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John Gilbert

John Gilbert

Eve Golden

The University Press of Kentucky
2013
sidottu
Charming and classically handsome, John Gilbert (1897--1936) was among the world's most recognizable actors during the silent era. He was a wild, swashbuckling figure on screen and off, and accounts of his life have focused on his high-profile romances with Greta Garbo and Marlene Dietrich, his legendary conflicts with Louis B. Mayer, his four tumultuous marriages, and his swift decline after the introduction of talkies. A dramatic and interesting personality, Gilbert served as one of the primary inspirations for the character of George Valentin in the Academy Award--winning movie The Artist (2011). Many myths have developed around the larger-than-life star in the eighty years since his untimely death, but this definitive biography sets the record straight.Eve Golden separates fact from fiction in John Gilbert: The Last of the Silent Film Stars, tracing the actor's life from his youth spent traveling with his mother in acting troupes to the peak of fame at MGM, where he starred opposite Mae Murray, Norma Shearer, Joan Crawford, Greta Garbo, and other actresses in popular films such as The Merry Widow (1925), The Big Parade (1925), Flesh and the Devil (1926), and Love (1927). Golden debunks some of the most pernicious rumors about the actor, including the oft-repeated myth that he had a high-pitched, squeaky voice that ruined his career. Meticulous, comprehensive, and generously illustrated, this book provides a behind-the-scenes look at one of the silent era's greatest stars and the glamorous yet brutal world in which he lived.
John Gilbert

John Gilbert

Eve Golden

THE UNIVERSITY PRESS OF KENTUCKY
2022
nidottu
Charming and classically handsome, John Gilbert (1897–1936) was among the world's most recognisable actors during the silent era. He was a wild, swashbuckling figure on screen and off, and accounts of his life have focused on his high-profile romances with Greta Garbo and Marlene Dietrich, his legendary conflicts with Louis B. Mayer, his four tumultuous marriages, and his swift decline after the introduction of talkies. A dramatic and interesting personality, Gilbert served as one of the primary inspirations for the character of George Valentin in the Academy Award-winning movie, The Artist (2011). Many myths have developed around the larger-than-life star in the eighty years since his untimely death, but this definitive biography sets the record straight. Eve Golden separates fact from fiction in John Gilbert: The Last of the Silent Film Stars, tracing the actor's life from his youth spent travelling with his mother in acting troupes to the peak of fame at MGM, where he starred opposite Mae Murray, Norma Shearer, Joan Crawford, Greta Garbo, and other actresses in popular films such as The Merry Widow (1925), The Big Parade (1925), Flesh and the Devil (1926), and Love (1927). Golden debunks some of the most pernicious rumours about the actor, including the oft-repeated myth that he had a high-pitched, squeaky voice that ruined his career. Meticulous, comprehensive, and generously illustrated, this book provides a behind-the-scenes look at one of the silent era's greatest stars and the glamorous yet brutal world in which he lived.
Hurricane Gilbert

Hurricane Gilbert

Desmond Lloyd Levene

Christian Faith
2021
pokkari
Hurricane Gilbert: A Jamaican Saga is a story told from the beginning of the island's culture to its current existence. An introduction depicts ships, explorers, the need to occupy, a chronology of conquistadors, natives shocked with reality, the battle for a new hemisphere, slaves scattered in a diaspora, and Michael Manley introducing the politics of change.Fast-forward to the presence of Melvin and Vanessa Lex that is told through the eyes of their son, Michael. It also reveals an antagonist with a need to possess every dollar he could claim. Rooted with love and romance, Michael and Jessica met in high school one day when it rained. He did his best to conceal a fear of lightning and thunder while she was enthralled with his handsome, chiseled demeanor and instantly found love at first sight-a delight distinct readers will appreciate. She blurted out, "Hey, new boy," and thus, the conversation started between two unstoppable forces.Moments later Jessica's father is found dead, drifting in his fisherman's dinghy. Slowly, silently, the reader is exposed to a gutless profile of an antagonist gone loose.Michael is sent off to England to pursue a career path designed by his father. He returned in midsemesters and somberly laid to rest his mother and father. The loss of both parents sent psychological shockwaves into Michael's being, transforming him into a journey; as time progresses, what seemed like a freak accident gradually unfolds as the murder plot that it is.The boy returns from his studies with a bride on his arms, shattering the bond of love in devoted Jessica-a love which directed her not to relinquish. She is forced to make statements like, "I am a twenty-five-year-old virgin in love with a boy I met one day when it rained."Hours earlier, she watched as he became married to another.In only a moment, Michael and his new wife is ambushed by the antagonist whose intent to cover his tracks is laced with blood.A background of Jamaican realities serves as stocking stuffers or a plate of ackee and salt fish as we follow our protagonist through life and death and love situations. At one point, it is climaxing the very moment Hurricane Gilbert creeps across the island to a final resolution as the antagonist is revealed.
Alfred Gilbert's Aestheticism

Alfred Gilbert's Aestheticism

Jason Edwards

Routledge
2017
nidottu
Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important new archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895. Detailed readings are offered of the relationship of Gilbert's work to essays by Pater and Swinburne, poems, plays, and novels by Wilde and W. S. Gilbert, and paintings by Burne-Jones, Leighton, Rossetti, Solomon, Whistler, and Watts. With over 90 illustrations, including key contemporary photographs showing Gilbert's works in their original contexts, this book makes a major contribution to the field of Victorian sculpture studies.