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Jonathan Edwards's Vision of Reality

Jonathan Edwards's Vision of Reality

John J Bombaro

Pickwick Publications
2011
sidottu
Since the publication of Sang Hyun Lee's revolutionary commentary, The Philosophical Theology of Jonathan Edwards, scholars have considered the possibilities of understanding Jonathan Edwards's thought in terms of dispositional laws, forces, and habits. While some scholars reject the notion of a dispositional ontology in Edwards, others have taken the concept of disposition in his thought beyond the usage the Northampton minister ever indicated, especially with respect to soteriological considerations. The preacher of "Sinners in the Hands of an Angry God" is made to be an inclusivist, if not a crypto-universalist. Jonathan Edwards's Vision of Reality substantiates that Edwards, in an effort to combat deistic and materialistic Enlightenment paradigms, employs dispositions in his philosophy, but that his radical theocentrism and Calvinistic particularism established its boundaries within his apologetical reconsideration of spatiotemporal and metaphysical reality. Within his "spiritual vision" of reality, Edwards leaves no stone unturned: history and even the reprobate find inherent value and a positive functional role not only in God's program of self-glorification but as manifestations of divine being--the damned are "deformities" in God. The logic of Edwards's theocentric vision of reality pushes his ideas to the limits of acceptable Reformed orthodoxy, and sometimes beyond those limits.
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Jonathan's Loves, David's Laments

Jonathan's Loves, David's Laments

Dirk Von Der Horst

Pickwick Publications
2017
sidottu
Jonathan's Loves, David's Laments uses early modern musical interpretations of David's Lament over Saul and Jonathan to deepen the historicist foundations of contemporary feminist and gay relational theologies. After laying out how gay theologian Gary David Comstock connects the story of David and Jonathan to the theology of lesbian theologian Carter Heyward, the argument interrogates both theological and exegetical problems in making those connections, which include contradictory theological stances with regard to modernity and history as well as the indeterminacy of the biblical text. Early modern musical interpretations of the text allow for a double move of engaging the texts through a sensual medium, thus reinforcing queer possibilities for meaning-making from the biblical text, and staying attuned to the fact that the history of interpretation reinforces the indeterminacy of the text, thus keeping queer interpretations aware of the relativizing function of historical difference. ""Providing a veritable feast for discerning readers, Dirk von der Horst deftly and masterfully weaves theological insights and musicological analysis, biblical exegesis and cultural critique, historicizing perspective and liberative summons in his tantalizing and immensely satisfying first book. Jonathan's Loves, David's Laments draws from each of these approaches but transcends them all, beckoning readers to pursue promising and audacious new directions for relational, queer theology."" --Brent A. R. Hege, Butler University, Indianapolis, Indiana ""This book is an interdisciplinary tour de force. Van der Horst mines theology, musicology, historicist vs. essentialist debates over biblical meaning and sexual identity, and the dialogical dynamics of musical experience to elucidate how musical afterlives of the David-Jonathan story inhabit 'irrefutable' spaces for homoerotic desire and queer identification within the biblical text. These musico-aesthetic riches redefine biblical authority and will allow theologians and activists to deploy 'Jonathan loved David' with even more intellectual integrity."" --Heidi Epstein, Associate Professor, Department of Religion and Culture, St. Thomas More College, University of Saskatchewan Dirk von der Horst is Instructor of Religious Studies at Mount St. Mary's University, Los Angeles. He is a coeditor of Voices of Feminist Liberation: Writings in Celebration of Rosemary Radford Ruether (2012).
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Jonathan Swift and Philosophy

Jonathan Swift and Philosophy

Lexington Books
2016
sidottu
Jonathan Swift and Philosophy is the first book to analyse and interpret Swift’s writing from a philosophical angle. By placing key texts of Swift in their philosophical and cultural contexts and providing background to their history of ideas, it demonstrates how well informed Swift’s criticism of the politics, philosophy, and science of his age actually was. Moreover, it also sets straight preconceptions about Swift as ignorant about the scientific developments of his time. The authors offer insights into, and interpretations of, Swift’s political philosophy, ethics, and his philosophy of science and demonstrate how versatile a writer and thinker Swift actually was. This book will be of interest to scholars of philosophy, history of ideas, and 18th century literature and culture.
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Jonathan Roberts: The Civil War's Quaker Scout and Sheriff

Jonathan Roberts: The Civil War's Quaker Scout and Sheriff

Gregory P. Wilson

Createspace Independent Publishing Platform
2014
nidottu
When Gregory P. Wilson began researching his family history, he never expected to uncover an ancestor as unique and fascinating as Jonathan Roberts. A devout Quaker, Roberts wore many hats throughout his life. He was a farmer, surveyor, husband, and father. He also was a firm abolitionist, the Civil War's Quaker scout and sheriff in northern Virginia. Roberts's noncombatant military service began shortly after his secessionist neighbors tried to kill him for his political and antislavery views. Fleeing his Fairfax County home after Confederate General P.G.T. Beauregard ordered his arrest, Roberts volunteered his surveying experience to the Union's Army of the Potomac, guiding troops to and from First Manassas (Bull Run). Over the course of the war, he was injured twice, once seriously while chasing John Singleton Mosby, the "Gray Ghost" of the Confederacy. When not delivering military dispatches, guiding troops, or scouting in the midst of cavalry charges, Roberts served as Fairfax County's twice-elected sheriff, responsible for everything from tax collections to murders. Wilson, like all who experience Roberts's story, can only marvel at his formidable ancestor's adventures and wonder if the outspoken Quaker appreciated the many ironies and contradictions of his remarkable life.
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Jonathan's Locket

Jonathan's Locket

Lorraine Carey

Createspace Independent Publishing Platform
2014
nidottu
History Meets Mystery in this Action-Packed Caribbean Adventure Orphaned Jonathan Palmer is a fifteen year-old stowaway aboard the doomed ship, The Convert which was part of the fleet that crashed into the reef off of Grand Cayman in 1794. This famous shipwreck was known as The Wreck of the Ten Sails. Jonathan was not lucky enough to survive the wreck along with eight other seamen. Problem was, no one ever knew he was on board. Two centuries later strange sightings of green lights, screams and ghost ships were reported off the east end of the island. Brandon Wallace, a troubled teen seems to acquire a strange affliction and begins to have bizarre encounters from the sea. He befriends an ancient sea turtle who holds the secrets to the strange sightings. Brandon will be compelled to embark on a dangerous journey, risking his life to uncover the dark secret of Jonathan's death. His task proves to be even more dangerous when one of his closest friends has plans of his own.Silver Award Winner for Readers Favorite and Finalist in the Wind Dancer Film Contest in 2014
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Jonathan Franzen

Jonathan Franzen

Philip Weinstein

Bloomsbury Academic USA
2015
sidottu
Jonathan Franzen: The Comedy of Rage is the first critical biography of one of today’s most important novelists. Drawing on unpublished emails and both published and private interviews, Philip Weinstein conveys the feel and heft of Franzen’s voice as he ponders the purposes and problems of his life and art, from his earliest fiction to his most recent novel, Purity.Franzen’s work raises major questions about the possibilities of contemporary fiction: how does one appeal to a wide audience of mainstream readers, on the one hand, while persuading connoisseurs, on the other, that one’s fiction has staying power, is high art? More acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the later novels on which his reputation rests?Wrestling with these questions, Jonathan Franzen: The Comedy of Rage unpacks the becoming of Franzen as a person and a writer—from his ultra-sensitive Midwestern childhood, through his heady years at Swarthmore College, his marriage, and the alienating decade of the 1990s, up to his spectacular ascent and assimilation into pop culture as one of the literary figures of his generation. Weinstein joins biography and criticism in ways that fully respect their differences, but that also grant that the work comes, however unpredictably, out of the life.
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Jonathan Franzen and the Romance of Community

Jonathan Franzen and the Romance of Community

Jesús Blanco Hidalga

Bloomsbury Academic USA
2017
sidottu
Despite the success and significance of Jonathan Franzen's fiction, his work has received relatively little scholarly attention. Aiming to fill this conspicuous gap, Jonathan Franzen and the Romance of Community analyzes each of Franzen's five novels in chronological order to reveal an interior logic animating his work. Integrating various formal and ideological perspectives to illuminate Franzen's work, Jesús Blanco Hidalga demonstrates that the concepts of salvation and redemption, typical of romance narratives, run throughout Franzen's fiction. Even as he re-assesses and expands the familiar interpretations of Franzen's work, Blanco Hidalga shows how these salvation narratives are used for self-legitimization not only by the characters, but by the writer himself. Combining critical rigor with interpretative boldness, Jonathan Franzen and the Romance of Community offers a new theoretical approach to a major contemporary author.
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Jonathan Franzen

Jonathan Franzen

Philip Weinstein

Bloomsbury Academic USA
2016
nidottu
Jonathan Franzen: The Comedy of Rage is the first critical biography of one of today’s most important novelists. Drawing on unpublished emails and both published and private interviews, Philip Weinstein conveys the feel and heft of Franzen’s voice as he ponders the purposes and problems of his life and art, from his earliest fiction to his most recent novel, Purity.Franzen’s work raises major questions about the possibilities of contemporary fiction: how does one appeal to a wide audience of mainstream readers, on the one hand, while persuading connoisseurs, on the other, that one’s fiction has staying power, is high art? More acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the later novels on which his reputation rests?Wrestling with these questions, Jonathan Franzen: The Comedy of Rage unpacks the becoming of Franzen as a person and a writer—from his ultra-sensitive Midwestern childhood, through his heady years at Swarthmore College, his marriage, and the alienating decade of the 1990s, up to his spectacular ascent and assimilation into pop culture as one of the literary figures of his generation. Weinstein joins biography and criticism in ways that fully respect their differences, but that also grant that the work comes, however unpredictably, out of the life.
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