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French Music Since Berlioz

French Music Since Berlioz

Richard Langham Smith; Caroline Potter

Ashgate Publishing Limited
2006
sidottu
French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. Déirdre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Fauré, Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for anyone interested in the culture of France.
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French Paintings of Childhood and Adolescence, 1848–1886

French Paintings of Childhood and Adolescence, 1848–1886

Anna Green

Ashgate Publishing Limited
2007
sidottu
The premise of Anna Green's timely and original book, is that nineteenth-century representations of childhood and adolescence-in paintings, but also in other forms of visual culture and in diverse written discourses of the period-are critical for understanding modernity. Whilst such well-worn signifiers for modernity as the city, the dandy and the prostitute have been well mined, childhood and adolescence have not. Paintings of the young produced in France from 1848 to 1886, Green contends, inform not only our understanding of modern life but also our perception of modernist or avant-garde painting. Figuring largely are Manet and the Impressionists, as well as a gamut of more traditional painters of children who are crucial in providing context for the avant garde. Because modernity is an essentially urban phenomenon, Green's focus is primarily on the city, usually Parisian, child. The painted youth of her study are organized initially by class and gender. Then the chapters are structured according to themes (parent-child relations, modes of discipline, work, education, and play, the spectacle, sexuality) that straddle the congruences among the book's triple trajectory: the young, their modernist representations, and the experience of modernity. Green's interdisciplinary approach ensures that this book will be of interest not only to art historians but to all those concerned with the cultural and social history of childhood.
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French Symbolist Poetry and the Idea of Music

French Symbolist Poetry and the Idea of Music

Joseph Acquisto

Ashgate Publishing Limited
2006
sidottu
What role did music play in the creation of a new aesthetics of poetry in French from the 1860s to the 1930s? How did music serve as an unassimilable 'other' against which the French symbolist poets crafted a new poetics? And why did music gradually disappear from early twentieth-century poetic discourse? These are among the questions Joseph Acquisto poses in his lively study of the ways in which Baudelaire, Mallarmé, Ghil, and Royère question the nature and function of the lyric through an ever-shifting set of intertextual and cultural contexts. Rather than focusing on 'musicality' in verse, the author addresses the consequences of choosing music as a site of dialogue with poetry. Acquisto argues that memory plays an under acknowledged yet vital role in these poets' rewriting of symbolist poetics. His reading of their interactions, and his focus on both major and neglected poets, exposes the myth of a small handful of 'great authors' shaping symbolism while a host of disciples propagated the tradition. Rather, Acquisto proposes, the multiplicity of authors writing and rewriting symbolism invites a dialogic approach to the poetics of the period. Moreover, music, as theorized rather than performed or heard, serves as a privileged mobile space of poetic creation and dialogue for these poet-critics; it is through engagement with music, supposedly the purest or most abstract of the arts, that one can retrace the textual and cultural transformations accomplished by the symbolist tradition. By extension, these poets' rethinking of poetics is an occasion for present-day critics to re-examine assumptions, not only about the intersections of music and poetry and our understanding of symbolist poetics but also about the role that the aesthetic implicitly plays in the creation, preservation, or reshaping of cultural memory.
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French Crime Fiction, 1945–2005

French Crime Fiction, 1945–2005

Margaret-Anne Hutton

Ashgate Publishing Limited
2013
sidottu
In the first major study of representations of World War II in French crime fiction, Margaret-Anne Hutton draws on a corpus of over a hundred and fifty texts spanning more than sixty years. Included are well-known writers (male and female) such as Aubert, Simenon, Boileau-Narcejak, Vargas, Daeninckx, and Jonquet, as well as a broad range of lesser-known authors. Hutton's introduction situates her study within the larger framework of literary representations of World War II, setting the stage for her discussions of genre; the problem of defining crimes and criminals in the context of the war; the epistemological issues that arise in the relationship between World War II historiography and the crime novel; and the temporal textures linking past crimes to the present. Filling a gap in the fields of crime fiction and fictional representations of the War, Hutton's book calls into question the way both crime fiction and the French theatre of World War II have been conceptualized and codified.
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French English Bilingual Visual Dictionary

French English Bilingual Visual Dictionary

Christine Arthur

DK Publishing (Dorling Kindersley)
2005
nidottu
Newly revised and updated, the "French-English Bilingual Visual Dictionary" is a quick and intuitive way to learn and recall everyday words in French. The "French-English Bilingual Visual Dictionary" introduces a range of useful current vocabulary in thematic order, using full-color photographs and artworks to display and label all the elements of everyday life from the home and office to sport, music, nature, and the countries of the world with panel features on key nouns, verbs, and useful phrases. The "French-English Bilingual Visual Dictionary" features: A quick and intuitive way to learn and remember thousands of words. A complete range of illustrated objects and scenes from everyday life. Fast and effective learning for any situation, from home and office to shopping and dining out. Detailed index for instant reference. Handy size ideal for travel. The illustrations in the "French-English Bilingual Visual Dictionary" provide a quick and intuitive route to learning a language, defining the words visually so it is easier to remember them and creating a colorful and stimulating learning resource for the foreign-language and EFL/ESL student."
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French Cooking for Beginners

French Cooking for Beginners

Claudine Pepin

New Shoe Press
2022
pokkari
Learn to cook real French food without all the fuss.Ever wanted to master the art of making crepes? Creme brulee? The perfect omelette? A Nicoise salad even your kids will love? French Cooking for Beginners teaches the basics of classic French cooking with simple, easy-to-follow recipes using fresh, easy-to-find ingredients, skipping the fussy, complicated approach of most French recipes and cookbooks. An abridged version of the original Let’s Cook French, this book also provides plenty of French language lessons to make your experience in the kitchen both educational and fun.With an emphasis on fresh ingredients and hands-on preparation, French Cooking for Beginners offers home cooks a way to explore French culinary culture in their own kitchen. Recipes featured are authentic yet easy for cooks of all levels to make and includes starters, main courses, sides, and desserts such as:Eggs JeanetteVichyssoiseCheese FondueBeef BourguignonCroque MonsieurHam and Leek QuicheSalad NicoiseApple Tarts RatatouillePerfect for beginners who want to channel their inner Julia Child, you’ll discover how to make classic and timeless French food that will amaze and impress family and friends.
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French Classics Made Easy

French Classics Made Easy

Grausman Richard

Workman Publishing
2011
nidottu
Classic French food is hotter than ever. But one thing hasn't changed - few of us have the time, the patience, the technique, or the cream and butter allowance to tackle the classics as presented by Julia Child's "Mastering the Art of French Cooking". The good news is - we don't need to. For the past 40 years Richard Grausman, America's premier culinary teacher, has been training chefs in a simpler, better way of French cooking, and in "French Classics Made Easy" - a refreshed and updated edition of his original collection, "At Home with the French Classics" - he shares all of his extraordinary innovations and techniques. Golden souffles in ten minutes. A light and luscious chocolate mousse that can be made as a cake, a chocolate roll, souffle, or pudding. Plus Cassoulet, Boeuf Bourguignon, Coq au Vin, Bouillabaisse, Poached Salmon with Beurre Blanc - in all, 250 impeccably clear, step-by-step recipes in range of anyone who knows how to boil water or dice an onion. When a step isn't critical, Grausman eliminates it. If something can be done in advance, he does it. Plus he's cut the amount of butter, cream, egg yolks, salt, and sugar; the result is health-conscious recipes that don't compromise the essential nature of the dish. Techniques are illustrated throughout in line drawings. It's the grandness of French cuisine, made accessible for both entertaining and everyday meals.
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French Phonetics

French Phonetics

Trudie Maria Booth

University Press of America
2000
nidottu
This enhanced edition of French Phonetics is intended for college-level instruction, for self-study and for reference purposes. The text, including Cahier d'Exercices, helps the student to become proficient in the pronunciation of French by explaining the characteristics of the French sound system clearly and systematically and by giving precise rules of pronunciation throughout. After introducing the learner to the International Phonetic Alphabet, the manual proceeds to a thorough examination of every sound in the French language in relation to its spelling and its phonological surroundings. If the book is used as a reference tool, the reader will be able to verify the pronunciation of many difficult verb forms and names not found in a dictionary. Students will be able to phonetically transcribe French words, to read a phonetically transcribed text, and most importantly to pronounce correctly any French word that they encounter, even if they have never seen it before. Cassettes or CD's for French Phonetics and the Cahier d'Exercices are available by contacting the author at [email protected]; Please cc her alternate e-mail address in your request: [email protected]
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French Prepositions

French Prepositions

Trudie Maria Booth

University Press of America
2003
nidottu
French Prepositions is an in-depth study of the forms of both simple and compound prepositions and their use in modern French. It is designed to fulfill the needs of teachers and students who whish to express themselves correctly in this language and are looking for a complete and reliable reference book which helps them to achieve that goal.
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French Verbs and Idioms

French Verbs and Idioms

Trudie Maria Booth

University Press of America
2005
nidottu
French Verbs and Idioms is divided into 20 chapters. The preliminary chapter defines essential grammatical terms (such as conjugation, mood, elision, gender, agreement, etc.), and categorizes the verbs. Chapters 1-13 are devoted to the present indicative, past participle, passé composé, imparfait, pluperfect, pronominal verbs, the imperative, future tenses, present and past conditional, the subjunctive, present participle, infinitive, causative faire, passé simple, and the passé antérieur. Chapters 14-17 treat impersonal verbs, incomplete verbs, direct speech, indirect speech, and the passive voice. Chapters 18-20 present those French verbs which have several meanings in English, idiomatic expressions, and "problem verbs," or English verbs that have various equivalents in French and are difficult for Anglophone speakers. Extensive lists of useful idioms, proverbs, and sayings containing the verbs, tenses, and moods discussed fill the gaps in the knowledge of the advanced learner. Explanations are in English, and all verbs, examples, idioms, proverbs, and sayings (drawn from current usage) are translated into English for comparison purposes and in order to facilitate comprehension for students of any level.
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French East India Companies

French East India Companies

Donald C. Wellington

Hamilton Books
2006
nidottu
French East India Companies is a comprehensive and readable account of France's import trade with the Far East during the 17th and 18th centuries. France's Eastern trade was monopolized by two companies, La Compagnie des Indes Orientales (1664-1719) and La Compagnie des Indes (1719-1763), which operated on the basis of rights granted by the French Crown. Prior to 1664 and after 1763 a freer trade existed with India. This work is not only a succinct historical narrative of the two companies and trade between France and the Far East but an economic statistical analysis of this trade. The text is supplemented with an appendix that includes a detailed glossary of textile terms and 77 pages of statistical data from primary source material drawn from French archives and not previously collected nor published. The appendix makes French East India Companies an indispensable historical and economic resource.
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French-American Relations

French-American Relations

Eric Touya de Marenne

University Press of America
2007
nidottu
A major contention of French-American Relations is that the American experience during WWII illustrates "the decency of the American people" (Abraham Lincoln), and gives meaning to the special bond that exists between the two nations. The book points to the differences that exist on both sides of the Atlantic, but also to the common heritage, history, and values that both people share. Its main thesis is that revisiting the experiences at Normandy enables readers to question and envision the paths both nations must take in a post-September 11 world. Professor Touya de Marenne's reflection unfolds through a series of dialogues with American and French veterans who were actively involved in the liberation of France and the defeat of fascism in Europe in 1944–1945. Exploring this relation in the context of current issues (the dialogue among cultures, the challenges of globalization and terrorism, the fate of democracy and civilization, and the path toward peace in the world), this study provides a balanced view and perpetuates the long debate that two of the oldest modern democracies have pursued for over two hundred years.
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French Post-War Social Theory

French Post-War Social Theory

Derek Robbins

SAGE Publications Inc
2011
sidottu
Derek Robbins has shown once again that he is one of the few Anglophone scholars with an exceptionally profound and impressively comprehensive knowledge of the history of modern European social thought. This book is a must for anybody interested in twentieth-century French social theory. The coverage is wide-ranging; the information provided is authoritative; complex ideas are presented in an accessible language; key controversies are explained in an eloquent and thought-provoking fashion; and, perhaps most importantly, seemingly abstract tensions between intellectual positions are put into historical context. - Dr Simon Susen, City University London Detailed, timely and original this book explores the trans-cultural transmission of social theory. Derek Robbins presents us with a chronological commentary on the intellectual production of five French social thinkers (Aron, Althusser, Foucault, Lyotard, Bourdieu) and on the English reception of their texts. The book: Sets up a Bourdieusian investigation of the habitus of the five thinkers and, comparatively, of the national sub-fields of intellectual discourse.Enables an inter-active generation of enquiry based on the primacy of individual experience.Challenges the social sciences to abandon their grand narratives and to advance the cause of social democratic inclusion.Reconciles the legacies of the work of Bourdieu and Lyotard in order to advance practically a socio-analytic recognition of dissensus or différence. By representing modern classics of French social thought in socio-political context, this in-depth study encourages all social researchers to reflect on their use of social theories in their practice.
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French Social Theory

French Social Theory

Mike Gane

SAGE Publications Inc
2003
sidottu
No national tradition of social theory has been more seductive to Anglo-American readers than the French.There has been a long-standing fascination with French ideas and debates. This extraordinarily accomplished book, written by one of Britain's leading commentators on social theory, provides a peerless account of the French tradition.The book: provides a systematic account of French social theory from the aftermath of the French Revolution (St Simon, Bazard and Comte) to the contemporary scene dominated by Kristeva, Deleuze, Bourdieu and Baudrillard; divides French social theory into three logically coherent cycles: 1800-80 (positivist); 1880-1940 (anthropological); 1940-2000 (Marxist); provides a detailed guide to the three phases of postwar French social theory - existential, structural and post-structural; and situates the discussions of individuals and schools in the relevant social and political contexts. The book is a masterpiece of erudition and scholarship but is written throughout in an engaging and informative style. It will be required reading for anyone interested in social theory and sociology.
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French Social Theory

French Social Theory

Mike Gane

SAGE Publications Inc
2003
nidottu
No national tradition of social theory has been more seductive to Anglo-American readers than the French.There has been a long-standing fascination with French ideas and debates. This extraordinarily accomplished book, written by one of Britain's leading commentators on social theory, provides a peerless account of the French tradition.The book: provides a systematic account of French social theory from the aftermath of the French Revolution (St Simon, Bazard and Comte) to the contemporary scene dominated by Kristeva, Deleuze, Bourdieu and Baudrillard; divides French social theory into three logically coherent cycles: 1800-80 (positivist); 1880-1940 (anthropological); 1940-2000 (Marxist); provides a detailed guide to the three phases of postwar French social theory - existential, structural and post-structural; and situates the discussions of individuals and schools in the relevant social and political contexts. The book is a masterpiece of erudition and scholarship but is written throughout in an engaging and informative style. It will be required reading for anyone interested in social theory and sociology.
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French Beginner's Bilingual Dictionary

French Beginner's Bilingual Dictionary

Gladys C. Lipton

Barron's Educational Series Inc.,U.S.
2009
nidottu
This illustrated bilingual dictionary is designed primarily for beginning students in a new language. Approximately 1,400 words are presented, each with its translation, pronunciation, and a sample sentence. There is a separate reference section that lists bilingual days of the week, months, numbers, and other helpful words. Words are listed in two sections: target language to English and English to target language. New in the fourth edition is a travellers' section with cultural notes, as well as words and expressions related to new technologies.
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French Provincial Furniture

French Provincial Furniture

Robin Ruddy

Schiffer Publishing Ltd
1998
sidottu
This is the beautiful guide to French provincial furniture that no serious buyer or enthusiast can afford to be without. It presents the key types of country antique furniture in fourteen separate regions of France, explains the differences in their construction and decoration which will enable you to identify them, and describes the twenty-one different woods used to make these provincial pieces. Separate chapters convey the techniques used by the traditional cabinetmakers who created these sought-after antiques and portray the delightful country interiors for which they were originally made. A helpful glossary of relevant French words and phrases is also included, and the book is illustrated with over 200 color and black and white photographs of representative pieces including value ranges. This is a new and welcome guide to the charming and distinctive provincial furniture of France.
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French Art Deco Fashions in Pochoir Prints from the 1920s

French Art Deco Fashions in Pochoir Prints from the 1920s

Schiffer Publishing Ltd
1998
sidottu
French pochoir prints from the glorious Art Deco era present women's fashion designs in their most original era. Chosen from the period 1924 to 1931, this clothing was revolutionary and has been the epitome of haute couture designers ever since. The most famous clothing designers of the time are represented abundantly, including Charles Worth, Jean Patou, Paul Poiret, Lucien Lelong, Joseph Paquin and many others. The hand printed illustrations are each little masterpieces, often admired and collected themselves for their fine details and originality.
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French Fashions of Good Taste

French Fashions of Good Taste

Schiffer Publishing Ltd
1998
sidottu
The exclusive French periodical Gazette du Bon Ton was published in Paris to showcase the latest haute couture women's fashion. A selection of the original pochoir print illustrations made for this magazine between 1920 and 1922 are presented in this book. Fashion designers Charles Worth, Paul Poiret, and Madeleine Vionette are among the provocative creators of new 1920s clothing styles whose work is represented here. They revolutionized women's fashions by breaking with tradition to create an entirely new silhouette with short skirts, geometric patterns, new color combinations, and new fabric choices. The illustrations are done in the pochoir process with many stencils and subtle color tones to accurately duplicate delicate drawings by some of the leading French artists of the day. George Barbier, Pierre Brissaud, and Georges Lepape each made many of the drawings in this book Today's fashion designers, collectors, sellers, and artists all will pour over these pages for inspiration.
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