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1000 tulosta hakusanalla Jane Sinclair
Jane Austen; Her Homes & Her Friends. Illus. by Ellen G. Hill, and Reproductions in Photogravure, Etc
Hutson Street Press
2025
pokkari
Jane Austen and Critical Theory
Taylor Francis Ltd
2021
sidottu
Jane Austen and Critical Theory is a collection of new essays that addresses the absence of critical theory in Austen studies—an absence that has limited the reach of Austen criticism. The collection brings together innovative scholars who ask new and challenging questions about the efficacy of Austen’s work. This volume confronts mythical understandings of Austen as "Dear Aunt Jane," the early twentieth-century legacy of Austen as a cultural salve, and the persistent habit of reading her works for advice or instruction. The authors pursue a diversity of methods, encourage us to build new kinds of relationships to Austen and her writings, and demonstrate how these relationships might generate new ideas and possibilities—ideas and possibilities that promise to expand the ways in which we deploy Austen. The book specifically reminds us of the vital importance of Austen and her fiction for central concerns of the humanities, including the place of the individual within civil society, the potential for new identities and communities, the urgency to address racial and sexual oppression, and the need to imagine more just futures.Chapter 4 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Jane Austen and Critical Theory
Taylor Francis Ltd
2021
nidottu
Jane Austen and Critical Theory is a collection of new essays that addresses the absence of critical theory in Austen studies—an absence that has limited the reach of Austen criticism. The collection brings together innovative scholars who ask new and challenging questions about the efficacy of Austen’s work. This volume confronts mythical understandings of Austen as "Dear Aunt Jane," the early twentieth-century legacy of Austen as a cultural salve, and the persistent habit of reading her works for advice or instruction. The authors pursue a diversity of methods, encourage us to build new kinds of relationships to Austen and her writings, and demonstrate how these relationships might generate new ideas and possibilities—ideas and possibilities that promise to expand the ways in which we deploy Austen. The book specifically reminds us of the vital importance of Austen and her fiction for central concerns of the humanities, including the place of the individual within civil society, the potential for new identities and communities, the urgency to address racial and sexual oppression, and the need to imagine more just futures.Chapter 4 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Jane Mansbridge
Taylor Francis Ltd
2021
nidottu
Jane Mansbridge’s intellectual career is marked by field-shifting contributions to democratic theory, feminist scholarship, political science methodology, and the empirical study of social movements and direct democracy. Her work has fundamentally challenged existing paradigms in both normative political theory and empirical political science and launched new lines of scholarly inquiry on the most basic questions of the discipline: the sort of equality democracy needs, the goods of political participation, the nature of power, the purposes of deliberation, the forms of political representation, the obstacles to collective action, and the inescapable need for coercion.The editor has focused on work in three key areas:Participation and powerMansbridge’s early work on participatory democracy generated a key insight that has informed all of her subsequent work: the kind of equality we need to legitimate decisions under circumstances of common interests (equal respect) differs from the kind of equality we need when interests conflict (equal power).Deliberation and representationIn the chapters in this section, Mansbridge adds nuance to democratic theory by disaggregating different modes of political representation and explicating the ways in which each can contribute to the deliberative, aggregative and expressive functions of democratic institutions.Legitimate coercionMansbridge exemplifies a collaborative spirit through the practice of deliberative co-authorship, through which she and colleagues construct a taxonomy of procedures that can legitimize enforceable collective decisions.Essential reading for anyone interested in liberal conceptions of equality, participation, representation, deliberation, power and coercion.
Jane Austen and Altruism identifies a compelling theme, namely, the view that Jane Austen propounds a rigorous, boundary-sensitive model of altruism that counters the human propensity to selfishness and promotes the culture of cooperation. In her days, altruism was commonly known as "benevolence", "charity," or "philanthropy", and these concepts overlap with Auguste Comte’s later definition of altruism as "otherism". This volume argues that Austen’s thinking co-opts the evolutionary idea that altruism is seldom truly pure, egoism cannot be eradicated, and boundless group altruism is not sustainable. However, given that she comes from a naval and clergy family, she witnesses the power of wartime patriotism, the Evangelical revival, the Regency culture of politeness, and the sentimental novels. In her novels, she locates human relationships along an altruism continuum that ranges from enlightened selfishness to pathological altruism. Unconditional love is hard to find, but empathy, kin altruism, reciprocal exchange, and group altruism are key to the formation of self-identity, family, community and the nation state.
The first full-length study of animals in Jane Austen, Barbara K. Seeber’s book situates the author’s work within the serious debates about human-animal relations that began in the eighteenth century and continued into Austen’s lifetime. Seeber shows that Austen’s writings consistently align the objectification of nature with that of women and that Austen associates the hunting, shooting, racing, and consuming of animals with the domination of women. Austen’s complicated depictions of the use and abuse of nature also challenge postcolonial readings that interpret, for example, Fanny Price’s rejoicing in nature as a celebration of England’s imperial power. In Austen, hunting and the owning of animals are markers of station and a prerogative of power over others, while her representation of the hierarchy of food, where meat occupies top position, is identified with a human-nature dualism that objectifies not only nature, but also the women who are expected to serve food to men. In placing Austen’s texts in the context of animal-rights arguments that arose in the late eighteenth and early nineteenth centuries, Seeber expands our understanding of Austen’s participation in significant societal concerns and makes an important contribution to animal, gender, food, and empire studies in the nineteenth century.
This book illuminates Jane Austen’s exploration of masculinity through the courtship romance genre in the socially, politically and culturally turbulent Romantic era. Austen scrutinises, satirises, censures and ultimately rewrites dominant modes of masculinity through the courtship romance plot between her heroines and male protagonists. This book reveals that Austen pioneers and celebrates a new vision of masculinity that could complement the Romantic desire for agency, individualism and selfhood embodied in her heroines. Rewriting desirable masculinity as an internalised, psychologically complex and authentic gender identity – a model of manhood that drives the ongoing appeal and cultural power of her men in the twenty-first century – Austen explores both the challenges and the opportunities for male selfhood, romantic love and feminine agency.Jane Austen’s Men is among the first full-length works to explore Austen's male protagonists as textual constructions of masculinity. Sarah Ailwood reveals the depth of Austen's engagement with her predecessors and contemporaries, including Mary Wollstonecraft, Jane West and Jane Porter, on critical questions of masculinity and its relationship to femininity and narrative form. This book illuminates in new ways Jane Austen’s ambitions for the novel, and the political power of the courtship romance genre in the Romantic era.
Jane Austen and the Ethics of Description demonstrates that Elizabeth Bennet and her creator are misunderstood, and often unrecognized, geniuses of moral philosophy, but not simply because of their virtue or wit or natural skills in game theory. The engine driving the moral judgement and growth of Austen’s protagonists consists of a particular and not well-understood ability to reason by description, a skill which we moderns must recover and remaster in order to negotiate the complexities of contemporary life. The forms of rational description this book derives from Austen will be of great interest not only to literary critics and theorists, but also to philosophers and anyone interested in ethics, the dynamics of power, and practical reasoning. Written in a clear style, the book is for those who love Austen and for those who want to understand how we should reason about our lives, how we should understand power, social conflict, and our own motives and prejudices. It is a literary analysis, a philosophical argument, and a practical guide to ethical thinking.
Jane Austen and the Ethics of Description demonstrates that Elizabeth Bennet and her creator are misunderstood, and often unrecognized, geniuses of moral philosophy, but not simply because of their virtue or wit or natural skills in game theory. The engine driving the moral judgement and growth of Austen’s protagonists consists of a particular and not well-understood ability to reason by description, a skill which we moderns must recover and remaster in order to negotiate the complexities of contemporary life. The forms of rational description this book derives from Austen will be of great interest not only to literary critics and theorists, but also to philosophers and anyone interested in ethics, the dynamics of power, and practical reasoning. Written in a clear style, the book is for those who love Austen and for those who want to understand how we should reason about our lives, how we should understand power, social conflict, and our own motives and prejudices. It is a literary analysis, a philosophical argument, and a practical guide to ethical thinking.
First published in 1968, Jane Austen’s Emma is a critical study of Miss Austen’s last completed novel. While often pausing to analyse and comment on major contemporary critics, Dr. Burrows provides a detailed insight into this outstanding novel. He has clarified certain of the book’s qualities, placing detail back into its proper context and perspective. Comic relief is contrasted with the serious and the sensitivity and capacity for change of her chief personages and the subtle use of such of Austen’s words as ‘sensible’ and ‘amiable’ are deftly treated. A select bibliography is included. This book will be of interest to students of literature, women’s studies, gender studies as well as to casual readers of Jane Austen’s novels.
First published in 1968, Jane Austen’s Emma is a critical study of Miss Austen’s last completed novel. While often pausing to analyse and comment on major contemporary critics, Dr. Burrows provides a detailed insight into this outstanding novel. He has clarified certain of the book’s qualities, placing detail back into its proper context and perspective. Comic relief is contrasted with the serious and the sensitivity and capacity for change of her chief personages and the subtle use of such of Austen’s words as ‘sensible’ and ‘amiable’ are deftly treated. A select bibliography is included. This book will be of interest to students of literature, women’s studies, gender studies as well as to casual readers of Jane Austen’s novels.
In her re-examination of Jane Austen's Anglicanism, Laura Mooneyham White suggests that engaging with Austen's world in all its strangeness and remoteness reveals the novelist's intensely different presumptions about the cosmos and human nature. While Austen's readers often project postmodern and secular perspectives onto an Austen who reflects their own times and values, White argues that viewing Austen's Anglicanism through the lens of primary sources of the period, including the complex history of the Georgian church to which Austen was intimately connected all her life, provides a context for understanding the central conflict between Austen's malicious wit and her family's testimony to her Christian piety and kindness. White draws connections between Austen's experiences with the clergy, liturgy, doctrine, and religious readings and their fictional parallels in the novels; shows how orthodox Anglican concepts such as natural law and the Great Chain of Being resonate in Austen's work; and explores Austen's awareness of the moral problems of authorship relative to God as Creator. She concludes by surveying the ontological and moral gulf between the worldview of Emma and Oscar Wilde's The Importance of Being Earnest, arguing that the evangelical earnestness of Austen's day had become a figure of mockery by the late nineteenth century.
Jane Austen's Fashion Bible
PAN MACMILLAN
2025
sidottu
Jane Austen's Fashion Bible is a joyous celebration of the visual world created by the beloved regency author.A stunning gift edition from Macmillan Collector’s Library, Jane Austen’s Fashion Bible features extracts from Jane Austen’s novels and juvenilia, and focuses on the iconic styles and social settings of the era.Each excerpt is accompanied by a beautiful corresponding colour fashion plate and entertaining description from Regency magazine La Belle Assemblée. Published from 1806 until 1832, La Belle Assemblée was most famous for its beautiful fashion plates that featured outfits for all occasions, from the most lavish ball gowns to dresses to wear on a country walk.Ros Ballaster’s commentary will guide the reader through this wonderful book. Ros is a professor at Oxford University and an expert on Jane Austen.