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Dirty Stinkin' Hyena

Dirty Stinkin' Hyena

Tom Robson

Tom Robson
2020
sidottu
Two young warriors become lost while on safari on the African plains. As the sun begins to set, they are surprised to find they are not alone. They hear the familiar laugh of a Hyena, and before long, she is hot on their trail. Who will save the warriors from the Dirty Stinkin' Hyena?
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Aesthetic Knowledge

Aesthetic Knowledge

Jon Robson

Cambridge University Press
2025
pokkari
How do we arrive at aesthetic knowledge? This might seem an odd question for philosophers to ask. Some will take its answer to be obvious: we learn about the aesthetic qualities of paintings by looking at them, of musical works by listening to them, and so on. Others will take the question to be misguided, how can there be aesthetic knowledge when aesthetics is merely 'a matter of taste'? Finally, aesthetic knowledge itself might seem singularly unimportant. We don't engage with beautiful artworks to learn that they're beautiful but, rather, to appreciate that beauty. This Element argues that each of these objections is misplaced. Aesthetic knowledge is both valuable and attainable, but canonical philosophical (and folk) views of how we attain it are mistaken. The Element surveys some recent arguments against the reliability of aesthetic perception and in favour of other, more social, sources of aesthetic knowledge.
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Aesthetic Knowledge

Aesthetic Knowledge

Jon Robson

Cambridge University Press
2025
sidottu
How do we arrive at aesthetic knowledge? This might seem an odd question for philosophers to ask. Some will take its answer to be obvious: we learn about the aesthetic qualities of paintings by looking at them, of musical works by listening to them, and so on. Others will take the question to be misguided, how can there be aesthetic knowledge when aesthetics is merely 'a matter of taste'? Finally, aesthetic knowledge itself might seem singularly unimportant. We don't engage with beautiful artworks to learn that they're beautiful but, rather, to appreciate that beauty. This Element argues that each of these objections is misplaced. Aesthetic knowledge is both valuable and attainable, but canonical philosophical (and folk) views of how we attain it are mistaken. The Element surveys some recent arguments against the reliability of aesthetic perception and in favour of other, more social, sources of aesthetic knowledge.
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Violent Waters

Violent Waters

Elly Robson Dezateux

Cambridge University Press
2026
sidottu
How were environments and politics remade by sovereigns, floods, mapmakers, migrants, rioters, and writers during wetland improvement projects in early modern England? Violent Waters examines flagship ventures which promised to transform unruly fenland fringes into orderly terrain at the heart of national power and productivity. In practice, these projects sparked constitutional controversy, new floods, and huge riots. The first state-led project in Hatfield Level brought local, national, and transnational interests into contact and conflict for almost a century. Elly Robson Dezateux traces the environmental politics that emerged as water and land were constructed and contested, both mentally and materially. These disputes pivoted on urgent questions about risk and justice, which became entangled in civil war conflict and exposed the limits of central authority and technology. Ultimately, improvement was destabilised by a lack of legitimacy and the dynamism of local custom as a method of environmental management and collective action. Wetland communities, as much as improvers and sovereigns, remade the terrain of politics and the future of the fens.
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