Stefan Zweig: Marie Antoinette. Bildnis eines mittleren Charakters Lesefreundlicher Gro druck in 16-pt-Schrift Edition Holzinger. Gro format, 216 x 279 mm Berliner Ausgabe, 2016 Vollst ndiger, durchgesehener Neusatz bearbeitet und eingerichtet von Michael Holzinger Erstdruck: Leipzig 1932 Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Umschlaggestaltung unter Verwendung des Bildes: lisabeth Vig e-Lebrun, Erzherzogin Marie Antoinette, K nigin von Frankreich, 1783 Gesetzt aus der Minion Pro, 16 pt.
Marie Corelli was a British writer during the Victorian era. Corelli was the most popular writer of fiction during her time. This edition of Temporal Power: A Study in Supremacy (original text) Marie Corelli ( 1 May 1855 - 21 April 1924) was a British novelist. She enjoyed a period of great literary success from the publication of her first novel in 1886 until World War I. Corelli's novels sold more copies than the combined sales of popular contemporaries, including Arthur Conan Doyle, H. G. Wells, and Rudyard Kipling, although critics often derided her work as "the favourite of the common multitude."Mary Mackay was born in London to Elizabeth Mills, a servant of the Scottish poet and songwriter Dr. Charles Mackay, her biological father. 3] In 1866, eleven-year-old Mary was sent to a Parisian convent to further her education. She returned to Britain four years later in 1870. Mackay began her career as a musician, adopting the name Marie Corelli for her billing. Eventually she turned to writing and published her first novel, A Romance of Two Worlds, in 1886. In her time, she was the most widely read author of fiction. Her works were collected by Winston Churchill, Randolph Churchill, and members of the British Royal Family, among others. Mackay faced criticism from the literary elite for her overly melodramatic writing. In The Spectator, Grant Allen called her "a woman of deplorable talent who imagined that she was a genius, and was accepted as a genius by a public to whose commonplace sentimentalities and prejudices she gave a glamorous setting." James Agate represented her as combining "the imagination of a Poe with the style of an Ouida and the mentality of a nursemaid." A recurring theme in Corelli's books is her attempt to reconcile Christianity with reincarnation, astral projection, and other mystical ideas. Her books were a part of the foundation of today's New Age religion. Her portrait was painted by Helen Donald-Smith. Corelli famously had little time for the press. In 1902 she wrote to the editor of The Gentlewoman to complain that her name had been left out of a list of the guests in the Royal Enclosure at the Braemar Highland Gathering, saying she suspected this had been done intentionally. The editor replied that her name had indeed been left out intentionally, because of her own stated contempt for the press and for the snobbery of those wishing to appear in "news puffs" of society events. Both letters were published in full in the next issue. Corelli spent her final years in Stratford-upon-Avon. There, she fought hard for the preservation of Stratford's 17th-century buildings, and donated money to help their owners remove the plaster or brickwork that often covered their original timber framed facades. Novelist Barbara Comyns Carr mentions Corelli's guest appearance at an exhibition of Anglo-Saxon items found at Bidford-on-Avon in 1923. Corelli's eccentricity became well-known. She would boat on the Avon in a gondola, complete with a gondolier that she had brought over from Venice. In his autobiography, Mark Twain, who had a deep dislike of Corelli, describes visiting her in Stratford and how the meeting changed his perception. She died in Stratford and is buried there in the Evesham Road cemetery. Her house, Mason Croft, still stands on Church Street and is now the home of the Shakespeare Institute. For over forty years, Corelli lived with her companion, Bertha Vyver; when she died she left everything to her friend. Although she didn't self-identify as a lesbian, biographers and critics have noted the erotic descriptions of female beauty that appear regularly in Corelli's novels, while admitting they are expressed by men. Descriptions of the deep love between the two women by their contemporaries have added to the speculation that their relationship may have been romantic. Following Corelli's death, Sidney Walton reminisced in the Yorkshire Evening News:
Marguerite Donquichote na t Sancoins, dans le Cher, le 7 juillet 1863. l' ge de trois ans, elle perd sa m re, et son p re abandonne ses filles. Marguerite et Madeleine (l'a n e), d'abord confi es une tante, passent neuf ann es l'orphelinat de l'H pital g n ral de Bourges. De 1877 1881, Marguerite est plac e, en tant que berg re d'agneaux et servante de ferme, en Sologne Sainte-Montaine, pr s d'Aubigny-sur-N re
Roman autobiographique. la mort de sa m re, la petite Marie-Claire, g e de cinq ans, est plac e l'Assistance publique, s par e brutalement de sa soeur et d'un p re alcoolique. Monde clos, cet orphelinat est dirig par d'aust res religieuses. Marie-Claire se r fugie souvent dans le giron de soeur Marie-Aim e, l'institutrice la voix chaleureuse. Pour sa prot g e, cette derni re r ve d'un beau destin et d s que Marie-Claire a fait sa premi re communion, elle lui propose d'entrer comme demoiselle de magasin chez Mlle Maximilienne, la soeur du cur .
A Romance of Two Worlds starts with a young heroine, in first person, telling her story of a debilitating illness that includes depression and thoughts of suicide. Her doctor is unable to help her and sends her off on a holiday where she meets a mystical character by the name of Raffello Cellini, a famous Italian artist. Cellini offers her a strange potion which immediately puts her into a tranquil slumber, in which she experiences divine visions. Upon wakening, she craves more. Later, she meets her unnamed guardian angel, who whisks her through infinite solar systems faster than a shooting star while human spirits fly by like gossamer silk. He shares the truth of religion and the secret of human destiny, but still she longs for more. She comes to understand God as pure light and pure love, but it's not enough that she should see and hear these things from the touch of an angel. She wants to master this ability on her own and seeks a oneness with God through a series of meditative disciplines while locked away in a monastery. Reception--The novel was rejected for publication by Hall Caine-an act that began a lifelong feud between Caine and Corelli. After hearing of Caine's harsh criticism, George Bentley suspected that the novel might have commercial appeal and published Corelli's first novel. Marie Corelli did not expect A Romance of Two Worlds to be so well received. She claims, in the introduction to the second printing in 1887, that, "It was not only read, but loved." Her scripture, "The Electric Principle of Christianity," included in the novel, is presented as something factual and after the publication of the book, generated a cult following, in which readers sought more information about her experience. Today, New Age devotees hail Corelli as "inspired". Many believe that the book is autobiographical, something Corelli encouraged during her lifetime.In several chapters Corelli hints that Heliobas may be the Count of St. Germain, although Rosicrucian authors identify him as an Illuminati hierophant, Count A. di Guinotti Heliobas appears in two other Corelli novels, Ardath and The Soul of Lilith. Themes--In A Romance of Two Worlds, Marie Corelli takes on an old argument between the creationists and the evolutionists. However, her insights are futuristic, including ideas about electricity, solar power, and the properties of the atom. She explains in the introduction, "in this cultivated age a wall of skepticism and cynicism is gradually being built up by intellectual thinkers of every nation against all the treats of the Supernatural and Unseen, I am aware that my narration of the events I have recently experienced will be read with incredulity. At a time when the great empire of the Christian Religion is being assailed, or politely ignored by governments and public speakers and teachers, I realize to the fullest extent how daring is any attempt to prove, even by a plain history of strange occurrences happening to one's self, the actual existence of the Supernatural around us; and the absolute certainty of a future state of being, after the passage through that brief soul-topor in which the body perishes, known to us as Death."The book is suffused with Pantheism. She also argues that Christ did not come to us as a sacrifice because God is a creator of love and beauty and could not desire "a bleeding victim as sacrifice to appease His Anger...
"Ardath": the story of a dead self--Popular Victorian-era writer Marie Corelli does it again in this epic romance imbued with supernatural and gothic themes. ... Marie Corelli (1 May 1855 - 21 April 1924) was a British novelist. She enjoyed a period of great literary success from the publication of her first novel in 1886 until World War I. Corelli's novels sold more copies than the combined sales of popular contemporaries, including Arthur Conan Doyle, H. G. Wells, and Rudyard Kipling, although critics often derided her work as "the favourite of the common multitude."Mary Mackay was born in London to Elizabeth Mills, a servant of the Scottish poet and songwriter Dr. Charles Mackay, her biological father.In 1866, eleven-year-old Mary was sent to a Parisian convent to further her education. She returned to Britain four years later in 1870. Mackay began her career as a musician, adopting the name Marie Corelli for her billing. Eventually she turned to writing and published her first novel, A Romance of Two Worlds, in 1886. In her time, she was the most widely read author of fiction. Her works were collected by Winston Churchill, Randolph Churchill, and members of the British Royal Family, among othersMackay faced criticism from the literary elite for her overly melodramatic writing. In The Spectator, Grant Allen called her "a woman of deplorable talent who imagined that she was a genius, and was accepted as a genius by a public to whose commonplace sentimentalities and prejudices she gave a glamorous setting."James Agate represented her as combining "the imagination of a Poe with the style of an Ouida and the mentality of a nursemaid."A recurring theme in Corelli's books is her attempt to reconcile Christianity with reincarnation, astral projection, and other mystical ideas. Her books were a part of the foundation of today's New Age religion. Her portrait was painted by Helen Donald-Smith.Corelli is generally accepted to have been the inspiration for at least two of E. F. Benson's characters in his Lucia series of six novels and a short story. The main character, Emmeline "Lucia" Lucas, is a vain and snobbish woman of the upper middle class with an obsessive desire to be the leading light of her community, to associate with the nobility, to see her name reported in the social columns, and a comical pretension to education and musical talent, neither of which she possesses. She also pretends to be able to speak Italian, something Corelli was known to have done. The character of Miss Susan Leg is an author of highly successful but pulpish romance novels who writes under the name of Rudolph da Vinci and first appears in Benson's work a few years after Marie Corelli's death in 1924....
The Sorrows of Satan is an 1895 Faustian novel by Marie Corelli. It is widely regarded as one of the world's first bestsellers - partly due to an upheaval in the system British libraries used to purchase their books, and partly due to its popular appeal. Roundly condemned by contemporary literary critics for Corelli's moralistic and prosaic style, 1] it nonetheless had strong supporters, including Oscar Wilde and various members of royalty. Widely ignored in literary circles, it is increasingly regarded as an influential fin de si cle text. The book is occasionally subtitled "Or the Strange Experience of One Geoffrey Tempest, Millionaire".On the surface the plot follows the story of a penniless, starving author called Geoffrey Tempest. So poor that he is behind on his rent and can barely afford light in his room, he receives three letters. The first is from a friend in Australia who has made his fortune and offers to introduce him to a good friend who might be able to lift him from poverty. The second is a note from a solicitor detailing that he has inherited a fortune from a deceased relative. The third is a letter of introduction from a foreign aristocrat called Lucio, who befriends him and proceeds to be his guide in how to best use his newfound wealth. Tempest remains blissfully unaware throughout the novel, despite warnings from people he meets, that Lucio is the earthly incarnation of the Devil. Over the course of the book, his wealth leads to misery. Eventually, when confronted with the true nature of his companion, he renounces evil and returns to society penniless but content with the chance to purify his soul.
CE ROMAN, je ne peux pas pr tendre qu'il est un cas virtuel, ainsi je ne peux pas pr tendre qu'il est tout fait r aliste ..Mais Je pense que chaque fois que nous regardons, au-dessus ..Nous trouveront, est un roman document le conflit existant notre r alit ... Champions de ce roman exprimant les tendances id ologiques pr sents dans nos vies .. Mais cette classification est relativement .. et ne peut tre pr tendu que quelqu'un a unidirectionnel id ologique.. Par exemple .. Andr est le h ros de ce roman est une personne ouverte d'esprit .. peut refl ter les caract ristiques g n rales de la nature humaine .. Lorsque sa petite amie Marie distincte de relativement ... et elle peut tre consid r e comme un virtuel personnage . . est caract ris par la puret , la s r nit et l'id alisme .. Andr incarne la crise humaine dans la terre ou dans l'univers .. Il a coup son chemin dans la vie entre les montagnes intellectuelles et roches mat rielles, la recherche d'un endroit stable rituellement, autour de lui son p re marxiste et m re catholique. Il est sorti l'existence et autour de lui la pens e la que et la pens e religieuse, ils repr sentent le fondement de la pens e dans notre environnement .. Puis il a rencontr Marie, un bon exemple de la vertu innocente fille .. Elle est caract ris e par une pens e parfaite, malgr sa foi dans l'invisible .. Alors, Marie a ouvert la porte de l' merveillement et la contemplation dans l'esprit d'Andr .. Je pense que la crise humaine - en ce jour - est le probl me de la culture et de la pens e .. que les humains modernes ont besoin exigences intellectuelles plus de nourriture .. donc je l'ai crit ce roman en fran ais, parce que je pense que, les Fran ais ont sacrifi pour la libert de pens e. Ils ont fait face la dictature et le fascisme, pour rester libre dans leur choix .. Le lecteur fran ais regarde la guerre id ologique - aujourd'hui - et de voir les effets dans le monde; les conflits, la guerre et le terrorisme. Ce roman est une tentative de d crire la r alit dans laquelle nous vivons, conflit id ologique occup . Il est une tentative par l'auteur pour analyser le probl me humain global, et la critique de l'extr misme religieux. Les h ros de cette histoire sont les tendances intellectuelles refl tent dans notre r alit , y compris le h ros Andr , qui est la recherche d'une direction intellectuelle. Il vit une relation intellectuelle avec Marie, la fille parfaite, mais il a impressionn l'autre fille belle et ludique .
This encyclopedia examines Marie Curie’s life and contributions. The chronology provides a thumbnail sketch of events in Curie’s life, including her personal experiences, education, and publications. The Introduction provides a brief look at her life. The body of this work consists of alphabetical entries of people, ideas, institutions, places, and publications important in making of Curie as an important scientist. The final section of the book is a bibliography of both primary and selected secondary sources.
This riveting book explores the little-known intimate life of Marie Antoinette and her milieu in a world filled with intrigue, infidelity, adultery, and sexually transmitted diseases. Will Bashor reveals the intrigue and debauchery of the Bourbon kings from Louis XIII to Louis XV, which were closely intertwined with the expansion of Versailles from a simple hunting lodge to a luxurious and intricately ordered palace. It soon became a retreat for scandalous conspiracies and rendezvous—all hidden from the public eye. When Marie Antoinette arrived, she was quickly drawn into a true viper's nest, encouraged by her imprudent entourage. Bashor shows that her often thoughtless, fantasy-driven, and notorious antics were inevitable given her family history and the alluring influences that surrounded her. Marie Antoinette's frivolous and flamboyant lifestyle prompted a torrent of scathing pamphlets, and Bashor scrutinizes the queen's world to discover what was false, what was possible, and what, although shocking, was most probably true. Readers will be fascinated by this glimpse behind the decorative screens to learn the secret language of the queen’s fan and explore the dark passageways and staircases of endless intrigue at Versailles.
This compelling book begins on the 2nd of August 1793, the day Marie Antoinette was torn from her family’s arms and escorted from the Temple to the Conciergerie, a thick-walled fortress turned prison. It was also known as the “waiting room for the guillotine” because prisoners only spent a day or two here before their conviction and subsequent execution. The ex-queen surely knew her days were numbered, but she could never have known that two and a half months would pass before she would finally stand trial and be convicted of the most ungodly charges. Will Bashor traces the final days of the prisoner registered only as Widow Capet, No. 280, a time that was a cruel mixture of grandeur, humiliation, and terror. Marie Antoinette’s reign amidst the splendors of the court of Versailles is a familiar story, but her final imprisonment in a fetid, dank dungeon is a little-known coda to a once-charmed life. Her seventy-six days in this terrifying prison can only be described as the darkest and most horrific of the fallen queen’s life, vividly recaptured in this richly researched history.
This riveting book explores the little-known intimate life of Marie Antoinette and her milieu in a world filled with intrigue, infidelity, adultery, and sexually transmitted diseases. Will Bashor reveals the intrigue and debauchery of the Bourbon kings from Louis XIII to Louis XV, which were closely intertwined with the expansion of Versailles from a simple hunting lodge to a luxurious and intricately ordered palace. It soon became a retreat for scandalous conspiracies and rendezvous—all hidden from the public eye. When Marie Antoinette arrived, she was quickly drawn into a true viper's nest, encouraged by her imprudent entourage. Bashor shows that her often thoughtless, fantasy-driven, and notorious antics were inevitable given her family history and the alluring influences that surrounded her. Marie Antoinette's frivolous and flamboyant lifestyle prompted a torrent of scathing pamphlets, and Bashor scrutinizes the queen's world to discover what was false, what was possible, and what, although shocking, was most probably true. Readers will be fascinated by this glimpse behind the decorative screens to learn the secret language of the queen’s fan and explore the dark passageways and staircases of endless intrigue at Versailles.
