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Jane Eyre (Painted Editions)

Jane Eyre (Painted Editions)

Charlotte Bronte

HarperCollins Focus
2022
sidottu
Featuring beautiful cover art from artist Laci Fowler, this fine exclusive collector's edition of Charlotte Brontë's Jane Eyre is a must have for book lovers or literature fans. Relive the haunting gothic romance of Jane Eyre and Mr. Rochester in this beloved classic.The Harper Muse Classics: Painted Edition of Jane Eyre is perfect for special-edition book collectors, Charlotte Brontë lovers, fans of literary fiction and classic literature, and people who love both the book and the cinematic adaptations it inspired.Jane Eyre, Charlotte Brontë’s first published novel, centers on the title character as she struggles to escape the hardships of her childhood, eventually finding work as a governess at the sprawling Thornfield Hall. Her new life there is derailed when she falls in love with her mysterious employer, Mr. Rochester. Ahead of its time with its themes of feminism and religion, Jane Eyre is considered one of the greatest romance novels of all time.Whether you're buying this as a gift or for yourself, this remarkable edition features:A beautiful high-end hardcover featuring Laci Fowler's distinctive hand-painted art, perfect for standing out on any discerning fiction-lover's bookshelfEmbossed cover art and gold foilingDecorative interior pages featuring pull quotes distributed throughoutMatching ribbon marker and gold page edgesPart of a 4-volume collection including Persuasion, Little Women, and The Mysterious Affair at Styles. Jane Eyre by Charlotte Brontë is a title in the Harper Muse Classics: Painted Editions collection alongside Persuasion (Jane Austen), Little Women (Louisa May Alcott), and The Mysterious Affair at Styles (Agatha Christie).
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Jane Eyre

Jane Eyre

Charlotte Bronte

Quarto Publishing Group USA Inc
2025
sidottu
One of the most enduring and beloved novels in history, Jane Eyre continues to captivate readers in this gorgeously designed volume. Orphaned as a child and forced to live with her cruel aunt, Jane endures many hardships in her childhood, including her early days at the Lowood School. Relying on her strength and intellect, Jane goes on to become a governess to the children of the handsome Mr. Rochester. Jane falls deeply in love with the mysterious and moody Mr. Rochester, but the dark secrets of Rochester’s past and outside influence threaten to swallow their budding romance. In this seminal gothic romance, Jane must choose between her fast-held principles and the only love she has ever known. Features include:An embossed-foil coverUnabridged textStunning designAn ideal gift for any bibliophile, this beautiful edition is sure to become a favorite in any collection.Essential volumes for the shelves of every classic literature lover, Chartwell Deluxe Editions offer beautifully presented works from some of the most important authors in literary history. Other deluxe classics from Chartwell include Alice’s Adventures in Wonderland, Anne of Green Gables, Dracula, Emma, The Essential Tales and Poems of Edgar Allan Poe, The Iliad, Inferno, Irish Fairy and Folk Tales, The Legend of Sleepy Hollow, Little Women, Meditations, Moby Dick, Phantom of the Opera, Pride and Prejudice, The Odyssey, and The Republic.
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The Complete Novels of Jane Austen

The Complete Novels of Jane Austen

Jane Austen

Quarto Publishing Group USA Inc
2026
sidottu
Celebrate the timeless wit and romance of Jane Austen with this beautifully bound deluxe edition, featuring all seven beloved novels in one elegant collector’s volume. Jane Austen revolutionized the literary romance, using it as a platform from which to address issues of gender politics and class consciousness among the British middle class of the late eighteenth century. Bound in a heat-stamped, vegan leather cover with foil accents, this collection includes all of Austen’s unabridged novels and novellas: Sense and Sensibility Pride and Prejudice Mansfield Park Emma Northanger Abbey Persuasion Lady Susan With witty, unflinching morality, Austen portrays English middle-class life as the eighteenth century came to a close and the nineteenth century began. Austen’s heroines find happiness in many forms; each of the novels is a story of love and marriage—marriage for love, financial security, and for social status. In a publishing career that spanned less than ten years, her work brought her little personal fame and only a few positive reviews during her lifetime. It wasn’t until the 1940s that she became widely accepted in academia as a great English writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a fan culture. Austen’s works continue to influence the course of the novel even as they charm readers today. Savor and cherish the novels of Jane Austen in this display-worthy keepsake volume. Essential volumes for the shelves of every classic literature lover, these deluxe classics editions include beautifully presented works from some of the most important authors in literary history. Other Chartwell Deluxe Editions include: Little Women, Alice’s Adventures in Wonderland, The Essential Tales and Poems of Edgar Allan Poe, Anne of Green Gables, The Inferno, Dracula, The Republic, The Iliad, Meditations, and Irish Fairy and Folk Tales.
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Jane Austen on Film and Television

Jane Austen on Film and Television

Sue Parrill

McFarland Co Inc
2002
pokkari
This work traces the history of film and television adaptations of Jane Austen manuscripts, compares the adaptations to the manuscripts, compares the way different adaptations treat the novels, and analyzes the adaptations as examples of cinematic art.
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Volume the Third by Jane Austen

Volume the Third by Jane Austen

Jane Austen; Kathryn Sutherland

Abbeville Press Inc.,U.S.
2014
sidottu
Forever immortalised as the author of Pride and Prejudice, Jane Austen actually produced her first 'books' as a teenager. Taking their names from the inscriptions on their covers - Volume the First, Volume the Second, and Volume the Third - these brilliant little collections include the stories, playlets, verses, and moral fragments she wrote likely from the ages of 12 to 18. As a young author, Jane Austen delighted in language, employing it with great humour and surprising skill. She was adept at parodying the popular stories of her day and entertained her readers with outrageous plotlines and characters. Kathryn Sutherland places Austen's earliest works in context and explains how she mimicked even the style and manner in which this contemporary popular fiction was presented and arranged on the page. Volume the Third, written when Austen was 16, includes two stories: Evelyn and Kitty, or the Bower (or 'Catharine'). The manuscript is also held at the British Library. This volume includes text written by her niece, Anna Lefroy, who contributes an addition to Evelyn. None of her six famous novels survives in complete manuscript form. This is a unique opportunity to own likenesses of Jane Austen's notebooks as originally written - in her own hand. Learn more about the other books in the In Her Own Hand series: Volume the First and Volume the Second. All three volumes are also available in the In Her Own Hand series boxed set.
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Jane Eyre

Jane Eyre

Chelsea House Publishers
2006
sidottu
Charlotte Bronte's ""Jane Eyre"", published in October 1847, was an immediate success, going into second and third printings by spring of 1848. Even Queen Victoria, according to her diary, read the story to Prince Albert until midnight. The tale of the ""poor, obscure, plain, and little"" governess, her brooding employer, Edward Rochester, and the madwoman secreted in the attic, ""Jane Eyre"" is considered a staple of Gothic and Victorian literature. Combining important critical essays from the previous edition with an abundance of new material, Bloom's ""Modern Critical Interpretations"" deftly places Bronte's book in context and assesses its continuing popularity.
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Jane Austen and Co.

Jane Austen and Co.

State University of New York Press
2003
pokkari
Examines recent Austen remakes as well as other "post-heritage" films and television shows to show how the past is reshaped for a contemporary market.Jane Austen and Co. explores the ways in which classical novels-particularly, but not exclusively, those of Jane Austen-have been transformed into artifacts of contemporary popular culture. Examining recent films, television shows, Internet sites, and even historical tours, the book turns from the question of Austen's contemporary appeal to a broader consideration of other late-twentieth-century remakes, including Dangerous Liaisons, Dracula, Lolita, and even Buffy the Vampire Slayer. Taken together, the essays in Jane Austen and Co. offer a wide-ranging model for understanding how all of these texts-visual, literary, touristic, British, American, French-reshape the past in the new fashions, styles, media, and desires of the present.Contributors include Virginia L. Blum, Mike Crang, Madeline Dobie, Denise Fulbrook, Deidre Lynch, Sarah Maza, Ruth Perry, Suzanne R. Pucci, Kristina Straub, James Thompson, Maureen Turim, and Martine Voiret.
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Jane Kenyon

Jane Kenyon

John Timmerman

William B Eerdmans Publishing Co
2002
pokkari
It is a testament to the enduring power and beauty of Jane Kenyon's poetry that many people - even those not particularly interested in poetry - know her work. What forces and influences shaped Kenyon's writing? And what shaped her as a person and a poet? These are the questions that John Timmerman seeks to answer in Jane Kenyon: A Literary Life. In the opening chapters Timmerman beautifully limns the story of Kenyon's life, drawing on unpublished journals and papers of hers and recollections by her husband, the poet Donald Hall. To show how her art grew out of her life, Timmerman proceeds to explore, volume by volume, the form and substance of Kenyon's work. By frequently examining the multiple drafts that Kenyon wrote in the process of reaching a finished poem, Timmerman reveals how she winnowed and refined ideas, images, and language until a poem was honed to its essence. She was especially interested in the "luminous particular," the arresting image that would focus a poem. She also took care to use simple, grounded language and natural objects and events - often drawing on and reflecting on the life she lived at Eagle Pond Farm in rural New Hampshire.Throughout her life Kenyon struggled with depression, but she never let it define her or her work. She also struggled with her faith almost constantly, yet her faith was "unrelenting," according to Timmerman, and she still wrote poems of great beauty and spiritual consolation. Her poetry, even when very personal, reached out - and still reaches out - to the reader, establishing that vital thread of human connection. Indeed, as Timmerman says, Kenyon's poems are "soundings of the human soul." Kenyon was cut down in the prime of her writing life by leukemia, and Timmerman concludes by exploring Hall's mourning of her death in Without, a wrenching collection of poems. But Kenyon's voice lives on in her work, and Timmerman's insightful, often moving study shows why this unique literary voice continues to touch readers with its beauty, grace, and power.
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Jane Austen and the Province of Womanhood

Jane Austen and the Province of Womanhood

Sulloway Alison G.

University of Pennsylvania Press
1989
sidottu
Traditional critics of Jane Austen's novels consider her fiction from the perspective of male literature, male social values, and male myths and assumptions about women. These critics often give excellent readings of Austen, but they mitigate their own best efforts by trying to separate her life from the fiction and the fiction from her awareness of women's predicament in society.In Jane Austen and the Province of Womanhood, Alison Sulloway offers a fresh and comprehensive vision of Austen as a moderate feminist. Her studies of the letters, fictional fragments, and minor works, as well as novels, reveal a systematic pattern of feminist plots, themes, motifs, and symbols. She traces the influence on Jane Austen of Anglican conduct literature in addition to the progressive novels written by such women writers as Frances Burney and Maria Edgeworth. Austen's covert acknowledgment of the previously ignored "feminist revolt of the 1790s," Sulloway contends, accounts for the dammed-up energy behind her protective mask of irony.Sulloway perceives Austen and her heroines as survivors attempting to find decent solutions in a society whose owners and managers saw scant need to consider women's dignity. Her book is mediatory, just as Austen, that "provincial Christian gentlewomen," also mediated between the traditional forces of hostility toward women and the counter-forces of radical disruptions.Finally, Sulloway contends, the greatest beauty of Austen's fiction is not in her subtle depiction of the strains of eighteenth--century womanhood but in a certain joy---"Austenian joy"--that transcends grief and anger at various human abuses. More than stoic resolution, it is a comedic gift and a moral resilience that signifies grace under pressure. Sulloway com pares it to the instinctive courage of a soldier who rejoices when a single bird sings during a lull in the bombing. To read Jane Austen for this vision is to appreciate fully her gallant wit and her compassion.Jane Austen and the Province of Womanhood will benefit any Austen scholar as well as students and teachers of eighteenth- and nineteenth-century literature.
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Jane Nickerson's Florida Cookbook

Jane Nickerson's Florida Cookbook

Jane Nickerson

University Press of Florida
1985
nidottu
The food columnist of the New York Times' Florida newspapers presents a feast of tested recipes typical of a state famed for its fine foods. "As you'd expect, Jane's cookbook has a fine group of vegetable and salad recipes, but it does not neglect the other parts of Florida cuisine--appetizers; poultry, meats and game; fish and shellfish; breads and other cereal products; desserts; preserves. Intertwined with the recipes there's a fund of information for anyone fascinated by regional American cooking. Jane gathered and tasted all the recipes herself; hers is a cookbook you can rely on. And she's a recipe-writer of no mean repute."--Cecily Brownstone, Associated Press Food Editor "At long last, we have a Florida cookbook that is really good! Jane Nickerson's Florida Cookbook is the work of a good cook who can write, a rare combination for some reason. Even better, Mrs. Nickerson is possessed of wit and culinary judgment--qualities often lacking in the work of so many other authors who have turned out books containing Florida recipes. "She has written what has become the standard cookbook--filled with recipes reflecting the Spanish, Cuban, Jewish, Greek and Deep South culture that makes up our state, calling for ingredients typically found here. The difference here is that Mrs. Nickerson's book is the kind one uses to cook with. "She's done a superb job, one that needed doing."--Daytona Beach Sunday News-Journal "It's miles better than any other Florida cookbook I've ever seen--filled with completely reliable, delicious recipes. And all have a place in our state's marvelously varied cuisine. It's good reading, a book to cook by, and can't be beaten as a gift for any Florida cook who doesn't already own it."--Daytona Beach Morning Journal "As a native Floridian we can attest this book hits the spot."--Miami Beach Times
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Jane Austen

Jane Austen

Josephine Ross

Rutgers University Press
2006
nidottu
The only best-selling authors in Jane Austen's league in the English language today are Shakespeare and Dickens. In the twenty-first century her boundless appeal continues to grow following the enormously successful television and film adaptations of Mansfield Park, Pride and Prejudice, Emma, Persuasion, and Sense and Sensibility. This illuminating, entertaining, up-to-date companion is the only general guide to Jane Austen, her work, and her world. Josephine Ross explores the literary scene during the time Austen's works first appeared: the books considered classics then, the "horrid novels" and romances, and the grasping publishers. She looks at the architecture and décor of Austen's era that made up "the profusion and elegance of modern taste." Regency houses for instance, Chippendale furniture, and "picturesque scenery." On a smaller scale she answers questions that may baffle modern readers. What, for example, was "hartshorn"? How did Lizzy Bennet "let down" her gown to hide her muddy petticoat? Ross shows us the fashions, and the subtle ways Jane Austen used clothes to express character. Courtship, marriage, adultery, class and "rank," mundane tasks of ordinary life, all appear, as does the wider political and military world. This book will add depth to all readers' enjoyment of Jane Austen, whether confirmed addicts or newcomers wanting to learn about one of the world's most popular and enduring writers.
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Jane Campion

Jane Campion

Wayne State University Press
2009
nidottu
In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars-like her debt to New Zealand sources and her personal views of family dynamics-and those that benefit from additional insight-such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal.Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum.Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.
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Jane Austen’s Geographies

Jane Austen’s Geographies

CRC Press Inc
2017
sidottu
When Jane Austen represented the ideal subject for a novel as "three or four families in a country village", rather than encouraging a narrow range of reference she may have meant that a tight focus was the best way of understanding the wider world. The essays in this collection research the historical significance of her many geographical references and suggest how contemporaries may have read them, whether as indications of the rapid development of national travel, or of Britain’s imperial status, or as signifiers of wealth and social class, or as symptomatic of political fears and aspirations. Specifically, the essays consider the representation of colonial mail-order wives and naval activities in the Mediterranean, the worrisome nomadism of contemporary capitalism, the complexity of her understanding of the actual places in which her fictions are set, her awareness of and eschewal of contemporary literary conventions, and the burden of the Austen family’s Kentish origins, the political implications of addresses in London and Northamptonshire. Skilful, detailed, and historically informed, these essays open domains of meaning in Austen’s texts that have often gone unseen by later readers but which were probably available to her coterie readers and clearly merit much closer critical attention.
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Jane Austen and the Fiction of Culture

Jane Austen and the Fiction of Culture

Handler Richard; Segal Daniel

University of Arizona Press
1990
sidottu
In the past decade, the relationship between literature and anthropology has become an important focus of interdisciplinary concern. The book takes the body of work as a major novelist as the basis for rethinking ethnographic representation and cross-cultural analysis. Authors Handler and Segal have approached Jane Austen's writing as a source for interpreting the cultural ideology of kinship, social rank, courtship and marriage in Austen's England. Arguing against the conventional reading of Austen as portrayer and upholder of a well-ordered society, they evaluate the rhetorical techniques that make Austen an effective ethnographer of diverse, though intertwined, social realities. They compare her writing to the work of other social theorists of her time. (Burke, Wollstonecraft, and Rousseau) and show that Austen undercuts any and all claims to "truth universally acknowledged" - that is, to objective, positive knowledge of human affairs. Their readings of individual scenes from Austen's novels open many new avenues for Austen criticism.The book demonstrates that what was previously taken as "realism" in Austen's novels was in fact her practice of a form of social analysis atttentive to cultural meanings and creativity, communication and miscommunication. The authors invite the reader to confront an ethnographer of another time and place whose insights have a direct bearing on contemporary concerns in the humanities and human sciences. In so doing, they question the canons of narrative and ethnographic realism that have developed in the intervening period.
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Jane Austen and Mozart

Jane Austen and Mozart

Robert K. Wallace

University of Georgia Press
2009
pokkari
Literary critics such as Virginia Woolf and Lionel Trilling had noted intuitive affinities between the art of Jane Austen and that of Mozart, but this 1983 book was the first to compare their artistic style and individual works in a comprehensive way. Extended comparisons are of course difficult because of the intrinsic differences between prose fiction and instrumental music.In Jane Austen and Mozart, Robert K. Wallace has succeeded in making illuminating comparisons of spirit and form in the work of these two artists. His book celebrates the achievements of Austen and Mozart by comparing their stylistic significance in the history of their separate arts and by offering comparisons of three Austen novels with three Mozart piano concertos.In exploring precise similarities between the two artists, Wallace shows how the art and criticism of one field can illuminate the art and criticism of another. Above all, Jane Austen and Mozart attempts to show the degree to which three masterpieces by each artist have comparable meaning and value.
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Jane Austen in the Classroom

Jane Austen in the Classroom

Louise Flavin

Peter Lang Publishing Inc
2004
nidottu
Due in part to the many film and video releases in the last decade of the twentieth century, there is a renewed interest in Jane Austen in high school and college classrooms. As an educational resource, Jane Austen in the Classroom helps teachers to guide readers who are being introduced to these novels - as well as readers who know and love Austen's works - through the process of viewing the novel , reading Austen with an imaginative eye, and reading the film , analyzing the adaptations as re-creations of Austen's cultural and fictional worlds. This book references the latest critical analyses of the novels and the videos. As a pedagogical tool, the text is a valuable resource for educators and students of the British novel and literature by women, offering innovative approaches to discussion, analysis, writing, and research.
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Jane Addams

Jane Addams

Marlene Targ Brill

OHIO UNIVERSITY PRESS
2024
sidottu
As part of our Biographies for Young Readers series for middle-grade readers, this book explains who Jane Addams was and why she caused such a stir in the United States and worldwide. The story follows Addams from her first realization of the unfairness that limited the lives, livelihoods, and health of disadvantaged people in the late 1800s to her becoming one of the most beloved-and most disliked-women of her day. She worked to create a more peaceful, fair world for all people, no matter their race, color, nationality, or gender. Along her journey, Addams cofounded Hull-House, the most celebrated settlement house in the United States, and she became a motivating author, speaker, and women’s rights and peace advocate. She worked tirelessly on community, state, and national levels to promote women’s, workers’, and children’s rights, and she spoke passionately against the evils of war. Addams devoted her activities and writings to championing programs for these and other humanitarian causes. Votes for women! Equal rights for African Americans! Good schools and a healthy environment for children! No one-not millionaires, presidents, or the FBI-could stand in the way of her quest for justice. Addams became one of few women worldwide to earn a Nobel Peace Prize. Her efforts to improve social services and communities and to train leaders to carry out this work led to the opening of the first professional school of social work-named in her honor-at the University of Illinois, Chicago. Her writing, teaching, and actions were based on the belief that “without the advance and improvement of the whole, no man can hope for any lasting improvement in his own moral or material individual condition.”
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Jane Addams

Jane Addams

Marlene Targ Brill

OHIO UNIVERSITY PRESS
2024
pokkari
As part of our Biographies for Young Readers series for middle-grade readers, this book explains who Jane Addams was and why she caused such a stir in the United States and worldwide. The story follows Addams from her first realization of the unfairness that limited the lives, livelihoods, and health of disadvantaged people in the late 1800s to her becoming one of the most beloved-and most disliked-women of her day. She worked to create a more peaceful, fair world for all people, no matter their race, color, nationality, or gender. Along her journey, Addams cofounded Hull-House, the most celebrated settlement house in the United States, and she became a motivating author, speaker, and women’s rights and peace advocate. She worked tirelessly on community, state, and national levels to promote women’s, workers’, and children’s rights, and she spoke passionately against the evils of war. Addams devoted her activities and writings to championing programs for these and other humanitarian causes. Votes for women! Equal rights for African Americans! Good schools and a healthy environment for children! No one-not millionaires, presidents, or the FBI-could stand in the way of her quest for justice. Addams became one of few women worldwide to earn a Nobel Peace Prize. Her efforts to improve social services and communities and to train leaders to carry out this work led to the opening of the first professional school of social work-named in her honor-at the University of Illinois, Chicago. Her writing, teaching, and actions were based on the belief that “without the advance and improvement of the whole, no man can hope for any lasting improvement in his own moral or material individual condition.”
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