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1000 tulosta hakusanalla Michael Carson
Michael Rockefeller
Kevin Bubriski; Robert Gardner
Peabody Museum of Archaeology Ethnology,U.S.
2007
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From April to August 1961, recent Harvard graduate Michael Clark Rockefeller was sound recordist and still photographer on a remarkable multidisciplinary expedition to the Dani people of highland New Guinea. In five short months he produced a wonderful body of work, including over 4,000 black-and-white negatives.In this catalogue, photographer Kevin Bubriski explores Rockefeller's journey into the culture and community of the Dani and into rapport with the people whose lives he chronicled. The book reveals not only the young photographer's growing fluency in the language of the camera, but also the development of his personal way of seeing the Dani world around him. Although Rockefeller's life was cut tragically short on an expedition to the Asmat in the fall of 1961, his photographs are as vivid today as they were the moment they were made.Featuring over 75 photographs, this beautiful volume is the first publication of a substantial body of Michael Rockefeller's visual legacy. Rockefeller's extraordinary photographs reveal both the resilient spirit of the Dani people and the anthropological and aesthetic eye of a young man full of promise. In a Foreword, Robert Gardner provides a personal recollection of Michael Rockefeller's experience in the New Guinea highlands.
Writings by and about an early leader in Anabaptism show how the movement coalesced around questions of community, nonviolence, and religious liberty. Both admirers and critics have called Michael Sattler the most significant of the first-generation leaders of Anabaptism. This collection of documents by and about Sattler, with introductions and extensive notes, makes selected primary source material available in English for the use of students, pastors, teachers, and interested readers. It is the first volume in the Classics of the Radical Reformation, a series of Anabaptist and Free Church documents translated and annotated under the direction of the Institute of Mennonite Studies.
Over the last 10 years, Los Angeles–based Michael Williams (born 1978) has created paintings known for their layered imagery, eye-popping color and use of airbrushing and inkjet printing. His large-scale works begin as drawings either on paper or on the computer screen before they are printed or transferred to canvas and then embellished with oil paint. Williams’ narrative content reveals a dark sense of humor about everyday life, often exploring the role of the painter as observer. Wickedly funny allegories merge with abstract painting as free-form amoebic shapes frequently fill the entirety of his canvases. The resulting paintings offer a dense and absorbing terrain of color and form. Michael Williams is published to accompany the artist’s first US solo museum exhibition, at Carnegie Museum of Art, where he presents a new body of his large-scale paintings as well as drawings that mix collage and free-associative mark-making.
This collection includes three full-length plays: TO GILLIAN ON HER 37TH BIRTHDAY, TWO BEARS BLINKING, and KORCZAK'S CHILDREN. TO GILLIAN ON HER 37TH BIRTHDAY: A grieving widower must accept his wife's death to save himself and his relationship with his daughter. TWO BEARS BLINKING: Mysterious lights appearing on canyon wall attract a group of people to a ranch in New Mexico. KORCZAK'S CHILDREN: The story of Janusz Korczak who strove to give the children of the Warsaw Ghetto a sense of normalcy despite the horrific conditions.TO GILLIAN ON HER 37TH BIRTHDAY: "...Though TO GILLIAN begins as a simple dramatization of its hero's obsessive mourning, it gradually expands to become a richer form of family drama... Mr Brady] writes with a rueful sophistication that keeps his story's sentimentality at bay ... TO GILLIAN is peppered with sharp, evenhanded observations about the tenuous ties that connect husbands and wives and parents and children. ...if TO GILLIAN is a play that sends a ghost flying out of the] heavens, its appeal derives from its author's keen sensitivity to life down here on earth."Frank Rich, The New York Times "This first major work by Michael Brady has well-dimensioned characters, solid conflict, piquant writing and gives off a warm, affirmative glow... When it has become not uncommon to encounter plays with no sympathetic characters, audiences will respond affectionately to everyone In GILLIAN. Working on a small canvas, the author is in impressive control of his material..."Richard Hummler, VarietyTWO BEARS BLINKING: "A play with a fresh point of view that combines compassion, a sense of humor, and emotional honesty, with complex, articulate characters who merit sympathy and attention." Miami Herald "A memory play-mysterious and poetic."Miami BackstageKORCZAK'S CHILDREN: "KORCZAK'S CHILDREN draws its drama from the reality of the Warsaw Ghetto-honest, relentless and heartbreaking."Will Sonzski, Boston College Biweekly "Within every great tragedy there are small tragedies. And because they are simpler to grasp, the numbers more manageable, small tragedies wring our souls more painfully than the large. KORCZAK'S CHILDREN is a wrenching story dramatically told."James Brady, Advertising Age
The Collected Writings of Michael Snow
Michael Snow; Louise Dompierre
Wilfrid Laurier University Press
1994
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Writing, for Michael Snow, is as much a form of ""art-making"" as the broad range of visual art activities for which he is renowned, including the ""Walking Woman"" series and the film Wavelength. Conversely, many of the texts included in this anthology are as significant visually as they are at the level of content - they are meant to be looked at as well as read. Situated somewhere between a repository of contemporary thought by one of our leading Canadian artists and a history book as it brings to light some important moments in the cultural life of Canada since the 1950s, these texts tell their own story, marking the passage of time, ideas and attitudes. The works included here, ranging from essays and interviews and record album cover notes to filmscripts and speeches (which, in Snow's hands, often fall into the category of performance art), are not only ""built for browsing,"" they offer insights into both the professional and the private Snow. Together, they expand the context of Snow's work and show the evolution of a great Canadian artist, beginning with his early attempts at defining art, to his emergence and recognition on the international art scene. This book is one of four books that are part of the Michael Snow Project. Initiated by the Art Gallery of Ontario and The Power Plant Gallery, the project also includes four exhibitions of his visual art and music.
The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-
The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-
In our materialistic and skeptical age, it can be difficult to take seriously the existence of real spiritual beings. Nevertheless, countless individuals -- from the historic founders of religions to those who have been through near-death experiences -- have spoken of beings of Light, such as Angels and Archangels, and 'evil' beings, spirits of darkness.The author, basing his work on Rudolf Steiner's teachings, presents an epic picture of the forces of 'good' and 'evil' -- a battle of cosmic dimensions in which we are all intimately involved. He clarifies the pivotal role of the Archangel Michael, the 'Guardian of Cosmic Intelligence, ' who fights to hold the balance between the key powers of evil in our time -- Lucifer and Ahriman -- and describes other members of the evil hierarchies. He also discusses the biblical Apocalypse of St. John, the Mexican Mysteries, and much else.This book is an essential guide to meeting the challenge of evil at the new millennium.
Michael Oakeshott is widely recognised to be one of the most original political philosophers of the twentieth century. He also developed a very influential interpretation of the ideas of the great seventeenth century philosopher Thomas Hobbes. While many commentators have noted the importance of Hobbes for understanding Oakeshott's thought itself, this is the first book to provide a systematic interpretation of Oakeshott’s philosophy by paying close attention to all facets of Oakeshott’s reading of Hobbes. On the surface, Oakeshott, the philosophical idealist and critic of rationalism in politics, would seem to have little in common with Hobbes, who is often regarded as a classic materialist and rationalist philosopher. This work shows, however, that despite appearances, there are many basic affinities between the two thinkers and that Oakeshott brought to the surface aspects of Hobbes’s thought that had previously been overlooked by Hobbes scholars. The development of Oakeshott’s own theory is shown to mirror changes in his reading of Hobbes and many of the distinctive features of Oakeshott’s thought including the modal and sceptical conception of human knowledge, the 'morality of individuality’, the theory of civil association, and the critique of rationalism all find a fascinating focal point in his writings on Hobbes. Some attention is also paid to Oakeshott’s religious ideas, indicating what they share with Hobbes’s philosophy of religion. The book situates Oakeshott’s reading in relation to some other important twentieth century interpretations of Hobbes and examines its significance for broader debates in political theory and the history of ideas.
This volume reveals a crucial body of work in Irish poetry, previously unavailable in North America. Beginning with a number of his precocious lyrics, written in Hartnett's teens, the volume continues through exquisite love poems and early elegies, some pastoral poems and, later, farewells to pastoral. Hartnett's celebrated declaration to write in Irish introduces a series of translations and announces the more public arguments of subsequent poems in English. The book concludes with five extended parables about salvation and the artistic life. It is undeniable evidence of a singular dedication and achievement.
Michael Thompson
WILFRID LAURIER UNIVERSITY PRESS
1994
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This stunning selection of work by artist Michael Thompson includes 21 colour and 16 b/w illustrations together with a critical essay by noted author Paul Duval. Of Thompson's Priestess Duval says, "it represents a dazzling tour de force ... [and] will almost certainly be seen in the future as a major landmark in Thompson's career."
Michael Asher
Birgit Pelzer; Anne Rorimer
Renaissance Society at the University of Chicago
1991
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"The dwelling, the walls, the windows, the roof, the furniture, the pictures, the ornaments, the dress, the fence or hedge-all act constantly upon the imagination and determine its contents." -- Charles Henderson In 1990, Asher, armed with his characteristic incisive wit and critical intellect, set out to dig through the historical foundations of the Renaissance Society's Bergman Gallery at the University of Chicago. This exhibition marks Asher's shift from physically altering gallery spaces to using text and documentation as a manifestation of the ideological backgrounds for exhibitions. Revealing the underlying intellectual and social coordinates of the Society by juxtaposing writings from early University of Chicago scholars of the American Arts and Crafts Movement with the U.S. patent numbers for various gallery fixtures, Asher's exhibition was a brilliant contribution to the movement of institutional critique. With detailed and thorough reproductions of the installation alongside scholarly essays by Birgit Pelzer and Anne Rorimer, this publication offers an intensive analysis of Asher's project for the Renaissance Society. It is an essential addition to the library of anyone with an interest in museum studies or site-specific art practices.
Michael Asher – Rockingham Road
Michael Asher; Rhea Anastas; Robert Snowden
Renaissance Society at the University of Chicago
2023
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Michael Psellus on the Operation of Dæmons
Marcus Collisson
Gazelle Distribution Trade
2010
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Michael Constantine Psellus (1018-1178 CE) was one of the most notable writers and philosophers of the Byzantine era. The Byzantine domain was effectively the eastern Greek speaking part of the Roman Empire centred on Byzantium (Constantinople, modern Istanbul) which split off from the Latin West in 364 CE.
This book was published on the occasion of a major twenty-five year retrospective exhibition at the International Museum of Photography at George Eastman House. It brings together for the first time in one volume a broad and varied selection of Smiths prodigious work. The large number of reproductions trace the growth of his distinctive and life-affirming vision in photographs of the land, cities, and people. A foreword by Marianne Fulton, Senior Curator at the International Museum of Photography at George Eastman House places Smiths work in an historical context, and an insightful essay by John Bratnober probes the connection between the photographs and the life of the artist. A complete chronology and bibliography are included. The high production standards combined with the beauty of the photographs insure that this high-quality publication will stand as one of the finest monographs ever produced. Every detail of production was supervised by the photographer. Included are 24 fold-outs for reproduction of the large-scale 8x20-inch contact prints.
Michael Schmelling: Shut Up Truth
J L Books
2007
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Shut Up Truth is a document of artist Michael Schmelling's friendship with James Holloway, a Texas native and union projectionist. The project began in 1996, when Schmelling met Holloway at a film screening while on assignment in Texas for the Associated Press. Shut Up Truth iis an unflincing and intimate portrait of a single, white middle-aged man. The photographs, taken in El Paso, constitute a documentary of contemporary American life. Michael Schmelling was born in Pittsburgh in 1973. He now lives in New York City and is a regular contributor to The New York Times Magazine, New York Magazine, The Fader, Details.