Bill Slim was one of the greatest British generals of World War II. In a career that stretched from 1914 until 1958, his greatest triumphs came in India and Burma in the long war against the Japanese.Thrust into a desperate situation, he orchestrated the longest retreat in British Army history in the withdrawal from Burma. He then turned on the Japanese in India, shattered their army, and pursued them to destruction. Apart from his great military victories, Slim also left a legacy of training and morale building that endures in the British Army to this day.This book examines both Bill Slim's military career and his place in military history by examining some of his greatest battles and the strategy and tactics that set him apart from his contemporaries.
Bill’s Everyday Asian celebrates the big, bold taste explosions of Asia and the fresh, lively combinations of ingredients that have had bestselling author Bill Granger hooked since childhood. Bill demystifies Asian food, unveiling the secrets behind balancing sweet, sour, salty and hot, and has simplified his favourite classics to create a collection of failsafe, quick and healthy recipes for everyday. From Summer Rolls with Peanut Dipping Sauce, Sticky Sesame Chicken Wings, to Rice Noodle Pho with Rare Beef, Bill serves up the tastes of Asia to tantalise the tastebuds and fit in with our fast-moving lives. A modern classic, packed with sumptuous and inspiring photography, Bill’s Everyday Asian will have readers cooking their way through the recipes from cover to cover.
In 2017, the Government’s attempt to trigger Article 50 and so leave the European Union resulted in a judgement by the Supreme Court, which stated that the Government was unentitled to do so without the consent of Parliament, directly citing the Bill of Rights in its judgement. Ironically, the Bill of Rights, enacted in 1689 to address abuses by the Crown, was successfully invoked in the twenty-first century to curb a perceived abuse by Government, acting in the name of the Crown. Passed shortly after the Glorious Revolution, the Bill sets out the balance of power between Parliament and the Crown, prohibiting the sovereign from levying taxes, recruiting troops or suspending laws without Parliamentary consent. Establishing Parliament as the ultimate source of power in the land and enshrining basic civil rights first set out in Magna Carta but subsequently abridged, the Bill document can justly claim to serve as the origin of Britain’s democracy. Published here with an introduction by Jonathan Sumption providing the historical context of the document and its influence over the centuries – particularly on the United States Bill of Rights – this edition shows how a number of the original clauses find renewed relevance in contemporary events.
As Democratic ward committeeman for more than twenty years (a position that controlled many patronage jobs), Bill Clay, Sr. was also a congressman putting him at the epicenter of most local political storms. Clay recounts his forty-one-year odyssey through a career filled with controversy, conflict, and confrontation.
Bill Woodrow (b.1948) and Richard Deacon (b.1949) have been making sculpture together since 1990. This new book is the first to showcase the work made over this thirty-year period. They have created over sixty works altogether which they call 'shared sculptures', highlighting the important equality of authorship and responsibility at stake for both these artists.Their shared sculptures exist as five main bodies of work, which have been variously shown in exhibitions in Britain and abroad: 'Only the Lonely' (1993), 'monuments' (1999), 'Lead Astray' (2004), 'On the Rocks' (2008) and 'Don't Start' (2016). Their recent body of work, 'We Thought About It A Lot' (2021), has seen them working on paper to explore their ideas together. This new book provides a rich visual account of these works, showing new and original photographs of them individually and in their exhibition contexts. It also includes studio photographs, images of the preview cards that they have designed for exhibitions over the years and reproduces one of their earlier fax exchanges. The publication features an introductory essay by the art historian and curator Jon Wood and is released to coincide with the artists' latest two-person exhibition, 'We Thought About It A Lot, and other shared drawings' at Ikon, Birmingham, in autumn 2021.Bill Woodrow (b.1948) has exhibited internationally, representing Britain at biennales in Sydney (1982), Paris (1982, 1985) and São Paulo (1983). He was shortlisted for the Turner Prize in 1986 and participated in Documenta 8 in 1987. He was elected a RoyalAcademician in 2002 and had a major retrospective at the Royal Academy of Arts in 2013. Richard Deacon (b.1949) has exhibited internationally throughout his career. He was awarded the Turner Prize in 1987, elected to the Royal Academy in 1998 and to the Akademie der Kunste in Berlin in 2010. A large exhibition of his work was shown at Tate Britain in 2014, the same year as a selected edition of his writings was published. Dr Jon Wood (b.1970) is a writer and curator, specialising in modern and contemporary sculpture. Recent publications and exhibitions include: 'Sean Scully' (2020), 'Contemporary Sculpture: Artists' Writings and Interviews' (2020), 'Tony Cragg at the Boboli Gardens' (2019) and 'Sculpture and Film' (2018). He is a trustee of the Gabo Trust.
At first glance, there may appear to be more to separate Michelangelo (1475-1564) and Bill Viola (b. 1951) than to unite them: one, the great master of the Italian Renaissance; the other, the creator of state-of-the-art immersive sound and video installations. And yet, when Martin Clayton showed Viola Her Majesty The Queen's unsurpassed collection of Michelangelo drawings at Windsor in 2006, parallels began to emerge. This book presents a new perspective on both artists' works. Stills and sequences from ten key video pieces by Viola are reproduced alongside fourteen of Michelangelo's presentation drawings, as well as the Taddei Tondo, the only Michelangelo marble sculpture in the UK and a treasure of the Royal Academy's collection. Texts by Martin Clayton examine how existential concerns - the preoccupation of many Renaissance artists, not least Michelangelo - are explored in Viola's often profoundly moving video installations, while Kira Perov provides insight into Viola's working processes.
Bill Wyman has worked in the London borough of Chelsea on-and-off since joining the Rolling Stones in 1962, and has lived in the area since 1982. Over the past few years, Bill has walked every street of his beloved neighbourhood, photographing anything unusual that caught his eye: bridges, churches, pubs, shops, houses, monuments, decorative wall plaques, blue historical plaques, statues, weather vanes, front doors, street signs and coal hole covers. Alongside his photos, Bill began to research the area thoroughly – its history, its stories, and its residents. Bill Wyman's Chelsea is the result of this work: a comprehensive and informative guide to a London borough steeped in culture and history, as seen through the personal and affectionate lens of a long-standing resident, who himself plays a part in the history of the area. Complete with walking tour itineraries, maps, an A-Z of streets, historical information, over 300 of Bill’s photos and knowledge from an insider; Bill has produced what can confidently be called the ‘Master Book on Chelsea’.
Bill Coldstream Remembered: Portraits of a Painter is a collection of essays and shorter reminiscent pieces reflecting on the life and legacy of William Coldstream (1908-1987) by a wide range of those who knew and learned from him, whether by direct contact or through his work. Coldstream, known as Bill to his friends, and The Prof to generations of students at The Slade where he was Professor of Fine Art from 1949-1975, was a founder member of the Euston Road School, a mover and shaker at the GPO Film Unit, where he worked closely with Britten and Auden in the 1930s, and later a major figure in the London art world as it went through controversial changes from the 1960s onwards. In this collection he is remembered as much for his hilarity, humanity, and gift for friendship as for the lasting mark he made on the cultural landscape of a world in flux. In a delightfully diverse selection of studies and characteristic snapshots Bill emerges as a complex figure, a man of warmth and wit, a painter of obsessive rigour, a raconteur, and a champion of the underdog. Contributors include former students, fellow painters, and historians of modern British Art.
"This is a joyful book to hold and sit with." — Printmaking Today Born in 1943 in London, Bill Jacklin RA studied and worked in graphic design before a move to study painting at the Royal College of Art. Initially abstract, his work moved towards figuration in the mid-1970s, at which point he also became preoccupied with the effects of light and movement, twin strands that have characterised his work ever since. Since his move to New York in 1985, he has concentrated on painting portraits of the city in all its guises, from large-scale compositions of crowds in flux to Seurat-like etchings depicting more intimate urban moments. Jacklin enjoys making monotypes, whose fusion of printmaking and painting techniques is particularly well suited to his subject-matter. Painted on a polished, non-absorbent surface, these images are unique, and no reusable element, such as an etching plate, woodblock or stencil, is employed in their creation. This handsome new book reproduces a wide range of Jacklin’s exuberant monotypes and contains an informative account of them by the poet Nancy Campbell.
On the campus of Yale University, in 1970, an "odd couple," Hillary Rodham and Bill ("Bubba") Clinton, came together at a Mark Rothko exhibit at the Yale Art Museum. Before the end of that rainy afternoon, they had formed an unbreakable bond forged while they rested on the seat of a Henry Moore sculpture. They were from completely different worlds-he, a populist from a poverty-stricken background in Arkansas; she, a former "Goldwater Girl" and conservative Republican gradually moving into the liberal camp. As he sat beside her, holding her hand, she gazed into the eyes of this 210-pound, orange-bearded "Viking," tall and scruffy looking, with an Elvis drawl. He'd later jokingly claim, "I identified with Elvis since both of us had hillbilly peckers." Freshly emerged from Wellesley College, with its "coven of lesbians," she was a budding feminist-pimply faced, wearing no makeup but with Mr. Magoo eyeglasses, and walking around on chubby legs. He had all the pretty women he wanted. What he was looking for was a woman with a "sense of strength and self-possession-all in all, that afternoon, I knew I'd found my Evita." He confided to her that since the age of seven, he had only one abiding ambition-and that was to be the President of the United States. He promised her, "If elected, I will pave the way for you to become the first woman president. You can follow after my administration." He held out the prospect of making her the most powerful woman on the planet. As she recalled, "I was giddy with emotion." It took a while, but he finally lured her to Arkansas, which she interpreted as "on the other side of the moon." Crossing the welcome mat at his Scully Street house, she came face to face with her future mother-in-law, Virginia Cassidy Blyth, Clinton, Dwire, Kelley. She stood in the kitchen in her stiletto heels evocative of a drag revue, wearing garish lipstick-"the brighter the better"-and a tight "Dinah Dors" sweater. As Virginia recalled, "It was an immovable object colliding with an irresistible force. I extended my hand to this Chicago carpetbagger with coke bottle glasses." "I'm going to marry this gal," Bubba announced. "She's going to become the First Lady of Arkansas." In the days ahead, Hillary was introduced to other members of this "white trash family" known for its divorces, violence, alcoholism, drug addiction, adultery, and promiscuity. He told her, "I'm a bastard. My father, William Jefferson Blythe, III, had not divorced his wife when he married mama. I took the last name of another husband, Roger Clinton." Before the end of the first day of her inaugural meeting with Hillary, Virginia warned her, "Put a lock on your lingerie. Otherwise, you'll find Bill dressing up in your finery after midnight." Their trail to the White House began in Arkansas, with Hillary helping direct her sex-crazed Bubba into the governor's seat. "With my back-up, he pursued his dream while I was also chasing a dream of my own. Women can dream harder than any man-in fact, being what they are, I don't understand why women don't turn lesbian." Through the tides of the wars to come, both Hillary and Bill learned that love was a creature of many faces, with ever-changing rules and compromises on the road to their horizon. Often threatening divorce, she remained at his side, interpreting his affairs as minor annoyances. On their stormy seas, they sailed through triumph and tragedy, setbacks and comebacks, the good years and the bad ones, bimbo eruptions, serial infidelities, near bankruptcy with crippling legal bills, impeachment, the stockpiling of post-Presidential millions, and surviving vitriolic scorn that rivaled that of Dr. Goebbels against the Jews. They faced maddening failures and stunning achievements, their love and loyalty enduring through hurricane winds. She was at his side as the sex-crazed Arkansas Bubba became the notorious "Slick Willie," eventually morphing into "The 21st Century's Greatest Living Elder Statesman." Hillary herself began her own road to the White House (actually, she had already been there for eight years as First Lady), with stints as a Senator from New York, a failed presidential candidate, and a globe-trotting Secretary of State. She also became one of the country's leading Democratic visionaries, admired by millions. Of course, that provoked Apocalyptic attacks from her enemies, Senator Mitch McConnell, Senior Republican Senator from Kentucky, trumpeting, "If given power in 2016, she'll lead us to the Gates of Hell." One night on Martha's Vineyard, Hillary had a candid talk with a former First Lady, Jackie Kennedy Onassis. "Bill is a charismatic politician, but also deeply flawed. He has such charm you can always forgive him." "I know of such men," Jackie said, no doubt recalling her own years with another charismatic president. "You had Marilyn Monroe to compete with. I have a lesser light-Sharon Stone. Bill was hopelessly gone when she crossed her legs in Basic Instinct." ***Hundreds of tantalizing anecdotes fill this book from a writing team already famous for its exposes of both the Kennedys and the Reagans. As Hillary stares into her uncertain future, she claims, "Before the arrival of the Grim Reaper, Bill and I will change history...for the better, of course." So This Is That Thing Called Love is not a treatise about politics. It's a love story probing the boundaries of a relationship between two people who are committed to each other despite the vagaries of life, come what may. What a ride it's already been, with more "Second Coming Headlines" looming in the years ahead. There will definitely be a second act for this pair. As a critic who despises Hillary, but only in private, First Lady Michelle Obama said, "Hillary's story won't be over until the Fat Lady sings."
I Drive a Valence is a book of lyrics by Bill Callahan, the author and singer, whose songs (stories, really) are performed in his own inimitable and completely individual fashion. The book spans two decades of Smog/Bill Callahan songs. It is a fairly unforgettable look-see; in fact, it's a definitive-yet-concise trip through the mirror, collecting the lyrics to 70 songs and pairing them with 116 dreamy ink-wash images by the man himself.
Jimmy Katz wakes walloped with a cold, allergies, or the flu. Maddy, his cat, and Guppy, his Amazon parrot fret, but still demand breakfast. Mrs. Potts sends Jimmy over to the Wellness Center where Bill Hill sends the Katz-Diaz heir home with his special formula, Wellness in a Bottle. Brian, Jimmy's best friend, and Danny, his coworker at the Twinkle Independent News, come to visit, followed by Aunt Betty, the matriarch of Twinkle and Starlight County. Celebrity stops by, sees how awful Jimmy feels and tells him she'll be back later. The town drunk attacks Celebrity, and she ends up in a coma. When she resurfaces, a different reality has everyone concerned, especially Jimmy. After only three doses of Bill Hill's formula, Jimmy fully recovers. He stops by the Wellness Center to purchase two more bottles. When he arrives home, Maddy and Guppy attack the bag. Then Brian and Danny show up and tell him that someone was poisoned by that formula. The deranged poisoner has targeted more than Bill Hill's store. The Dime Water Foo(d) grocery store with the burnt out "d" in the sign, affectionately called the Foo, is shut down. It's the only grocery store within a 150-mile radius. Betty calls upon her army of volunteers and they transform the Starlight Ballroom into a grocery store. More businesses are shut down as tampered products send people to the hospital. Chief Kenton Price, Ramirez, and Celebrity have their hands full with trying to hunt down the elusive poisoner, along with help from the Feds. Through the investigation, they discover that forty years ago a terrible crime was committed and concealed. Jimmy and Ramirez uncover the details and they seek justice for the family. While eating at the Biggem Diner with Danny, Brian, Ramirez, and Celebrity, Jimmy notices the poisoner in action. Ramirez and Celebrity take action. The culprit is arrested.
There Are Reasons We Fear The Night. He's Not One Of Them.Bill Ryder was a dateless geek, but then he met a girl to die for. So he did. Unfortunately for him, that was just the beginning of his troubles. He awoke as a vampire, one of the legendary predators of the night. Sadly, fangs or not, he was still at the bottom of the food chain.Now he finds himself surrounded by creatures stronger, deadlier, and a lot cooler than he is ... and they all want to kick his teeth in.Bill isn't exactly average, though. A vampire like him hasn't been seen in centuries. He's got a few tricks up his sleeve, unexpected allies, and an attitude that makes him too damned obnoxious to quit.Join him in this hilarious tale of immortal monsters and the unlikely hero who's not afraid to tell them off, even if it gets him killed - permanently this time.
