habitually thorny relationship with a range of musical institutions including the BBC and the City of Birmingham Symphony Orchestra. In the second part of the book her compositional output is reviewed. Works are explored via the guiding themes of her creative agenda; namely anti-modernism and Englishness. The book closes with an analysis of a group of works which all have gendered narratives or readings. As Gipps regularly used personal experience as the basis for such musical narratives, these works provide an intimate insight into this fascinating and complex woman.