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1000 tulosta hakusanalla Agnes Maxsein

Agnes Bowker's Cat

Agnes Bowker's Cat

David Cressy

Oxford University Press
2001
nidottu
The author reveals how, in Tudor and Stuart times, a series of troubling and unorthodox happenings - bestiality and monstrous births, nakedness and cross-dressing, excommunication and irregular burial, iconoclasm and vandalism - disturbed the margins and set the authorities on edge.
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Agnes Grey

Agnes Grey

Anne Brontë

Oxford University Press
2010
nidottu
'How delightful it would be to be a governess!' When the young Agnes Grey takes up her first post as governess she is full of hope; she believes she only has to remember 'myself at their age' to win her pupils' love and trust. Instead she finds the young children she has to deal with completely unmanageable. They are, as she observes to her mother, 'unimpressible, incomprehensible creatures'. In writing her first novel, Anne Brontë drew on her own experiences, and one can trace in the work many of the trials of the Victorian governess, often stranded far from home, and treated with little respect by her employers, yet expected to control and educate her young charges. Agnes Grey looks at childhood from nursery to adolescence, and it also charts the frustrations of romantic love, as Agnes starts to nurse warmer feelings towards the local curate, Mr Weston. The novel combines astute dissection of middle-class social behaviour and class attitudes with a wonderful study of Victorian responses to young children which has parallels with debates about education that continue to this day. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Agnes de Mille

Agnes de Mille

Gardner Kara Anne

Oxford University Press Inc
2016
sidottu
This book explores the Broadway legacy of choreographer Agnes de Mille, from the 1940s through the 1960s. Six musicals are discussed in depth - Oklahoma!, One Touch of Venus, Bloomer Girl, Carousel, Brigadoon, and Allegro. Oklahoma!, Carousel, and Brigadoon were de Mille's most influential and lucrative Broadway works. The other three shows exemplify aspects of her legacy that have not been fully examined, including the impact of her ideas on some of the composers with whom she worked; her ability to incorporate a previously conceived work into the context of a Broadway show; and her trailblazing foray into the role of choreographer/director. Each chapter emphasizes de Mille's unique contributions to the original productions. Several themes emerge in looking closely at de Mille's Broadway repertoire. Character development remained at the heart of her theatrical work work. She often took minor characters, represented with minimal or no dialogue, and fleshed out their stories. These stories added a layer of meaning that resulted in more complex productions. Sometimes, de Mille's stories were different from the stories her collaborators wanted to tell, which caused many conflicts. Because her unique ideas often got woven into the fabric of her musicals, de Mille saw her choreography as an authorship. She felt she should be given the same rights as the librettist and the composer. De Mille's work as an activist is an aspect of her legacy that has largely been overlooked. She contributed to revisions in dance copyright law and was a founding member of the Stage Directors and Choreographers Society, a theatrical union that protects the rights of directors and choreographers. Her contention that choreographers are authors who have their own stories to tell offers a new way of understanding the Broadway musical.
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Agnes and the Hen

Agnes and the Hen

Elle Rowley

DORLING KINDERSLEY LTD
2024
nidottu
Follow Agnes the dog and Rosie the hen as they head down to the farm in this amusing picture book for children.This lighthearted story tells the tale of Agnes the Great Dane and Rosie the hen with an important underlying message. With Agnes' help, Rosie discovers that staying true to herself might just be her greatest strength.Agnes and the Hen is an engaging tale for 3-5 year-olds, teaching an important message about how you can avoid following the crowd and embrace your true self. Children will have fun engaging in the bright and beautiful pages of this picture book and following story alongside vibrant illustrations of farm animals.Agnes and the Hen features:- 32 pages of adorable animal illustrations- Easy-to-follow text for little ones to engage with- An amusing storyline that teaches an important lessonThis heartwarming baby book makes the perfect bedtime story, as little ones follow Rosie the hen who likes to be different. Down on the farm the hens do everything together. They peck at their food in perfectly straight lines and sleep in a perfect row in their coop. All except one, that is: Rosie.Parents and children will enjoy following this fun story together, that teaches children to celebrate being different from everyone else. Agnes and the Hen is the perfect addition to an animal lover's book collection!At DK, we believe in the power of discovery.So why stop there?If you like Agnes and the Hen, then why not try the other picture book in the series? Agnes and the Sheep is the first book in the collection teaching children an important lesson that the grass isn't always greener on the other side.
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Agnes Varda

Agnes Varda

Kelley Conway

University of Illinois Press
2015
sidottu
Both a precursor to and a critical member of the French New Wave, Agnès Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo from 5 to 7 (1962) brought her a level of international acclaim she has yet to relinquish. Film historian Kelley Conway traces Varda's works from her 1954 debut La Pointe Courte through a varied career that includes nonfiction and fiction shorts and features, installation art, and the triumphant 2008 documentary The Beaches of Agnès . Drawing on Varda's archives and conversations with the filmmaker, Conway focuses on the concrete details of how Varda makes films: a project's emergence, its development and the shifting forms of its screenplay, the search for financing, and the execution from casting through editing and exhibition. In the process, she departs from film history's traditional view of the French New Wave and reveals one artist's nontraditional trajectory through independent filmmaking. The result is an intimate consideration that reveals the artistic consistencies and bold changes in the career of one of the world's most exuberant and intriguing directors.
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Agnes Varda

Agnes Varda

Kelley Conway

University of Illinois Press
2015
nidottu
Both a precursor to and a critical member of the French New Wave, Agnès Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo from 5 to 7 (1962) brought her a level of international acclaim she has yet to relinquish. Film historian Kelley Conway traces Varda's works from her 1954 debut La Pointe Courte through a varied career that includes nonfiction and fiction shorts and features, installation art, and the triumphant 2008 documentary The Beaches of Agnès . Drawing on Varda's archives and conversations with the filmmaker, Conway focuses on the concrete details of how Varda makes films: a project's emergence, its development and the shifting forms of its screenplay, the search for financing, and the execution from casting through editing and exhibition. In the process, she departs from film history's traditional view of the French New Wave and reveals one artist's nontraditional trajectory through independent filmmaking. The result is an intimate consideration that reveals the artistic consistencies and bold changes in the career of one of the world's most exuberant and intriguing directors.
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Agnes Martin

Agnes Martin

Yale University Press
2011
sidottu
New discourse on four decades of painting by one of the 20th century’s most influential artists Gorgeously quiet in color and composition, Agnes Martin’s paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce—until now. This important new anthology brings together the most current scholarship on Martin’s paintings by twelve multidisciplinary essayists who consider various aspects of the artist’s four-decade career. Organized by Dia Art Foundation, whose extensive holdings of Martin’s paintings and ambitions to support in-depth research on the works are unparalleled, the publication brings renewed focus and energy to Martin’s career and her contributions to the art historical narrative.
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Agnes Grey, The Tenant of Wildfell Hall

Agnes Grey, The Tenant of Wildfell Hall

Anne Bronte

Random House USA Inc
2012
sidottu
The only one-volume hardcover edition of the two uncommonly powerful novels written by the youngest of the famous Bront sisters. Anne Bront wrote these two fantastically successful novels just before her tragically early death, both of them in a much more grittily realistic mode than the more romantic ones favored by her sisters. Agnes Grey, the story of a governess working for disdainful and cruel employers, is a wrenching account of the desperate straits faced by Victorian women without money or husband. The Tenant of Wildfell Hall tells a story that was shocking for its time: a woman leaves her alcoholic and abusive husband in order to protect their young son and must live in hiding to prevent the law from taking her child away from her. These novels have become classics not only by dint of the subtle and ironic force of Anne Bront 's prose but because of the passionate indictments of social injustice that animate them.
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Agnes Moorehead

Agnes Moorehead

Lynn Kear

Greenwood Press
1992
sidottu
This bio-bibliography provides an overview of the life and career of the noted actress Agnes Moorehead. A brief biography discusses her midwestern upbringing as well as her academic background and early struggles in establishing her career. The biography also discusses Moorehead's later career successes in addition to her professional and personal relationships. The largest portion of the book is devoted to detailed listings of her work in film, television, radio and theatre. In many cases, these listings include synopses, cast listings and credits, review excerpts, and other information.Her most celebrated appearances are described and discussed at length. These appearances include the films, Citizen Kane and Magnificent Ambersons; television programs, The Twilight Zone, The Wild, Wild West, and Bewitched; radio shows The March of Time, The Shadow, and Sorry, Wrong Number; and her one-woman stage production as well as her work in Don Juan in Hell. This work is a valuable addition to the performing arts series.
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Agnes at the End of the World

Agnes at the End of the World

Kelly McWilliams

Little, Brown Young Readers
2021
pokkari
Agnes knows she loves her home of Red Creek--its quiet, sunny mornings, its dusty roads, and its God. There, she cares tirelessly for her younger siblings and follows the town's strict laws. What she doesn't know is that Red Creek is a cult, controlled by a madman who calls himself a prophet.Then Agnes meets Danny, an Outsider boy, and begins to question what is and isn't a sin. Her younger brother, Ezekiel, will die without the insulin she barters for once a month, even though medicine is considered outlawed. Is she a sinner for saving him? Is her sister, Beth, a sinner for dreaming of the world beyond Red Creek?As the Prophet grows more dangerous, Agnes realizes she must escape with Ezekiel and leave everyone else, including Beth, behind. But it isn't safe Outside, either: A viral pandemic is burning through the population at a terrifying rate. As Agnes ventures forth, a mysterious connection grows between her and the Virus, allowing her to heal the infected. But in a world where faith, miracles, and cruelty have long been indistinguishable, will Agnes be able to choose between saving her family and saving the world?
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Agnes at the End of the World

Agnes at the End of the World

Kelly McWilliams

Little, Brown Young Readers
2020
sidottu
Agnes knows she loves her home of Red Creek--its quiet, sunny mornings, its dusty roads, and its God. There, she cares tirelessly for her younger siblings and follows the town's strict laws. What she doesn't know is that Red Creek is a cult, controlled by a madman who calls himself a prophet. Then Agnes meets Danny, an Outsider boy, and begins to question what is and isn't a sin. Her younger brother, Ezekiel, will die without the insulin she barters for once a month, even though medicine is considered outlawed. Is she a sinner for saving him? Is her sister, Beth, a sinner for dreaming of the world beyond Red Creek? As the Prophet grows more dangerous, Agnes realizes she must escape with Ezekiel and leave everyone else, including Beth, behind. But it isn't safe Outside, either: A viral pandemic is burning through the population at a terrifying rate. As Agnes ventures forth, a mysterious connection grows between her and the Virus, allowing her to heal the infected. But in a world where faith, miracles, and cruelty have long been indistinguishable, will Agnes be able to choose between saving her family and saving the world?
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Agnes Aubert's Mystical Cat Shelter

Agnes Aubert's Mystical Cat Shelter

Heather Fawcett

Little, Brown Book Group
2026
sidottu
All strays are welcome here.From Sunday Times and New York Times bestselling author Heather Fawcett comes a healing and heart-warming fantasy with magic shops, rescue cats and a second chance at love.Agnes Aubert is very fond of making lists. These lists kept her afloat when she lost her husband two years ago. And now, as the founder of a cat rescue charity, her meticulous organization skills feel like the only thing standing between her beloved cats - His Majesty, Banshee and sweet elderly Thoreau, to name a few - and utter disaster.But when Agnes is forced to move the charity, she soon discovers that her new shop is being used as a front; right under her feet is the lair of the decidedly disorganised - not to mention self-absorbed and infuriatingly handsome - Havelock Renard.Havelock is everything Agnes thinks she doesn't need in her life: chaos, mischief, and a little too much adventure. But as she gets to know him, she discovers he's more than the dark magician of legend, and that she may be ready for a little intrigue - and romance - in her life. After all, second chances aren't just for rescue cats. . . Praise for the Emily Wilde books:'Forget dark academia: give me instead this kind of winter-sunshined, sharp-tongued and footnoted academia, full of field trips and grumpy romance' Freya Marske, author of A Marvellous Light'Enchanting in every sense of the word. . . This book is real magic' H. G. Parry, author of The Unlikely Escape of Uriah Heep'A book so vividly, endlessly enchanting, so crisply assured, so rich and complete and wise and far-reaching in its worldbuilding that you'll walk away half ensorcelled, sure Fawcett found Emily Wilde's journal in some sea-stained trunk' Melissa Albert'The ideal book to curl up with on a chilly winter's evening. . . this book is an absolute delight.' Megan Bannen, author of The Undertaking of Hart and Mercy'A charmingly whimsical delight. . . Five dazzling, gladdening stars' India Holton, author of The Wisteria Society of Lady Scoundrels'I enjoyed every word of this gorgeously written fairy tale featuring a grumpy heroine and an utterly charming love interest' Isabel Ibañez, author of Woven In Moonlight
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Agnes Browne

Agnes Browne

Brendan O'Carroll

Plume Books
2000
nidottu
Now a major motion picture starring Anjelica Huston "Mammy" is what Irish children call their mothers and The Mammy is Agnes Browne--a widow struggling to raise seven children in a North Dublin neighborhood in the 1960s. Popular Irish comedian Brendan O'Carroll chronicles the comic misadventures of this large and lively family with raw humor and great affection. Forced to be mother, father, and referee to her battling clan, the ever-resourceful Agnes Browne occasionally finds a spare moment to trade gossip and quips with her best pal Marion Monks (alias "The Kaiser") and even finds herself pursued by the amorous Frenchman who runs the local pizza parlor. Like the novels of Roddy Doyle, The Mammy features pitch-perfect dialogue, lightning wit, and a host of colorful characters. Earthy and exuberant, the novel brilliantly captures the brash energy and cheerful irreverence of working-class Irish life.
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Agnes Martin

Agnes Martin

Nancy Princenthal

Thames Hudson Ltd
2018
nidottu
Over the course of a career that spanned fifty years, Agnes Martin’s austere, serene work anticipated and helped to define Minimalism, even as she battled psychological crises and carved out a solitary existence in the American Southwest. ‘I paint with my back to the world’, she claimed; when she died at ninety-two, in Taos, New Mexico, it is said she had not read a newspaper in half a century. Here, for the first time, is an account of Martin’s extraordinary life, and a long- awaited critical discussion of her work. Nancy Princenthal tells her story chronologically – from Martin’s birth in Saskatchewan and her early days as an artist, living in derelict Manhattan shipping lofts with Jasper Johns, Ellsworth Kelly, Ad Reinhardt and other artists as neighbours; to the seven years she stopped painting, just as her career was taking off, and the months she spent roaming the country in a pick-up truck; and her last thirty years, in Taos some of that time, in an adobe house she built with her own hands. Martin did not achieve recognition until she was in her late forties. Her work – pencilled grids on square canvases, washed with pale or neutral colours – at last receives the critical appraisal it deserves.
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Agnes Varda between Film, Photography, and Art

Agnes Varda between Film, Photography, and Art

Rebecca J. DeRoo

University of California Press
2017
sidottu
Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative "mother" of the French New Wave film movement of the 1950s and 60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture.
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