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Apprenticeship Customer Service Practitioner L2 Handbook + ActiveBook

Apprenticeship Customer Service Practitioner L2 Handbook + ActiveBook

Lambert Stewart; Elizabeth Blaikie; Sue Tissiman; Julie Smith

Pearson Education Limited
2018
muu
An ideal companion to support apprentices throughout their on-programme learning of Customer Service Practitioner Level 2 Apprenticeship StandardApprenticeship Handbook for Customer Service Practitioner (Level 2)provides apprentices with all the support they will need throughout the on-programme component of the Customer Service Practitioner Level 2 Apprenticeship Standard. It is a course companion that covers all the knowledge required by the apprenticeship Standard and set out in the Pearson EPA Amplification. It will also help apprentices identify and understand how to apply the appropriate skills and behaviours in the workplace.
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The Visibility of the Image

The Visibility of the Image

Lambert Wiesing

Bloomsbury Academic
2018
nidottu
Now available in English for the first time, The Visibility of the Image explores the development of an influential aesthetic tradition through the work of six figures. Analysing their contribution to the progress of formal aesthetics, from its origins in Germany in the 1880s to semiotic interpretations in America a century later, the six chapters cover:Robert Zimmermann (1824-1898), the first to separate aesthetics and metaphysics and approach aesthetics along the lines of formal logic, providing a purely syntactic way of using signs, regardless of objective content;Alois Riegl (1858-1905), who went on to further develop aesthetics on the model of formal logic, creating a theory of style in response to Zimmermann’s call for an aesthetics oriented toward formal logic; Heinrich Wölfflin (1864-1945), who represents a step toward an understanding of consciousness by using pictures as cognitive tools; Konrad Fiedler (1841-1895), the Saxon philosopher who considered the possibility that some kinds of images are made and viewed not for what they show, but for their visibility’s sake alone;Maurice Merleau-Ponty (1908-1961), responsible for taking up the connections between the problems of reducing the range of potential meanings and contexts of a given image down to just the picture surface; Charles William Morris (1901-1979), who set out to establish whether a picture with no objective reference, such as an abstract painting, still counts as a sign, and if so, in what sense. Bringing these thinkers together and interlinking their ideas, Lambert Wiesing presents an engaging history of formal aesthetics, while reconstructing the philosophical foundations for the appearance of new image forms in the 20th century, including the video-clip, abstract collage, digital simulation and virtual reality. Using this original approach, The Visibility of the Image introduces the rise of modern image theory and provides a valuable account of our engagement with pictures in the 21st century.
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Life of Rev. J.F.C. Heyer, M.D.

Life of Rev. J.F.C. Heyer, M.D.

Lambert William A

Sagwan Press
2018
pokkari
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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The Long Forever

The Long Forever

Lambert Eugene

Electric Monkey
2018
nidottu
THE EPIC FINALE IN THE SIGN OF ONE TRILOGY! Kyle and Sky escape from wrath only to find themselves caught up in a vicious criminal underworld. Faster, stronger, and quicker to heal, Kyle is the ultimate soldier. The Syndicate offers him a tempting future, but at what cost? Meanwhile, Sky's condition is worsening. Only one person can save her now. Her nublood sister, Tarn. But what happens if Tarn doesn't want to be found? "A thrilling YA sci-fi adventure reminiscent of Hunger Games and Star Wars" – Book Trust "Sometimes you don't need to reinvent the wheel, just make a really, really good wheel … Lambert does it with style, wit, pace and a strong central premise" – SFX Eugene Lambert is a graduate of Bath Spa’s MA in Writing for Young People. His first novel, The Sign of One, was shortlisted for the Bath Novel Award. Falling somewhere between Mad Max, Star Wars and John Wyndham's The Chrysalids, it's a perfect young adult book series for readers who have enjoyed The Hunger Games, Michael Grant's GONE books and The Maze Runner.
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Adorno, Heidegger, and the Politics of Truth

Adorno, Heidegger, and the Politics of Truth

Lambert Zuidervaart

STATE UNIVERSITY OF NEW YORK PRESS
2024
pokkari
A critical and creative reconstruction of Adorno's conception of truth that shows its relevance for contemporary philosophy, art, and politics.An elusive and complex idea of truth lies at the center of Theodor Adorno's thought. Yet he never spells out what it is. Through close readings of Negative Dialectics, Aesthetic Theory, and related course lectures, Lambert Zuidervaart reconstructs Adorno's conception of truth, contrasts it with the conceptions of Martin Heidegger and Michel Foucault, and explores its relevance for contemporary philosophy, art, and politics. Adorno regards truth as a dynamic constellation in which various dialectical polarities intersect. The most decisive polarity, Zuidervaart argues, occurs between society as it has developed and the historical possibility of a completely transformed world. Critically reconstructed, Adorno's conception of truth can help inspire hopeful critiques of an allegedly post-truth society.
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Adorno, Heidegger, and the Politics of Truth

Adorno, Heidegger, and the Politics of Truth

Lambert Zuidervaart

STATE UNIVERSITY OF NEW YORK PRESS
2024
sidottu
A critical and creative reconstruction of Adorno's conception of truth that shows its relevance for contemporary philosophy, art, and politics.An elusive and complex idea of truth lies at the center of Theodor Adorno's thought. Yet he never spells out what it is. Through close readings of Negative Dialectics, Aesthetic Theory, and related course lectures, Lambert Zuidervaart reconstructs Adorno's conception of truth, contrasts it with the conceptions of Martin Heidegger and Michel Foucault, and explores its relevance for contemporary philosophy, art, and politics. Adorno regards truth as a dynamic constellation in which various dialectical polarities intersect. The most decisive polarity, Zuidervaart argues, occurs between society as it has developed and the historical possibility of a completely transformed world. Critically reconstructed, Adorno's conception of truth can help inspire hopeful critiques of an allegedly post-truth society.
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Cloud Connectivity and Embedded Sensory Systems

Cloud Connectivity and Embedded Sensory Systems

Lambert Spaanenburg; Hendrik Spaanenburg

Springer-Verlag New York Inc.
2010
sidottu
Sensor networks are meant to create awareness in space and time. They may be measuring the presence of an object or a condition, characterizing an object stream or a situational pattern, or even detect abnormalities that are to occur. This book provides new theory on the design of wireless sensor networks, based on concepts developed for large-scale, distributed computing environments known as “cloud computing.” It provides a single-source entry into the world of intelligent sensory networks, with a step-by-step discussion of building case studies that capture the requirements, taking into account practical limitations of creating ambient intelligence. The reader will not only achieve a better understanding of sensory clouds, swarms and flocks but is also guided by examples of how to design such networks taking the typical characteristics of diverse application areas into account.
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The Visibility of the Image

The Visibility of the Image

Lambert Wiesing

Bloomsbury Academic
2016
sidottu
Now available in English for the first time, The Visibility of the Image explores the development of an influential aesthetic tradition through the work of six figures. Analysing their contribution to the progress of formal aesthetics, from its origins in Germany in the 1880s to semiotic interpretations in America a century later, the six chapters cover:Robert Zimmermann (1824-1898), the first to separate aesthetics and metaphysics and approach aesthetics along the lines of formal logic, providing a purely syntactic way of using signs, regardless of objective content;Alois Riegl (1858-1905), who went on to further develop aesthetics on the model of formal logic, creating a theory of style in response to Zimmermann’s call for an aesthetics oriented toward formal logic; Heinrich Wölfflin (1864-1945), who represents a step toward an understanding of consciousness by using pictures as cognitive tools; Konrad Fiedler (1841-1895), the Saxon philosopher who considered the possibility that some kinds of images are made and viewed not for what they show, but for their visibility’s sake alone;Maurice Merleau-Ponty (1908-1961), responsible for taking up the connections between the problems of reducing the range of potential meanings and contexts of a given image down to just the picture surface; Charles William Morris (1901-1979), who set out to establish whether a picture with no objective reference, such as an abstract painting, still counts as a sign, and if so, in what sense. Bringing these thinkers together and interlinking their ideas, Lambert Wiesing presents an engaging history of formal aesthetics, while reconstructing the philosophical foundations for the appearance of new image forms in the 20th century, including the video-clip, abstract collage, digital simulation and virtual reality. Using this original approach, The Visibility of the Image introduces the rise of modern image theory and provides a valuable account of our engagement with pictures in the 21st century.
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The Philosophy of Perception

The Philosophy of Perception

Lambert Wiesing

Bloomsbury Academic
2016
nidottu
Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and to continually participate in the public and physical world we perceive. Only in looking at images, he proposes, can we achieve something like a break in participation, a temporary respite from this, one of perception’s relentless demands. Wiesing's methods chart a markedly new path in contemporary perception theory. In addition to identifying common ground among diverse philosophical positions, he identifies how his own, phenomenological approach differs from those of many other philosophers, past and present. As part of the argument, he provides a succinct but comprehensive survey of the philosophy of imagesHis original critical exposition presents scholars of phenomenology, perception and aesthetics with a new, important understanding of the old phenomenon, the human being in the world.
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