Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.
Underworlds is a lively account of organized crime and the world of marginal groups in the seventeenth- and eighteenth-century Netherlands. Rural banditry has often been associated with mountainous, poverty-stricken areas located at the peripheries of the European continent or on the borders between states. This book is about bands operating in the countryside of one of the most densely populated, economically developed, and pacified European states. It examines the nature of these criminal bands and the way they changed over time. At the same time Underworlds presents an historical anthropology of marginal groups in the Dutch Republic. Investigating the enormous cultural diversity of organized crime and the prominent role of ethnic minorities, Egmond establishes the existence of a variety of `underworlds' rather than of a single `criminal organization'. Drawing extensively on criminal archives, the author reconstructs the ways of life and activities of people whose existence has remained largely hidden behind the conventional accounts of Dutch society.
A strong preoccupation with the human body - often manifested in startling ways - is a characteristic shared by early modern Europeans and their present-day counterparts. Whilst modern manifestations of this interest include body piercing, tattoos, plastic surgery and eating disorders, early modern preoccupations encompassed such diverse phenomena as monstrous births and physical deformity, body snatching, public dissection, flagellation, judicial torture and public punishment. This volume explores such extreme manifestations of early modern bodily obsessions and fascinations, and their wider cultural significance. Agreeing that an interest in physical boundaries, extreme physical manifestations and situations developed and grew stronger during the early modern period, the essays in this volume investigate whether this interest can be traced in a wider range of cultural phenomena, and should therefore be given a prominent place in any future characterization of the early modern period. Taken as a whole, the volume can be read as an attempt to create a new context in which to explore the cultural history of the human body, as well as the metaphors of research and investigation themselves.
No one knows what caused the dead to rise. No one knows what caused them to attack the living. Fighting for their lives, scattered survivors find the attempted cure to be almost worse than the disease.In the twilight of a shattered civilization, the fate of humankind rests upon the actions of a handful of war-weary survivors. Driven to a scorched corner of the former United States, they alone hold the key to a global reawakening.Or the final epitaph for a dead planet.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Egmond's study investigates horticultural techniques, fashions in the collection of rare plants, botanical experimentation and methods of scientific evaluation, as well as tracking the exchange of knowledge. Central to this activity is the figure of Carolus Clusius (1526-1609), the first truly scientific botanist.
It's been three years since the undead dragged mankind kicking and screaming from the top of the food chain and sent him scurrying into the dark corners of a dead world.For a beleaguered band of survivors in southern Arizona, life is about to go from bad to worse. The rains have failed and, they have no choice but to leave the safety of their home in search of water. But before they can make their move, they must face a new threat from the undead, a threat beyond anything in their worst nightmares.Book 1 - Fire: The CollapseBook 2 - Air: Mortal ChoiceBook 3 - Earth: Desperate MeasuresBook 4 - Water: The End of Us The Elements of the Undead Omnibus (Books One - Three)** If you enjoy the series, be sure to check out Coop, the latest addition to the world of the Elements of the Undead
This omnibus combines the three Elements of the Undead books in a single volume.Book One - FireWhen Megan Pritchard clocks in for her late night shift in a Nevada brothel, she has no way of knowing it will be her last. Around the world, the dead are rising, and mankind is on the express train to extinction. As her coworkers turn into cannibalistic zombies, Megan is forced to flee into the desert with nothing but the clothes on her back and a vague plan to reach her sister in southern Arizona.Book Two - AirWhen the dead rise in Houston, Dave and Chris Thompson find themselves stranded on the top floor of the Liberty Medical Center, with nowhere to run and no help in sight. With Dave's broken leg making movement impossible and the disintegration of civilization accelerating around them, they have to act fast, or be consumed by the seething horde below.Book Three - EarthIt's been three years since the undead dragged mankind kicking and screaming from the top of the food chain and sent him scurrying into the dark corners of a dead world.For a beleaguered band of survivors in southern Arizona, life is about to go from bad to worse. The rains have failed and, they have no choice but to leave the safety of their home in search of water. But before they can make their move, they must face a new threat from the undead, a threat beyond anything in their worst nightmares.
On a drilling rig off the coast of Texas, Megan Pritchard and a desperate group of survivors cling to a meager existence in the aftermath of the zombie apocalypse. When they hear rumors of a safe zone on the far side of the ocean, they must decide whether to risk all in search of a better life or to stay and accept what they have.Unbeknownst to them, a new threat, one worse than anything they've yet faced, lurks in wait.Book 1 - Fire: The CollapseBook 2 - Air: Mortal ChoiceBook 3 - Earth: Desperate MeasuresBook 4 - Water: The End of UsThe Elements of the Undead Omnibus (Books One - Three)
When ex-CIA analyst Kurt Vetter receives a mysterious package of encrypted files from his dead brother, he's drawn back into the world of international intrigue he thought he had left behind forever.The files lead him to London, where he meets Amanda Carter, an enigmatic woman from his brother's past. With Amanda's help, he uncovers a rogue CIA plot to detonate a nuclear bomb in Moscow. Meanwhile, the assassins who killed his brother launch an all-out hunt to silence him and anyone else who may thwart their plans.In a frantic sprint across Europe, Kurt and Amanda must stay one step ahead of the killers while racing against the clock to prevent the bomb from incinerating millions of innocent people.
Bruised and battered from a recent mission, ex-CIA analyst Kurt Vetter is pressed into service once again when hackers launch a devastating cyber-attack on the United States Strategic Early Warning System, nearly triggering a nuclear confrontation.When Kurt and his partner Amanda Carter investigate the security lapse, they discover that elements of a Russian sleeper cell have compromised the integrity of the National Military Command Center. To further complicate matters, Kurt and Amanda also learn that a Chechen arms dealer with a stolen nuclear warhead is about to start selling suitcase nukes to the highest bidder.With membership in the nuclear club poised to explode and the United States effectively blinded to the threat, Kurt and Amanda are the last line of defense before the world descends into anarchy.
A routine trip to China turns disastrous for intelligence agent Kurt Vetter when a deadly series of attacks on civilian targets plunges the country into anarchy. Trapped in a disintegrating nation, Kurt and his team take to the war-torn streets of Beijing to locate a Chinese double agent who may know the truth behind the source of the violence.As the politicians in Washington struggle with how to respond to the imminent collapse of the United States' largest trading partner, the responsibility falls on Kurt to prevent the destruction of the modern global economy.When the conflict begins to spread beyond China's borders, Kurt and his team learn the threat is larger and more insidious than anyone could have imagined. If they don't act fast, the entire region, and perhaps the entire world may be draw into a conflict unlike any seen before.
Image-transforming techniques such as close-up, time lapse and layering are often linked to the age of photography, but they were already being used half a millennium ago for the purposes of identification and study. This is why Renaissance drawings of plants and animals are immediately recognizable to the modern viewer. Discussing natural history images made throughout Europe during the sixteenth century, Eye for Detail traces the early history of image manipulation techniques.Florike Egmond shows how the roles and formats of images in nature study changed dramatically during this period, as high-definition naturalistic representation became the rule, and large image collections of plants and animals were created for identification and illustration. She investigates what the use of visual techniques like magnification can tell us about how early modern Europeans studied and ordered living nature, and focuses on how attention to visual detail reveals the overriding question that continued to occupy the minds of naturalists from antiquity well into the modern age: the secret of how life originates.Featuring many striking colour illustrations that have never been published before, this beautiful volume is an arresting guide to the large Continental collections of naturalia drawings and an absorbing study of natural history art of the sixteenth century.
Egmond's study investigates horticultural techniques, fashions in the collection of rare plants, botanical experimentation and methods of scientific evaluation, as well as tracking the exchange of knowledge. Central to this activity is the figure of Carolus Clusius (1526-1609), the first truly scientific botanist.
