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Richard III's Bodies from Medieval England to Modernity

Richard III's Bodies from Medieval England to Modernity

Jeffrey R. Wilson

TEMPLE UNIVERSITY PRESS,U.S.
2022
sidottu
Richard III will always be central to English disability history as both man and myth—a disabled medieval king made into a monster by his nation’s most important artist.In Richard III’s Bodies from Medieval England to Modernity, Jeffrey Wilson tracks disability over 500 years, from Richard’s own manuscripts, early Tudor propaganda, and x-rays of sixteenth-century paintings through Shakespeare’s soliloquies, into Samuel Johnson’s editorial notes, the first play produced by an African American Theater company, Freudian psychoanalysis, and the rise of disability theater. For Wilson, the changing meanings of disability created through shifting perspectives in Shakespeare’s plays prefigure a series of modern attempts to understand Richard’s body in different disciplinary contexts—from history and philosophy to sociology and medicine.While theorizing a role for Shakespeare in the field of disability history, Wilson reveals how Richard III has become an index for some of modernity’s central concerns—the tension between appearance and reality, the conflict between individual will and external forces of nature and culture, the possibility of upward social mobility, and social interaction between self and other, including questions of discrimination, prejudice, hatred, oppression, power, and justice.
Richard III's Bodies from Medieval England to Modernity

Richard III's Bodies from Medieval England to Modernity

Jeffrey R. Wilson

TEMPLE UNIVERSITY PRESS,U.S.
2022
nidottu
Richard III will always be central to English disability history as both man and myth—a disabled medieval king made into a monster by his nation’s most important artist.In Richard III’s Bodies from Medieval England to Modernity, Jeffrey Wilson tracks disability over 500 years, from Richard’s own manuscripts, early Tudor propaganda, and x-rays of sixteenth-century paintings through Shakespeare’s soliloquies, into Samuel Johnson’s editorial notes, the first play produced by an African American Theater company, Freudian psychoanalysis, and the rise of disability theater. For Wilson, the changing meanings of disability created through shifting perspectives in Shakespeare’s plays prefigure a series of modern attempts to understand Richard’s body in different disciplinary contexts—from history and philosophy to sociology and medicine.While theorizing a role for Shakespeare in the field of disability history, Wilson reveals how Richard III has become an index for some of modernity’s central concerns—the tension between appearance and reality, the conflict between individual will and external forces of nature and culture, the possibility of upward social mobility, and social interaction between self and other, including questions of discrimination, prejudice, hatred, oppression, power, and justice.
Documents of Shakespeare's England

Documents of Shakespeare's England

John A. Wagner

Greenwood Press
2019
sidottu
This engaging collection of over 60 primary document selections sheds light on the personalities, issues, events, and ideas that defined and shaped life in England during the years of Shakespeare's life and career.Documents of Shakespeare's England contains more than 60 primary document selections that will help readers understand all aspects of life in Elizabethan and Jacobean England. The book is divided into 12 topical sections, such as Politics and Parliament, London Life, and Queen and Court, which offer five document selections each. Each document is preceded by a detailed introduction that puts the selection into historical context and explains why it is important.A general introduction and chronology help readers understand Shakespeare's England in broad terms and see connections, causes, and consequences. Bibliographies of current and useful print and electronic information resources accompany each document, and a general bibliography lists seminal works on Shakespeare's England. This is an engaging and accurate introduction to the England of William Shakespeare told in the words of those who experienced it.
Daily Life of Women in Shakespeare's England

Daily Life of Women in Shakespeare's England

Theresa D. Kemp

BLOOMSBURY PUBLISHING PLC
2024
sidottu
Delve into the often-overlooked lives and legacies of everyday women in Tudor and Stuart England. Owing to their privilege and social stature, much is known about the elite women of 16th- and 17th-century England. Historians know far less, however, about the everyday women from the middle and lower classes from the 1550s to 1650 who left behind only scattered bits and pieces of their lives. Born into a narrow class and gender hierarchy that placed women second to men in almost all regards, women from the poor and middling ranks had limited social and economic opportunities beyond what men and the church afforded them. Yet, as Theresa D. Kemp shows in this addition to the Daily Life through History series, many of these women, most of them illiterate by modern standards, found creative ways to assert agency and push back against social norms. In an era when William Shakespeare debuted his plays at the Globe Theatre in London, everyday English women were active in religious movements, wrote literature, and went to court to protest abuse at home. Ultimately, a close examination of the lives of these women reveals how instrumental they were in shaping English society during a transformative and dynamic period of British history.
Daily Life of Women in Chaucer's England

Daily Life of Women in Chaucer's England

Jennifer C. Edwards

BLOOMSBURY PUBLISHING PLC
2022
sidottu
Providing an indispensable resource for students and scholars studying the history of medieval women and gender, this book provides a comprehensive depiction of women's lives in the 14th and 15th centuries.The late medieval period in England was one rich with opportunities for women, who played fundamental roles in family businesses as well as in the peasant community and economy, and who wrote letters, created autobiographies, and documented their spiritual journeys. Their lives fit into a pattern of seasonal celebrations and rituals shaped, for the majority of women, by work, marriage, and motherhood. The text further considers status distinctions, then shifts to experiences that affected all women, such as the ritual year, disease, food and drink, sex or celibacy, and religion.By providing an overview of the history of English women and gender in the 14th and 15th centuries, the book provides a background suitable for students as well as for academics beginning work in this field.
Lord Macaulay's History of England

Lord Macaulay's History of England

John Burrow

Continuum Publishing Corporation
2010
nidottu
This book presents an accessible introduction to Maculey's major work with a masterly introduction by John Burrow. Thomas Babington Macaulay's "History of England from the Accession of James II" was his masterwork and one of the great enduring classics of English historical writing. The first two volumes were published in 1848 and achieved a huge success. They were published in numerous editions both in Great Britain and in the United States. This volume in the "Continuum History Series" contains the celebrated third chapter which inherently contributed to the development of social history by presenting a highly contextually relevant extensive survey of English society in the year 1685, in terms of such things as population, cities, classes and tastes. Macaulay's approach to his subject, as John Burrow explains in his masterly introduction, was that of a definite advocate of 'progress'. He saw many real achievements in British and World history as resulting from policies pursued by Whig political interest. 'The history of our country' he wrote 'during the last hundred and sixty years is eminently the history of physical, or moral and of intellectual improvement'. Macaulay's work must be of compelling interest to any student of history today. As a writer of the finest English prose, he is beyond compare.