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1000 tulosta hakusanalla Brett Relander

Blind Dog Canyon

Blind Dog Canyon

Brett Cogburn

KENSINGTON PUBLISHING
2023
pokkari
Two-time Spur Award winner Brett Cogburn revives the true grit and glory of the Old West with a hero as glorious as the author's real-life ancestor Rooster Cogburn -- master gunman Newt "Widowmaker" Jones. But when the Widowmaker agrees to guard a mountain of silver against an outlaw out for revenge and a cold-blooded hired gun, has he signed his own death warrant? They call him "The Cutter"... Famous for his fancy bowler hat, striped shirts, and double-holstered revolvers, Kirby Cutter is no ordinary gun-for-hire. He's a cold-blooded professional. The best of the best--and the deadliest of the deadly. Which is why one of the nation's biggest silver companies hired him. His latest job: To locate a silver claim in the Colorado mountains--and eliminate the competition. His biggest obstacle: The silver is guarded by Newt "The Widowmaker" Jones, a legend in his own right. But Cutter has a wild card up his fancy striped sleeve. His hatchet man is the outlaw Johnny Dial, who's itching to slaughter Jones for killing his brother. It's not the only showdown Widowmaker Jones has to deal with. A crazed grizzly is prowling the area, too--and it's developed a taste for human flesh... One way or another, someone is going to meet their maker. But it sure as hell won't be the Widowmaker...
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Hollywood Bohemians

Hollywood Bohemians

Brett L. Abrams

McFarland Co Inc
2008
pokkari
Between 1917 and 1941, Hollywood studios, gossip columnists and novelists featured an unprecedented number of homosexuals, cross-dressers, and adulterers in their depictions of the glamorous Hollywood lifestyle. Actress Greta Garbo defined herself as the ultimate serial bachelorette. Screenwriter Mercedes De Acosta engaged in numerous lesbian relationships with the Hollywood elite. And countless homosexual designers brazenly picked up men in the hottest Hollywood nightclubs. Hollywood's image grew as a place of sexual abandon. This book demonstrates how studios and the media used images of these sexually adventurous characters to promote the industry and appeal to the prurient interests of their audiences.
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Capital Sporting Grounds

Capital Sporting Grounds

Brett L. Abrams

McFarland Co Inc
2008
pokkari
Politics is nothing new to Washington, D.C., even in the arena marked with base paths and outfield grass. The stadium for the expansion Washington Nationals baseball team cost over $600 million and while opponents decried the waste of taxpayer money, supporters promised the stadium would stimulate economic development. Land swaps, closed-door deals, and valuable parking-lot strategies were as complex as any game plan employed on the diamond. The district's past stadiums, tracks and Olympics facilities are archived and described in this history, along with their political backdrops. The book features numerous drawings and photographs.
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Baseball's War Roster

Baseball's War Roster

Brett Kiser

McFarland Co Inc
2012
pokkari
From the earliest days of baseball, young men who filled team rosters felt compelled to fill the uniforms of America's armed forces when their country called. This exhaustive volume, arranged chronologically by conflict, then alphabetically by player, records every known former Major League and Negro League player who served in the U. S. military during wartime. Legends like Ty Cobb and Ted Williams appear alongside lesser-known players like pitcher George Zettlein, who served aboard a ship during the Civil War; Baltimore Orioles pitcher Arlington Pond, who fought in the Spanish-American War; and infielder Eddie Grant, who lost his life in battle during World War I. Entries list each player's position and career statistics and include a short narrative of his military and athletic career.
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Classic Home Video Games, 1985-1988

Classic Home Video Games, 1985-1988

Brett Weiss

McFarland Co Inc
2012
pokkari
A follow up to 2007's Classic Home Video Games, 1972-1984, this reference work provides detailed descriptions and reviews of every U.S.-released game for the Nintendo NES, the Atari 7800, and the Sega Master System, all of which are considered among the most popular video game systems ever produced. Organized alphabetically by console brand, each chapter includes a description of the game system followed by substantive entries for every game released for that console. Video game entries include publisher/developer data, release year, gameplay information, and, typically, the author's critique. A glossary provides a helpful guide to the classic video game genres and terms referenced throughout the work, and a preface provides a comparison between the modern gaming industry and the industry of the late 1980s.
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Classic Home Video Games, 1972-1984

Classic Home Video Games, 1972-1984

Brett Weiss

McFarland Co Inc
2012
pokkari
This reference work provides a comprehensive guide to popular and obscure video games of the 1970s and early 1980s, covering virtually every official United States release for programmable home game consoles of the pre-Nintendo NES era. Included are the following systems: Adventure Vision, APF MP1000, Arcadia 2001, Astrocade, Atari 2600, Atari 5200, Atari 7800, ColecoVision, Fairchild Channel F, Intellivision, Microvision, Odyssey, Odyssey2, RCA Studio II, Telstar Arcade, and Vectrex. Organized alphabetically by console brand, each chapter includes a history and description of the game system, followed by substantive entries for every game released for that console, regardless of when the game was produced. Each video game entry includes publisher/developer information and the release year, along with a detailed description and, frequently, the author's critique. An appendix lists "homebrew" titles that have been created by fans and amateur programmers and are available for download or purchase. Includes glossary, bibliography and index.
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Encyclopedia of KISS

Encyclopedia of KISS

Brett Weiss

McFarland Co Inc
2016
pokkari
The self-proclaimed "Hottest Band in the World," KISS is one of the most popular groups in the history of rock, having sold more than 100 million albums during their more than 40-year reign. With more gold albums than any other American band, they were inducted into the Rock and Roll Hall of Fame in 2014. KISS influenced a generation of musicians, from Garth Brooks and Motley Crue to Nirvana and the Red Hot Chili Peppers. The original leather-clad, makeup-wearing line-up--Ace "Spaceman" Frehley, Gene "Demon" Simmons, Paul "Starchild" Stanley and Peter "Catman" Criss--and their classic hits "Beth" and "Rock and Roll All Nite" are forever etched in pop culture consciousness. This encyclopedia of all things KISS provides detailed information on their songs, albums, tours, television and movie appearances, merchandise, solo work and much more, including replacement members Eric Carr, Vinnie Vincent, Bruce Kulick, Mark St. John, Eric Singer and Tommy Thayer.
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Children's Sermons A to Z

Children's Sermons A to Z

Brett Blair

CSS Publishing Company
2000
pokkari
Anyone who has done children's sermons will sooner or later hear from someone that "I learn more from the children's sermon than I do from the real sermon." And indeed, the truths of scripture are so simple that even a child can understand them. So it's no accident that children's sermons have become a central part of the worship service in many churches. Brett Blair and Tim Carpenter offer a year's worth of object lessons that engage children and impart profound lessons for all ages. Two sermons are provided for each Sunday in Cycle C of the Revised Common Lectionary, one based on the Second Lesson and one based on the Gospel. The messages are structured in two parts: the "lesson" uses an object to draw out active responses from children, then the "application" connects that object to the assigned scripture reading. Each message includes a clear statement of its exegetical aim. Bright, innovative, perceptive, creative, grace-filled Brett Blair and Tim Carpenter are all of those and much, much more, and that is reflected beautifully in their new book Children's Sermons A To Z. James W. Moore Pastor, St. Luke's United Methodist Church Houston, Texas Brett Blair is associate pastor of Asbury United Methodist Church in Memphis, Tennessee. He holds the M.Div. degree from Yale University Divinity School and is a cum laude graduate of Oral Roberts University with B.A. and M.A. degrees in New Testament Literature. Tim Carpenter is the pastor at First United Methodist Church in Bolivar, Tennessee. He is a graduate of Memphis Theological Seminary (M.Div.) and the University of Florida (B.A. in political science).
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The Big Influence of Small Things

The Big Influence of Small Things

Brett Blair; Tim Carpenter

CSS Publishing Company
2003
pokkari
Anyone who has done children's sermons will sooner or later hear from someone that "I learn more from the children's sermon than I do from the real sermon." And indeed, the truths of scripture are so simple that even a child can understand them. So it's no accident that children's sermons have become a central part of the worship service in many churches. Brett Blair and Tim Carpenter offer a year's worth of object lessons that engage children and impart profound lessons for all ages. Two sermons are provided for each Sunday in Cycle A of the Revised Common Lectionary, one based on the Second Lesson and one based on the Gospel. The messages are structured in two parts: the "lesson" uses an object to draw out active responses from children, then the "application" connects that object to the assigned scripture reading. Each message includes a clear statement of its exegetical aim. Bright, innovative, perceptive, creative, grace-filled... Brett Blair and Tim Carpenter are all of those and much, much more, and that is reflected beautifully in their new book The Big Influence Of Small Things. James W. Moore Pastor, St. Luke's United Methodist Church Houston, Texas Brett Blair is the pastor of Scenic Hills United Methodist Church in Memphis, Tennessee. He holds the M.Div. degree from Yale University Divinity School and is a cum laude graduate of Oral Roberts University with B.A. and M.A. degrees in New Testament Literature. Tim Carpenter is the pastor of First United Methodist Church in Bolivar, Tennessee. He is a magna cum laude graduate from Memphis Theological Seminary with a M.Div. degree, and holds the B.A. degree in Political Science from the University of Florida.
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She Say, He Say

She Say, He Say

Brett Elizabeth Blake; William Ayers

State University of New York Press
1997
pokkari
Examines public and private writings of low-income, urban, pre-adolescent girls, illuminating ways that girls' voices are often silenced in schools and society.She Say, He Say reveals the development of fifth-grade urban girls' voices through their own writing in the classroom. This book underscores the importance of including all of the girls' voices into the curriculum where their voices can be nurtured, cultured, and responded to in potentially productive ways.Through an exploration of two major writing contexts, the public and the private, Brett Elizabeth Blake chronicles how the girls learned through their writing not only how to name issues salient to them, such as domesticity and racism, but also how to resist the underlying notions of such important issues. The girls' stories are based on nearly three years of study, and the traditional notion of a process approach to writing is challenged by addressing how such an approach must become a site for significant tension and struggle over issues like ownership and voice. Blake suggests several curricular strategies, such as reader response techniques and a violence-prevention unit, as additional approaches that support girls' voices. This book explores and challenges us to look more closely at how the intersection of gender, race, and class is crucial for understanding not only how and what girls write about, but also why they write so deliberately and poignantly about their lives.
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Onto-Ethologies

Onto-Ethologies

Brett Buchanan

State University of New York Press
2009
pokkari
Examines the significance of animal environments in contemporary continental thought.German biologist Jakob von Uexküll focused on how an animal, through its behavioral relations, both impacts and is impacted by its own unique environment. Onto-Ethologies traces the influence of Uexküll's ideas on the thought of Martin Heidegger, Maurice Merleau-Ponty, and Gilles Deleuze, as they explore how animal behavior might be said to approximate, but also differ from, human behavior. It is the relation between animal and environment that interests Heidegger, Merleau-Ponty, and Deleuze, and yet it is the differences in their approach to Uexküll (and to concepts such as world, body, and affect) that prove so fascinating. This book explores the ramifications of these encounters, including how animal life both broadens and deepens the ontological significance of their respective philosophies.
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Gray Matters – Navigating the Space between Legalism and Liberty

Gray Matters – Navigating the Space between Legalism and Liberty

Brett McCracken

Baker Books, a division of Baker Publishing Group
2013
nidottu
Culture is in right now for Christians. Engaging it, embracing it, consuming it, and creating it. Many (younger) evangelicals today are actively cultivating an appreciation for aspects of culture previously stigmatized within the church. Things like alcohol, Hollywood's edgier content, plays, art openings, and concerts have moved from being forbidden to being celebrated by believers. But are evangelicals opening their arms too wide in uncritical embrace of culture? How do they engage with culture in ways that are mature, discerning, and edifying rather than reckless, excessive, and harmful? Can there be a healthy, balanced approach--or is that simply wishful thinking?With the same insight and acuity found in his popular Hipster Christianity, Brett McCracken examines some of the hot-button gray areas of Christian cultural consumption, helping to lead Christians to adopt a more thoughtful approach to consuming culture in the complicated middle ground between legalism and license. Readers will learn how to both enrich their own lives and honor God--refining their ability to discern truth, goodness, beauty, and enjoy his creation.
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Hipster Christianity – When Church and Cool Collide

Hipster Christianity – When Church and Cool Collide

Brett McCracken

Baker Books, a division of Baker Publishing Group
2010
nidottu
Insider twentysomething Christian journalist Brett McCracken has grown up in the evangelical Christian subculture and observed the recent shift away from the "stained glass and steeples" old guard of traditional Christianity to a more unorthodox, stylized 21st-century church. This change raises a big issue for the church in our postmodern world: the question of cool. The question is whether or not Christianity can be, should be, or is, in fact, cool. This probing book is about an emerging category of Christians McCracken calls "Christian hipsters"--the unlikely fusion of the American obsessions with worldly "cool" and otherworldly religion--an analysis of what they're about, why they exist, and what it all means for Christianity and the church's relevancy and hipness in today's youth-oriented culture.
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Upscaling Downtown

Upscaling Downtown

Brett Williams

Cornell University Press
1988
pokkari
In Upscaling Downtown, anthropologist Brett Williams provides an ethnography of a changing urban neighborhood that she calls "Elm Valley." Located in Washington, D.C., Elm Valley was one of the first neighborhoods to draw middle-class property owners back to the inner city, but a faltering housing industry halted what might have been the rapid displacement of the poor. As a result, Elm Valley experienced several years of stalled gentrification. It was a period when very unlikely people lived side by side: black families who had migrated to the nation's capital from the Carolinas decades earlier, newly arrived refugees from Central America and Southeast Asia, and more prosperous whites. For Williams, a ten-year resident of Elm Valley, stalled gentrification offered a rare opportunity to observe how people 'with varied cultural traditions and economic resources saw and used the neighborhood in which they lived.
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Frantic Francis

Frantic Francis

Brett Perkins

Bison Books
2009
pokkari
When Francis Schmidt, a bow tie–wearing law school graduate with a bombastic personality, got started as a volunteer high school coach, football still followed Victorian tenets of caution and simplicity and often employed fewer than fifty plays. By the time "Frantic Francis" had risen through the ranks of small colleges on the plains to one of the top coaching jobs in America—head coach at Ohio State University in the 1930s—football was a wild, wide-open game, largely because of Schmidt's own daring style. With a mind that never stopped thinking about football, he created a playbook ten times larger than those previously used during his era and filled it with daring, complex plays that broke all the decades-old golden rules of offense. This book tells the little-known story of the man who forever changed the way football is played—and whose coaching lineage can be traced to such current names as Bill Walsh, Al Davis, and Mike Holmgren. Frantic Francis offers an unforgettable portrait of an eccentric character whose paranoid, manic, brusque, and profane ways shocked and confused even his players, but whose speedy, deceptive, and imaginative plays remade the sport of football. Although Schmidt's mania eventually sabotaged his career, his legacy was secure and the style he introduced continues to make football one of the most popular spectator sports in America.
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The Ends of Literature

The Ends of Literature

Brett Levinson

Stanford University Press
2002
sidottu
The Ends of Literature analyzes the part played by literature within contemporary Latin American thought and politics, above all the politics of neoliberalism. The "why?" of contemporary Latin American literature is the book's overarching concern. Its wide range includes close readings of the prose of Cortázar, Carpentier, Paz, Valenzuela, Piglia, and Las Casas; of the relationship of the "Boom" movement and its aftermath; of testimonial narrative; and of contemporary Chilean and Chicano film. The work also investigates in detail various theoretical projects as they intersect with and emerge from Latin American scholarship: cultural studies, deconstruction, psychoanalysis, and postcolonial studies. Latin American literature, both as a vehicle of conservatism and as an agent of subversion, is bound from its inception to the rise of the state. Literature's nature, role, and status are therefore altered when the Latin American nation-state succumbs to the process of neoliberalism: as the "too-strong" state (dictatorship) yields to the "too-weak" state (the market), and as the various practices of civil society and public life are replaced by private or privatized endeavors. However, neither the "end of literature" nor the "end of the state" can be assumed. The end of literature in Latin America is in fact the call for more literature; it is the call of literature, in particular that of the Boom. The end of the state, likewise, is the demand upon this state. The book, then, analyzes the "ends" in question as at once their purpose, direction, future, and conclusion. Also key to the study is the notion of transition. Within much recent Latin American political discussion la transición refers to the passage from dictatorship to democracy, as well as to the failure of this shift, the failure of post-dictatorship. The author argues that the movement from literary to cultural studies, while issuing from intellectual and aesthetic circles, is an integral component of this same transition. The thematization of the bind between these two displacements—hence of Latin America's voyage into "post-transition"—forms a fundamental portion of the text.
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The Ends of Literature

The Ends of Literature

Brett Levinson

Stanford University Press
2002
pokkari
The Ends of Literature analyzes the part played by literature within contemporary Latin American thought and politics, above all the politics of neoliberalism. The "why?" of contemporary Latin American literature is the book's overarching concern. Its wide range includes close readings of the prose of Cortázar, Carpentier, Paz, Valenzuela, Piglia, and Las Casas; of the relationship of the "Boom" movement and its aftermath; of testimonial narrative; and of contemporary Chilean and Chicano film. The work also investigates in detail various theoretical projects as they intersect with and emerge from Latin American scholarship: cultural studies, deconstruction, psychoanalysis, and postcolonial studies. Latin American literature, both as a vehicle of conservatism and as an agent of subversion, is bound from its inception to the rise of the state. Literature's nature, role, and status are therefore altered when the Latin American nation-state succumbs to the process of neoliberalism: as the "too-strong" state (dictatorship) yields to the "too-weak" state (the market), and as the various practices of civil society and public life are replaced by private or privatized endeavors. However, neither the "end of literature" nor the "end of the state" can be assumed. The end of literature in Latin America is in fact the call for more literature; it is the call of literature, in particular that of the Boom. The end of the state, likewise, is the demand upon this state. The book, then, analyzes the "ends" in question as at once their purpose, direction, future, and conclusion. Also key to the study is the notion of transition. Within much recent Latin American political discussion la transición refers to the passage from dictatorship to democracy, as well as to the failure of this shift, the failure of post-dictatorship. The author argues that the movement from literary to cultural studies, while issuing from intellectual and aesthetic circles, is an integral component of this same transition. The thematization of the bind between these two displacements—hence of Latin America's voyage into "post-transition"—forms a fundamental portion of the text.
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Can Catholics and Evangelicals Agree about Purgatory and the Last Judgment?

Can Catholics and Evangelicals Agree about Purgatory and the Last Judgment?

Brett Salkeld

Paulist Press International,U.S.
2011
nidottu
This book presents an ecumenically sensitive explanation of the Catholic doctrine of purgatory. By recognizing that all Christians must answer the question about what happens to imperfect Christians at death, it is able to put the doctrine of purgatory in dialogue with other Christian responses to this question. The work of evangelical theologian Miroslav Volf is particularly helpful in this regard as his theology of the judgment is elegant, comprehensive and well-grounded in the broader Christian tradition and in Scripture. While there has been considerable disagreement and even polemics among Christian denominations on topic of purgatory and the afterlife, this reading resource suggests that there are significant possibilities for agreement and rapprochement. Highlights: •Aaddresses topic of purgatory ecumenically •Presents historical development and biblical basis •Reading resource accessible to both academics and general audience •Provides a good overview of Catholic understanding on this topic •Utilizes the work and insights of evangelical theologian Miroslav Volf •Review questions end each chapter •Bibliography for further reading •Resource for undergraduate or graduate courses on eschatology †
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The Garbage Eater

The Garbage Eater

Brett Foster

Northwestern University Press
2011
nidottu
The "Garbage Eater" of the title poem in Brett Foster's provocative collection is a member of a religious sect (some would say cult) in the Bay Area who lives an ascetic life eating scraps from dumpsters. Just as this simple way of life exists within the most technologically advanced region in the world, Foster's poems are likewise animated by the constant tension between material reality and an unabashed yearning for transcendence. The titles of Foster's poems--"Like as a ship, that through the Ocean wyde," "Meditation in an Olive Garden," "Little Flowers of Dan Quisenberry" --nod to the poems of the classical, medieval, and Renaissance masters he studies as a scholar. In Foster's vivid imagination, however, they point to the surprises hidden in the quotidian: a trip to the DMV, a visit to a chain restaurant, and the saintly reflections of the Kansas City Royals' best closer. A lesser, more faddish writer would then tend toward ironic distance, but Foster fearlessly raises such unfashionable subjects as joy, doubt, gratitude, and grief without losing a sly sense of humor, even (as the sample poem shows) about poetry itself. Given its ambition, The Garbage Eater hardly seems a debut work. Foster's universal subject matter and approachable style will win fans among both the most experienced poetry readers and those easily intimidated by contemporary verse.
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