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Kvällarna i Helsingfors: Texter om och av Jan Olof Olsson
Jan Olof (Jolo) Olsson; Johan Erséus; Vibeke Olsson
Jolosällskapet
2015
kartonkisidos
Han matade hackspettar med Urho Kekkonen, teg ihop med Paavo Nurmi, slank in till baren på Socis och Kämp och åt borsjtj vid den ryska katedralen. Jolo – DN-journalisten Jan Olof Olsson – anlände till Helsingfors beväpnad med skrivmaskin, kikare, cykel, fyra kostymer och oräkneliga Fänrik Stål-citat. 1952 återvände han gärna till den finländska huvudstaden och fascinerades av den unga nationens dramatiska historia. Kvällarna i Helsingfors ägnas helt Jolos texter om Finland. Denna utökade upplaga innehåller 50 kåserier, nyhetsartiklar, intervjuer, reportage och historiska essäer. Dessutom skriver Johan Erséus om Jolos Finlandsbesök, medan Vibeke Olsson berättar om sin fars relationer till grannlandet – och skildrar familjens sportlov med besök i Mannerheims villa och en biltur över isen till Sveaborg.
Jolo: Vägen till Sarajevo. Texter om och av Jan Olof Olsson
Jan Olof (Jolo) Olsson; Johan Erséus
Jolosällskapet
2017
kartonkisidos
En man som hade spelat fotboll med Sarajevo-mo¨rdaren Gavrilo Princip. En bosnisk bondkvinna som ville prata om Dag Hammarskjo¨ld. En striptease-danso¨s som vra¨kte i sig wienerschnitzel. Stolta Tito-partisaner. Ett svenskt par pa° desperat solsemester vid Adriatiska havet. Jolo – DN-journalisten Jan Olof Olsson – mo¨tte dem va°ren 1963, da° han tillsammans med fotografen Roland Janson reste genom Jugoslavien i en hyrd Mercedes 180. De so¨kte spa°r efter fo¨rsta va¨rldskrigets utbrott. Men de njo¨t ocksa° av lugnet vid bron i Mostar, gick pa° opera i Ljubljana, strosade i romerska ruiner i Split, beundrade Dalmatiens kvinnor och fascinerades av en kultur som var fja¨rran fra°n den folkhems-svenska. Va¨gen till Sarajevo inneha°ller Jolos ka°serier, reportage och historiska essa¨er om denna del av Balkan som sa° ofta har legat mitt i historiens korsva¨g.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
This book "" Jan and Her Job "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
This book "" Jan of the Windmill: A Story of the Plains "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
This book "" Jan Vedder's Wife "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
Jan of the WindmillA Story of the Plains (Edition2023)
Juliana Horatia Ewing
Double 9 Books LLP
2024
nidottu
"Jan of the Windmill" by Juliana Horatia Ewing is a delightful blend of children's fiction and social commentary, offering a heartwarming glimpse into rural English life in the 19th century. The novel follows the titular character, Jan, a kind-hearted and resourceful boy who grows up in the idyllic surroundings of a windmill in the English countryside. Despite facing hardships and adversity, Jan's indomitable spirit and unwavering optimism endear him to readers as he navigates the challenges of poverty, loss, and societal prejudice. Ewing's vivid descriptions and engaging storytelling transport readers to a bygone era, where they witness Jan's adventures, friendships, and triumphs. Through Jan's eyes, readers gain insight into the struggles of the working class during a time of rapid industrialization and social change. At its core, "Jan of the Windmill" is a coming-of-age story that celebrates the power of resilience, community, and compassion. Ewing's timeless tale continues to resonate with readers of all ages, reminding us of the enduring importance of empathy and understanding in an ever-changing world. With its charming characters and timeless themes, "Jan of the Windmill" remains a classic of children's literature, cherished for its warmth, humor, and profound insight into the human experience.
Jan Patocka and the Heritage of Phenomenology
Springer
2012
nidottu
Whereas for the wider public Jan Patocka is known mainly as a defender of human rights and one of the first spokespersons of Charter 77, who died in Prague several days after long interrogations by secret police of the Communist regime, the international philosophical community sees in him an important and inspiring thinker, who in an original way elaborated the great impulses of European thought – mainly Husserl’s phenomenology and Heidegger’s philosophy of existence. Patocka also reflected on history and the future of humanity in a globalized world and laid the foundations of an original philosophy of history. His work is a subject of lively philosophical discussion especially in French and German-speaking countries, and recently also in Spanish-speaking, in U.S.A., and in the Far East. Scholars from around the world who are interested in the philosophy of Jan Patocka gathered in Prague to commemorate his centenary and the thirtieth anniversary of his death. The conference explored the significance of his work and its continuing influence on contemporary philosophy. The volume presents selected papers from the conference in English language.
Jan Dirk Van Der Burg: Typical Dutch: According to Jan Dirk Van Der Burg
Nai010 Publishers
2022
nidottu
A photographic homage to the uniquely everyday weirdness of the NetherlandsDutch photographer Jan Dirk van der Burg (born 1978) captures the little oddities of the Netherlands, from eccentrically disguised wheelie bins to comical gardens. This photobook collects over 200 color photos of typical suburban scenes.
Jan Davidsz. de Heem (1606-1684) was one of the best still-life painters of the 17th century. His work, which is enchanting to the eye, has always enjoyed international fame. Throughout his painting career of nearly 60 years, de Heem continued to search for new and better ways to depict his subjects. He trained several pupils and had countless followers and imitators, in the Netherlands as well as abroad, and throughout the centuries. The fact that he was active in both the Northern and Southern Netherlands enhanced his success and fame. He worked successively in Leiden, (presumably) in Amsterdam, in Antwerp, in Utrecht and again in Antwerp. De Heem is perhaps best known for his exuberant floral still lifes, which, however, were mainly created after 1660. By then, already for decades, he had painted still lifes of many themes and motifs, and in a variety of sizes, modest as well as luxurious. In Antwerp he had developed the large, rich still lifes which earned him part of his renown. This comprehensive monograph written by Fred G. Meijer, contains the complete catalogue of de Heem's oeuvre. Volume 1 includes an introduction, a biography and description of the development of his work. Volume 2 contains the catalogue raisonné of all paintings now known by de Heem, as well as several appendices.
Jan De Maesschalck
Jan De Maesschalck; Bernard Dewulf; Eric Rinckhout
Cannibal/Hannibal Publishers
2015
sidottu
Jan De Maesschalck's paintings represent a sharp view on topical subjects and the news. However, his clear observation of current events is depicted within an atmosphere of muse and memory. As such, his work represents an impression of melancholy and mockery, yet both in a mild form. According to De Maesschalck, melancholy leads to beauty. The tone set in the depiction of shadowy interiors and forlorn women is relativising and even humorous. All works speak of a strong but indefinable desire. De Maesschalck's metier reveals an extreme attention for detail. With technical precision, he prepares his paper and draws with paint. Utilising acrylic paint that dries immediately, De Maesschalck has to work fast. He is drawer and painter at once. Brushstrokes are visible, and hence his secure draughtsmanship contributes to the vibrant quality of the works.
Jan,en saa koskaan tietää silmiesi väriäkaikki kuvat sinusta ovat mustavalkoisiaen tiedä miksi haluaisin niin kovasti tietäämaailman suuressa mittakaavassatällaiset pikkuasiat ovat täydellisen yhdentekeviäkaikille muille paitsi minulleJAN tai soihtu numero 1 on vapaaseen runomittaan puettu kokoelma kirjeitä tsekkiläisopiskelija Jan Palachille, joka Euroopan hullun vuoden 1968 jälkimainingeissa poltti itsensä hengiltä Neuvosto-liiton miehitettyä hänen maansa. Miksi vain 20-vuotias päätyi niin äärimmäiseen ratkaisuun? Miksi se puhuttelee reilusti yli kolmekymppistä suomalais-miestä? Vetääkö itsetuhoisuus itsetuhoisuutta puoleensa? Kuka pystyy asumaan kolmenkymmenen neliön yksiössä? Synkät mielenmaisemat, pakkomielle ja ihailu sekoittuvat runoissa, jotka kurkottavat ajan ja paikan yli kohti Jania, kohti mer-kitystä ja ymmärrystä.Ville Ylitervo (s. 1986) on helsinkiläinen runoilija ja zineisti.
Jan Kaila
AMOS ANDERSONIN TAIDEMUSEO
2000
sidottu
