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1000 tulosta hakusanalla Craig Read

The Seven Torments Of Amy And Craig (a Love Story)
Janesville, Wisconsin (cold in the sense that there is no God)1994 The worst thing that's ever happened to Craig is also the best: Amy. Amy and Craig never should've gotten together. Craig is an awkward, Dungeons & Dragons-playing geek, and Amy is the beautiful, fiercely intelligent student-body president of their high school. Yet somehow they did?until Amy dumped him. Then got back together with him. Then dumped him again. Then got back together with him again. Over and over and over. Unfolding during their senior year, Amy and Craig's exhilarating, tumultuous relationship is a kaleidoscope of joy, pain, and laughter as an uncertain future-and adult responsibility-loom on the horizon. Craig fights for his dream of escaping Janesville and finding his place at a quirky college, while Amy's quest to uncover her true self sometimes involves being Craig's girlfriend?and sometimes doesn't. Seven heartbreaks. Seven joys.Told nonsequentially, acclaimed playwright Don Zolidis's debut novel is a brutally funny, bittersweet taste of the utterly unique and utterly universal experience of first love.
Leaves from the World Tree: Selected Poems of Craig Deininger and Dennis Patrick Slattery
A poem can massage us in the deepest recesses of our lives. It can call us both down into the realm of what is not visible at first glance, and through the sensate world we inhabit. These two directions form a cross, which is the crux of life itself. Dennis Patrick Slattery This volume is a testament to the imagination, and to the possibilities which can be made to exist through fortunate word-arrangements when they are generous enough to come. Craig Deininger
Copeau/Decroux, Irving/Craig

Copeau/Decroux, Irving/Craig

Thomas Leabhart

TAYLOR FRANCIS LTD
2022
sidottu
In this series of essays, Thomas Leabhart presents a thorough overview and analysis of Etienne Decroux’s artistic genealogy. After four years’ apprenticeship with Decroux, Thomas Leabhart began to research and discover how forebears and contemporaries might have influenced Decroux’s project. Decades of digging revealed striking correspondences that often led to adjacent fields—art history, philosophy, and anthropology—forays wherein Leabhart’s appreciation of Decroux and his "kinsfolk," who themselves transgressed traditional frontiers, increased. The following essays, composed over a 30-year period, find a common source in a darkened Prague cinema where people gasped at a wooden doll’s sudden reversal of fortune. These essays: investigate the source of that astonishment; continue Leabhart's examination of Decroux’s "family tree"; consider how Copeau's and Decroux's keen observation of animal movement influenced their actor training; record the challenging and paradoxical improvisations chez Decroux; and recall Decroux’s debt to sculpture, poster art, sport and masks. These essays will be of great interest to students, scholars and practitioners in theatre and performance studies.
Copeau/Decroux, Irving/Craig

Copeau/Decroux, Irving/Craig

Thomas Leabhart

TAYLOR FRANCIS LTD
2024
nidottu
In this series of essays, Thomas Leabhart presents a thorough overview and analysis of Etienne Decroux’s artistic genealogy. After four years’ apprenticeship with Decroux, Thomas Leabhart began to research and discover how forebears and contemporaries might have influenced Decroux’s project. Decades of digging revealed striking correspondences that often led to adjacent fields—art history, philosophy, and anthropology—forays wherein Leabhart’s appreciation of Decroux and his "kinsfolk," who themselves transgressed traditional frontiers, increased. The following essays, composed over a 30-year period, find a common source in a darkened Prague cinema where people gasped at a wooden doll’s sudden reversal of fortune. These essays: investigate the source of that astonishment; continue Leabhart's examination of Decroux’s "family tree"; consider how Copeau's and Decroux's keen observation of animal movement influenced their actor training; record the challenging and paradoxical improvisations chez Decroux; and recall Decroux’s debt to sculpture, poster art, sport and masks. These essays will be of great interest to students, scholars and practitioners in theatre and performance studies.