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1000 tulosta hakusanalla Anna-Riikka Carlson
Anna Clayton Or The Mother's Trial: A Tale Of Real Life (1859)
H. J. Moore
KESSINGER PUBLISHING, LLC
2008
nidottu
Anna Swanwick
Kessinger Publishing
2008
pokkari
Anna: Or Memoirs Of A Welch Heiress V4 (1796)
Agnes Maria Bennett
KESSINGER PUBLISHING, LLC
2008
nidottu
Jesus Triumphant In The Conversion And Death Of Anna Catharina Merk (1847)
Anna Catharina Merks
KESSINGER PUBLISHING CO
2008
pokkari
Anna And The Army: Books For Brats Series
R. L. Winters
Createspace Independent Publishing Platform
2009
nidottu
The Day Of Small Things: The Days Of Small Things By Anna Seward Pruitt
Anna Seward Pruitt
Createspace Independent Publishing Platform
2008
nidottu
Anna Maria Elementary: The Old Buildings Before 2006 - A Photo Book.
Rolf Bertram
Createspace Independent Publishing Platform
2008
nidottu
Anna's Cookbook International: The 100 Most Delightful, Healthful and Easy-to-Prepare International Recipes
Anna Musciotto
Booksurge Publishing
2010
nidottu
The recipes in this cookbook are based on the principle of healthful eating. Only olive oil in small amounts is used in the preparation of these dishes. There is an old and popular Italian saying that affirms that "wine lifts the spirit and olive oil lifts the taste". The recipes are from different countries such as: Italy, Venezuela, Mexico, Iran, Syria, Cuba, France, China, Spain, Greece, Bosnia and the United States. They reflect the diversity of cultures and the different tastes found throughout this country.
Finalist for the 2020 Organization of American Historians Mary Nickliss Prize Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation. Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.
Finalist for the 2020 Organization of American Historians Mary Nickliss Prize Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation. Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.
Anna Maria Ortese
University of Toronto Press
2015
sidottu
After years of obscurity, Anna Maria Ortese (1914–1998) is emerging as one of the most important Italian authors of the twentieth-century, taking her place alongside such luminaries as Italo Calvino, Primo Levi, and Elsa Morante. Anna Maria Ortese: Celestial Geographies features a selection of essays by established Ortese scholars that trace her remarkable creative trajectory. Bringing a wide range of critical perspectives to Ortese’s work, the contributors to this collection map the author’s complex textual geography, with its overlapping literary genres, forms, and conceptual categories, and the rhetorical and narrative strategies that pervade Ortese’s many types of writing. The essays are complemented by material translated here for the first time: Ortese’s unpublished letters to her mentor, the writer Massimo Bontempelli; and an extended interview with Ortese by fellow Italian novelist Dacia Maraini.