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Inspired by the #1 New York Times bestseller She Persisted by Chelsea Clinton and Alexandra Boiger, a chapter book series about women who spoke up and rose up against the odds--including Marian Anderson When renowned classical singer Marian Anderson wasn't allowed to sing at a theater in Washington, DC, because she was Black, First Lady Eleanor Roosevelt invited her to sing at the Lincoln Memorial, at a concert attended by thousands of people. Marian went on to sing around the world on behalf of the UN and the US State Department, and as a part of the Civil Rights Movement, she also performed at the March on Washington. She went on to win many awards, including the first ever Presidential Medal of Freedom and a Grammy Lifetime Achievement Award--and she inspired countless people along the way. In this chapter book biography by award-winning author Katheryn Russell-Brown, readers learn about the amazing life of Marian Anderson--and how she persisted. Complete with an introduction from Chelsea Clinton, black-and-white illustrations throughout, and a list of ways that readers can follow in Marian Anderson's footsteps and make a difference A perfect choice for kids who love learning and teachers who want to bring inspiring women into their curriculum. And don't miss out on the rest of the books in the She Persisted series, featuring so many more women who persisted, including Coretta Scott King, Harriet Tubman, Ruby Bridges, and more
She Persisted: Marian Anderson
Katheryn Russell-Brown; Chelsea Clinton
Penguin Putnam Inc
2022
pokkari
Inspired by the #1 New York Times bestseller She Persisted by Chelsea Clinton and Alexandra Boiger, a chapter book series about women who spoke up and rose up against the odds--including Marian Anderson!When renowned classical singer Marian Anderson wasn't allowed to sing at a theater in Washington, DC, because she was Black, First Lady Eleanor Roosevelt invited her to sing at the Lincoln Memorial, at a concert attended by thousands of people. Marian went on to sing around the world on behalf of the UN and the US State Department, and as a part of the Civil Rights Movement, she also performed at the March on Washington. She went on to win many awards, including the first ever Presidential Medal of Freedom and a Grammy Lifetime Achievement Award--and she inspired countless people along the way.In this chapter book biography by award-winning author Katheryn Russell-Brown, readers learn about the amazing life of Marian Anderson--and how she persisted. Complete with an introduction from Chelsea Clinton, black-and-white illustrations throughout, and a list of ways that readers can follow in Marian Anderson's footsteps and make a difference! A perfect choice for kids who love learning and teachers who want to bring inspiring women into their curriculum. And don’t miss out on the rest of the books in the She Persisted series, featuring so many more women who persisted, including Coretta Scott King, Harriet Tubman, Ruby Bridges, and more!
Inspired by the O.J. Simpson case, Protecting Our Own explores the reasons behind the rise of the "black protectionism" phenomenon and its implications for the future. Comparing the plight of the African American community to the melancholy lyrics but vibrant beat of the blues, Russell-Brown uses the lyrics of these songs to paint a vivid picture of the African American community struggling through the burdens of racial oppression such as second tier status and lynchings solely due to the color of their skins. Russell-Brown explains the feelings of protectionism towards African American celebrities, as many African Americans feel that they have to "protect their own" because no one else will. Many African Americans, Russell-Brown argues, feel that African American are still under siege and that the few lucky African Americans who find a way into the spotlight deserve a break. However, with more and more African Americans in the spotlight, this practice has new consequences. Protecting Our Own considers these issues in detail. The book sets out to accomplish three goals: to define Black protectionism, to explain how it works and how it can be reformulated to work in the best interests of the African American community. The book uses cases such as the infamous O.J. Simpson case to illustrate and explain the motivations behind black protectionism, even if the defendant is accused of grievous moral and ethical wrongdoing. Russell-Brown criticizes the use of black protectionism as a knee jerk reaction and expresses the need to hold African American celebrities accountable for their misdeeds. She suggests a selective approach to black protectionism that will benefit the African American community at large rather than just a lucky few. This book praises black protectionism at its best—a fight that will ensure racial justice in the future.
Inspired by the O.J. Simpson case, Protecting Our Own explores the reasons behind the rise of the 'black protectionism' phenomenon and its implications for the future. Comparing the plight of the African American community to the melancholy lyrics but vibrant beat of the blues, Russell-Brown uses the lyrics of these songs to paint a vivid picture of the African American community struggling through the burdens of racial oppression such as second tier status and lynchings solely due to the color of their skins. Russell-Brown explains the feelings of protectionism towards African American celebrities, as many African Americans feel that they have to 'protect their own' because no one else will. Many African Americans, Russell-Brown argues, feel that African American are still under siege and that the few lucky African Americans who find a way into the spotlight deserve a break. However, with more and more African Americans in the spotlight, this practice has new consequences. Protecting Our Own considers these issues in detail. The book sets out to accomplish three goals: to define Black protectionism, to explain how it works and how it can be reformulated to work in the best interests of the African American community. The book uses cases such as the infamous O.J. Simpson case to illustrate and explain the motivations behind black protectionism, even if the defendant is accused of grievous moral and ethical wrongdoing. Russell-Brown criticizes the use of black protectionism as a knee jerk reaction and expresses the need to hold African American celebrities accountable for their misdeeds. She suggests a selective approach to black protectionism that will benefit the African American community at large rather than just a lucky few. This book praises black protectionism at its best—a fight that will ensure racial justice in the future.
'Extraordinary. A fabulous read' SIMON SCHAMA'Wonderful. He writes with eloquence and wit' NICHOLAS HYTNER'Fascinating' EIMEAR McBRIDESimon Russell Beale is one of Britain's most recognisable and well-loved actors. He has played many roles on stage, film, television and radio - ranging from Winston Churchill to Stalin, George Smiley to King Arthur. But ever since his appearance at school as a glamorous Desdemona, complete with false eyelashes that rendered him half-blind, he has been captivated by Shakespeare.In A Piece of Work, Russell Beale tries to get under the skin of the playwright and find out what interested him. Was Shakespeare an instinctive 'conservative' or, rather, gently subversive? How collaborative was he? Did he add a line to Hamlet in order to accommodate his ageing and increasingly chubby principal actor, Richard Burbage? Did he suffer from insomnia and experience sexual jealousy? Russell Beale describes what it is to approach and live with some of Shakespeare's most famous characters. Some of the actor's inspiration comes from surprising sources. Watching Coronation Street gave him an idea for how Richard III might react on hearing of the death of the two Princes in the Tower; a visit to elderly patients in a local hospital gave him insights into King Lear's descent into madness; and the memory of childhood family holidays led him to a spectacular plunge into an ornamental pool in Much Ado About Nothing.Funny and touching about his family, Russell Beale also writes fascinatingly about some of the supremely creative people he counts as his friends - including Sam Mendes, Nick Hytner, Stephen Sondheim and Lauren Bacall. A Piece of Work is a brilliant account of an actor's life and work - and his relationship with our foremost dramatist.Shortlisted for the 2025 Theatre Book Award
Bridging the contending theories of natural law and international relations, this book proposes a 'relational ontology' as the basis for rethinking our approach to international politics. Amanda Beattie challenges both the conventional interpretation of natural law as necessarily and intractably theological, and the dominant conception of international relations as structurally distinct from the ends of human good, in order to recover the centrality of other-directed agency to the promotion of human development. Offering an important contribution to the study of international political thought, the book contains a number of challenging and controversial ideas which should provoke constructive debate within international relations theory, political theory, and philosophical ethics.
What does it mean to be a flourishing human in a Western liberal democracy in the twenty-first century? In Freedom, Progress, and Human Flourishing, Winton Bates aims to provide a better framework for thinking about the relationship between freedom, progress, and human flourishing by expanding on the what is currently available in the economic development, behavioral economics, and psychology literature. Bates explains how freedom, progress, and human flourishing. Bates asserts that freedom enables individuals to flourish in different ways without colliding, fosters progress, allows for a growth of opportunities, and supports personal development by enabling individuals to exercise self-direction. The importance of self-direction is a central theme in the book and Bates explores throughout why wise and well-informed self-direction is integral to flourishing because it helps individuals attain health and longevity, positive human relationships, psychological well-being, and an ability to live in harmony with nature.
The Country Seats of the United States
William Russell Birch
University of Pennsylvania Press
2008
sidottu
William Russell Birch (1755-1834) has long been recognized as the first artist to achieve true commercial success in depicting American scenes for the domestic market. In his early career in London, Birch was influenced by the landscape painters whose work arose in the rich artistic ferment he encountered there in the 1770s and 1780s. After immigrating to Philadelphia in 1794, Birch sought to make his living recording scenes of the young republic, the better to promote "taste" in architecture and landscape design. The illustrations in his copperplate books soon proved to be vehicles for developing uniquely American pictorial subject matter. Of these, The City of Philadelphia in 1800 became very successful, going through four editions from 1800 to 1828. Birch's third publication, The Country Seats of the United States, first published in 1808, was the result of the engraver's travels through the mid-Atlantic, as well as his intimate knowledge of the Philadelphia region. Both of Birch's American books are of considerable importance in documenting the cultural developments of the young nation. The Country Seats of the United States consists of twenty plates depicting eighteen estates, all but one of which were located on the eastern seaboard between Mount Vernon in the south and New York City in the north, with many properties along the Schuylkill River near Philadelphia. The remaining property in New Orleans was included to represent the recent Louisiana Purchase. Reproduced in its entirety with twenty color plates, this edition includes Birch's introduction and comments on the images, and a biographical essay situating Birch within his world and discussing the individual sites Birch depicted.
Winner of a 2005 Gustavus Myers Outstanding Book Award (Honorable Mention Americans fear crime, are rattled by race and avoid honest discussions of both. Anxiety, denial, miscommunication, and ignorance abound. Imaginary connections between minorities and crime become real, self-fulfilling prophecies and authentic links to race, class, gender and crime go unexplored. Katheryn Russell-Brown, author of the highly acclaimed The Color of Crime, makes her way through this intellectual minefield, determined to shed light on the most persistent and perplexing domestic policy issues. The author tackles a range of race and crime issues. From outdated research methods that perpetuate stereotypes about African Americans, women, and crime to the over hyped discourse about gangsta rap and law breaking, Russell-Brown challenges the conventional wisdom of criminology. Underground Codes delves into understudied topics such as victimization rates for Native Americans?among the highest of any racial group?and how racial profiling affects the day-to-day lives of people of color. Innovative, well-researched and meticulously documented, Underground Codes makes a case for greater public involvement in the debate over law enforcement?and our own language?that must be heard if we are to begin to have a productive national conversation about crime and race.
Winner of a 2005 Gustavus Myers Outstanding Book Award (Honorable Mention Americans fear crime, are rattled by race and avoid honest discussions of both. Anxiety, denial, miscommunication, and ignorance abound. Imaginary connections between minorities and crime become real, self-fulfilling prophecies and authentic links to race, class, gender and crime go unexplored. Katheryn Russell-Brown, author of the highly acclaimed The Color of Crime, makes her way through this intellectual minefield, determined to shed light on the most persistent and perplexing domestic policy issues. The author tackles a range of race and crime issues. From outdated research methods that perpetuate stereotypes about African Americans, women, and crime to the over hyped discourse about gangsta rap and law breaking, Russell-Brown challenges the conventional wisdom of criminology. Underground Codes delves into understudied topics such as victimization rates for Native Americans?among the highest of any racial group?and how racial profiling affects the day-to-day lives of people of color. Innovative, well-researched and meticulously documented, Underground Codes makes a case for greater public involvement in the debate over law enforcement?and our own language?that must be heard if we are to begin to have a productive national conversation about crime and race.
A lucid and forceful volume that explores the tacit and subtle ways the American justice system links deviance to people of color When The Color of Crime was first published ten years ago, it was heralded as a path-breaking book on race and crime. Now, in its tenth anniversary year, Katheryn Russell-Brown’s book is more relevant than ever. The Jena Six, Duke Lacrosse Team, Amadou Diallo, Sean Bell, James Byrd, and all of those victimized in the aftermath of Hurricane Katrina are just a few of the racially fueled cases that have made headlines in the past decade. Russell-Brown continues to ask, why do Black and White Americans perceive police actions so differently? Is White fear of Black crime justified? Do African Americans really protect their own? Should they? And why are we still talking about O.J.? Russell-Brown surveys the landscape of American crime and identifies some of the country’s most significant racial pathologies. In this new edition, each chapter is updated and revised, and two new chapters have been added. Enriched with twenty-five new cases, the explosive and troublesome chapter on “Racial Hoaxes” demonstrates that “playing the race card” is still a popular ploy. The Color of Crime is a lucid and forceful volume that calls for continued vigilance on the part of journalists, scholars, and policymakers alike. Through her innovative analysis of cases, ideological and media trends, issues, and practices that resonate below the public radar even in the new century, Russell-Brown explores the tacit and subtle ways that deviance is systematically linked to people of color. Her findings are impossible to ignore.
A lucid and forceful volume that explores the tacit and subtle ways the American justice system links deviance to people of color When The Color of Crime was first published ten years ago, it was heralded as a path-breaking book on race and crime. Now, in its tenth anniversary year, Katheryn Russell-Brown’s book is more relevant than ever. The Jena Six, Duke Lacrosse Team, Amadou Diallo, Sean Bell, James Byrd, and all of those victimized in the aftermath of Hurricane Katrina are just a few of the racially fueled cases that have made headlines in the past decade. Russell-Brown continues to ask, why do Black and White Americans perceive police actions so differently? Is White fear of Black crime justified? Do African Americans really protect their own? Should they? And why are we still talking about O.J.? Russell-Brown surveys the landscape of American crime and identifies some of the country’s most significant racial pathologies. In this new edition, each chapter is updated and revised, and two new chapters have been added. Enriched with twenty-five new cases, the explosive and troublesome chapter on “Racial Hoaxes” demonstrates that “playing the race card” is still a popular ploy. The Color of Crime is a lucid and forceful volume that calls for continued vigilance on the part of journalists, scholars, and policymakers alike. Through her innovative analysis of cases, ideological and media trends, issues, and practices that resonate below the public radar even in the new century, Russell-Brown explores the tacit and subtle ways that deviance is systematically linked to people of color. Her findings are impossible to ignore.
Paradigms and Principal Parts for the Greek New Testament
Dale Russell Bowne
University Press of America
1987
nidottu
This book serves a basic need for students of the Greek New Testament as it provides ready reference to the forms most needed for translation and exegesis. ... no other similar text can compare.
The Voice in Galatians: A Journey Into Realms Unseen
Colin Russell Baker
Kingdomgates Publishing
2013
nidottu
