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1000 tulosta hakusanalla M. W. Rowe

Adventures and Observations on the West Coast of Africa, and Its Islands, Historical and Descriptive Sketches of Madeira, Canary, and Cape Verd Islands, Etc. [Edited by W. M. Thomas.]

Adventures and Observations on the West Coast of Africa, and Its Islands, Historical and Descriptive Sketches of Madeira, Canary, and Cape Verd Islands, Etc. [Edited by W. M. Thomas.]

Chas W Thomas; Mathew W Thomas

British Library, Historical Print Editions
2011
pokkari
Title: Adventures and observations on the West Coast of Africa, and its islands, historical and descriptive sketches of Madeira, Canary, and Cape Verd Islands, etc. Edited by W. M. Thomas.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Thomas, Chas W.; Thomas, Mathew W.; 1864 8 . 10096.bb.27.
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Proceedings Of The ... Annual Communication Of The M. W. Grand Lodge Of Ancient Free And Accepted Masons Of New Jersey

Proceedings Of The ... Annual Communication Of The M. W. Grand Lodge Of Ancient Free And Accepted Masons Of New Jersey

Sagwan Press
2018
pokkari
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Catalogue Of The Drawings And Sketches By J. M. W. Turner At Present Exhibited In The National Gallery

Catalogue Of The Drawings And Sketches By J. M. W. Turner At Present Exhibited In The National Gallery

John Ruskin

Literary Licensing, LLC
2014
sidottu
The book titled ""Catalogue Of The Drawings And Sketches By J. M. W. Turner At Present Exhibited In The National Gallery"" is written by John Ruskin. The book provides a comprehensive description of the drawings and sketches created by J.M.W. Turner, which are currently exhibited in the National Gallery. The book is a detailed catalogue of Turner's works, including his sketches and drawings, and provides an insight into the artist's creative process. The book is an important resource for art lovers, historians, and scholars who are interested in the works of J.M.W. Turner and the history of art. John Ruskin, the author of the book, was a renowned art critic, writer, and social thinker of the 19th century. His insights and analysis of Turner's works provide a unique perspective on the artist's style and technique. Overall, the book is a valuable addition to the literature on J.M.W. Turner and his works, and is a must-read for anyone interested in the history of art.This Is A New Release Of The Original 1881 Edition. Revised And Cast Into Progressive Groups With Explanatory Notes By John Ruskin.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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Tate: Venice, the Bridge of Sighs by J.M.W. Turner (Foiled Journal)

Tate: Venice, the Bridge of Sighs by J.M.W. Turner (Foiled Journal)

Flame Tree Publishing
2020
muistikirja
Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Tate: Venice, the Bridge of Sighs by J.M.W. Turner.
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The Late Works of J. M. W. Turner

The Late Works of J. M. W. Turner

Sam Smiles

Paul Mellon Centre for Studies in British Art
2020
sidottu
An exploration of Turner’s final, vital years, including new readings of some of his most significant paintings The paintings and drawings Joseph Mallord William Turner (1775–1851) produced from 1835 to his death are seen by many as his most audacious and compelling work, a highly personal final vision that ranks with the late styles of the greatest artists. In this study, Sam Smiles shows how a richer account of Turner’s achievement can be presented once his historical circumstances are given proper attention. He discusses the style and subject matter of Turner’s later oil paintings and watercolours, his commercial dealings and his relations with patrons; he examines the artist’s critical reception and scrutinises accounts of his physical and mental health to see what can be reliably said about this last phase of creative endeavour. Emerging from this study is an artist who used his final years to consolidate the principles that had motivated him throughout his career.Distributed for the Paul Mellon Centre for Studies in British Art
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Hampton And Its Students: By Two of its Teachers, Mrs. M. F. Armstrong and Helen W. Ludlow. With Fifty Cabin and Plantation Songs

Hampton And Its Students: By Two of its Teachers, Mrs. M. F. Armstrong and Helen W. Ludlow. With Fifty Cabin and Plantation Songs

Helen W. Ludlow; Thomas P. Fenner; M. F. Armstrong

Historic Publishing
2017
nidottu
LARGE PRINT EDITION: AMONG all the States of the Union, not one has a history more interesting than Virginia, for her annals are full of strangely poetic incident, from the world-famous idyll of Pocahontas to the tragic stories still fresh in our own memories; and from the fertile seaboard to the rich mountain valleys of her western border, there is scarcely a field or village that has not its tale to tell. More than one great name, "familiar in our mouths as household words," belongs in the catalogue of Virginia's children; and although to-day her greatness is a thing of the past and the future, yet that future promises such certainty as is more than guaranteed by her natural advantages and the brave and willing temper of her people. In the history of this State, there arose, long years ago, an unnatural relation between two races, which furnished a problem, dealt with by statesmen, philanthropists, and fanatics, and finally solved by God himself, in his own time, and his own way; and it is with an outgrowth of that problem and its solution that this little book has to do. The introduction of negroes into the country as slaves was made at a time when only a few minds, here and there, had any true conception of the rights of individuals, or could put a fair interpretation upon that higher law which makes us our brothers' keepers; and the virgin soil and relaxing climate of the South made slavery so temptingly easy and profitable as to insure its continuance until a Power stronger than humanity interfered to bring it to an end. In no part of the United States can the history of negro slavery, from its origin to its extinction, be more clearly traced than in Virginia; and as that State was chosen as the scene of bitterest struggle, so it seems likely to attain the earliest and highest development, for within its borders are now being fairly tested the possibilities of, the African race, and the results to them and the whites of the new relations of freedom. It is not too much to say that throughout the history of slavery in Virginia, there runs a strain of poetic justice, which is absolutely dramatic, robbing facts of their dryness and interweaving the prosaic details of life with the elements of tragedy. Nowhere has there been greater prosperity, nowhere has there been greater suffering, and many a page might be filled with the record of the changes which a century has wrought, of the old things that have passed away, and the new hopes that are blossoming for the future; and in writing this brief story of an experiment which is just now being tried upon Virginian soil, there will be an earnest attempt to offer such testimony of the capacity of a hitherto enslaved race, and of the intelligent and generous action of their whilom owners, as shall not be altogether valueless.
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