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Biographical Anecdotes of William Hogarth, With a Catalogue of His Works
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
George III and the Satirists from Hogarth to Byron

George III and the Satirists from Hogarth to Byron

Vincent Carretta

University of Georgia Press
2008
nidottu
King George III inherited two legacies from the restoration of the monarchy in 1660: his crown and a tradition of regal satire. As the last British monarch who fully ruled as well as reigned and as the last king of America, George III was the target of constant satiric attacks even before he came to the throne in 1760 and for years after his death in 1820. An interdisciplinary and intercontinental study, this book examines the political satiric poetry and political graphic prints of Britain and Colonial America during the late Georgian period--a tumultuous era that witnessed the American and French revolutions, the Napoleonic wars, and the birth of the Romantic movement. Using George III as his focal point, Vincent Carretta draws on a wide range of verbal and visual sources to illuminate the development of satire from the work of Charles Churchill and William Hogarth to Lord Byron and George Cruikshank. Extending the argument from his earlier book, The Snarling Muse, which dealt with satire during the first half of the eighteenth century, Carretta demonstrates that the satiric line of descent from the early decades of the 1700s through the 1820s is much more direct than most scholars have recognized. Throughout the book, Carretta examines not only how the monarchy was reflected in satire but how satire in turn may have influenced the regal institution. In the 1790s, for example, British satirists discovered that their earlier attacks on the king for not being kingly enough had brought an unanticipated consequence: they had created the basis for the fictional commoner-king, Farmer George, which the king's supporters used with great rhetorical effectiveness against the threat of revolutionary French ideas. Enhanced by more than 160 illustrations, George III and the Satirists effectively demonstrates how a wide range of materials, verbal and visual, literary and nonliterary, can be marshaled in an interdisciplinary pursuit that crosses conventional fields and periods, repositioning artists and authors who are too often approached outside their original contexts.
The Genuine Works of William Hogarth

The Genuine Works of William Hogarth

John Nichols; George Steevens

Cambridge University Press
2014
pokkari
This illustrated three-volume catalogue of the works of painter and engraver William Hogarth (1697–1764) was the result of 'Hogarthomania', the enthusiasm for all his productions which arose soon after his death. The publisher and author John Nichols (1745–1826), assisted by the collector and literary critic George Steevens, published a life of Hogarth and a list of his works in 1781, and as disputes increasingly arose over the genuineness of some of the prints attributed to him, enlarged versions appeared in 1782 and 1785. This work, published between 1808 and 1817, is the last in the sequence of Nichols' works on Hogarth, and remains a useful source for art historians and anyone interested in the cultural life of the eighteenth century. Volume 2 contains a catalogue of his works, an appendix of anecdotes about some of Hogarth's subjects, and his essay The Analysis of Beauty.
The Genuine Works of William Hogarth

The Genuine Works of William Hogarth

John Nichols; George Steevens

Cambridge University Press
2014
pokkari
This illustrated three-volume catalogue of the works of painter and engraver William Hogarth (1697–1764) was the result of 'Hogarthomania', the enthusiasm for all his productions which arose soon after his death. The publisher and author John Nichols (1745–1826), assisted by the collector and literary critic George Steevens, published a life of Hogarth and a list of his works in 1781, and as disputes increasingly arose over the genuineness of some of the prints attributed to him, enlarged versions appeared in 1782 and 1785. This work, published between 1808 and 1817, is the last in the sequence of Nichols' works on Hogarth, and remains a useful source for art historians and anyone interested in the cultural life of the eighteenth century. Volume 1 contains a biography of Hogarth and a short account of the continuing issues of his prints after his death.
The Genuine Works of William Hogarth

The Genuine Works of William Hogarth

John Nichols; George Steevens

Cambridge University Press
2014
pokkari
This illustrated three-volume catalogue of the works of painter and engraver William Hogarth (1697–1764) was the result of 'Hogarthomania', the enthusiasm for all his productions which arose soon after his death. The publisher and author John Nichols (1745–1826), assisted by the collector and literary critic George Steevens, published a life of Hogarth and a list of his works in 1781, and as disputes increasingly arose over the genuineness of some of the prints attributed to him, enlarged versions appeared in 1782 and 1785. This work, published between 1808 and 1817, is the last in the sequence of Nichols' works on Hogarth, and remains a useful source for art historians and anyone interested in the cultural life of the eighteenth century. Volume 3, published seven years after Volume 2, contains further plates, critical essays, and a 'key' to the scenes in Hogarth's prints allegedly derived from classical sources.
I, Hogarth

I, Hogarth

Michael Dean

Duckworth
2014
nidottu
Hogarth's epoch-defining paintings and engravings, such as Gin Lane and The Rake's Progress, are renowned. He was London's painter par excellence, and supplies the most enduring vision of the eighteenth century's ebullience, enjoyments and social iniquities. From his lifelong marriage to Jane Thornhill, his inability to have children, his time as one of England's best portrait painters, his old age and unfortunate dip into politics, and ultimately his death, I, Hogarth is the artist's life through his very own eyes. Recommended for readers of Peter Ackroyd and Hilary Mantel, this novel charts Hogarth's personal story in four parts carefully blending the facts of his life with fiction, beginning with a childhood spent in a debtor's prison and ending with his death in the arms of his wife.
Garrick in the Green Room! a Biographical and Critical Analysis of a Picture, Painted by William Hogarth and Engraved by William Ward. [with a Key to the Picture.] Ms. Notes [by G. Daniel].
Title: Garrick in the Green Room A biographical and critical analysis of a picture, painted by William Hogarth and engraved by William Ward. With a key to the picture.] MS. notes by G. Daniel].Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF TRAVEL collection includes books from the British Library digitised by Microsoft. This collection contains personal narratives, travel guides and documentary accounts by Victorian travelers, male and female. Also included are pamphlets, travel guides, and personal narratives of trips to and around the Americas, the Indies, Europe, Africa and the Middle East. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Daniel, George; Garrick, David Hogarth; 1829. 33 p.; 4 . 789.b.34.
Mr. Hogarth's Will. [A Novel.]

Mr. Hogarth's Will. [A Novel.]

Catherine Spence

British Library, Historical Print Editions
2011
pokkari
Title: Mr. Hogarth's Will. A novel.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Spence, Catherine; 1865. 3 vol.; 8 . 12623.a.8.
Mr. Hogarth's Will. [A Novel.]

Mr. Hogarth's Will. [A Novel.]

Catherine Spence

British Library, Historical Print Editions
2011
pokkari
Title: Mr. Hogarth's Will. A novel.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Spence, Catherine Helen; 1865. 3 vol.; 8 . 12623.a.8.
Mr. Hogarth's Will. [a Novel.] Vol. II

Mr. Hogarth's Will. [a Novel.] Vol. II

Catherine Helen Spence

British Library, Historical Print Editions
2011
pokkari
Title: Mr. Hogarth's Will. A novel.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Spence, Catherine Helen; 1865. 3 vol.; 8 . 12623.a.8.
A Dissertation on Mr. Hogarth's Six Prints Lately Publish'd, Viz. Gin-Lane, Beer-Street, and the Four Stages of Cruelty. Containing I. a Genuine Narrative of the Horrible Deeds Perpetrated by That Fiery Dragon
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT100913London: printed for B. Dickinson, 1751. 59, 1]p., plate: port.; 8