Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Silvia Strassi
Este libro es un libro de prosa y poemas romAnticos, todos no son personales, pero si son inspirados en el amor, en ese en el que creo. Otros estAn dedicados a mis cuatro nietos, a mi hermana y a mis viejos. TambiEn hay algunos de temas importantes como el maltrato a la naturaleza, el Alzheimer y tambiEn a Dios a quien tengo mucho que agradecer.Este libro va dedicado a todas esas personas que creen en el romanticismo, ese que hoy se ha perdido. Es para aquellos que todavIa creen en las mariposas en el estOmago, esos que no conciben el amor sin la ternura y no confunden sexualidad con sensualidad los que no pueden ir separados, pues si no es asI, no serA amor.Espero que sea de agrado y que nos volvamos a enamorar con poemas y romanticismo, AyUdenme a rescatarlo
Este libro es un libro de prosa y poemas romAnticos, todos no son personales, pero si son inspirados en el amor, en ese en el que creo. Otros estAn dedicados a mis cuatro nietos, a mi hermana y a mis viejos. TambiEn hay algunos de temas importantes como el maltrato a la naturaleza, el Alzheimer y tambiEn a Dios a quien tengo mucho que agradecer.Este libro va dedicado a todas esas personas que creen en el romanticismo, ese que hoy se ha perdido. Es para aquellos que todavIa creen en las mariposas en el estOmago, esos que no conciben el amor sin la ternura y no confunden sexualidad con sensualidad los que no pueden ir separados, pues si no es asI, no serA amor.Espero que sea de agrado y que nos volvamos a enamorar con poemas y romanticismo, AyUdenme a rescatarlo
Angelo, guarda il passato
Silvia Cecchini; Thomas Wolfe
Createspace Independent Publishing Platform
2015
pokkari
Thomas Clayton Wolfe, morto di tubercolosi a soli 38 anni uno scrittore e poeta statunitense. famoso soprattutto per la sua scrittura moderna, poetica, impressionista. Questo il suo romanzo pi famoso, il cui titolo si ispira ad un verso di Milton, e ripercorre, attraverso le vicende dei protagonisti, la vita dell'America di inizio del secolo. Con occhio disincantato, vengono sezionati i modi di vivere e di pensare degli Americani, questi ''esuli in patria'', che non riescono mai a sfuggire alla loro brama di viaggi, di orizzonti diversi, di cieli pi ampi. E, dietro tutto questo, una domanda ricorrente: perch tutto questo? E, sempre, la sensazione di una morte che si avvicina, a liberare dall'inutilit dell'esistenza, a permettere il ricongiungimento con un mondo e un incanto perduto. Libro ricco di elementi autobiografici, ha ispirato, col suo stile, Jack Kerouac e la beat generation.
Eye of the Beholder
Silvia Martel; Michael Sonne-Jorgensen
Createspace Independent Publishing Platform
2015
nidottu
"Everything is in the eye of the beholder" We all experience and perceive the world around us in our own unique way. And no "reality'" is more right or wrong then the other. Eye of the beholder is a story about a boy in a coma seen from 3 different points of view. The father trying to alleviate his comatose son's pain by writing and telling him stories about a magical place. The mother trying to keep it together whilst watching her deluded husband and comatose son fade away. The son: spirited away shifts between watching the reality of his parents and the darkness that lies beyond that reality. A life-long hunt for "The Good Story" across different media has been the driving force behind Michael Sonne-J rgensen's passion for storytelling and the creative process of creating a story.
The Bolivian scholar and activist Silvia Rivera Cusicanqui is a pre-eminent Latin American intellectual, world renowned for her work in postcolonial and subaltern studies. She has long maintained that we must acknowledge how colonial structures of domination continue to affect indigenous identities and cultures. Even in contexts where diversity and the value of indigenous cultures have been officially recognized, “internal colonialism” operates as a structure that shapes mental categories and social practices. This book considers this persistent colonial structure by examining artistic and popular practices of apprehending and resisting it, arguing that in Andean cultures there is a sustained practice of insubordinate image production and use. Combining this visual history with other instances of political resistance, the book offers an alternative narrative to the history of Latin American decolonisation. This narrative challenges the common conception that mestizaje (race-mixing) and hybridity are liberatory formations, offering instead a new theorisation of the complex racial configurations produced by colonialism and its afterlives. Given Rivera Cusicanqui’s vital contribution to critical epistemologies, this book will be of great interest to students and scholars throughout the humanities and social sciences and to everyone concerned with the key questions of critical theory today.
The Bolivian scholar and activist Silvia Rivera Cusicanqui is a pre-eminent Latin American intellectual, world renowned for her work in postcolonial and subaltern studies. She has long maintained that we must acknowledge how colonial structures of domination continue to affect indigenous identities and cultures. Even in contexts where diversity and the value of indigenous cultures have been officially recognized, “internal colonialism” operates as a structure that shapes mental categories and social practices. This book considers this persistent colonial structure by examining artistic and popular practices of apprehending and resisting it, arguing that in Andean cultures there is a sustained practice of insubordinate image production and use. Combining this visual history with other instances of political resistance, the book offers an alternative narrative to the history of Latin American decolonisation. This narrative challenges the common conception that mestizaje (race-mixing) and hybridity are liberatory formations, offering instead a new theorisation of the complex racial configurations produced by colonialism and its afterlives. Given Rivera Cusicanqui’s vital contribution to critical epistemologies, this book will be of great interest to students and scholars throughout the humanities and social sciences and to everyone concerned with the key questions of critical theory today.
Shrapnel from an explosion tore up Jackson's leg and ended his career as a Navy SEAL. Being forced into the civilian world was bad enough, but being told he's crazy is intolerable. No matter what the doctors or anyone else tells him, he knows a supposed ally was responsible for his injury, and that same man is determined to shut Jackson up for good.When Jackson sees a kayaker clinging to his boat from the balcony of his beach house, his instincts tell him something dire is about to happen. Jackson rescues the injured man and insists on hiding him until a former SEAL teammate arrives. As Jackson struggles with separating reality from soul-shattering flashbacks, the injured man's compassion and growing trust tear down his barriers, and Jackson begins to wonder if his heart is as dead as he'd assumed.
Special Agent Hugh Cranford, better known as Sport, is conducting an off-the-record investigation. He's after Danny O'Sullivan, a spy rumored to have assisted in the ambush of Sport's former SEAL team. Danny claims he and Sport are on the same side, and the real traitor is the man Sport is working for. But Danny is a master manipulator. He's also the most seductive man Sport has ever met. Sport can't help being attracted to him, but that doesn't mean he's willing to trust him.In his quest to bring down a few highly-placed traitors in the US government, Danny O'Sullivan has been keeping tabs on Sport. When Sport comes looking for him, Danny decides to bring Sport in on his secret mission and into his bed. Sport may not trust Danny, but he wants him. As the two men risk their lives to complete Danny's mission, they discover neither is as strong as they like to pretend.
Opposte direzioni
Silvia Lipani; Rosaria M. Notarsanto
Createspace Independent Publishing Platform
2015
nidottu
La vida en un puño
Silvia Ribelles de la Vega
Createspace Independent Publishing Platform
2015
nidottu
Al estallar la guerra civil, Luis Montero se alista como miliciano para luchar con el ej rcito republicano, es decir, en el bando opuesto al bando insurgente, para el cual luchan sus hermanos. Con la victoria del bando rebelde, Luis se ve forzado a exiliarse a Francia y dejar atr s a su familia y a su gran amor. Pero una vez en el pa s vecino, la segunda guerra mundial lo empuja a tomar las armas de nuevo, lo cual cambiar su vida para siempre. La vida en un pu o relata la descarnada historia de una familia de ferroviarios asturianos, y en particular de unos de sus miembros, Luis Montero. Silvia Ribelles de la Vega lleva al lector por un viaje a lo largo de varias d cadas de la primera mitad del siglo XX, a trav s del caos y la barbarie de dos conflictos b licos, y de las desavenencias pol ticas del PCE engendradas por las dificultades de la lucha guerrillera en Asturias durante la brutal represi n de la posguerra espa ola.