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1000 tulosta hakusanalla Hubert Mathieu

Futures & Ruins – Eighteenth–Century Paris and the Art of Hubert Robert
This is as the favoured artist of an enterprising Parisian elite, Robert is a prophetic case study of the intersection between aesthetics and modernity's dawning business culture. In this provocative study, Hubert Robert's paintings of urban ruins are interpreted as manifestations of a new consciousness of time, one shaped by the uncertainty of an economy characterized by the anxiety-inducing expansion of credit, frenzied speculation on the stock market, and foolhardy ventures in real estate. At the centre of this lively narrative lie Robert's depictions of the ruins of Paris - macabre and spectacular paintings of desolation - on the eve of the French Revolution. Drawing on a vast range of materials, Futures & Ruins interprets Robert's artworks as harbingers of a modern appetite for self-destruction: the paintings are examined as expressions of the pleasures and perils of a risk economy.
Music in Their Time: The Memoirs and Letters of Dora and Hubert Foss
An intimate and readable account, filled with interesting and amusing anecdotes, of a highly creative period in English musical history Hubert J. Foss (1899-1953) is best known for his work as founder and first music editor for Oxford University Press. Foss promoted composers in England between the World Wars, most notably Ralph Vaughan Williams, William Walton, Constant Lambert, and Peter Warlock. The first part of this book is based on the memoirs of his wife Dora, who was herself a professional singer. The book - through the presentation of memoirs and letters - recreates a vivid picture of the musical world during the inter-war period when there was a renaissance of English music. Foss's work for OUP saw the music department expand from publishing a limited number of sheet music items to a comprehensive inventory of operas, orchestral compositions, chamber and vocal works, and piano pieces. Foss also greatly expanded the press's publication of books on music, music analysis, and music appreciation. Leaving OUP's music department in1941, Foss pursued a number of freelance musical occupations, serving as critic, reviewer, journalist, author and frequent broadcaster. The book includes letters sent to and received from such luminaries as Hamilton Harty,Constant Lambert, Edith Sitwell, Donald Tovey, Ralph Vaughan Williams, William Walton, Henry J. Wood, Arthur Bliss, Benjamin Britten, Roger Quilter, Percy Scholes, Leopold Stokowski, Michael Tippett, Thomas Hardy, James Joyce andWalter de la Mare. Many of the letters presented here have never been published before. An authoritative introduction by Simon Wright (Head of Rights & Contracts, Music, OUP) provides a detailed overview of Hubert Foss and his place in music publishing. STEPHEN LLOYD is the author of William Walton: Muse of Fire and Constant Lambert: Beyond the Rio Grande (both published by Boydell). DIANA SPARKES is the daughter of Hubert and Dora Foss. BRIAN SPARKES is her husband and an Emeritus Professor of Classical Archaeology.
Sur Les Ermitages de la Forêt de Villers-Cotterets: Saint-Hubert, Saint-Antoine, Saint-Vulgis.
Sur les ermitages de la foret de Villers-Cotterets: Saint-Hubert, Saint-Antoine, Saint-Vulgis. Signe: Alex. Michaux.]Date de l'edition originale: 1865Appartient a l'ensemble documentaire: Picardi1Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Cristóbal Balenciaga, Philippe Venet, Hubert de Givenchy

Cristóbal Balenciaga, Philippe Venet, Hubert de Givenchy

Christiane de Nicolay-Mazery; Hubert de Givenchy

Flammarion
2010
sidottu
Exquisite dresses from three masters of the grand tradition of French fashion whose contributions have set the standard for haute couture. Crist bal Balenciaga, Philippe Venet, and Hubert de Givenchy are unparalleled masters, and their individual contributions have set the standard for haute couture. Not only did the great Spanish designer Crist bal Balenciaga create a style, but he also invented a technique. He was an architect of haute couture and has had a prevailing influence upon the international world of fashion. His trademarks were his astounding creativity, exceptional command of tailoring, and timeless elegance. Philippe Venet has experience and respect for the traditions of haute couture, but distinguishes himself with his use of colors, and his innovative and imaginative tailoring. The 1960s were marked by his "kite" coats whereas his designs of the 1980s and 1990s with their fresh, lively colors maintain a youthful appeal. Hubert de Givenchy, the aristocrat of haute couture, still inspires the fashion world with his sense of perfection. The Givenchy style was an alliance between pure, classic lines and high quality fabrics, whether lavish or light, black or colorful. His designs--often exhibiting floral and foliate themes--reveal his deep-rooted love for nature. Givenchy initiated and was actively involved in the creation of this handsome work, which recalls the precious "compacts" of centuries past--miniature gift cases of gold, enamel, or mother-of-pearl that were offered as a sign of friendship. These extraordinary evening gowns were selected by Hubert de Givenchy, President of the Crist bal Balenciaga Foundation, along with Philippe Venet, and the Princess of Ch teau Beauvau Craon. Highlights include Queen Fabiola of Belgium's wedding dress created by Balenciaga and the unforgettable black dress created by Givenchy for Audrey Hepburn in Breakfast at Tiffany's.