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1000 tulosta hakusanalla Janel Rodriguez

Jane Eyre

Jane Eyre

Chelsea House Publishers
2006
sidottu
Charlotte Bronte's ""Jane Eyre"", published in October 1847, was an immediate success, going into second and third printings by spring of 1848. Even Queen Victoria, according to her diary, read the story to Prince Albert until midnight. The tale of the ""poor, obscure, plain, and little"" governess, her brooding employer, Edward Rochester, and the madwoman secreted in the attic, ""Jane Eyre"" is considered a staple of Gothic and Victorian literature. Combining important critical essays from the previous edition with an abundance of new material, Bloom's ""Modern Critical Interpretations"" deftly places Bronte's book in context and assesses its continuing popularity.
Jane Austen and Co.

Jane Austen and Co.

State University of New York Press
2003
pokkari
Examines recent Austen remakes as well as other "post-heritage" films and television shows to show how the past is reshaped for a contemporary market.Jane Austen and Co. explores the ways in which classical novels-particularly, but not exclusively, those of Jane Austen-have been transformed into artifacts of contemporary popular culture. Examining recent films, television shows, Internet sites, and even historical tours, the book turns from the question of Austen's contemporary appeal to a broader consideration of other late-twentieth-century remakes, including Dangerous Liaisons, Dracula, Lolita, and even Buffy the Vampire Slayer. Taken together, the essays in Jane Austen and Co. offer a wide-ranging model for understanding how all of these texts-visual, literary, touristic, British, American, French-reshape the past in the new fashions, styles, media, and desires of the present.Contributors include Virginia L. Blum, Mike Crang, Madeline Dobie, Denise Fulbrook, Deidre Lynch, Sarah Maza, Ruth Perry, Suzanne R. Pucci, Kristina Straub, James Thompson, Maureen Turim, and Martine Voiret.
Jane Kenyon

Jane Kenyon

John Timmerman

William B Eerdmans Publishing Co
2002
pokkari
It is a testament to the enduring power and beauty of Jane Kenyon's poetry that many people - even those not particularly interested in poetry - know her work. What forces and influences shaped Kenyon's writing? And what shaped her as a person and a poet? These are the questions that John Timmerman seeks to answer in Jane Kenyon: A Literary Life. In the opening chapters Timmerman beautifully limns the story of Kenyon's life, drawing on unpublished journals and papers of hers and recollections by her husband, the poet Donald Hall. To show how her art grew out of her life, Timmerman proceeds to explore, volume by volume, the form and substance of Kenyon's work. By frequently examining the multiple drafts that Kenyon wrote in the process of reaching a finished poem, Timmerman reveals how she winnowed and refined ideas, images, and language until a poem was honed to its essence. She was especially interested in the "luminous particular," the arresting image that would focus a poem. She also took care to use simple, grounded language and natural objects and events - often drawing on and reflecting on the life she lived at Eagle Pond Farm in rural New Hampshire.Throughout her life Kenyon struggled with depression, but she never let it define her or her work. She also struggled with her faith almost constantly, yet her faith was "unrelenting," according to Timmerman, and she still wrote poems of great beauty and spiritual consolation. Her poetry, even when very personal, reached out - and still reaches out - to the reader, establishing that vital thread of human connection. Indeed, as Timmerman says, Kenyon's poems are "soundings of the human soul." Kenyon was cut down in the prime of her writing life by leukemia, and Timmerman concludes by exploring Hall's mourning of her death in Without, a wrenching collection of poems. But Kenyon's voice lives on in her work, and Timmerman's insightful, often moving study shows why this unique literary voice continues to touch readers with its beauty, grace, and power.
The Selected Poems of Janet Lewis

The Selected Poems of Janet Lewis

Janet Lewis

Swallow Press
2000
sidottu
Since the appearance in print of her early poems over seventy-five years ago, the poetry of Janet Lewis has grown in quiet acclaim and popularity. Although she is better known as a novelist of historical fiction, her first and last writings were poems. With the publication of her selected poems, Swallow Press celebrates the distinguished career of one of its most cherished authors. Critics as disparate as Kenneth Rexroth, Timothy Steele, Theodore Roethke, Larry McMurtry, N. Scott Momaday, and Dana Gioia have sung the praises of her work over the decades. Her career as a poet was remarkable not only for its longevity but also for the fact that even well into her tenth decade she wrote poems that stand with her very best work. Characterized by the vigor and sharpness of her images and the understated lyricism that permeates her rhythmic lines, The Selected Poems of Janet Lewis is a survey of modern poetry unto itself.
The Selected Poems of Janet Lewis

The Selected Poems of Janet Lewis

Janet Lewis

Swallow Press
2000
pokkari
Since the appearance in print of her early poems over seventy-five years ago, the poetry of Janet Lewis has grown in quiet acclaim and popularity. Although she is better known as a novelist of historical fiction, her first and last writings were poems. With the publication of her selected poems, Swallow Press celebrates the distinguished career of one of its most cherished authors. Critics as disparate as Kenneth Rexroth, Timothy Steele, Theodore Roethke, Larry McMurtry, N. Scott Momaday, and Dana Gioia have sung the praises of her work over the decades. Her career as a poet was remarkable not only for its longevity but also for the fact that even well into her tenth decade she wrote poems that stand with her very best work. Characterized by the vigor and sharpness of her images and the understated lyricism that permeates her rhythmic lines, The Selected Poems of Janet Lewis is a survey of modern poetry unto itself.
Janet McDonald

Janet McDonald

Catherine Ross-Stroud

Scarecrow Press
2008
sidottu
Much has been written about the state of Black adolescence—often from a sociological point of view situating Black teens in an at-risk category. However, through her characters, young adult author Janet McDonald (1954-2007) presents the wide range of adolescent life. McDonald especially presents to readers the multifarious views of society in relation to the self-efficacious drive of urban teens to rise above their circumstances by any means necessary. Janet McDonald: The Original Project Girl is a bio-critical study of McDonald and her work as it relates to the contributions she has made to the genre of teen fiction. It explains McDonald's profoundly realistic fiction, which holds wide appeal for teens in search of answers to the coming of age mystery. Catherine Ross-Stroud, in her study of McDonald's works and interviews with the author, has put together a comprehensive resource that will be a useful research tool.
Jane Austen and the Province of Womanhood

Jane Austen and the Province of Womanhood

Sulloway Alison G.

University of Pennsylvania Press
1989
sidottu
Traditional critics of Jane Austen's novels consider her fiction from the perspective of male literature, male social values, and male myths and assumptions about women. These critics often give excellent readings of Austen, but they mitigate their own best efforts by trying to separate her life from the fiction and the fiction from her awareness of women's predicament in society.In Jane Austen and the Province of Womanhood, Alison Sulloway offers a fresh and comprehensive vision of Austen as a moderate feminist. Her studies of the letters, fictional fragments, and minor works, as well as novels, reveal a systematic pattern of feminist plots, themes, motifs, and symbols. She traces the influence on Jane Austen of Anglican conduct literature in addition to the progressive novels written by such women writers as Frances Burney and Maria Edgeworth. Austen's covert acknowledgment of the previously ignored "feminist revolt of the 1790s," Sulloway contends, accounts for the dammed-up energy behind her protective mask of irony.Sulloway perceives Austen and her heroines as survivors attempting to find decent solutions in a society whose owners and managers saw scant need to consider women's dignity. Her book is mediatory, just as Austen, that "provincial Christian gentlewomen," also mediated between the traditional forces of hostility toward women and the counter-forces of radical disruptions.Finally, Sulloway contends, the greatest beauty of Austen's fiction is not in her subtle depiction of the strains of eighteenth--century womanhood but in a certain joy---"Austenian joy"--that transcends grief and anger at various human abuses. More than stoic resolution, it is a comedic gift and a moral resilience that signifies grace under pressure. Sulloway com pares it to the instinctive courage of a soldier who rejoices when a single bird sings during a lull in the bombing. To read Jane Austen for this vision is to appreciate fully her gallant wit and her compassion.Jane Austen and the Province of Womanhood will benefit any Austen scholar as well as students and teachers of eighteenth- and nineteenth-century literature.
Jane Nickerson's Florida Cookbook

Jane Nickerson's Florida Cookbook

Jane Nickerson

University Press of Florida
1985
nidottu
The food columnist of the New York Times' Florida newspapers presents a feast of tested recipes typical of a state famed for its fine foods. "As you'd expect, Jane's cookbook has a fine group of vegetable and salad recipes, but it does not neglect the other parts of Florida cuisine--appetizers; poultry, meats and game; fish and shellfish; breads and other cereal products; desserts; preserves. Intertwined with the recipes there's a fund of information for anyone fascinated by regional American cooking. Jane gathered and tasted all the recipes herself; hers is a cookbook you can rely on. And she's a recipe-writer of no mean repute."--Cecily Brownstone, Associated Press Food Editor "At long last, we have a Florida cookbook that is really good! Jane Nickerson's Florida Cookbook is the work of a good cook who can write, a rare combination for some reason. Even better, Mrs. Nickerson is possessed of wit and culinary judgment--qualities often lacking in the work of so many other authors who have turned out books containing Florida recipes. "She has written what has become the standard cookbook--filled with recipes reflecting the Spanish, Cuban, Jewish, Greek and Deep South culture that makes up our state, calling for ingredients typically found here. The difference here is that Mrs. Nickerson's book is the kind one uses to cook with. "She's done a superb job, one that needed doing."--Daytona Beach Sunday News-Journal "It's miles better than any other Florida cookbook I've ever seen--filled with completely reliable, delicious recipes. And all have a place in our state's marvelously varied cuisine. It's good reading, a book to cook by, and can't be beaten as a gift for any Florida cook who doesn't already own it."--Daytona Beach Morning Journal "As a native Floridian we can attest this book hits the spot."--Miami Beach Times
Janet Reno

Janet Reno

Judith Hicks Stiehm

University Press of Florida
2023
sidottu
In this first full biography of former United States attorney general Janet Reno (1938-2016), Judith Hicks Stiehm describes the independent and unconventional life of a woman who grew up in a rural South Florida homestead and rose to occupy one of the top positions in the United States government, whose ethics and example served as inspiration for women in law and politics across the nation.In telling Janet Reno’s story, Stiehm incorporates personal details from her full and exclusive access to family papers and photos, as well as inside information from Reno’s own materials and interviews with over 40 of Reno’s personal and professional acquaintances. Stiehm begins by tracing Reno’s free-range childhood, her college years at Cornell and experience at Harvard Law School as one of 16 women in a class of over 500, the challenges she faced as a woman lawyer launching her career in 1960s Miami, and her 15 years as Miami-Dade state attorney.In 1993, Reno was appointed to serve in Washington as United States attorney general in the Clinton administration, the first woman to occupy the position in the history of the nation. Stiehm tells how Reno engaged with the East Coast elite as an outsider, seen by many as outspoken and eccentric—yet scrupulous, uncompromising, and immune to influence. Stiehm explores the reasons behind Reno’s decisions in cases she handled during her tenure, including the siege of the Branch Davidians in Waco, Texas; Kenneth Starr’s Whitewater investigation; the Oklahoma City bombing; and the Elián González controversy.Janet Reno’s life was an illustration to many that it is possible to hold high office while consistently speaking and acting on principle. This biography examines the guiding forces that shaped Reno’s character, the trails blazed by Reno in her professional roles, and the lasting influence of Reno on American politics and society to this day.
Jane Austen

Jane Austen

Josephine Ross

Rutgers University Press
2006
nidottu
The only best-selling authors in Jane Austen's league in the English language today are Shakespeare and Dickens. In the twenty-first century her boundless appeal continues to grow following the enormously successful television and film adaptations of Mansfield Park, Pride and Prejudice, Emma, Persuasion, and Sense and Sensibility. This illuminating, entertaining, up-to-date companion is the only general guide to Jane Austen, her work, and her world. Josephine Ross explores the literary scene during the time Austen's works first appeared: the books considered classics then, the "horrid novels" and romances, and the grasping publishers. She looks at the architecture and décor of Austen's era that made up "the profusion and elegance of modern taste." Regency houses for instance, Chippendale furniture, and "picturesque scenery." On a smaller scale she answers questions that may baffle modern readers. What, for example, was "hartshorn"? How did Lizzy Bennet "let down" her gown to hide her muddy petticoat? Ross shows us the fashions, and the subtle ways Jane Austen used clothes to express character. Courtship, marriage, adultery, class and "rank," mundane tasks of ordinary life, all appear, as does the wider political and military world. This book will add depth to all readers' enjoyment of Jane Austen, whether confirmed addicts or newcomers wanting to learn about one of the world's most popular and enduring writers.
Jane Campion

Jane Campion

Wayne State University Press
2009
nidottu
In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars-like her debt to New Zealand sources and her personal views of family dynamics-and those that benefit from additional insight-such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal.Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum.Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.
Jane Austen’s Geographies
When Jane Austen represented the ideal subject for a novel as "three or four families in a country village", rather than encouraging a narrow range of reference she may have meant that a tight focus was the best way of understanding the wider world. The essays in this collection research the historical significance of her many geographical references and suggest how contemporaries may have read them, whether as indications of the rapid development of national travel, or of Britain’s imperial status, or as signifiers of wealth and social class, or as symptomatic of political fears and aspirations. Specifically, the essays consider the representation of colonial mail-order wives and naval activities in the Mediterranean, the worrisome nomadism of contemporary capitalism, the complexity of her understanding of the actual places in which her fictions are set, her awareness of and eschewal of contemporary literary conventions, and the burden of the Austen family’s Kentish origins, the political implications of addresses in London and Northamptonshire. Skilful, detailed, and historically informed, these essays open domains of meaning in Austen’s texts that have often gone unseen by later readers but which were probably available to her coterie readers and clearly merit much closer critical attention.
Janet Ashbee

Janet Ashbee

Felicity Ashbee

Syracuse University Press
2002
sidottu
C.R. Ashbee was, some would say, the key man in the British Arts and Crafts movement during the early decades of the 20th century. Regarded as heir to William Morris in political belief and design reform, Ashbee (and his Guild of Handicraft) gained international fame in his own time and remains a legend today. While much has been written about him, little has been said of his wife. Now Felicity Ashbee breaks the silence in a book about her mother. The book depicts Janet Ashbee as a gifted woman of emotional warmth, strength and unconventionality, all of which enhanced her husband's work. An accomplished writer and thinker in her own right, Janet Ashbee's life revolved around great historic issues that still resonate to this day: the socially conscious Arts and Crafts movement, the role of women in contemporary affairs, and embattled ethnic relationships in the Middle East - not to mention marriage and sexual orientation, predicated upon her husband's vibrant and well-known homosexuality.
Jane Austen and the Fiction of Culture

Jane Austen and the Fiction of Culture

Handler Richard; Segal Daniel

University of Arizona Press
1990
sidottu
In the past decade, the relationship between literature and anthropology has become an important focus of interdisciplinary concern. The book takes the body of work as a major novelist as the basis for rethinking ethnographic representation and cross-cultural analysis. Authors Handler and Segal have approached Jane Austen's writing as a source for interpreting the cultural ideology of kinship, social rank, courtship and marriage in Austen's England. Arguing against the conventional reading of Austen as portrayer and upholder of a well-ordered society, they evaluate the rhetorical techniques that make Austen an effective ethnographer of diverse, though intertwined, social realities. They compare her writing to the work of other social theorists of her time. (Burke, Wollstonecraft, and Rousseau) and show that Austen undercuts any and all claims to "truth universally acknowledged" - that is, to objective, positive knowledge of human affairs. Their readings of individual scenes from Austen's novels open many new avenues for Austen criticism.The book demonstrates that what was previously taken as "realism" in Austen's novels was in fact her practice of a form of social analysis atttentive to cultural meanings and creativity, communication and miscommunication. The authors invite the reader to confront an ethnographer of another time and place whose insights have a direct bearing on contemporary concerns in the humanities and human sciences. In so doing, they question the canons of narrative and ethnographic realism that have developed in the intervening period.
Jane Austen and Mozart

Jane Austen and Mozart

Robert K. Wallace

University of Georgia Press
2009
pokkari
Literary critics such as Virginia Woolf and Lionel Trilling had noted intuitive affinities between the art of Jane Austen and that of Mozart, but this 1983 book was the first to compare their artistic style and individual works in a comprehensive way. Extended comparisons are of course difficult because of the intrinsic differences between prose fiction and instrumental music.In Jane Austen and Mozart, Robert K. Wallace has succeeded in making illuminating comparisons of spirit and form in the work of these two artists. His book celebrates the achievements of Austen and Mozart by comparing their stylistic significance in the history of their separate arts and by offering comparisons of three Austen novels with three Mozart piano concertos.In exploring precise similarities between the two artists, Wallace shows how the art and criticism of one field can illuminate the art and criticism of another. Above all, Jane Austen and Mozart attempts to show the degree to which three masterpieces by each artist have comparable meaning and value.
Jane Austen in the Classroom

Jane Austen in the Classroom

Louise Flavin

Peter Lang Publishing Inc
2004
nidottu
Due in part to the many film and video releases in the last decade of the twentieth century, there is a renewed interest in Jane Austen in high school and college classrooms. As an educational resource, Jane Austen in the Classroom helps teachers to guide readers who are being introduced to these novels - as well as readers who know and love Austen's works - through the process of viewing the novel , reading Austen with an imaginative eye, and reading the film , analyzing the adaptations as re-creations of Austen's cultural and fictional worlds. This book references the latest critical analyses of the novels and the videos. As a pedagogical tool, the text is a valuable resource for educators and students of the British novel and literature by women, offering innovative approaches to discussion, analysis, writing, and research.
Jane Addams

Jane Addams

Marlene Targ Brill

OHIO UNIVERSITY PRESS
2024
sidottu
As part of our Biographies for Young Readers series for middle-grade readers, this book explains who Jane Addams was and why she caused such a stir in the United States and worldwide. The story follows Addams from her first realization of the unfairness that limited the lives, livelihoods, and health of disadvantaged people in the late 1800s to her becoming one of the most beloved-and most disliked-women of her day. She worked to create a more peaceful, fair world for all people, no matter their race, color, nationality, or gender. Along her journey, Addams cofounded Hull-House, the most celebrated settlement house in the United States, and she became a motivating author, speaker, and women’s rights and peace advocate. She worked tirelessly on community, state, and national levels to promote women’s, workers’, and children’s rights, and she spoke passionately against the evils of war. Addams devoted her activities and writings to championing programs for these and other humanitarian causes. Votes for women! Equal rights for African Americans! Good schools and a healthy environment for children! No one-not millionaires, presidents, or the FBI-could stand in the way of her quest for justice. Addams became one of few women worldwide to earn a Nobel Peace Prize. Her efforts to improve social services and communities and to train leaders to carry out this work led to the opening of the first professional school of social work-named in her honor-at the University of Illinois, Chicago. Her writing, teaching, and actions were based on the belief that “without the advance and improvement of the whole, no man can hope for any lasting improvement in his own moral or material individual condition.”
Jane Addams

Jane Addams

Marlene Targ Brill

OHIO UNIVERSITY PRESS
2024
pokkari
As part of our Biographies for Young Readers series for middle-grade readers, this book explains who Jane Addams was and why she caused such a stir in the United States and worldwide. The story follows Addams from her first realization of the unfairness that limited the lives, livelihoods, and health of disadvantaged people in the late 1800s to her becoming one of the most beloved-and most disliked-women of her day. She worked to create a more peaceful, fair world for all people, no matter their race, color, nationality, or gender. Along her journey, Addams cofounded Hull-House, the most celebrated settlement house in the United States, and she became a motivating author, speaker, and women’s rights and peace advocate. She worked tirelessly on community, state, and national levels to promote women’s, workers’, and children’s rights, and she spoke passionately against the evils of war. Addams devoted her activities and writings to championing programs for these and other humanitarian causes. Votes for women! Equal rights for African Americans! Good schools and a healthy environment for children! No one-not millionaires, presidents, or the FBI-could stand in the way of her quest for justice. Addams became one of few women worldwide to earn a Nobel Peace Prize. Her efforts to improve social services and communities and to train leaders to carry out this work led to the opening of the first professional school of social work-named in her honor-at the University of Illinois, Chicago. Her writing, teaching, and actions were based on the belief that “without the advance and improvement of the whole, no man can hope for any lasting improvement in his own moral or material individual condition.”