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Picturing Landscape in an Age of Extraction

Picturing Landscape in an Age of Extraction

Stephanie O'Rourke

THE UNIVERSITY OF CHICAGO PRESS
2025
sidottu
O’Rourke argues that artistic representations played a pivotal role in shaping how people thought about the natural world during the Industrial Revolution. In the late eighteenth and early nineteenth centuries, European artists confronted the emergence of a new way of thinking about and treating the Earth and its resources. Centered on extraction, this new paradigm was characterized by large-scale efforts to transform and monetize the physical environment across the globe. With this book, Stephanie O’Rourke considers such practices, looking at what was at stake in visual representations of the natural world during the first decades of Europe’s industrial revolutions. O’Rourke argues that key developments in the European landscape painting tradition were profoundly shaped by industries including mining and timber harvesting, as well as by interlinked ideas about race, climate, and waste. Focusing on developments in Britain, France, Germany, and across Europe’s colonial networks, she explores how artworks and technical illustrations portrayed landscapes in ways that promoted—or pushed against—the logic of resource extraction.
rushes from the river disappointment

rushes from the river disappointment

stephanie roberts

McGill-Queen's University Press
2020
nidottu
"those of us who've seen miracles know how to ask. / if you've asked, do you love me, i almost certainly / don't love you." This meditative, musically attentive collection explores the confounding nature of intimate relationships. stephanie roberts's poetic expression is often irreverent, unapologetic, and infused with humour that can take surprisingly grave turns. rushes from the river disappointment traverses city, country, and fantasy using nature as artery through the emotional landscape. As they wrestle to come to terms with the effects of uncertainty and grief on hope and belief, these diverse field notes are interspersed with the fabulous: a polar bear and owl engage in flirtation, a time traveller appears on a lake, an erotic scene takes place on a train, and we confront "people capable of eating popcorn at the movie of your agony." roberts's language is dense with images and sometimes acrobatic. In poems that affirm love and desire as treasures fought for more than just felt, rushes from the river disappointment turns an unblinking gaze on the failures of courage that distance us from love.
Villain, Vermin, Icon, Kin

Villain, Vermin, Icon, Kin

Stephanie Rutherford

MCGILL-QUEEN'S UNIVERSITY PRESS
2022
sidottu
A wolf’s howl is felt in the body. Frightening and compelling, incomprehensible or entirely knowable, it is a sound that may be heard as threat or invitation but leaves no listener unaffected.Toothsome fiends, interfering pests, or creatures wild and free, wolves have been at the heart of Canada’s national story since long before Confederation. Villain, Vermin, Icon, Kin contends that the role in which wolves have been cast – monster or hero – has changed dramatically through time. Exploring the social history of wolves in Canada, Stephanie Rutherford weaves an innovative tapestry from the varied threads of historical and contemporary texts, ideas, and practices in human-wolf relations, from provincial bounties to Farley Mowat’s iconic Never Cry Wolf. These examples reveal that Canada was made, in part, through relationships with nonhuman animals. Wolves have always captured the human imagination. In sketching out the connections people have had with wolves at different times, Villain, Vermin, Icon, Kin offers a model for more ethical ways of interacting with animals in the face of a global biodiversity crisis.
Villain, Vermin, Icon, Kin

Villain, Vermin, Icon, Kin

Stephanie Rutherford

MCGILL-QUEEN'S UNIVERSITY PRESS
2022
nidottu
A wolf’s howl is felt in the body. Frightening and compelling, incomprehensible or entirely knowable, it is a sound that may be heard as threat or invitation but leaves no listener unaffected.Toothsome fiends, interfering pests, or creatures wild and free, wolves have been at the heart of Canada’s national story since long before Confederation. Villain, Vermin, Icon, Kin contends that the role in which wolves have been cast – monster or hero – has changed dramatically through time. Exploring the social history of wolves in Canada, Stephanie Rutherford weaves an innovative tapestry from the varied threads of historical and contemporary texts, ideas, and practices in human-wolf relations, from provincial bounties to Farley Mowat’s iconic Never Cry Wolf. These examples reveal that Canada was made, in part, through relationships with nonhuman animals. Wolves have always captured the human imagination. In sketching out the connections people have had with wolves at different times, Villain, Vermin, Icon, Kin offers a model for more ethical ways of interacting with animals in the face of a global biodiversity crisis.
Just One Rain Away

Just One Rain Away

Stephanie C. Kane

MCGILL-QUEEN'S UNIVERSITY PRESS
2022
sidottu
Not long ago it seemed flood control experts were close to mastering the unruly flows funnelling toward Hudson Bay and the Prairie city of Winnipeg. But as more intense and out-of-synch flood events occur, wary cities like Winnipeg continue to depend on systems and specifications that will soon be out of date. Rivers have impulses that defy many of the basic human assumptions underpinning otherwise sophisticated technologies. This is the river-city expression of climate change.In Just One Rain Away Stephanie Kane shows how geoscience, engineering, and law converge to affect flood control in Winnipeg. She questions technicalities produced and maintained in tandem with settler folkways at the expense of the plural legal cultures of Indigenous nations. The dynamics of this experimental ethnography feel familiar yet strange: here, many of the starring actors are not human. Ice and water – materializing as bodies, elements, and digital signals – act with diatoms, diversions, sensors, sandbags, and satellites, looping theories about glacial erratics and feminist science studies into scenes from neighbourhood parks, conferences, survey maps, plays, archival photos, a novel, an emergency press conference, LiDAR images, and a lab experiment in a bathtub. Through storytelling and environmental analytics, Just One Rain Away provides a starting point for cross-cultural discussions about how expert knowledge and practice should inform egalitarian decision-making about flood control and, more broadly, decolonize current ways of thinking, being, and becoming with rivers.
Just One Rain Away

Just One Rain Away

Stephanie C. Kane

MCGILL-QUEEN'S UNIVERSITY PRESS
2022
nidottu
Not long ago it seemed flood control experts were close to mastering the unruly flows funnelling toward Hudson Bay and the Prairie city of Winnipeg. But as more intense and out-of-synch flood events occur, wary cities like Winnipeg continue to depend on systems and specifications that will soon be out of date. Rivers have impulses that defy many of the basic human assumptions underpinning otherwise sophisticated technologies. This is the river-city expression of climate change.In Just One Rain Away Stephanie Kane shows how geoscience, engineering, and law converge to affect flood control in Winnipeg. She questions technicalities produced and maintained in tandem with settler folkways at the expense of the plural legal cultures of Indigenous nations. The dynamics of this experimental ethnography feel familiar yet strange: here, many of the starring actors are not human. Ice and water – materializing as bodies, elements, and digital signals – act with diatoms, diversions, sensors, sandbags, and satellites, looping theories about glacial erratics and feminist science studies into scenes from neighbourhood parks, conferences, survey maps, plays, archival photos, a novel, an emergency press conference, LiDAR images, and a lab experiment in a bathtub. Through storytelling and environmental analytics, Just One Rain Away provides a starting point for cross-cultural discussions about how expert knowledge and practice should inform egalitarian decision-making about flood control and, more broadly, decolonize current ways of thinking, being, and becoming with rivers.
Under the Weather

Under the Weather

Stephanie Sodero

MCGILL-QUEEN'S UNIVERSITY PRESS
2022
sidottu
Humans and human mobility, including driving and flying, are entangled with the climate emergency. Fossil-fuelled mobility worsens severe weather, and in turn, severe weather disrupts human mobility. A shift to zero-emission vehicles is critical but insufficient to repair the damage or prepare communities for the coming disruptions severe weather will bring. In Under the Weather Stephanie Sodero explores the intersection between human mobility and severe weather. Anchored in two Atlantic Canadian hurricane case studies, Hurricane Juan in Mi'kma'ki/Nova Scotia in 2003 and Hurricane Igor in Ktaqmkuk/Newfoundland in 2010, the book contributes to contemporary cultural and policy discussions by offering five practical recommendations – revolutionize mobility, prioritize vital mobility of medical goods and services, embrace ecological mobilities, rebrand redundancy, and think flexibly – for how mobility can be reimagined to work with, rather than against, the climate in ways that also benefit the health, education, and economy of local communities. This ecological approach to mobilities sheds light on extreme mobility dependency and the impact of mobility disruptions on the ground in Canadian communities.Focusing on the entangled relationship between human mobility and the climate, Under the Weather examines how communities can transform their relationship with mobility to enable greater resilience.
Under the Weather

Under the Weather

Stephanie Sodero

MCGILL-QUEEN'S UNIVERSITY PRESS
2022
nidottu
Humans and human mobility, including driving and flying, are entangled with the climate emergency. Fossil-fuelled mobility worsens severe weather, and in turn, severe weather disrupts human mobility. A shift to zero-emission vehicles is critical but insufficient to repair the damage or prepare communities for the coming disruptions severe weather will bring. In Under the Weather Stephanie Sodero explores the intersection between human mobility and severe weather. Anchored in two Atlantic Canadian hurricane case studies, Hurricane Juan in Mi'kma'ki/Nova Scotia in 2003 and Hurricane Igor in Ktaqmkuk/Newfoundland in 2010, the book contributes to contemporary cultural and policy discussions by offering five practical recommendations – revolutionize mobility, prioritize vital mobility of medical goods and services, embrace ecological mobilities, rebrand redundancy, and think flexibly – for how mobility can be reimagined to work with, rather than against, the climate in ways that also benefit the health, education, and economy of local communities. This ecological approach to mobilities sheds light on extreme mobility dependency and the impact of mobility disruptions on the ground in Canadian communities.Focusing on the entangled relationship between human mobility and the climate, Under the Weather examines how communities can transform their relationship with mobility to enable greater resilience.
Where did Luna go?

Where did Luna go?

Stephanie Hewitt

Tellwell Talent
2020
sidottu
Luna is a cheeky and playful big black dog with lots of curly-wurly hair who likes to explore and play. One day, Luna gets a little bit stuck somewhere . . .\Where did Luna go?Come and explore with Luketo help find Luna.
Where did Luna go?

Where did Luna go?

Stephanie Hewitt

Tellwell Talent
2020
pokkari
Luna is a cheeky and playful big black dog with lots of curly-wurly hair who likes to explore and play. One day, Luna gets a little bit stuck somewhere . . .\Where did Luna go?Come and explore with Luketo help find Luna.
Luna Loves Biscuits

Luna Loves Biscuits

Stephanie Hewitt

Tellwell Talent
2020
pokkari
Luna is a cheeky and playful big black dog with lots of curly-wurly hair who likes to explore and play.Luna really loves her special dog biscuits. One day Lilly leaves Luna's special dog biscuit jar open.Will Luna be a naughty dog or a good dog?Let's find out.
Luna Loves Biscuits

Luna Loves Biscuits

Stephanie Hewitt

Tellwell Talent
2020
sidottu
Luna is a cheeky and playful big black dog with lots of curly-wurly hair who likes to explore and play.Luna really loves her special dog biscuits. One day Lilly leaves Luna's special dog biscuit jar open.Will Luna be a naughty dog or a good dog?Let's find out.
Sticky Pineapple and the Little Precious Gems
This is a children's book explaining in an engaging, creative and imaginary way how two little girls came into the world through in-vitro fertilisation (IVF). The book was inspired by a conversation between a five-year-old girl and her mum at bedtime when the former asked, "Mummy, how did I come into this world? Did I come out of your tummy?"
The Mouse and the Owl

The Mouse and the Owl

Stephanie Joan Boraas

Stephanie Joan Boraas
2021
pokkari
Will this lost little owl ever find his home?Late one summer's night, a baby owl finds himself lost in the forest and far from his family. Owl will have to gain the trust of a mouse to help him find his way home on the condition, of course, that he will not eat the mouse along the way