Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla "NOAH"
College rule (also known as medium ruled paper) is the most common lined paper in use in the United States. It is generally used in middle school through to college and is also popular with adults. This is a good choice for teen or adult notebooks and composition books (known as exercise books outside the US).
Liam Pennywell has spent most of his life dodging issues and skirting adventure when suddenly, in his sixty-first year, something happens that jolts him out of his certainty and leaves him with a frightening gap in his memory.
Noah waits all day for Nana's boat to be ready so that they can go seal spotting. He waits and waits, and eventually takes matters into his own hands, building his very own seal out of sand-it's almost as good as the real thing. But it isn't long before a storm whips up, his seal is washed away, and Nana packs up ready to leave. Noah loses all hope that he'll ever spot a real-life seal, until something special happens.
Noah waits all day for Nana's boat to be ready so that they can go seal spotting. He waits and waits, and eventually takes matters into his own hands, building his very own seal out of sand-it's almost as good as the real thing. But it isn't long before a storm whips up, his seal is washed away, and Nana packs up ready to leave. Noah loses all hope that he'll ever spot a real-life seal, until something special happens.
"A servant of servants shall he be unto his brethren". So reads Noah's curse on his son Ham, and all his descendants, in Genesis 9:25. Over centuries of interpretation, Ham came to be identified as the ancestor of black Africans, and Noah's curse to be seen as the biblical justification for American slavery and segregation. In this book Stephen Haynes examines the history of the American interpretation of Noah's curse. He begins with an overview of the prior history of the reception of this scripture and then turns to the distinctive and creative ways in which the curse was appropriated by American pro-slavery and pro-segregation interpreters. He argues that the story of Noah's curse was compelling for antebellum white Southerners because it resonated with the themes of antiquity, domesticity, race, and sin.
"A servant of servants shall he be unto his brethren." So reads Noah's curse on his son Ham, and all his descendants, in Genesis 9:25. Over centuries of interpretation, Ham came to be identified as the ancestor of black Africans, and Noah's curse to be seen as biblical justification for American slavery and segregation. Examining the history of the American interpretation of Noah's curse, this book begins with an overview of the prior history of the reception of this scripture and then turns to the distinctive and creative ways in which the curse was appropriated by American pro-slavery and pro-segregation interpreters.
Noah's Arc is about appetites out of control, loves misplaced and lives hopelessly askew. Ben runs a restaurant, Nicholas runs the world. Ann wants to help others, Vicki wants to help herself. Georgia needs to feel clean, Coral does the cleaning. Gerald needs to hold on to love, Sibella wants to be top of the tree. Fran ois wants to feel at home, Frank builds homes. Emily has lost herself, Debbie has never known herself. Larry just wants more of everything. And then there is Noah: washed-up on the shores of a life he never wanted, his mind addled by pills, the world around him going to hell in a handbasket. How can he - how can any of them - survive the coming flood? Do they want to? And what exactly is going on at the local airport? Funny and sad, sweet and sour, flippant and serious, Noah's Arc is a uniquely weird voyage.
How can the tracks of dinosaurs best be interpreted and used to reconstruct them? In many Mesozoic sedimentary rock formations, fossilized footprints of bipedal, three-toed (tridactyl) dinosaurs are preserved in huge numbers, often with few or no skeletons. Such tracks sometimes provide the only clues to the former presence of dinosaurs, but their interpretation can be challenging: How different in size and shape can footprints be and yet have been made by the same kind of dinosaur? How similar can they be and yet have been made by different kinds of dinosaurs? To what extent can tridactyl dinosaur footprints serve as proxies for the biodiversity of their makers?Profusely illustrated and meticulously researched, Noah's Ravens quantitatively explores a variety of approaches to interpreting the tracks, carefully examining within-species and across-species variability in foot and footprint shape in nonavian dinosaurs and their close living relatives. The results help decipher one of the world's most important assemblages of fossil dinosaur tracks, found in sedimentary rocks deposited in ancient rift valleys of eastern North America. Those often beautifully preserved tracks were among the first studied by paleontologists, and they were initially interpreted as having been made by big birds—one of which was jokingly identified as Noah's legendary raven.
From Noah's Ark to Diller + Scofidio's "Blur" Building, a distinguished art historian maps new ways to think about architecture's origin and development.Trained as an art historian but viewing architecture from the perspective of a "displaced philosopher," Hubert Damisch in these essays offers a meticulous parsing of language and structure to "think architecture in a different key," as Anthony Vidler puts it in his introduction. Drawn to architecture because it provides "an open series of structural models," Damisch examines the origin of architecture and then its structural development from the nineteenth through the twenty-first centuries. He leads the reader from Jean-Francois Blondel to Eugene Viollet-le-Duc to Mies van der Rohe to Diller + Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius's De Architectura, and the Louvre. In the title essay, Damisch moves easily from Diderot's Encylopedie to Noah's Ark (discussing the provisioning, access, floor plan) to the Pan American Building to Le Corbusier to Ground Zero. Noah's Ark marks the origin of construction, and thus of architecture itself. Diderot's Encylopedie entry on architecture followed his entry on Noah's Ark; architecture could only find its way after the Flood.In these thirteen essays, written over a span of forty years, Damisch takes on other histories and theories of architecture to trace a unique trajectory of architectural structure and thought. The essays are, as Vidler says, "a set of exercises" in thinking about architecture.
Squawk!' screech the birds. 'Oink!' grunt the pigs. The animals are making their way, two-by-two, onto Noah's ark to escape the great flood. A delightful re-telling of this popular Bible story by Alexa Tewkesbury (author of CWR's PENS series) is complemented by Dani Padron's richly coloured illustrations.
So, you think you know Noah? In this multi-storey story, he’s got an ark but not many spaces. How will he fit all the animals on? Perhaps packing them in tightly – car-park style – is the only way! This beautifully illustrated, rhyming retelling of the story of Noah and his ark will entertain young children and adults alike.
