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"L'Atalante"

"L'Atalante"

Marina Warner

BLOOMSBURY PUBLISHING PLC
1993
pokkari
"L'Atalante" is the work of French director Jean Vigo. It is a study of romantic love, told in a style influenced by surrealism, but still Vigo's own. This text is part of the "BFI Film Classics" series. Each volume in the series presents a personal commentary on the film, together with a brief production history and a detailed filmography, notes and bibliography.
L'avventura

L'avventura

Nowell-Smith Geoffrey

BFI Publishing
1997
nidottu
This study provides a detailed account of the 1960s film, "L'avventura", arguing that in order to appreciate its greatness it is necessary to understand not only that the film is a classic but also that it represents a revolution in cinema.
L.A. Confidential

L.A. Confidential

Dargis Manohla

BFI Publishing
2003
nidottu
L.A. Confidential was released in 1997 to huge critical acclaim and it went on to be nominated for nine Academy Awards. Its reputation has since grown to the point that the film is now widely seen as a key Hollywood movie of the 1990s. But it fared poorly at the box-office, having neither big-name stars nor the sop of a comforting moral universe. With characters so bad they were irresistible, the film harked back to an older, darker Hollywood at a time when audiences would soon be flocking to "Titanic". Directed by Curtis Hanson from the best-selling novel by James Ellroy, "L.A. Confidential" stars Kim Basinger alongside Kevin Spacey, Danny DeVito and, to the surprise of many industry watchers, two then relative unknowns, New Zealander Russell Crowe and Australian Guy Pearce. The film is a consummate thriller which takes in - without once losing sight of the human cost - police corruption, organized crime, the sleaze press, high-class prostitution, murder and the ways movies and life twist together. Manohla Dargis explores the careers of Hanson and Ellroy, based on interviews with both men, to dig deep into the film's obsession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles. She untangles the paradox of "L.A. Confidential", a film that paints a jet black, melancholy picture of a city and an industry even as it also testifies to - and exemplifies beautifully - their seductive glamour.
L'Eugene

L'Eugene

Etienne Jodelle

University of Exeter Press
1987
nidottu
Étienne Jodelle, seigneur de Limodin, was a French dramatist and poet, was born in Paris in 1532 to a noble family and died in poverty in 1573. He attached himself to the group of 16th-century French Renaissance poets known as thePléiade and applied their principles to his work. Eugène, a comedy satirizing the clergy, is one of his three plays. This is a volume in the Exeter French Texts series. The text, introduction and essential notes are all in French.
L' Art De Regner

L' Art De Regner

Gillet de la Tessonerie

University of Exeter Press
1994
nidottu
L'Art de Regner is a tragi-comedy by Gillet de La Tessonerie, first published in 1645. It is unusual in that structurally each of its five acts is a separate playlet. The sub-title, Le Sage Gouverneur, refers to the role of a royal tutor, probably meant to be the duc de Bassompierre, to whom the play is dedicated. Each playlet is prefaced by a lesson from the tutor, and the complete play is concluded by the young prince's words of gratitude for his dramatic education.
L'obsidienne au Proche et Moyen Orient
Edited by M.-C. Cauvin, A. Gourgaud, B. Gratuze, N. Arnaud, G. Poupeau, J.-L. Poidevin and C. Chataigner.Collection of papers concentrating on various aspects of obsidian, ranging from geology, petrology, various techniques of analysis, data handling, mathematical modelling, economic anthropology to text-aided ancient history.Maison de l'Orient M diterran en.
L’Empire ottoman du XVIe au XVIIIe siècle
United by a common interest in the institutions, the social life and the commercial activities of the Ottoman empire in its heyday, these studies fall into three sections. The first concentrates upon Istanbul, the heart of the empire; the second covers the dealings between the Ottomans and foreign traders, amongst whom the Venetians held a prime position. Robert Mantran then turns to the Arabic provinces of the empire, examining their relations with the central government. In particular, he looks at Northern Africa, the history of which in the Ottoman period remains too little studied, and yet for which - as for other aspects of Ottoman history - there still exists a wealth of unexplored documentary information.