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1000 tulosta hakusanalla Lisa Aldridge-Mathson
Rävungen Reidar har stora framtidsplaner. Han lämnar boet på bergssluttningen bakom sig då han i sina blänkande stövlar stegar iväg för att söka jobb hos stadsdirektören, Vargen Vidar.Den gamle vargledaren åker på fiskeresa till en avlägsen holme, och överlåter sitt arbetsrum till Reidar. Rävens maktlystenhet och hårda tag förvirrar stadsborna. På huvudbibliotekets vind händer det konstiga saker, och stadens brevduvor försvinner på ett mystiskt sätt.Kommer fotbollsmatchen med grannstaten att spelas, och blir den, som alltid förut, en vänskapsmatch?
Pomino swojego mlodego wieku, Lis Franeksnuje wielkie plany na przyszlosc. Postanawia opuscic swoja rodzinna norke na zboczu gory i poszukac pracy w miescie. Zaklada wiec Isniace buty i udaje sie na spotkanie z burmistrzem miasta, Wilkiem Williamem.Kiedy stary Wilk spedza urlop na samotnej wyspie, zostawia miejski ratusz pod opieka swojego nowego asystenta Franka. Lecz chiwosc i bezwzglednosc Lisa niepokoja mieszkancow miasta. Na poddaszu biblioteki miejskiej dzieje sie cos podejrzanego, a golebie pocztowe znikaja jeden po drugim w tajemniczy sopsob.Czy mecz pilki noznej z rywalami z sasiedniego miastadojdzie do skutku? I czy spotkanie dwoch druzyn odbedzie sie w przyjaznej atmosferze, jak to zawsze bylo do tej pory?
Sexy Lisa. 2
tredition
2025
pokkari
Sexy Lisa. 2
tredition
2025
sidottu
Marm Lisa
Antigonos Verlag
2025
pokkari
Marm Lisa
Antigonos Verlag
2025
sidottu
Maritza Lisa Wall Calendar 2027 (Art Calendar)
FLAME TREE PUBLISHING
2026
kalenteri
Maritza is the founder of Maritza Lisa, an illustration and surface design brand that celebrates beauty, identity, and storytelling through vibrant portraits, floral illustrations, and thoughtful patterns. With an unapologetically feminine perspective, her work celebrates women of color with strength and elegance, shaped by her Caribbean heritage. This wall calendar features 12 images showcasing her impressive and instantly recognizable style. Informative text accompanies each work in this art calendar and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.
Painting Mona Lisa offers an explanation behind the mysteries surrounding da Vinci's famous portrait - why did Leonardo keep the Mona Lisa with him until his death?
Big Cat for Little Wandle Fluency has been developed in collaboration with Wandle Learning Trust and Little Sutton Primary School. It consists of a range of chapter books with increasing word counts across 10 fluency levels aimed at children in Year 2 and 3. Each book builds reading confidence, stamina and speed and nurtures a love for reading. Fluency 8 books have a word count of 5280 words with an expected reading rate of 110 words per minute. It's Paris, 1911. Madeleine Falaise is the daughter of the head of security at the Louvre museum. While her dad guards the paintings and statues, Madeleine enjoys the museum as her playground. When the Mona Lisa, a famous and valuable painting is stolen, Madeleine’s father is frantic, and the Louvre goes into turmoil. Madeleine decides to get to the bottom of this, but who could be responsible for such a mystifying crime?
Lectura Maravillas Leveled Reader Lisa, Cruza El Puente: On-Level Unit 1 Week 2 Grade 4
McGraw Hill
McGraw-Hill Companies
2013
kierre
From Liesl Shurtliff, the New York Times bestselling author of Rump: The True Story of Rumpelstiltskin, comes a thrilling new middle grade trilogy about three city kids who get on the wrong subway train and wind up on a wild, magical mystery-adventure throughout time.Imaginative, daring, and packed with fun, Time Castaways is perfect for fans of Escape from Mr. Lemoncello's Library and Percy Jackson.Mateo, Ruby, and Corey Hudson's parents don't have too many rules. It's the usual stuff: Be good. Do your homework. And never ride the subway without an adult, EVER. But when the siblings wake up late for school, they have no choice but to break a rule. The Hudson siblings board the subway in Manhattan and end up on a frigate ship in Paris...in the year 1911.As time does tell, the Hudson family has a lot of secrets. The past, present, and future are intertwined--and a time-traveling ship called the Vermillion is at the center. Racing to untangle the truth, the kids find themselves in the middle of one of the greatest art heists of all time.And the adventure is just getting started.
Class 3 of Hampstead Primary School are off on a school trip to Paris! Morgan is the first to spot the bearded man in the black Citroen car, cruising behind their school bus, and feels sure he is following them. The plot thickens when a second mysterious bearded man appears on the ferry boat, Soon Class 3 find themselves entangled with a group of art thieves intent upon stealing the Mona Lisa...!
Dominoes is a full-colour, interactive readers series that offers students a fun reading experience while building their language skills. With integrated activities and on-page glossaries the new edition of the series makes reading motivating for learners. Each reader is carefully graded to ensure each student reads from the right level from the very beginning.
Finnian is a young guppy fish who has a snail as a best friend, called Lisa. Every morning they have an adventure, but one day they stray away from the safe path that Finnian's dad had made. They meet certain fish along the way, but meet an unfriendly neighbour who they wish they had never met.Join these two best friends from different backgrounds as they embark on an adventure, swimming and slithering through their neighbourhood, showing their individual strengths and looking out for each other along the way.
Why Mona Lisa Smiles and Other Tales by Vasari
Barolsky Paul
Pennsylvania State University Press
1991
sidottu
Art history as we know it would not exist without Vasari, and Barolsky shows us that something of the same claim should be made for literary history. He demonstrates the ways in which a literary approach to Vasari's book deepens our understanding of its historical, art-historical, and imaginative character. Why Mona Lisa Smiles discusses Vasari's shrewd, witty, intimate awareness of Dante, Petrarch, and Boccaccio and relates the Lives to the works of Castiglione, Aretino, Cellini, and Rabelais. Barolsky reveals the unexpected fantasy of Vasari, who imagined and then invented artists and works of art, totally fabricating the lives of artists about whom he knew little or nothing. Barolsky traces the myth of Pygmalion through the Lives, demonstrating that Vasari was himself a Pygmalion in words and showing how he wittily played on the names of artists, revealing these poetical fantasies as part of the very iconography of Renaissance art. By approaching the Lives as a combination of genres—biography, history, novella, autobiography, novel, and literary banquet—Barolsky connects Vasari's highly fictionalized history to the modern historical novel. The fictional character of Vasari's book should not be ignored or dismissed by art historians, Barolsky insists, since it is itself a historical document—the record of how a painter and writer of extraordinary sensibility beheld works of art at a particular moment in history. Barolsky's unique approach to the Lives makes this study a valuable contribution to the history of the reception of art.
Why Mona Lisa Smiles and Other Tales by Vasari
Paul Barolsky
Pennsylvania State University Press
1991
pokkari
Art history as we know it would not exist without Vasari, and Barolsky shows us that something of the same claim should be made for literary history. He demonstrates the ways in which a literary approach to Vasari's book deepens our understanding of its historical, art-historical, and imaginative character. Why Mona Lisa Smiles discusses Vasari's shrewd, witty, intimate awareness of Dante, Petrarch, and Boccaccio and relates the Lives to the works of Castiglione, Aretino, Cellini, and Rabelais. Barolsky reveals the unexpected fantasy of Vasari, who imagined and then invented artists and works of art, totally fabricating the lives of artists about whom he knew little or nothing. Barolsky traces the myth of Pygmalion through the Lives, demonstrating that Vasari was himself a Pygmalion in words and showing how he wittily played on the names of artists, revealing these poetical fantasies as part of the very iconography of Renaissance art. By approaching the Lives as a combination of genres—biography, history, novella, autobiography, novel, and literary banquet—Barolsky connects Vasari's highly fictionalized history to the modern historical novel. The fictional character of Vasari's book should not be ignored or dismissed by art historians, Barolsky insists, since it is itself a historical document—the record of how a painter and writer of extraordinary sensibility beheld works of art at a particular moment in history. Barolsky's unique approach to the Lives makes this study a valuable contribution to the history of the reception of art.
The Robert and Lisa Sainsbury Collection
Yale University Press
1997
sidottu
The Robert and Lisa Sainsbury Collection at the University of East Anglia, Norwich, is considered one of the greatest art collections of the twentieth century. It originated in the 1930s when Robert Sainsbury, a collector of private press books, began to acquire works by Epstein and Moore as well as sculptures from China and Africa. After their marriage in 1937, Robert and Lisa Sainsbury embarked on "an unplanned voyage of discovery in the world of art," says Steven Hooper in the introduction to this three-volume set. With abundant illustrations, the set catalogues the holdings of the extensive Sainsbury Collection in three volumes: European 19th and 20th Century Paintings, Drawings and Sculpture; Pacific, African and Native North American Art; and Precolumbian, Asian, Egyptian and European Antiquities. As the Sainsburys' collection grew, it came to include a broad range of works by such artists as Moore, Giacometti, and Bacon, from such widespread locations as Polynesia, Alaska, Western Africa, Mesoamerica, Japan, and the Cyclades. Presented as a gift to the University of East Anglia in 1973, the Sainsbury Collection has grown considerably with continued acquisitions and is today housed in Norman Foster's remarkable Sainsbury Centre for the Visual Arts. University and museum scholars from Europe, America, and Japan provide entries for this catalogue, which will serve as a rich resource for art historians, anthropologists, and archaeologists. For general readers, the set offers an accessible introduction to a range of art from many periods and cultures.Published in association with the University of East Anglia, Norwich
The Mona Lisa Stratagem: The Art of Women, Age, and Power
Harriet Rubin
Grand Central Publishing
2008
nidottu
Around the time a woman reaches 45, there is one enemy with the power to threaten her confidence, steal her beauty, make her feel invisible, and turn even the pleasures of life against her. That enemy is Time. Most women feel that an essential part of them dies when their youth is gone, yet the reality is women can grow more beautiful, experience new pleasures, and accomplish their best work later in life. Now, taking inspiration from a masterpiece of female beauty, mystery, and immortality, Leonardo Da Vinci's Mona Lisa, Harriet Rubin reveals a powerful stratagem for finding happiness and fulfillment in midlife and beyond. Interweaving stories of iconic women throughout history, Rubin codifies ten tactics--including how to be noticed, how to create circles of influence with you at the center, and how to express talents that have been ripening over decades. In the process, she uncovers the key to mature power, the highest art of leadership.