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1000 tulosta hakusanalla Edward Michell

Edward Said and the Work of the Critic

Edward Said and the Work of the Critic

Duke University Press
2000
sidottu
For at least two decades the career of Edward Said has defined what it means to be a public intellectual today. Although attacked as a terrorist and derided as a fraud for his work on behalf of his fellow Palestinians, Said’s importance extends far beyond his political activism. In this volume a distinguished group of scholars assesses nearly every aspect of Said’s work-his contributions to postcolonial theory, his work on racism and ethnicity, his aesthetics and his resistance to the aestheticization of politics, his concepts of figuration, his assessment of the role of the exile in a metropolitan culture, and his work on music and the visual arts. In two separate interviews, Said himself comments on a variety of topics, among them the response of the American Jewish community to his political efforts in the Middle East. Yet even as the Palestinian struggle finds a central place in his work, it is essential-as the contributors demonstrate-to see that this struggle rests on and gives power to his general "critique of colonizers" and is not simply the outgrowth of a local nationalism. Perhaps more than any other person in the United States, Said has changed how the U.S. media and American intellectuals must think about and represent Palestinians, Islam, and the Middle East. Most importantly, this change arises not as a result of political action but out of a potent humanism-a breadth of knowledge and insight that has nourished many fields of inquiry. Originally a special issue of boundary 2, the book includes new articles on minority culture and on orientalism in music, as well as an interview with Said by Jacqueline Rose. Supporting the claim that the last third of the twentieth century can be called the "Age of Said," this collection will enlighten and engage students in virtually any field of humanistic study. Contributors. Jonathan Arac, Paul A. BovÉ, Terry Cochran, Barbara Harlow, Kojin Karatani, Rashid I. Khalidi, Sabu Kohsu, Ralph Locke, Mustapha Marrouchi, Jim Merod, W. J. T. Mitchell, Aamir R. Mufti, Jacqueline Rose, Edward W. Said, Gayatri Chakravorty Spivak, Lindsay Waters
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Edward Said and the Work of the Critic

Edward Said and the Work of the Critic

Duke University Press
2000
pokkari
For at least two decades the career of Edward Said has defined what it means to be a public intellectual today. Although attacked as a terrorist and derided as a fraud for his work on behalf of his fellow Palestinians, Said’s importance extends far beyond his political activism. In this volume a distinguished group of scholars assesses nearly every aspect of Said’s work-his contributions to postcolonial theory, his work on racism and ethnicity, his aesthetics and his resistance to the aestheticization of politics, his concepts of figuration, his assessment of the role of the exile in a metropolitan culture, and his work on music and the visual arts. In two separate interviews, Said himself comments on a variety of topics, among them the response of the American Jewish community to his political efforts in the Middle East. Yet even as the Palestinian struggle finds a central place in his work, it is essential-as the contributors demonstrate-to see that this struggle rests on and gives power to his general "critique of colonizers" and is not simply the outgrowth of a local nationalism. Perhaps more than any other person in the United States, Said has changed how the U.S. media and American intellectuals must think about and represent Palestinians, Islam, and the Middle East. Most importantly, this change arises not as a result of political action but out of a potent humanism-a breadth of knowledge and insight that has nourished many fields of inquiry. Originally a special issue of boundary 2, the book includes new articles on minority culture and on orientalism in music, as well as an interview with Said by Jacqueline Rose. Supporting the claim that the last third of the twentieth century can be called the "Age of Said," this collection will enlighten and engage students in virtually any field of humanistic study. Contributors. Jonathan Arac, Paul A. BovÉ, Terry Cochran, Barbara Harlow, Kojin Karatani, Rashid I. Khalidi, Sabu Kohsu, Ralph Locke, Mustapha Marrouchi, Jim Merod, W. J. T. Mitchell, Aamir R. Mufti, Jacqueline Rose, Edward W. Said, Gayatri Chakravorty Spivak, Lindsay Waters
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Edward Said

Edward Said

P Deer

Duke University Press
2006
nidottu
Through his work as a scholar, as a critic, and as a political commentator, Edward Said asked insistently: Who speaks? For what and whom? How does an intellectual articulate his or her place in the West? Or in the developing world? What is the specific contribution and intervention to be made by the intellectual? This Social Text special issue in memory of Said examines how he challenged established authority and identity with these questions and shaped a culture of criticism.
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Edward Condon's Cooperative Vision

Edward Condon's Cooperative Vision

Thomas C. Lassman

University of Pittsburgh Press
2018
sidottu
Born in 1902, Edward Condon made significant contributions to quantum theoretical physics. Nearly ten years at Princeton University sealed his reputation as a leading figure in the field. Then, in 1937, he gave it all up to pursue an industrial career, first at the Westinghouse Electric and Manufacturing Company, and then, by way of the federal government, the National Bureau of Standards. In a radical departure from professional norms, Condon sought to redefine the relationship between academic science and technological innovation in industry. He envisioned intimate cooperation with the universities to serve the needs of his employers and also the broader business community. This book explores the birth, life, and death of that vision during the Great Depression, World War II, and the early Cold War. Condon’s cooperative model of R&D evolved over time, and by consequence, laid bare sharp disagreements among academic, corporate, and government stakeholders about the practical value of new knowledge, where and how it should be produced, and ultimately, on whose behalf it ought to be put to use.
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Edward Said's Rhetoric of the Secular

Edward Said's Rhetoric of the Secular

Mathieu E. Courville

Continuum International Publishing Group Ltd.
2009
sidottu
" Edward Said's Rhetoric of the Secular provides an important new reading of Edward W. Said's work, emphasizing not only the distinction but also the fuzzy borders between representations of 'the religious' and 'the secular' found within and throughout his oeuvre and at the core of some of his most customary rhetorical strategies. Mathieu Courville begins by examining Said's own reflections on his life, before moving on to key debates about Said's work within Religious Studies and Middle Eastern Studies, and his relationship to French critical theorists. Through close attention to Said's use of the literal and the figurative when dealing with religious, national and cultural matters, Courville discerns a pattern that illuminates what Said means by secular. Said's work shows that the secular is not the utter opposite of religion in the modern globalized world, but may exist in a productive tension with it. "
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Edward Schillebeeckx

Edward Schillebeeckx

Erik Borgman

Continuum International Publishing Group Ltd.
2004
nidottu
This is the first full biography of one of the greatest Roman Catholic theologians of the last century. Schillebeeckx is alive and still writing important work. He is a Dutch Dominican and theological genius, whose influence on the Second Vatican Council was extraordinarily profound. He was regarded as the theological voice of progressive Catholicism. But in 1968 the Vatican Authorities started an investigation into his orthodoxy and a great many Catholics also felt that this was an attack on them. This is above all an intellectual biography - a work in which changes which are perceptible in his published work have been connected with the contemporary changes in the social, cultural, theological and ecclesiastical landscape. So this is a study of Schillebeeckx that puts him in his history - it is a new perspective of his ultimate significance for the church and for the development of theology. The aim of Erik Borgman in this book is to increase the knowledge of Schillebeeckx's theology by fully explaining its context.
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Edward, Prince of Wales and Aquitaine

Edward, Prince of Wales and Aquitaine

Richard Barber

The Boydell Press
1996
pokkari
`...excellent study of the prince's career. A first-class synthesis of the entire literature of this subject.' BRITISH BOOK NEWS Edward, prince of Wales and Aquitaine, known as the Black Prince, is one of the legendary figures of English history, victor of three great battles and a model of chivalry and courtesy. Behind this image, which many of his contemporaries accepted and eagerly believed in, it is difficult to get at the realities of his character and of the life that he led. Most of his biographers have based their work on the splendid vision of chivalry conjured up by Froissart, but the present book deliberately shuns this approach, to see what can be found in official records, particularly from the prince's household and those who campaigned with the prince. Special attention has been paid not onlyto the confusing and confused accounts of the great battles, but also to the prince's early years, his close companions who contributed so greatly to his successes, and to his government of Aquitaine, an obscure but very importantpart of his career. A number of minor but persistent errors in early histories, deriving from Froissart, are corrected. A concluding chapter examines how the legend of the Black Prince (and his curious nickname) came into being.By separating the image and the reality, a clearer picture of the prince emerges. Dr RICHARD BARBER is the author of The Arthurian Legends, King Arthur: Hero and Legend, Tournaments, a biography of Henry II, The Penguin Guide to Medieval Europe, and the recently revised seminal study of The Knight and Chivalry.
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Edward Burne-Jones

Edward Burne-Jones

Ann S Dean

Pavilion Books
1998
pokkari
Edward Burne-Jones was one of the great Victorian artists in a golden age of art. This guide immerses the reader in his life, meetings with key Pre-Raphaelites and his own fame and critical acclaim for his art.
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