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1000 tulosta hakusanalla Megan Cuthbert

Roses from Kenya

Roses from Kenya

Megan A. Styles; K. Sivaramakrishnan

University of Washington Press
2019
sidottu
Honorable Mention for the Society for the Anthropology of Work (SAW) Book prizeThe potential of floriculture grows at Lake NaivashaKenya supplies more than 35 percent of the fresh-cut roses and other flowers sold annually in the European Union. This industry—which employs at least 90,000 workers, most of whom are women—is lucrative but enduringly controversial. More than half the flowers are grown near the shores of Lake Naivasha, a freshwater lake northwest of Nairobi recognized as a Ramsar site, a wetland of international importance. Critics decry the environmental side effects of floriculture, and human rights activists demand better wages and living conditions for workers.In this rich portrait of Kenyan floriculture, Megan Styles presents the point of view of local workers and investigates how the industry shapes Kenyan livelihoods, landscapes, and politics. She investigates the experiences and perspectives of low-wage farmworkers and the more elite actors whose lives revolve around floriculture, including farm managers and owners, Kenyan officials, and the human rights and environmental activists advocating for reform. By exploring these perspectives together, Styles reveals the complex and contradictory ways that rose farming shapes contemporary Kenya. She also shows how the rose industry connects Kenya to the world, and how Kenyan actors perceive these connections. As a key space of encounter, Lake Naivasha is a synergistic center where many actors seek to solve broader Kenyan social and environmental problems using the global flows of people, information, and money generated by floriculture.
Painful Beauty

Painful Beauty

Megan A. Smetzer

University of Washington Press
2021
sidottu
Winner of the 2024 Charles C. Eldredge Prize by the Smithsonian American Art MuseumShowcases the vibrant practices of Tlingit women's beadworkFor over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. Painful Beauty suggests that at a time when Indigenous cultural practices were actively being repressed, beading supported cultural continuity, demonstrating Tlingit women's resilience, strength, and power. Beadwork served many uses, from the ceremonial to the economic, as women created beaded pieces for community use and to sell to tourists. Like other Tlingit art, beadwork reflects rich artistic visions with deep connections to the environment, clan histories, and Tlingit worldviews. Contemporary Tlingit artists Alison Bremner, Chloe French, Shgen Doo Tan George, Lily Hudson Hope, Tanis S'eiltin, and Larry McNeil foreground the significance of historical beading practices in their diverse, boundary-pushing artworks.Working with museum collection materials, photographs, archives, and interviews with artists and elders, Megan Smetzer reframes this often overlooked artform as a site of historical negotiations and contemporary inspirations. She shows how beading gave Tlingit women the freedom to innovate aesthetically, assert their clan crests and identities, support tribal sovereignty, and pass on cultural knowledge. Painful Beauty is the first dedicated study of Tlingit beadwork and contributes to the expanding literature addressing women's artistic expressions on the Northwest Coast.
Seattle from the Margins

Seattle from the Margins

Megan Asaka

UNIVERSITY OF WASHINGTON PRESS
2022
sidottu
The creation of Seattle and the displacement of those who built itFrom the origins of the city in the mid-nineteenth century to the beginning of World War II, Seattle's urban workforce consisted overwhelmingly of migrant laborers who powered the seasonal, extractive economy of the Pacific Northwest. Though the city benefitted from this mobile labor force—consisting largely of Indigenous peoples and Asian migrants—municipal authorities, elites, and reformers continually depicted these workers and the spaces they inhabited as troublesome and as impediments to urban progress. Today the physical landscape bears little evidence of their historical presence in the city. Tracing histories from unheralded sites such as labor camps, lumber towns, lodging houses, and so-called slums, Seattle from the Margins shows how migrant laborers worked alongside each other, competed over jobs, and forged unexpected alliances within the marine and coastal spaces of the Puget Sound. By uncovering the historical presence of marginalized groups and asserting their significance in the development of the city, Megan Asaka offers a deeper understanding of Seattle's complex past.Seattle from the Margins was made possible in part by a grant from 4Culture's Heritage Program.
Seattle from the Margins

Seattle from the Margins

Megan Asaka

UNIVERSITY OF WASHINGTON PRESS
2022
pokkari
The creation of Seattle and the displacement of those who built itFrom the origins of the city in the mid-nineteenth century to the beginning of World War II, Seattle's urban workforce consisted overwhelmingly of migrant laborers who powered the seasonal, extractive economy of the Pacific Northwest. Though the city benefitted from this mobile labor force—consisting largely of Indigenous peoples and Asian migrants—municipal authorities, elites, and reformers continually depicted these workers and the spaces they inhabited as troublesome and as impediments to urban progress. Today the physical landscape bears little evidence of their historical presence in the city. Tracing histories from unheralded sites such as labor camps, lumber towns, lodging houses, and so-called slums, Seattle from the Margins shows how migrant laborers worked alongside each other, competed over jobs, and forged unexpected alliances within the marine and coastal spaces of the Puget Sound. By uncovering the historical presence of marginalized groups and asserting their significance in the development of the city, Megan Asaka offers a deeper understanding of Seattle's complex past.Seattle from the Margins was made possible in part by a grant from 4Culture's Heritage Program.
Painful Beauty

Painful Beauty

Megan A. Smetzer

UNIVERSITY OF WASHINGTON PRESS
2025
pokkari
Winner of the 2024 Charles C. Eldredge Prize by the Smithsonian American Art MuseumShowcases the vibrant practices of Tlingit women's beadworkFor over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. Painful Beauty suggests that at a time when Indigenous cultural practices were actively being repressed, beading supported cultural continuity, demonstrating Tlingit women's resilience, strength, and power. Beadwork served many uses, from the ceremonial to the economic, as women created beaded pieces for community use and to sell to tourists. Like other Tlingit art, beadwork reflects rich artistic visions with deep connections to the environment, clan histories, and Tlingit worldviews. Contemporary Tlingit artists Alison Bremner, Chloe French, Shgen Doo Tan George, Lily Hudson Hope, Tanis S'eiltin, and Larry McNeil foreground the significance of historical beading practices in their diverse, boundary-pushing artworks.Working with museum collection materials, photographs, archives, and interviews with artists and elders, Megan Smetzer reframes this often overlooked artform as a site of historical negotiations and contemporary inspirations. She shows how beading gave Tlingit women the freedom to innovate aesthetically, assert their clan crests and identities, support tribal sovereignty, and pass on cultural knowledge. Painful Beauty is the first dedicated study of Tlingit beadwork and contributes to the expanding literature addressing women's artistic expressions on the Northwest Coast.
American Autobiography After 9/11

American Autobiography After 9/11

Megan Brown

University of Wisconsin Press
2017
sidottu
In the wake of the 2001 terrorist attacks in the United States, American memoirists have wrestled with a wide range of anxieties in their books. They cope with financial crises, encounter difference, or confront norms of identity. Megan Brown contends that such best sellers as Cheryl Strayed’s Wild, Elizabeth Gilbert’s Eat, Pray, Love and Tucker Max’s I Hope They Serve Beer in Hell teach readers how to navigate a confusing, changing world.This lively and theoretically grounded book analyzes twenty-first-century memoirs from Three Cups of Tea to Fun Home, emphasizing the ways in which they reinforce and circulate ideologies, becoming guides or models for living. Brown expands her inquiry beyond books to the autobiographical narratives in reality television and political speeches. She offers a persuasive explanation for the memoir boom: the genre as a response to an era of uncertainty and struggle.
Whose Agency

Whose Agency

Megan Hershey

University of Wisconsin Press
2019
sidottu
Nongovernmental organizations (NGOs) are ubiquitous in the Global South. Often international in origin, many attempt to assist local efforts to improve the lives of people often living in or near poverty. Yet their external origins often cloud their ability to impact health or quality of life, regardless of whether volunteers are local or foreign.By focusing on one particular type of NGO—those organized to help prevent the spread and transmission of HIV in Kenya—Megan Hershey interrogates the ways these organizations achieve (or fail to achieve) their planned outcomes. Along the way, she examines the slippery slope that is often used to define “success” based on meeting donor-set goals versus locally identified needs. She also explores the complex network of bureaucratic requirements at both the national and local levels that affect the delicate relationships NGOs have with the state. Drawing on extensive, original quantitative and qualitative research, Whose Agency serves as a much-needed case study for understanding the strengths and shortcomings of participatory development and community engagement.
Ovid's ""Heroides"" and the Augustan Principate

Ovid's ""Heroides"" and the Augustan Principate

Megan O. Drinkwater

UNIVERSITY OF WISCONSIN PRESS
2022
sidottu
43 BCE, the year after the assassination of Julius Caesar. While the Roman republic had seen many conflicts, it was this civil war, headed by the vengeful triumvirate of Mark Anthony, Marcus Lepidus, and Octavian, that irrevocably transformed Rome with its upheaval. What followed was years of fighting and the eventual ascendancy of Octavian, who from 27 BCE onwards would be best known as Caesar Augustus, founder of the Roman Principate. It was in this era of turmoil and transformation that Ovid, the Roman poet best known for Metamorphoses, was born. The Heroides, one of his earliest and most elusive works, is not written from the first-person perspective that so often characterizes the elegiac poetry of that time but from the personae of tragic heroines of classical mythology. Megan O. Drinkwater illustrates how Ovid used innovations of literary form to articulate an expression of the crisis of civic identity in Rome at a time of extreme and permanent political change. The letters are not divorced from the context of their composition but instead elucidate that context for their readers and expose how Ovid engaged in politics throughout his entire career. Their importance is as much historical as literary. Drinkwater makes a compelling case for understanding the Heroides as a testament from one of Rome’s most eloquent writers to the impact that the dramatic shift from republic to empire had on its intellectual elites.
Ovid's "Heroides" and the Augustan Principate

Ovid's "Heroides" and the Augustan Principate

Megan O. Drinkwater

UNIVERSITY OF WISCONSIN PRESS
2023
nidottu
43 BCE, the year after the assassination of Julius Caesar. While the Roman republic had seen many conflicts, it was this civil war, headed by the vengeful triumvirate of Mark Anthony, Marcus Lepidus, and Octavian, that irrevocably transformed Rome with its upheaval. What followed was years of fighting and the eventual ascendancy of Octavian, who from 27 BCE onwards would be best known as Caesar Augustus, founder of the Roman Principate. It was in this era of turmoil and transformation that Ovid, the Roman poet best known for Metamorphoses, was born. The Heroides, one of his earliest and most elusive works, is not written from the first-person perspective that so often characterizes the elegiac poetry of that time but from the personae of tragic heroines of classical mythology. Megan O. Drinkwater illustrates how Ovid used innovations of literary form to articulate an expression of the crisis of civic identity in Rome at a time of extreme and permanent political change. The letters are not divorced from the context of their composition but instead elucidate that context for their readers and expose how Ovid engaged in politics throughout his entire career. Their importance is as much historical as literary. Drinkwater makes a compelling case for understanding the Heroides as a testament from one of Rome’s most eloquent writers to the impact that the dramatic shift from republic to empire had on its intellectual elites.
The Miraculous Image in Renaissance Florence

The Miraculous Image in Renaissance Florence

Megan Holmes

Yale University Press
2013
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In Renaissance Florence, certain paintings and sculptures of the Virgin Mary and Christ were believed to have extraordinary efficacy in activating potent sacred intercession. Cults sprung up around these “miraculous images” in the city and surrounding countryside beginning in the late 13th century. In The Miraculous Image in Renaissance Florence, Megan Holmes questions what distinguished these paintings and sculptures from other similar sacred images, looking closely at their material and formal properties, the process of enshrinement, and the foundation legends and miracles associated with specific images. Whereas some of the images presented in this fascinating book are well known, such as Bernardo Daddi’s Madonna of Orsanmichele, many others have been little studied until now. Holmes’s efforts center on the recovery and contextualization of these revered images, reintegrating them and their related cults into an art-historical account of the period. By challenging prevailing views and offering a reassessment of the Renaissance, this generously illustrated and comprehensive survey makes a significant contribution to the field.
America Dancing

America Dancing

Megan Pugh

Yale University Press
2016
sidottu
An exuberant history of American dance, told through the lives of virtuoso performers who have defined the art The history of American dance reflects the nation’s tangled culture. Dancers from wildly different backgrounds learned, imitated, and stole from one another. Audiences everywhere embraced the result as deeply American. Using the stories of tapper Bill "Bojangles" Robinson, Ginger Rogers and Fred Astaire, ballet and Broadway choreographer Agnes de Mille, choreographer Paul Taylor, and Michael Jackson, Megan Pugh shows how freedom—that nebulous, contested American ideal—emerges as a genre-defining aesthetic. In Pugh’s account, ballerinas mingle with slumming thrill-seekers, and hoedowns show up on elite opera house stages. Steps invented by slaves on antebellum plantations captivate the British royalty and the Parisian avant-garde. Dances were better boundary crossers than their dancers, however, and the issues of race and class that haunt everyday life shadow American dance as well. Deftly narrated, America Dancing demonstrates the centrality of dance in American art, life, and identity, taking us to watershed moments when the nation worked out a sense of itself through public movement.
Beauty and the Book

Beauty and the Book

Megan L. Benton

Yale University Press
2014
pokkari
In post–World War I America—a world teeming with magazines, newspapers, radio broadcasts, and movies—many feared that the survival of traditional, serious books was in peril. This concern led to a publishing boom in fine editions—books valued primarily for their beauty, craftsmanship, extravagance, status, or scarcity. Beauty and the Book is a lively cultural history of the explosion in demand for these deluxe books during the 1920s and 1930s. Megan L. Benton argues that the clamor to own fine books reflected the anxieties and desires of those who mourned the rise of a modern mass culture. For them, such volumes not only affirmed a preindustrial ideal but also imparted social distinction and cultural superiority.Benton combines new archival research with a close examination of three hundred fine editions of the period. In theory, fine bookmakers were devoted to beauty and quality and were unwilling to compromise with machinery, popular taste, or concern for profit. But such ideal standards were nearly impossible to maintain. Paradoxically, fine publishers’ ostensible indifference to commercial considerations was one of their most prized and lucrative products for sale. This book illuminates the interplay between the ideal and real nature of fine publishing as well as the complex nature of American cultural ambitions during this pivotal era.
Radical Form

Radical Form

Megan A. Sullivan

Yale University Press
2022
sidottu
A timely reassessment of some of the most daring projects of abstraction from South America “Sullivan’s close reading, contextual sensitivity and sidestepping of grand simplifying narratives make this book an extremely valuable addition to the growing literature on art from regions outside the classic mainstream.”—Gabriel Pérez-Barreiro, Art Newspaper Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this important new volume focuses on the artistic practices of Joaquín Torres-García, Tomás Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the adoption of modernist abstraction by South American artists as part of a larger critique of the economic and social transformations caused by Latin America’s state-led programs of rapid industrialization. Sullivan thoughtfully explores the diverse ways this skepticism of modernization and social and political change was expressed. Ultimately, the book makes it clear that abstraction in South America was understood not as an artistic style to be followed but as a means to imagine a universalist mode of art, a catalyst for individual and collective agency, and a way to express a vision of a better future for South American society.
Nightfaring: In Search of the Disappearing Darkness

Nightfaring: In Search of the Disappearing Darkness

Megan Eaves-Egenes

Grand Central Publishing
2026
sidottu
A heartfeltexploration of the night on Earth, following a travel journalist and dark sky advocate around the globe as she seeks out dark places in our ever-brightening world. People, plants and animals all depend on the natural night - both its darkness and its starlight - for so much, from regulating our sleep cycles to providing the inspiration for myths and legends across the millennia. But darkness is disappearing, and with it, our view of the stars. The constant glow of streetlights, of headlights streaming down highways, and wasteful glare from skyscrapers left shining all night have created so much light pollution that the majority of Americans can no longer see the Milky Way or experience the restful embrace of a natural night. As the dark becomes ever more elusive, it is a critical moment to stop, look up, and consider what we lose with the disappearing stars. In NIGHTFARING, journalist and dark sky advocate Megan Eaves-Egenes travels around the world to better understand our deep connection to the dark. Finding solace in the stars at a time of difficulty in her own life, she embarks on a journey from New Zealand to Uzbekistan, Italy to Japan, Germany to the Himalaya, exploring the many ways that humans have depended on, feared, and mythologized darkness. Blending travel and nature writing with history and self-discovery, Megan writes of how the stars have helped her chart the course of her own life - just as they've guided humankind for as long as we've slept beneath them.
Relaxed Bible Study Guide plus Streaming Video

Relaxed Bible Study Guide plus Streaming Video

Megan Fate Marshman

HarperChristian Resources
2024
nidottu
Learn spiritual growth practices for your daily life that remove your own anxious striving and center you on the One who was never worried about a thing. People describe Jesus in a lot of different ways, but have you ever thought of Him as relaxed? This doesn't mean that Jesus didn't grieve or become angry, but the Gospels portray Him as never in a hurry to be anywhere other than where He was, trusting and obeying His Father. Could the same be said of you? Are you relaxed? You can be. We long to know peace, purpose, and contentment, but life's stresses, the world's discouragements, and our own striving for growth often get in the way. Join Bible teacher and spiritual formation leader Megan Fate Marshman for a seven-session Bible study (video access included) on exchanging self-reliance for the trusting and relaxed posture modeled to us by Jesus.This study guide includes:Individual access to seven streaming video teachings from MeganEngaging and evocative group discussion questions and activitiesIn-depth personal Bible study between sessionsA section to track your experience as you grow in new spiritual practicesA series of spiritual formation practices for you to carry on well beyond the studyStreaming video access code included. Access code subject to expiration after 12/31/2029. Code may be redeemed only by the recipient of this package. Code may not be transferred or sold separately from this package. Internet connection required. Void where prohibited, taxed, or restricted by law. Additional offer details inside.
Meant for Good Bible Study Guide plus Streaming Video, Updated Edition
The most-underlined verse in the Bible, Jeremiah 29:11, says that God has a good plan for you—a plan to give you a hope and a future. Are you ready to believe it? Do you think you can really trust God's plan for your life—no matter what your life looks like right now?In this six-session video Bible study (video access included), Megan Fate Marshman will take you through an engaging exploration of the significance of Jeremiah 29:11-14. Through interactive Bible study exercises, you will discover how to stop discounting yourself from a hopeful future, start living in active dependence on God, and find your way to the good plan He has for you.In this beloved passage of Scripture, Megan reveals how to trust God in your daily life and, more importantly, how to trust God's definition of good above your own.This study guide has everything you need for a full Bible study experience, including:The study guide itself—with discussion and personal reflection questions, video notes, and Scripture exercises.An individual access code to stream all six video sessions online (DVD also available separately). Sessions and video run times:God's Plans are Meant for Good (16:48)We’re Invited to Trust (20:18)Call Upon God (24:15)Come and Pray (19:51)Seek Him with All Your Heart (14:56)Say "Yes!" to God (14:51) Streaming video access included. Access code subject to expiration after 12/31/2029. Code may be redeemed only by the recipient of this package. Code may not be transferred or sold separately from this package. Internet connection required. Void where prohibited, taxed, or restricted by law. Additional offer details inside.
John Bible Study Guide plus Streaming Video

John Bible Study Guide plus Streaming Video

Megan Fate Marshman

HarperChristian Resources
2022
nidottu
You can know a lot about Jesus and not know him at all.We’re not meant to simply know a lot of facts about Jesus. Truly knowing someone requires personal knowledge coming from being with someone over time and building trust. Knowing about someone is just the first step toward truly knowing them. It’s the same with God: we come to know Him personally when we spend time with Him, when we build trust in Him, when we share our life with Him.Join Megan Fate Marshman in this eight-week invitation to respond to and really get to know Jesus in a personal and intimate way. This study through the Gospel of John will focus on dissecting His seven “I Am” statements, where we come to learn what Jesus wants us to know most about His character and love for us.This study guide has everything you need for a full Bible study experience, including:The study guide itself—with discussion questions, group activities, personal Bible study, a Gospel of John reading plan, scripture memory cards, and coloring pages.An individual access code to stream all eight video sessions online. (You don’t need to buy a DVD!)Streaming video access code included. Access code subject to expiration after 12/31/2027. Code may be redeemed only by the recipient of this package. Code may not be transferred or sold separately from this package. Internet connection required. Void where prohibited, taxed, or restricted by law. Additional offer details inside.—Beautiful WordTM Bible Study Series—What book of the Bible do you turn to for wisdom about the situation you find yourself in? Where do you go for words of comfort when you’re feeling overwhelmed, lost, or frustrated in life?The Beautiful WordTM Bible Study series makes the Bible come alive in such a way that you know where to turn no matter where you find yourself on your spiritual journey. Featuring celebrated authors and teachers like Lisa Harper, Margaret Feinberg, and Jada Edwards, each guide is a creative and illuminating journey through one book of the Bible.
Meant for Good

Meant for Good

Megan Fate Marshman

Zondervan
2020
nidottu
God has a good plan for you--a plan to give you a hope and a future. Are you ready to believe it?Meant for Good is a power-packed, biblical look at the truth that you really can trust God's plan for your life--no matter what your life looks like right now. Dynamic Bible teacher Megan Fate Marshman will help you discover how to stop discounting yourself from a hopeful future, start living in active dependence on God, and find your way to the good plan He has for you. With authenticity and revelatory insights into the character of God, Megan shares an engaging and fresh look at the core themes within the well-loved scripture of Jeremiah 29:11-14. Through winsome and inspiring stories, Meant for Good will show you how to trust God in your daily life and, more importantly, how to trust God's definition of good above your own. You will discover:That your not-enoughness is exactly enough for God, and that in fact, you have everything you need to take that first step into the life God has for you.How to stop counting yourself out, because Jesus never has. God is up to something really good, and He's inviting you to join Him.How to hear and respond to God's voice, and intentionally grow a personal, intimate relationship with Him.How to defeat anxiety, trust God with all you're carrying and worrying about, and experience a life of freedom in relying on God daily.
Relaxed

Relaxed

Megan Fate Marshman

ZONDERVAN
2024
nidottu
We often try to do a lot for God--without him. Relaxed is a call to let go of spiritual performance, reject our cultural tendency to live under pressure, and find freedom to walk with God and toward God, one gentle step at a time.Jesus was never in a hurry to be anywhere other than where he was, trusting and obeying his Father. Could the same be said of us? We long to know peace, purpose, and contentment, but life's stresses, the world's discouragements, and our own striving for growth get in the way.In Relaxed, pastor and teacher Megan Fate Marshman explores what it means to set aside our addiction to trying to figure everything out and relish a slower, compelling, powerful, and relaxed life with God. As Megan takes us word by word through Proverbs 3:5-6, she helps us discover:The joy of a continual, intimate relationship with GodWhat God calls us to do with the burden of shame and guiltWhat it looks like to be relaxed in the midst of grief, financial stress, mistakes, and fatigueThe freedom and forgiveness of being found "in Christ"How to incorporate rhythms of walking with God into our everyday routinesGod never intended for us to be in control. As we lean away from our own understanding and into an intentionally relaxed spiritual life, we join Jesus in trusting a God who knows what he is doing--and isn't worried about a thing.