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1000 tulosta hakusanalla Virginia Woolf

Jane Austen, Virginia Woolf and Worldly Realism

Jane Austen, Virginia Woolf and Worldly Realism

Pam Morris

Edinburgh University Press
2018
nidottu
Who would have expected Jane Austen to be up-to-date on gun technology or Virginia Woolf to recognise the class politics of plumbing?Austen and Woolf are materialists, this book argues. 'Things' in their novels give us entry into some of the most contentious issues of the day. This wholly materialist understanding produces worldly realism, an experimental writing practice which asserts egalitarian continuity between people, things and the physical world. This radical redistribution of the importance of material objects and biological existence, challenges the traditional idealist hierarchy of mind over matter that has justified gender, class and race subordination. Entering their writing careers at the critical moments of the French Revolution and the First World War respectively, and sharing a political inheritance of Scottish Enlightenment scepticism, Austen's and Woolf's rigorous critiques of the dangers of mental vision unchecked by facts is more timely than ever in the current world dominated by fundamentalist neo-liberal, religious and nationalist belief systems.Key FeaturesThe book uses close readings from Sense and Sensibility, Mrs Dalloway, Emma, The Waves, Persuasion and The Years to demonstrate the materialist sensibilities of Austen and WoolfIt traces the anti-individualism of their view of self and consciousness as deriving from embodied experienceEach chapter foregrounds the constitutive interrelationship of things, people, social and physical worldsThe book reconceptualises a progressive view of realism worldly realism drawing upon Jacques Ranciere's thesis that a new democratic aesthetic regime is inaugurated around the end of the eighteenth century
All the Lives We Ever Lived: Seeking Solace in Virginia Woolf

All the Lives We Ever Lived: Seeking Solace in Virginia Woolf

Katharine Smyth

Crown Publishing Group (NY)
2020
nidottu
A wise, lyrical memoir about the power of literature to help us read our own lives--and see clearly the people we love most. "Transcendent."--The Washington Post - "You'd be hard put to find a more moving appreciation of Woolf's work."--The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TOWN & COUNTRY Katharine Smyth was a student at Oxford when she first read Virginia Woolf's modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death--a calamity that claimed her favorite person--she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth's story moves between the New England of her childhood and Woolf's Cornish shores and Bloomsbury squares, exploring universal questions about family, loss, and homecoming. Through her inventive, highly personal reading of To the Lighthouse, and her artful adaptation of its groundbreaking structure, Smyth guides us toward a new vision of Woolf's most demanding and rewarding novel--and crafts an elegant reminder of literature's ability to clarify and console. Braiding memoir, literary criticism, and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author. Praise for All the Lives We Ever Lived "This searching memoir pays homage to To the Lighthouse, while recounting the author's fraught relationship with her beloved father, a vibrant figure afflicted with alcoholism and cancer. . . . Smyth's writing is evocative and incisive."--The New Yorker "Like H Is for Hawk, Smyth's book is a memoir that's not quite a memoir, using Woolf, and her obsession with Woolf, as a springboard to tell the story of her father's vivid life and sad demise due to alcoholism and cancer. . . . An experiment in twenty-first century introspection that feels rooted in a modernist tradition and bracingly fresh."--Vogue "Deeply moving - part memoir, part literary criticism, part outpouring of longing and grief... This is a beautiful book about the wildness of mortal life, and the tenuous consolations of art."--The Times Literary Supplement "Blending analysis of a deeply literary novel with a personal story... gently entwining observations from Woolf's classic with her own layered experience. Smyth tells us of her love for her father, his profound alcoholism and the unpredictable course of the cancer that ultimately claimed his life."--Time
In the Rhododendrons: A Memoir with Appearances by Virginia Woolf
For readers of Also a Poet, Orwell's Roses, and My Autobiography Of Carson McCullers--as well as the legions of Virginia Woolf fanatics--the acclaimed poet and author of The Crying Book crafts a deeply moving, immersive, and lyrical hybrid memoir about her mother, Woolf, and the transformative power of writing. When Heather Christle realizes that she, her mother, and Virginia Woolf share a traumatic history, she begins to rewrite and intertwine each of their stories, in search of a more hopeful narrative and a future she can live with. On a recent visit to London's Kew Gardens, Christle's mother revealed details of a painful story from her past that took place there, under circumstances that strangely paralleled Heather's own sexual assault during a visit to London as a teenager. Her private, British mother's revelation--a rare burst of vulnerability in their strained relationship--propels Christle down a deep and destabilizing rabbit hole of investigation, as she both reads and wanders the streets of her mother's past, peeling back the layers of family mythologies, England's sanctioned historical narratives, and her own buried memories. Over the course of several trips to London, with and without her mother, she visits her family's "birthday hill" in Kew Gardens, the now-public homes of the Bloomsbury set, the archives of the British Library, and the backyard garden where Woolf wrote her final sentence. All the while, she finds that Woolf and her writings not only constantly seem to connect and overlap with her mother's story, but also that the author becomes a kind of vital intermediary: a sometimes confidante, sometimes mentor, sometimes distancing lens through which Christle can safely observe her mother and their experiences. Wide-ranging and prismatic, the fruit of an insatiably curious, delightfully brilliant mind, In the Rhododendrons is part memoir, part biography of Virginia Woolf, part reckoning with the things we cannot change and the ways we can completely transform, if we dare. This utterly original book will stir readers into new ways of seeing their own lives.
On Beauty and Being: Hans-Georg Gadamer’s and Virginia Woolf’s Hermeneutics of the Beautiful
The book is an exploration of the affinities between Hans-Georg Gadamer’s philosophical hermeneutics and Virginia Woolf’s philosophy of beauty and Being embodied in her oeuvre. The study addresses beauty as a mode of being rather than a mere adornment of human existence. Tracing Plato’s legacy in the two authors, it espouses the proximity of truth and beauty, and argues for beauty’s restorative capacity discerned in the repetitive patterns of the universe. Showing the poetics of Gadamer and Woolf as mutually interpenetrating, it encourages to see the beauty of the poetic word as a gateway to Being. This meditation on beauty and Being contests the prevailing ways of thinking about the (in)dependent fields of literature and philosophy.
Sexuality in Edward Albee's "Who's Afraid of Virginia Woolf"
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2, University of Graz (Anglistik), course: Literary Studies II, language: English, abstract: ''I don't want to kiss you, Martha.'' George in Who is Afraid of Virginia Woolf This turns out to be quite a significant statement by George in Edward Albee s drama Who s Afraid of Virginia Woolf, giving an idea of the unemotional and passionless relationship between him and his wife Martha. By investigating the play, many scenes and indication to hidden sexuality can be encountered. In addition to that the lack of communication within the two couples, originating from two different generations, result in a complete incapability of managing their relationships. This paper examines how Edward Albee, by highlighting themes of sexuality, reveals general frustrations in life. Frustrated, unsatisfied marriage is a central theme in Albee's Who is Afraid of Virginia Woolf and will be investigated by means of dissecting scenes and certain passage of importance.
Mrs Dalloway and to the Lighthouse, Virginia Woolf
Mrs Dalloway and To the Lighthouse have often been described as 'poetic' and 'difficult'. The essays in this book show how attentive readers can follow their stories and relate them directly to the 'real' world. Some work out 'who speaks'. Some explore the novels' debates about England in the 1920s: about power and imperialism and the War, about contemporary ideas of personal identity, and about women's lives. All demonstrate that new critical methods lead to active engagement with the texts.
Strange Intimacies  Affect, Embodiment and Materiality in Virginia Woolf and Jean Rhys
This book explores how the novels by Virginia Woolf and Jean Rhys To the Lighthouse (1927), The Waves (1931), Between the Acts (1941), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Wide Sargasso Sea (1966) maintain an attachment to and love for life amid disenchanting times of war and social change. Drawing from Woolf's and Rhys's personal writings and fictions, Talviste demonstrates that Woolf and Rhys locate this attachment to life in the moments and atmospheres of 'strange intimacy' in sensual, affective and oddly intimate moments that function as cracks in the dominant patriarchal and imperial ideologies of Woolf's and Rhys's times. To theorise strange intimacy, this monograph rethinks the feminist works of Helene Cixous, especially her attention to materiality, affect and embodiment, in the light of contemporary affect studies and new materialism.
Wuthering Heights; Including Introductory Essays by Virginia Woolf and Charlotte Brontë
The only novel published by Emily Bront , "Wuthering Heights" is the story of Catherine Earnshaw and Heathcliff, a young man adopted into Catherine's family when he was just a boy. After Catherine's father dies, her brother Hindley bullies and torments Heathcliff incessantly. Due to this and wrongly thinking that his love for Catherine is unrequited, Heathcliff leaves Wuthering Heights, returning a year later a wealthy man with revenge on this mind. A veritable classic of English literature, "Wuthering Heights" constitutes a must-read for all fans of the novel form and would make for a worthy addition to any collection. Emily Jane Bront (1818 - 1848) was an English poet and novelist most famous her masterpiece, "Wuthering Heights." She belonged to the world-famous Bront literary family, and was one of the four surviving siblings along with her sisters Charlotte and Anne. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this classic volume now in an affordable, modern, high-quality edition complete with a biography of Emily Bront by G. K. Chesterton, and an essay by Virginia Woolf on the Bront family home, Haworth.
Wuthering Heights; Including Introductory Essays by Virginia Woolf and Charlotte Brontë
The only novel published by Emily Bront , "Wuthering Heights" is the story of Catherine Earnshaw and Heathcliff, a young man adopted into Catherine's family when he was just a boy. After Catherine's father dies, her brother Hindley bullies and torments Heathcliff incessantly. Due to this and wrongly thinking that his love for Catherine is unrequited, Heathcliff leaves Wuthering Heights, returning a year later a wealthy man with revenge on this mind. A veritable classic of English literature, "Wuthering Heights" constitutes a must-read for all fans of the novel form and would make for a worthy addition to any collection. Emily Jane Bront (1818 - 1848) was an English poet and novelist most famous her masterpiece, "Wuthering Heights". She belonged to the world-famous Bront literary family, and was one of the four surviving siblings along with her sisters Charlotte and Anne. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this classic volume now in an affordable, modern, high-quality edition complete with a biography of Emily Bront by G. K. Chesterton, and an essay by Virginia Woolf on the Bront family home, Haworth.
Catherine Colomb’s VISION OF TIME: in Dialogue with Marcel Proust and Virginia Woolf

Catherine Colomb’s VISION OF TIME: in Dialogue with Marcel Proust and Virginia Woolf

Tamar Barbakadze

Peter Lang AG, Internationaler Verlag der Wissenschaften
2022
nidottu
This monograph is the first substantial contribution to the study of the Swiss novelist Catherine Colomb’s dialogue with Marcel Proust and Virginia Woolf as well as to time and memory studies. The framework and approach devised to examine Colomb’s oeuvre contribute to unravelling some of its complexities, not only in its curving style, ephemeral, and sequence-defying narrative, but also in its literary engagement with the science and philosophy that shaped modernity and proposed new ways of thinking time, knowledge, and the human experience. This thesis ultimately allows us to gain insight into the originality of Colombian time experience, memory, and point-of-view representations, transcending the alleged influence of her iconic predecessors.