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1000 tulosta hakusanalla Louis MacNeice

Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture
For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.
Louis Laloy (1874-1944) on Debussy, Ravel and Stravinsky
First published in 1999, this is the first study of the noted French music critic and scholar Louis Laloy, and the first collection of his writings. His writings were unique in their time and have never previously been translated. Laloy’s ideas on Debussy, Ravel and Stravinsky are presented here with an introduction by Deborah Priest to each extract, placing it in the context of the period and the composer’s work. Detailed annotations explain technical and cultural references.As a friend of all three composers, but especially of Debussy, Laloy wrote with great authority and influence: his work provides recollections, analytical insights, and insights into reception and performance practice. His erudition and wide range of reference make for fascinating and enlightening reading about the period. Deborah Priest provides a detailed introduction which sets Laloy’s work against the background of the Paris music scene from 1900- 1940.
Louis Laloy (1874-1944) on Debussy, Ravel and Stravinsky
First published in 1999, this is the first study of the noted French music critic and scholar Louis Laloy, and the first collection of his writings. His writings were unique in their time and have never previously been translated. Laloy’s ideas on Debussy, Ravel and Stravinsky are presented here with an introduction by Deborah Priest to each extract, placing it in the context of the period and the composer’s work. Detailed annotations explain technical and cultural references.As a friend of all three composers, but especially of Debussy, Laloy wrote with great authority and influence: his work provides recollections, analytical insights, and insights into reception and performance practice. His erudition and wide range of reference make for fascinating and enlightening reading about the period. Deborah Priest provides a detailed introduction which sets Laloy’s work against the background of the Paris music scene from 1900- 1940.
Louis Andriessen: De Staat

Louis Andriessen: De Staat

Robert Adlington

Routledge
2017
sidottu
Louis Andriessen is one of the foremost composers in the world today. His music, with its distinctive blend of jazz, minimalism, Stravinsky and the European avant-garde, has attracted wide audiences internationally and made him a sought-after teacher among younger generations of composers. De Staat ('The Republic') brought Andriessen to international attention in 1976, and it remains his best-known work. This book is the first extended, single-author study of Andriessen in any language. It opens with a detailed account of Andriessen's involvement in the political upheavals of the 1960s and 1970s which formed the basis for his later views on instrumentation and musical style. The following chapters assess the principal influences on his music and the musical structure of De Staat. The book closes with an extensive discussion of the meaning of De Staat in the light of the composer's firmly held socio-political views. The downloadable resources include a thrilling live recording of De Staat from the 1978 Holland Festival, plus two earlier works not previously commercially available on compact disc - De Volharding and Il Principe.
Louis XIV

Louis XIV

Peter Robert Campbell

Routledge
2015
sidottu
`The Sun King has always been over-exposed -- a habit he started himself. Here is the student's antidote to boredom. Campbell has produced the best short guide available and a vigorous synthesis of the latest research, complete with extensive bibliography, unfamiliar documents and vital glossary. Fresh material abounds and a misconception is demolished on every page. There is no sign here of reheating old recipes.' History Review
Louis XIV

Louis XIV

Richard Wilkinson

Routledge
2017
nidottu
Louis XIV ruled France for more than half a century and is typically remembered for his absolutism, his patronage of the arts and his lavish lifestyle – culminating in the building of Versailles. This original and lively biography focuses on Louis’s personal life while keeping the needs of the history student at the forefront, featuring analysis of Louis’s wider significance in history and the surrounding historiography. This book balances the undeniable cultural achievements of the reign against the realities of Louis’s egotism and argues that, when viewed critically, Louis’s rule (1643–1715) personified the disadvantages of absolute monarchy, and inexorably led to social and political blunders, resulting in the suffering of millions. Richard Wilkinson demonstrates that while Louis excelled as a self-publicist, he fell far short of being a great monarch.This second edition includes an up-to-date and accessible biography, further sections on the women at Louis’s court, France in an international context and new material looking at Louis’s involvement in ballet. This book is essential reading for all history students and those with a general interest in one of history’s most colourful rulers.
Louis XIV

Louis XIV

Richard Wilkinson

Routledge
2017
sidottu
Louis XIV ruled France for more than half a century and is typically remembered for his absolutism, his patronage of the arts and his lavish lifestyle – culminating in the building of Versailles. This original and lively biography focuses on Louis’s personal life while keeping the needs of the history student at the forefront, featuring analysis of Louis’s wider significance in history and the surrounding historiography. This book balances the undeniable cultural achievements of the reign against the realities of Louis’s egotism and argues that, when viewed critically, Louis’s rule (1643–1715) personified the disadvantages of absolute monarchy, and inexorably led to social and political blunders, resulting in the suffering of millions. Richard Wilkinson demonstrates that while Louis excelled as a self-publicist, he fell far short of being a great monarch.This second edition includes an up-to-date and accessible biography, further sections on the women at Louis’s court, France in an international context and new material looking at Louis’s involvement in ballet. This book is essential reading for all history students and those with a general interest in one of history’s most colourful rulers.