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1000 tulosta hakusanalla Sean Howe

Natural Law and Modern Society

Natural Law and Modern Society

Sean Coyle

Oxford University Press
2023
sidottu
Modern society is riven by social divisions: between conservatives and progressives; liberals and socialists; the mainstream and the rise of far-right political groups etc. Instead of truth, there are ‘post-truth’ and ‘alternative facts’. In the wake of problems caused by untruthful politicians and world leaders, by Brexit and Covid, the need to repair or rebuild our communities has become paramount, but what kind of community should we build, and on what foundations? This book suggests that natural law is such a foundation. Natural Law and Modern Society presents a new theory of natural law, grounded in the thought of Saint Thomas Aquinas, aimed at answering questions relevant to the world of today: from the nature of morality and ethics to the theory of law, obligation and political authority; from the domestic realm to international community. It seeks to elicit from the natural law tradition timeless truths concerning the human condition, in particular the social and political dimensions to human existence. This mode of existence, it argues, is not a problem to be resolved through some permutation of political institutions, but a predicament to be managed. At the heart of the book is the identification of a 'core morality': a set of moral requirements that are foundational to every society at all places and times, as distinct from those standards that are particular to this or that society at some time.
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Chants Democratic

Chants Democratic

Sean Wilentz

Oxford University Press Inc
2004
nidottu
Since its publication in 1984, Chants Democratic has endured as a classic narrative on labor and the rise of American democracy. In it, Sean Wilentz explores the dramatic social and intellectual changes that accompanied early industrialization in New York. He provides a panoramic chronicle of New York City's labor strife, social movements, and political turmoil in the eras of Thomas Jefferson and Andrew Jackson. Twenty years after its initial publication, Wilentz has added a new preface that takes stock of his own thinking, then and now, about New York City and the rise of the American working class.
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Chants Democratic

Chants Democratic

Sean Wilentz

Oxford University Press Inc
2004
sidottu
Since its publication in 1984, Chants Democratic has endured as a classic narrative on labor and the rise of American democracy. In it, Sean Wilentz explores the dramatic social and intellectual changes that accompanied early industrialization in New York. He provides a panoramic chronicle of New York City's labor strife, social movements, and political turmoil in the eras of Thomas Jefferson and Andrew Jackson. Twenty years after its initial publication, Wilentz has added a new preface that takes stock of his own thinking, then and now, about New York City and the rise of the American working class.
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Bright Star of the West

Bright Star of the West

Sean Williams; Lillis Ó Laoire

Oxford University Press Inc
2011
sidottu
Bright Star of the West traces the life, repertoire, and influence of Joe Heaney, Ireland's greatest sean-nós ("old style") singer. Born in 1919, Joe Heaney grew up in a politically volatile time, as his native Ireland became a democracy. He found work and relative fame as a singer in London before moving to Scotland. Eventually, like many others searching for greater opportunity, he emigrated to the United States, where he worked as a doorman while supplementing his income with appearances at folk festivals, concerts and clubs. As his reputation and following grew, Heaney gained entry to the folk music scene and began leading workshops as a visiting artist at several universities. In 1982 the National Endowment for the Arts awarded Heaney America's highest honor in folk and traditional arts, the prestigious National Heritage Fellowship. Heaney's works did not become truly popular in his homeland until many years after his death. Today he is hailed as a seminal figure of traditional song and is revered by those who follow traditional music. Authors Sean Williams and Lillis Ó Laoire address larger questions about song, identity, and culture. They explore the deep ambivalence both the Irish and Irish-Americans felt toward the traditional aspects of their culture, examining other critical issues, such as gender and masculinity, authenticity, and contemporary marketing and consumption of sean-nós singing in both Ireland and the United States. Comingling Heaney's own words with the authors' comprehensive research and analysis, Bright Star of the West weaves a poignant critical biography of the man, the music, and his continuing legacy in Ireland and the United States.
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A Visitation of God

A Visitation of God

Sean A. Scott

Oxford University Press Inc
2010
sidottu
When Abraham Lincoln expressed gratitude for the northern churches in the spring of 1864, it had nothing to do with his appreciation of doctrine, liturgy, or Christian fellowship. As a collective whole, the church earned the president's admiration because of its rabid patriotism and support for the war. Ministers publicly proclaimed the righteousness of the Union, condemned slavery, and asserted that God favored the Federal army. Yet all of this would have amounted to nothing more than empty bravado without the support of the men and women sitting in the pews. This creative book examines the Civil War from the perspective of the northern laity, those religious civilians whose personal faith influenced their views on politics and slavery, helped them cope with physical separation and death engendered by the war, and ultimately enabled them to discern the hand of God in the struggle to preserve the national Union. From Lincoln's election to his assassination, the book weaves together political, military, social, and intellectual history into a religious narrative of the Civil War on the northern home front. Packed with compelling human interest stories, this account draws on letters, diaries, and church records from 165 manuscript collections housed at 30 different archives and libraries, letters and editorials from 40 different newspapers, and scores of published primary sources. It conclusively demonstrates that many devout civilians regarded the Civil War as a contest imbued with religious meaning. But in the process of giving their loyal support to the government as individual citizens, religious Northerners politicized the church as a collective institution and used it to uphold the Union so the purified nation could promote Christianity around the world. Christian patriotism helped win the war, but the politicization of religion did not lead to the redemption of the state.
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Vocal Virtuosity

Vocal Virtuosity

Sean M. Parr

Oxford University Press Inc
2021
sidottu
Nothing strikes the ear quite like a soprano singing in the sonic stratosphere. Whether thrilling, chilling, or repellent to the listener, the reaction to cascades of coloratura with climaxing high notes is strong. Coloratura-agile, rapid-fire singing-was originally essential for all singers, but its function changed greatly when it became the specialty of particular sopranos over the course of the nineteenth century. The central argument of Vocal Virtuosity challenges the historical commonplace that coloratura became an anachronism in nineteenth-century opera. Instead, the book demonstrates that melismas at mid-century were made modern. Coloratura became an increasingly marked musical gesture during the century with a correspondingly more specific dramaturgical function. In exploring this transformation, the book reveals the instigators of this change in vocal practice and examines the historical traces of Parisian singers who were the period's greatest exponents of vertiginous vocality as archetypes of the modern coloratura soprano. The book constructs the historical trajectory of coloratura as it became gendered the provenance of the female singer, while also considering what melismas can signify in operatic performance. As a whole, it argues that vocal virtuosity was a source of power for women, generating space for female authorship and creativity. In so doing, the book reclaims a place in history for the coloratura soprano.
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The Ideology of Competition in School Music

The Ideology of Competition in School Music

Sean Robert Powell

OXFORD UNIVERSITY PRESS INC
2023
sidottu
The Ideology of Competition in School Music explores competition as a structuring force in school music and provides critiques of that system from multiple philosophical and theoretical perspectives. Competition is seen by many music teachers, students, and supporters as natural and inevitable--a taken-for-granted aspect of music education or an irresistible force, rather than a choice. This book uncovers this ideological nature of competition and examines its effect on student learning, teacher agency, and equity within music education. It considers ways in which music educators might reconsider the role of competition in their teaching practice and offers alternative frameworks for organizing school music. In this book, author Sean Robert Powell views competition as a microcosm of the wider neoliberal capitalist society, in which subjects are interpolated in an antagonistic competitive field as market logic dictates a system of accountability, reduction, and audit culture. Music teachers, students, and education administrators, consciously and unconsciously, reinforce, replicate, and sustain the competitive structure, even if they do so while expressing a cynical disavowal. Powell considers competition broadly, including, for example: formal competitions between schools in which ensembles are given numerical scores and ranked; "festivals" in which groups are given ratings based on pre-given criteria; state, regional, and national honor ensembles; hierarchical arrangements within school music programs; or simply the pursuit of social prestige, reputation, and ever-higher performance standards. Although the book provides examples from the competitive landscape of school music in the United States (and, especially, Texas, considered a "hyper" example of competitive culture), Powell's analyses and discussions are relevant to readers in any context around the world. Although the degree to which competitive achievement as an explicitly-stated aim of instruction varies from program to program and location to location, the "realism" of neoliberal capitalism--and its effect on all aspects of education--is a global phenomenon.
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The Ideology of Competition in School Music

The Ideology of Competition in School Music

Sean Robert Powell

OXFORD UNIVERSITY PRESS INC
2023
nidottu
The Ideology of Competition in School Music explores competition as a structuring force in school music and provides critiques of that system from multiple philosophical and theoretical perspectives. Competition is seen by many music teachers, students, and supporters as natural and inevitable--a taken-for-granted aspect of music education or an irresistible force, rather than a choice. This book uncovers this ideological nature of competition and examines its effect on student learning, teacher agency, and equity within music education. It considers ways in which music educators might reconsider the role of competition in their teaching practice and offers alternative frameworks for organizing school music. In this book, author Sean Robert Powell views competition as a microcosm of the wider neoliberal capitalist society, in which subjects are interpolated in an antagonistic competitive field as market logic dictates a system of accountability, reduction, and audit culture. Music teachers, students, and education administrators, consciously and unconsciously, reinforce, replicate, and sustain the competitive structure, even if they do so while expressing a cynical disavowal. Powell considers competition broadly, including, for example: formal competitions between schools in which ensembles are given numerical scores and ranked; "festivals" in which groups are given ratings based on pre-given criteria; state, regional, and national honor ensembles; hierarchical arrangements within school music programs; or simply the pursuit of social prestige, reputation, and ever-higher performance standards. Although the book provides examples from the competitive landscape of school music in the United States (and, especially, Texas, considered a "hyper" example of competitive culture), Powell's analyses and discussions are relevant to readers in any context around the world. Although the degree to which competitive achievement as an explicitly-stated aim of instruction varies from program to program and location to location, the "realism" of neoliberal capitalism--and its effect on all aspects of education--is a global phenomenon.
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God's Lyre

God's Lyre

Sean Alexander Gurd

OXFORD UNIVERSITY PRESS INC
2026
sidottu
God's Lyre is about a network of ancient ideas that connected musical expression to natural philosophy. This network included Aristotelians, Stoics, and Alexandrian monotheists, and it had a major effect on important theories of language as well. What held the various strands together was a common orientation in which musical phenomena were theorized as a consequence of nature and natural processes. In this book, Sean Alexander Gurd discusses Theophrastus, Diogenes of Babylon, Dionysius of Halicarnassus, Philo of Alexandria, Clement of Alexandria, and John Chrysostom. These authors suggest that music was the result of nature rising to a certain pitch of passionate intensity.
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Boats of the World

Boats of the World

Seán McGrail

Oxford University Press
2002
sidottu
Maritime archaeology, the study of man's early encounter with the rivers and seas of the world, only came to the fore in the last decades of the twentieth century, long after its parent discipline, terrestrial archaeology, had been established. Yet there were seamen long before there were farmers, navigators before there were potters, and boatbuilders before there were wainwrights. In this book Professor McGrail attempts to correct some of the imbalance in our knowledge of the past by presenting the evidence for the building and use of early water transport: rafts, boats, and ships. Professor McGrail presents a history of water transport as it has developed over millennia, from before 40,000 BC to the mid-second millennium AD. The coverage is world-wide: from the Baltic and North Seas to the Bay of Bengal and the Tasman Sea; and from the Gulf of Mexico to the China Seas and the Baring Strait.
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Oxford Reading Tree All Stars: Oxford Level 11: Pack 3a (Pack of 6)

Oxford Reading Tree All Stars: Oxford Level 11: Pack 3a (Pack of 6)

Sean Taylor; Pippa Goodhart; Pat Thomson; Martin Waddell; Geraldine McCaughrean; Kes Gray

Oxford University Press
2016
nidottu
Oxford Reading Tree All Stars is an engaging chapter fiction series which combines age-appropriate content with imaginative stories, perfect for inspiring and stretching able infants. The series develops comprehension skills and provides a wide variety of fiction topics and styles, alongside illustrations that aid understanding. All the books in this series are carefully levelled, so its easy to match every child to the right book one which will develop their reading skills and fuel their love of reading. Help with childrens reading development is also available at www.oxfordowl.co.uk. This pack contains six Level 11 books, one of each of the following titles: The Huge and Horrible Beast, Dick Whittington, Mary-Anne and the Cat Baby, Arabian Nights, Dancing the Night Away and Duperball.
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Oxford Reading Tree All Stars: Oxford Level 11: Pack 3a (Class pack of 36)

Oxford Reading Tree All Stars: Oxford Level 11: Pack 3a (Class pack of 36)

Sean Taylor; Pippa Goodhart; Pat Thomson; Martin Waddell; Geraldine McCaughrean; Kes Gray

Oxford University Press
2016
nidottu
Oxford Reading Tree All Stars is an engaging chapter fiction series which combines age-appropriate content with imaginative stories, perfect for inspiring and stretching able infants. The series develops comprehension skills and provides a wide variety of fiction topics and styles, alongside illustrations that aid understanding. All the books in this series are carefully levelled, so its easy to match every child to the right book one which will develop their reading skills and fuel their love of reading. Help with childrens reading development is also available at www.oxfordowl.co.uk. This pack contains 36 Level 11 books, six of each of the following titles: The Huge and Horrible Beast, Dick Whittington, Mary-Anne and the Cat Baby, Arabian Nights, Dancing the Night Away and Duperball.
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Project X Origins: Dark Red+ Book band, Oxford Level 19: Fears and Frights: Nature's Most Deadly?

Project X Origins: Dark Red+ Book band, Oxford Level 19: Fears and Frights: Nature's Most Deadly?

Sean Callery

Oxford University Press
2014
nidottu
Project X Origins is a ground-breaking guided reading programme for the whole school. Action-packed stories, fascinating non-fiction and comprehensive guided reading support meet the needs of children at every stage of their reading development. This non-fiction title Nature's Most Deadly? explores our fascination with dangerous creatures and the risks and humans pose to each other.
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The actor's brain

The actor's brain

Sean Spence

Oxford University Press
2009
sidottu
Is free will just an illusion? What is it within the brain that allows us to pursue our own actions and objectives? What is it about this organ that permits the emergence of seemingly purposeful behaviour, giving us the impression that we are 'free'? This book takes a journey through the anatomy and physiology, the structures and processes, of the human brain to demonstrate what is known about the control of voluntary behaviour, when it is 'normal' and when it breaks down. It starts by taking the reader from the basic 'hard' anatomy supporting simple hand and finger movement, through to the 'higher' structures of the human brain supporting the timing and selection of voluntary acts, and on towards a consideration of the complex distributed systems supporting voluntary behaviour (volition). Conditions elaborated upon along the way include the curious case of Dr Strangelove and his anarchic, wayward limb, the belief in alien control experienced by sufferers of schizophrenia, the seemingly inexplicable paralyses encountered in hysterical conversion patients, and the biological processes that enable us to lie to each other and engage in violence. The book concludes by examining some of the many varied attempts that human actors have made to expand such a volitional space, to enhance their own self-control and creativity. Written in an engaging and accessible style, but with its roots in hard science, the book will make fascinating reading for psychiatrists, neuroscientists, and philosophers, and anyone who has ever wondered whether we are really free.
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Holographic Visions

Holographic Visions

Sean F. Johnston

Oxford University Press
2006
sidottu
Holography exploded on the scientific world in 1964, but its slow fuse had been burning much longer. Over the next four decades, the echoes of that explosion reached scientists, engineers, artists and popular culture. Emerging from classified military research, holography evolved to represent the power of post-war physics, an aesthetic union of art and science, the countercultural meanderings of holism, a cottage industry for waves of would-be entrepreneurs and a fertile plot device for science fiction. New working cultures sprang up to mutate holography, redefining its products, reshaping its audiences and reconceiving its applications. The outcomes included ever more sublime holograms and exquisitely sensitive measuring techniques - but also priority disputes, prurience and poisonous business rivalries. New subjects cross intellectual borders, and so do their explanations. This book draws on the history and philosophy of science and technology, social studies, politics and cultural history to trace the trajectory of holography. The result is an in-depth account of how new science emerges. Based on unprecedented interviews with pioneer holographers and extensive archival research, it reveals how science, technology, art and wider culture are entwined in the modern world.
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Theology and Economic Ethics

Theology and Economic Ethics

Sean Doherty

Oxford University Press
2014
sidottu
In the wake of the economic crisis, few questions are more pressing than those around the ethics of finance and economics. Theology and Economic Ethics seeks to expand the self-critical resources of contemporary theological economic ethics by bringing the method of a pre-modern thinker, Martin Luther (1483-1546), into interaction with that of a modern contribution to social ethics, the Swiss theologian Arthur Rich (1910-92). The work is undertaken through a close engagement with a selected publication of Luther (his 1519/20 Großer Sermon von dem Wucher) and of Rich (his masterwork, Wirtschaftsethik, published in two volumes in 1984 and 1990 respectively). It is the first substantial treatment in English of Rich's magnum opus. Sean Doherty introduces Luther's sermon on usury, situates it in its context, then provides a commentary on this work, discussing how Luther brings key theological motifs to bear on a particular economic question. The study proceeds with a sketch of Arthur Rich's life and work, and presents Rich's method as set out in Wirtschaftsethik. Doherty illuminates Rich's understanding of ethics, his approach to Scripture, and his adoption of the thought of Max Weber and John Rawls. Bringing insights from the study of Luther to bear in an analysis of Rich's method, Doherty questions some of Rich's assumptions, and notes ways in which a more self-critical approach could have made his project more successful. Finally, the book makes tentative suggestions as to the wider applicability of these findings for a Christian approach to economic ethics.
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Holograms

Holograms

Sean F. Johnston

Oxford University Press
2015
sidottu
Holograms have been in the public eye for over a half-century, but their influences have deeper cultural roots. No other visual experience is quite like interacting with holograms; no other cultural product melds the technological sublime with magic and optimism in quite the same way. As holograms have evolved, they have left their audiences alternately fascinated, bemused, inspired or indifferent. From expressions of high science to countercultural art to consumer security, holograms have represented modernity, magic and materialism. Their most pervasive impact has been to galvanise hopeful technological dreams. Engineers, artists, hippies and hobbyists have played with, and dreamed about, holograms. This book explores how holograms found a place in distinct cultural settings. It is aimed at readers attracted to pop culture, visual studies and cultural history, scholars concerned with media history, fine art and material studies and, most of all, cross-disciplinary audiences intrigued about how this ubiquitous but still-mysterious visual medium grew up in our midst and became entangled in our culture. This book explores the technical attractions and cultural uses of the hologram, how they were shaped by what came before them, and how they have matured to shape our notional futures. Today, holograms are in our pockets (as identity documents) and in our minds (as gaming fantasies and 'faux hologram' performers). Why aren't they more often in front of our eyes?
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Time Regained

Time Regained

Sean Gryb; Karim Thébault

Oxford University Press
2023
sidottu
This book focuses on one of the oldest and most fundamental questions in both physics and philosophy: the nature of time. It presents original theoretical physics research on the 'problem of time' in modern physics, in parallel with a new philosophical framework for the analysis of symmetry and evolution in physical theory, as well as new work on the early modern precursors to the problem of time. Contrary to the standard wisdom, this book argues that a substantive notion of time can, and should, be retained within a consistent formalism for modern physical theory. The book marshals an array of philosophical and formal tools to justify this claim and analyses its physical implications. This book is the first of a two-volume project articulating a new approach to the analysis of time in modern physical theory. The second volume will extend and apply this approach in the context of classical and quantum gravity including quantum cosmological models.
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Slavery and the Making of Early American Libraries

Slavery and the Making of Early American Libraries

Sean D. Moore

Oxford University Press
2019
sidottu
Early American libraries stood at the nexus of two transatlantic branches of commerce—the book trade and the slave trade. Slavery and the Making of Early American Libraries bridges the study of these trades by demonstrating how Americans' profits from slavery were reinvested in imported British books and providing evidence that the colonial book market was shaped, in part, by the demand of slave owners for metropolitan cultural capital. Drawing on recent scholarship that shows how participation in London cultural life was very expensive in the eighteenth century, as well as evidence that enslavers were therefore some of the few early Americans who could afford to import British cultural products, the volume merges the fields of the history of the book, Atlantic studies, and the study of race, arguing that the empire-wide circulation of British books was underwritten by the labour of the African diaspora. The volume is the first in early American and eighteenth-century British studies to fuse our growing understanding of the material culture of the transatlantic text with our awareness of slavery as an economic and philanthropic basis for the production and consumption of knowledge. In studying the American dissemination of works of British literature and political thought, it claims that Americans were seeking out the forms of citizenship, constitutional traditions, and rights that were the signature of that British identity. Even though they were purchasing the sovereignty of Anglo-Americans at the expense of African-Americans through these books, however, some colonials were also making the case for the abolition of slavery.
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Neonatal Formulary

Neonatal Formulary

Sean Ainsworth

Oxford University Press
2020
nidottu
Neonatal Formulary provides comprehensive guidance on the safe use of the drugs prescribed during pregnancy and commonly given to babies during labour and delivery, as well as during lactation and the first year of life. Treating the journey from pregnancy to parenthood as a continuous event, the new edition contains updated information on how the drugs affect both mother and baby. The first part of the book focuses on drug storage, drug licensing, and drug prescribing. In addition, it explains to why the metabolism of drugs differs in premature and sick infants, and why the practice of extrapolating doses from adult studies is unsafe. Patient safety, excipients, and therapies that affect drugs are also covered. Part 2 consists of monographs for over 250 drugs that may find use in the neonatal unit, and possibly outside it. Each monograph is divided into sections covering use, pharmacology, treatment, drug interactions or other administration, information, supply and administration, and references. The monographs are evidence-based and include links to the Cochrane Database of Systematic Reviews, and national guidelines. The third part presents information on additional drugs, and groups of drugs, that are often taken by mothers during pregnancy, labour, or during breast feeding. The drugs discussed in this section all affect the foetus or infant. Containing far more detail than is available in the British National Formulary for Children, and with additional online material featuring updates related to specific drugs and dosing, Neonatal Formulary is an essential guide for neonatologists, neonatal nurses, hospital pharmacists, obstetric staff, advanced nurse practitioners and for all health care professionals caring for pregnant women and their infants in the first year of life.
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