Jane the snake is lonely and wants to find a friend. But is she too different from all the other animals? A beautifully illustrated picture book for children highlighting that friends can come in all shapes and sizes.
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1000 tulosta hakusanalla Janel Rodriguez
Jane Hamilton's Recipes; Delicacies from the Old Dominion
Charlotte Mason Poindexter
Trieste Publishing
2018
nidottu
Letters from Lady Jane Coke to Her Friend, Mrs. Eyre at Derby, 1747-1758
Jane Coke
Trieste Publishing
2018
nidottu
The Novels of Jane Austen. Sense and Sensibility, Vol. I
Jane Austen
Trieste Publishing
2018
nidottu
The Novels of Jane Austen. Sense and Sensibility. in Two Volumes. Vol. I
Jane Austen
Trieste Publishing
2018
nidottu
Devoted fans and scholars of Jane Austen--as well as skeptics--will rejoice at Tony Tanner's superb book on the incomparable novelist. Distilling twenty years of thinking and writing about Austen, Tanner treats in fresh and illuminating ways the questions that have always occupied her most perceptive critics. How can we reconcile the limited social world of her novels with the largeness of her vision? How does she deal with depicting a once-stable society that was changing alarmingly during her lifetime? How does she express and control the sexuality and violence beneath the well-mannered surface of her milieu? How does she resolve the problems of communication among characters pinioned by social reticences? Tanner guides us through Austen's novels from relatively sunny early works to the darker, more pessimistic Persuasion and fragmentary Sanditon--a journey that takes her from acceptance of a society maintained by landed property, family, money, and strict propriety through an insistence on the need for authentication of these values to a final skepticism and even rejection. In showing her progress from a parochial optimism to an ability to encompass her whole society, Tanner renews our sense of Jane Austen as one of the great novelists, confirming both her local and abiding relevance.
Charlotte Brontë's novel about the passionate love between Jane Eyre, a young girl alone in the world, and the rich, brilliant, domineering Rochester has enthralled every kind of reader, from the most critical and cultivated to the youngest and most unabashedly romantic, ever since its publication in 1847. It lives as one of the great triumphs of storytelling and as a moving affirmation of the prerogatives of the heart in the face of disappointment and misfortune. With an introduction by Lucy Hughes-Hallet.
At her death in 1817, Jane Austen left the world six of the most beloved novels written in English--but her shortsighted family destroyed the bulk of her letters; and if she kept any diaries, they did not survive her. Now acclaimed biographer Claire Tomalin, author of A Life of My Own, has filled the gaps in the record, creating a remarkably fresh and convincing portrait of the woman and the writer. While most Austen biographers have accepted the assertion of Jane's brother Henry that "My dear Sister's life was not a life of events," Tomalin shows that, on the contrary, Austen's brief life was fraught with upheaval. Tomalin provides detailed and absorbing accounts of Austen's ill-fated love for a young Irishman, her frequent travels and extended visits to London, her close friendship with a worldly cousin whose French husband met his death on the guillotine, her brothers' naval service in the Napoleonic wars and in the colonies, and thus shatters the myth of Jane Austen as a sheltered and homebound spinster whose knowledge of the world was limited to the view from a Hampshire village.
Initially published under the pseudonym Currer Bell in 1847, Charlotte Brontë's Jane Eyre erupted onto the English literary scene, immediately winning the devotion of many of the world's most renowned writers, including William Makepeace Thackeray, who declared it a work "of great genius." Widely regarded as a revolutionary novel, Brontë's masterpiece introduced the world to a radical new type of heroine, one whose defiant virtue and moral courage departed sharply from the more acquiescent and malleable female characters of the day. Passionate, dramatic, and surprisingly modern, Jane Eyre endures as one of the world's most beloved novels. This Modern Library Paperback Classics edition includes newly written explanatory notes. "At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Brontë."--Virginia Woolf
Orphaned at an early age, Jane Eyre, leads a lonely life until she finds a position as a governess at Thornfield Hall. There she meets the mysterious Mr. Rochester and sees a ghostly woman who roams the halls at night. What is the sinister secret that threatens Jane and her new found happiness? "Step into Classics(TM)" adaptations feature easy-to-read texts, big type, and short chapters that are ideal for reluctant readers and kids not yet ready to tackle original classics.
In words and drawings both candid and human, Stan Mack follows his eighteen-year relationship with Janet Bode, a lighthearted fling that beat the odds to become an enduring love affair. The only thing they couldn't beat was cancer. As Janet and Stan confront the jagged terrain of cancer, then navigate the twilight of terminal illness, two portraits emerge: of a woman who faced her cancer the same way she lived her life, with guts and charm; and of the man who held her close and shared her struggle. For anyone who can't resist a beautifully told love story, for anyone who is touched by someone suffering from serious illness and looking for emotional and practical guidance, and for anyone who appreciates a life lived to the fullest, Janet & Me will resonate long after the last page is turned.
What is the world-historical importance of Jane Austen? An old maid writes with the detachment of a god. Here, the stigmatized condition of a spinster; there, a writer's unequalled display of absolute, impersonal authority. In between, the secret work of Austen's style: to keep at bay the social doom that would follow if she ever wrote as the person she is. For no Jane Austen could ever appear in Jane Austen. Amid happy wives and pathetic old maids, we see no successfully unmarried woman, and, despite the multitude of girls seeking to acquire "accomplishments," no artist either. What does appear is a ghostly No One, a narrative voice unmarked by age, gender, marital status, all the particulars that make a person--and might make a person peculiar. The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless anonymity of her style. Though often treasured for its universality, that style marks the specific impasse of a writer whose self-representation is impossible without the prospect of shame. D.A. Miller argues this case not only through the close reading that Austen's style always demands, but also through the close writing, the slavish imitation, that it sometimes inspires.
Game theory--the study of how people make choices while interacting with others--is one of the most popular technical approaches in social science today. But as Michael Chwe reveals in his insightful new book, Jane Austen explored game theory's core ideas in her six novels roughly two hundred years ago. Jane Austen, Game Theorist shows how this beloved writer theorized choice and preferences, prized strategic thinking, argued that jointly strategizing with a partner is the surest foundation for intimacy, and analyzed why superiors are often strategically clueless about inferiors. With a diverse range of literature and folktales, this book illustrates the wide relevance of game theory and how, fundamentally, we are all strategic thinkers. Although game theory's mathematical development began in the Cold War 1950s, Chwe finds that game theory has earlier subversive historical roots in Austen's novels and in "folk game theory" traditions, including African American folktales. Chwe makes the case that these literary forebears are game theory's true scientific predecessors. He considers how Austen in particular analyzed "cluelessness"--the conspicuous absence of strategic thinking--and how her sharp observations apply to a variety of situations, including U.S. military blunders in Iraq and Vietnam. Jane Austen, Game Theorist brings together the study of literature and social science in an original and surprising way.
Game theory--the study of how people make choices while interacting with others--is one of the most popular technical approaches in social science today. But as Michael Chwe reveals in his insightful new book, Jane Austen explored game theory's core ideas in her six novels roughly two hundred years ago--over a century before its mathematical development during the Cold War. Jane Austen, Game Theorist shows how this beloved writer theorized choice and preferences, prized strategic thinking, and analyzed why superiors are often strategically clueless about inferiors. Exploring a diverse range of literature and folktales, this book illustrates the wide relevance of game theory and how, fundamentally, we are all strategic thinkers.
A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between her “early” and “late” workJane Austen’s six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen’s first biographer described them as “childish effusions.” Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot.Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen’s regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative, according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen’s work, Johnston asks whether it makes sense to speak of an early and a late Austen at all.Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things.