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1000 tulosta hakusanalla John Hardingham

John Dewey and the Philosophy and Practice of Hope

John Dewey and the Philosophy and Practice of Hope

Stephen Fishman; Lucille McCarthy

University of Illinois Press
2007
sidottu
Inspiring new techniques for engaging students with democratic idealsJohn Dewey and the Philosophy and Practice of Hope combines philosophical theory with a study of its effects in an actual classroom. To understand how Dewey, one of the century's foremost philosophers of education, understood the concept of hope, Stephen Fishman begins with theoretical questions like: What is hope? What are its objects? How can hope foster a new understanding of democracy and social justice? The book's second half is a classroom study that mir-rors in practice what Fishman explores in theory, as Lucille McCarthy observes Fishman's undergraduate students reading the theorists. Illustrating students' own vital engagement with the hope literature, McCarthy reveals how the discussions deepen student understandings, simultaneously showing education's power to promote hope and turn social ideals into reality.
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John Cage

John Cage

David Nicholls

University of Illinois Press
2007
sidottu
John Cage was a giant of American experimental music--composer, writer, and artist. He is most widely known for his 1952 composition 4'33, whose three movements continue to challenge the definition of music by being performed without playing a single note. In questioning fundamental tenets of Western music, Cage was often at the center of controversy, and is regarded as an important contributor to many facets of American culture. To enable readers to understand what makes Cage such an extraordinary figure, David Nicholls masterfully places his striking body of prose and poetry, over 300 music compositions, and prominent performance career into historical, environmental, intellectual, philosophical, and aesthetic contexts. Nicholls’ intimate study of John Cage’s personal and professional life confirms the legacy of this major figure in twentieth-century American culture.
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John Sayles

John Sayles

David R. Shumway

University of Illinois Press
2012
sidottu
John Sayles is the very paradigm of the contemporary independent filmmaker. By raising much of the funding for his films himself, Sayles functions more independently than most directors, and he has used his freedom to write and produce films with a distinctive personal style and often clearly expressed political positions. From The Return of the Secaucus Seven to Sunshine State, his films have consistently expressed progressive political positions on issues including race, gender, sexuality, class, and disability. In this study, David R. Shumway examines the defining characteristic of Sayles's cinema: its realism. Positing the filmmaker as a critical realist, Shumway explores Sayles's attention to narrative in critically acclaimed and popular films such as Matewan, Eight Men Out, Passion Fish, and Lone Star. The study also details the conditions under which Sayles's films have been produced, distributed, and exhibited, affecting the way in which these films have been understood and appreciated. In the process, Shumway presents Sayles as a teacher who tells historically accurate stories that invite audiences to consider the human world they all inhabit.
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John Brunner

John Brunner

Jad Smith

University of Illinois Press
2013
sidottu
Under his own name and numerous pseudonyms, John Brunner (1934–1995) was one of the most prolific and influential science fiction authors of the late twentieth century. During his exemplary career, the British author wrote with a stamina matched by only a few other great science fiction writers and with a literary quality of even fewer, importing modernist techniques into his novels and stories and probing every major theme of his generation: robotics, racism, drugs, space exploration, technological warfare, and ecology. In this first intensive review of Brunner's life and works, Jad Smith carefully demonstrates how Brunner's much-neglected early fiction laid the foundation for his classic Stand on Zanzibar and other major works such as The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider. Making extensive use of Brunner's letters, columns, speeches, and interviews published in fanzines, Smith approaches Brunner in the context of markets and trends that affected many writers of the time, including Brunner's uneasy association with the "New Wave" of science fiction in the 1960s and '70s. This landmark study shows how Brunner's attempts to cross-fertilize the American pulp tradition with British scientific romance complicated the distinctions between genre and mainstream fiction and between hard and soft science fiction and helped carve out space for emerging modes such as cyberpunk, slipstream, and biopunk.
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John Lasseter

John Lasseter

Richard Neupert

University of Illinois Press
2016
sidottu
Celebrated as Pixar's "Chief Creative Officer," John Lasseter is a revolutionary figure in animation history and one of today's most important filmmakers. Lasseter films from Luxo Jr. to Toy Story and Cars 2 highlighted his gift for creating emotionally engaging characters. At the same time, they helped launch computer animation as a viable commercial medium and serve as blueprints for the genre's still-expanding commercial and artistic development. Richard Neupert explores Lasseter's signature aesthetic and storytelling strategies and details how he became the architect of Pixar's studio style. Neupert contends that Lasseter's accomplishments emerged from a unique blend of technical skill and artistic vision, as well as a passion for working with collaborators. In addition, Neupert traces the director's career arc from the time Lasseter joined Pixar in 1984. As Neupert shows, Lasseter's ability to keep a foot in both animation and CGI allowed him to thrive in an unconventional corporate culture that valued creative interaction between colleagues. The ideas that emerged built an animation studio that updated and refined classical Hollywood storytelling practices--and changed commercial animation forever.
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John L. Sullivan and His America

John L. Sullivan and His America

Michael T. Isenberg

University of Illinois Press
1994
nidottu
The "Great John L." reigned supreme as world heavyweight champion from his victory over Paddy Ryan in 1882 until James J. Corbett knocked him out in 1892. A drunkard, a wastrel, an adulterer, a wife beater, and a bully, Sullivan still became American's first national sports hero and represented the hopes and aspirations of millions of people. Michael Isenberg traces Sullivan's eventful life from his humble beginnings in Boston to the height of his immense popularity. The boxer moved as easily in the world of reputable workingmen as he did in the shadowlands on the margins of the sport while his success played a major role in transforming boxing into a profitable and ultimately legitimate business. Tapping previously unexplored archival material--including the notorious National Police Gazette and the other sporting papers of the day--Isenberg tells us why presidents, princes, and turn-of-the-century Americans accepted Sullivan as a hero, even as others vilified him for his drunken and belligerent behavior.
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John Mercer Langston and the Fight for Black Freedom, 1829-65

John Mercer Langston and the Fight for Black Freedom, 1829-65

William Cheek; Aimee Lee Cheek

University of Illinois Press
1996
nidottu
A biography of the pioneering Black leader Privileged beyond other members of his race, yet sharing their disadvantages, the young John Mercer Langston stood in an uncertain position in the years before the Civil War. His confrontation with a critical personal question was tempered by a crucial national reality: from what sources could he derive his model of manhood and human dignity? This book explores John Mercer Langston's decisions to work out his destiny through the resources and fortunes of the northern black community. Although Langston, who died in 1897, was a black Politician, orator, lawyer, intellectual, diplomat, and congressman, he has never before been accorded fullscale biographical treatment. Born free on a Virginia plantation, Langston graduated from Oberlin College in 1849, gained admission to the Ohio bar, and by the age of twenty-five, became the first black American to hold elective office. Still in the years of his political apprenticeship, he promoted black civil rights, helped shape the nascent Republican party, aided in the Oberlin-Wellington Rescue and John Brown's raid, and recruited black soldier for the Union cause. In 1864 he became the first president of the National Equal Rights League. From an extensive search of primary sources, the authors construct a richly textured picture of the beginnings of Langston's career as a national black leader. More than a biography, the work also incorporates social and political history. Embedded firmly in a study of northern black community life and activism, it reveals the degree to which Langston and his cohorts set the terms of the fight for freedom and citizenship.
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John Sayles

John Sayles

David R. Shumway

University of Illinois Press
2012
nidottu
John Sayles is the very paradigm of the contemporary independent filmmaker. By raising much of the funding for his films himself, Sayles functions more independently than most directors, and he has used his freedom to write and produce films with a distinctive personal style and often clearly expressed political positions. From The Return of the Secaucus Seven to Sunshine State, his films have consistently expressed progressive political positions on issues including race, gender, sexuality, class, and disability. In this study, David R. Shumway examines the defining characteristic of Sayles's cinema: its realism. Positing the filmmaker as a critical realist, Shumway explores Sayles's attention to narrative in critically acclaimed and popular films such as Matewan, Eight Men Out, Passion Fish, and Lone Star. The study also details the conditions under which Sayles's films have been produced, distributed, and exhibited, affecting the way in which these films have been understood and appreciated. In the process, Shumway presents Sayles as a teacher who tells historically accurate stories that invite audiences to consider the human world they all inhabit.
Vertaile hintoja
John Brunner

John Brunner

Jad Smith

University of Illinois Press
2013
nidottu
Under his own name and numerous pseudonyms, John Brunner (1934–1995) was one of the most prolific and influential science fiction authors of the late twentieth century. During his exemplary career, the British author wrote with a stamina matched by only a few other great science fiction writers and with a literary quality of even fewer, importing modernist techniques into his novels and stories and probing every major theme of his generation: robotics, racism, drugs, space exploration, technological warfare, and ecology. In this first intensive review of Brunner's life and works, Jad Smith carefully demonstrates how Brunner's much-neglected early fiction laid the foundation for his classic Stand on Zanzibar and other major works such as The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider. Making extensive use of Brunner's letters, columns, speeches, and interviews published in fanzines, Smith approaches Brunner in the context of markets and trends that affected many writers of the time, including Brunner's uneasy association with the "New Wave" of science fiction in the 1960s and '70s. This landmark study shows how Brunner's attempts to cross-fertilize the American pulp tradition with British scientific romance complicated the distinctions between genre and mainstream fiction and between hard and soft science fiction and helped carve out space for emerging modes such as cyberpunk, slipstream, and biopunk.
Vertaile hintoja
John Lasseter

John Lasseter

Richard Neupert

University of Illinois Press
2016
nidottu
Celebrated as Pixar's "Chief Creative Officer," John Lasseter is a revolutionary figure in animation history and one of today's most important filmmakers. Lasseter films from Luxo Jr. to Toy Story and Cars 2 highlighted his gift for creating emotionally engaging characters. At the same time, they helped launch computer animation as a viable commercial medium and serve as blueprints for the genre's still-expanding commercial and artistic development. Richard Neupert explores Lasseter's signature aesthetic and storytelling strategies and details how he became the architect of Pixar's studio style. Neupert contends that Lasseter's accomplishments emerged from a unique blend of technical skill and artistic vision, as well as a passion for working with collaborators. In addition, Neupert traces the director's career arc from the time Lasseter joined Pixar in 1984. As Neupert shows, Lasseter's ability to keep a foot in both animation and CGI allowed him to thrive in an unconventional corporate culture that valued creative interaction between colleagues. The ideas that emerged built an animation studio that updated and refined classical Hollywood storytelling practices--and changed commercial animation forever.
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John Frank Stevens

John Frank Stevens

Clifford Foust

Indiana University Press
2013
sidottu
One of America's foremost civil engineers of the past 150 years, John Frank Stevens was a railway reconnaissance and location engineer whose reputation was made on the Canadian Pacific and Great Northern lines. Self-taught and driven by a bulldog tenacity of purpose, he was hired by Theodore Roosevelt as chief engineer of the Panama Canal, creating a technical achievement far ahead of its time. Stevens also served for more than five years as the head of the US Advisory Commission of Railway Experts to Russia and as a consultant who contributed to many engineering feats, including the control of the Mississippi River after the disastrous floods of 1927 and construction of the Boulder (Hoover) Dam. Drawing on Stevens's surviving personal papers and materials from projects with which he was associated, Clifford Foust offers an illuminating look into the life of an accomplished civil engineer.
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The Variorum Edition of the Poetry of John Donne, Volume 3

The Variorum Edition of the Poetry of John Donne, Volume 3

John Donne

Indiana University Press
2016
sidottu
Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the fifth volume in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of the five canonical satires and "Metempsychosis" and details the genealogical history of each accompanied by a thorough prose discussion. The analysis contained in the volume shows that Donne revised each of the poems and explains how readings from the competing versions were intermingled in the early editions and transmitted to subsequent generations. The volume also presents a comprehensive organized digest of the critical-scholarly commentary on these poems from Donne's time through 2001.
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John Bartlow Martin

John Bartlow Martin

Ray E. Boomhower

Indiana University Press
2015
sidottu
During the 1940s and 1950s, one name, John Bartlow Martin, dominated the pages of the "big slicks," the Saturday Evening Post, LIFE, Harper's, Look, and Collier's. A former reporter for the Indianapolis Times, Martin was one of a handful of freelance writers able to survive solely on this writing. Over a career that spanned nearly fifty years, his peers lauded him as "the best living reporter," the "ablest crime reporter in America," and "one of America's premier seekers of fact." His deep and abiding concern for the working class, perhaps a result of his upbringing, set him apart from other reporters. Martin was a key speechwriter and adviser to the presidential campaigns of many prominent Democrats from 1950 into the 1970s, including those of Adlai Stevenson, John F. Kennedy, Lyndon B. Johnson, Robert F. Kennedy, Hubert Humphrey, and George McGovern. He served as U.S. ambassador to the Dominican Republic during the Kennedy administration and earned a small measure of fame when FCC Chairman Newton Minow introduced his description of television as "a vast wasteland" into the nation's vocabulary.
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John W. Barriger III

John W. Barriger III

H. Roger Grant

Indiana University Press
2018
sidottu
In John W. Barriger III: Railroad Legend, historian H. Roger Grant details the fascinating life and impact of a transportation tycoon and "doctor of sick railroads." After graduating from the Massachusetts Institute of Technology, John W. Barriger III (1899–1976) started his career on the Pennsylvania Railroad as a rodman, shop hand, and then assistant yardmaster. His enthusiasm, tenacity, and lifelong passion for the industry propelled him professionally, culminating in leadership roles at Monon Railroad, Pittsburgh and Lake Erie Railroad, Missouri-Kansas-Texas Railroad and the Boston and Maine Railroad. His legendary capability to save railroad corporations in peril earned him the nickname "doctor of sick railroads," and his impact was also felt far from the train tracks, as he successfully guided New Deal relief efforts for the Railroad Division of the Reconstruction Finance Corporation during the Depression and served in the Office of Defense Transportation during World War II. Featuring numerous personal photographs and interviews, John W. Barriger III is an intimate account of a railroad magnate and his role in transforming the transportation industry.
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The Variorum Edition of the Poetry of John Donne, Volume 4.1

The Variorum Edition of the Poetry of John Donne, Volume 4.1

John Donne

Indiana University Press
2017
sidottu
This book presents a comprehensive digest of general and topical commentary on John Donne's Songs and Sonets from the early 17th century through 1999. Arranged chronologically within sections, the material in the present volume is organized under the following chapter headings: General Commentary; Autobiography and Persona; Critical Reception; Dating, Publication History, and Manuscript Tradition; Donne's Originality: Praise and Blame; Dramatic Elements; T. S. Eliot; Imagery; Language and Rhetoric; Love and Sexual Imagery; Mannerism and Baroque; Medievalism; Paradox; Petrarchism; Platonism; Psychological Analysis; Religion; Science and the New Learning; Versification; Wit and Metaphysical Conceit; Women. This book was begun under the direction of Albert C. Labriola, who served as the Volume Commentary Editor until his death in March 2009. Completed by his students and colleagues with the Variorum project, the volume is dedicated to Professor Labriola's memory.
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The Variorum Edition of the Poetry of John Donne, Volume 5

The Variorum Edition of the Poetry of John Donne, Volume 5

John Donne

Indiana University Press
2019
sidottu
Volume 5 of The Variorum Edition of the Poetry of John Donne (Verse Letters) provides the most authoritative texts of the poems that Donne wrote in this genre. It includes complete textual introductions and apparatuses for each of the 42 poems in the volume. In addition, the volume contains comprehensive summaries, along with notes and glosses, of everything written on these poems from Donne's time through 2013.
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The Variorum Edition of the Poetry of John Donne, Volume 7.1

The Variorum Edition of the Poetry of John Donne, Volume 7.1

John Donne

Indiana University Press
2005
sidottu
Praise for previous volumes:"This variorum edition will be the basis of all future Donne scholarship." —ChroniqueThis is the 4th volume of The Variorum Edition of the Poetry of John Donne to appear. This volume presents a newly edited critical text of the Holy Sonnets and a comprehensive digest of the critical-scholarly commentary on them from Donne's time through 1995. The editors identify and print both an earlier and a revised authorial sequence of sonnets, as well as presenting the scribal collection—which contains unique authorial versions of several of the sonnets—inscribed by Donne's friend Rowland Woodward in the Westmoreland manuscript.
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The Variorum Edition of the Poetry of John Donne

The Variorum Edition of the Poetry of John Donne

John Donne

Indiana University Press
2021
sidottu
Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.
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The Variorum Edition of the Poetry of John Donne, Volume 4.3

The Variorum Edition of the Poetry of John Donne, Volume 4.3

John Donne

Indiana University Press
2022
sidottu
This tenth, and final, volume in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of 32 love lyrics. Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, Volume 4.3 details the genealogical history of each poem, accompanied by a thorough prose discussion. The volume also presents a comprehensive digest of the commentary on these Songs and Sonets from Donne's time through 1999. Arranged chronologically within sections, the material for each poem is organized under various headings that complement the volume's companions, Volume 4.1 and Volume 4.2.
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The Variorum Edition of the Poetry of John Donne, Volume 4.2

The Variorum Edition of the Poetry of John Donne, Volume 4.2

John Donne

Indiana University Press
2021
sidottu
This volume, the ninth in the series of The Variorum Edition of the Poetry of John Donne, presents newly edited critical texts of 25 love lyrics. Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, Volume 4.2 details the genealogical history of each poem, accompanied by a thorough prose discussion, as well as a General Textual Introduction of the Songs and Sonets collectively. The volume also presents a comprehensive digest of the commentary on these Songs and Sonets from Donne's time through 1999. Arranged chronologically within sections, the material for each poem is organized under various headings that complement the volume's companions, Volume 4.1 and Volume 4.3.
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