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1000 tulosta hakusanalla Benjamin Gorman; Mark Teppo; Rick M Cook

Violence and the German Soldier in the Great War

Violence and the German Soldier in the Great War

Benjamin Ziemann

Bloomsbury Academic
2017
sidottu
Translated into English as the Winner of the Geisteswissenschaften International Translation Prize for Work in the Humanities and Social Sciences 2015.During the Great War, mass killing took place on an unprecedented scale. Violence and the German Soldier in the Great War explores the practice of violence in the German army and demonstrates how he killing of enemy troops, the deaths of German soldiers and their survival were entwined. As the war reached its climax in 1918, German soldiers refused to continue killing in their droves, and thus made an active contribution to the German defeat and ensuing revolution. Examining the postwar period, the chapters of this book also discuss the contested issue of a ‘brutalization’ of German society as a prerequisite of the Nazi mass movement. Biographical case studies on key figures such as Ernst Jünger demonstrate how the killing of enemy troops by German soldiers followed a complex set of rules. Benjamin Ziemann makes a wealth of extensive archival work available to an Anglophone audience for the first time, enhancing our understanding of the German army and its practices of violence during the First World War as well as the implications of this brutalization in post-war Germany. This book provides new insights into a crucial topic for students of twentieth-century German history and the First World War.
German Romantic Painting Redefined

German Romantic Painting Redefined

Mitchell Benjamin Frank

Ashgate Publishing Limited
2001
sidottu
The modernist aesthetic and, later, Nazi ideology split German Romantic painting into two opposed phases, an early progressive movement, represented by Caspar David Friedrich (1774-1840) and Philipp Otto Runge (1777-1810), and a later reactionary one - epitomized by Friedrich Overbeck (1789-1869) and Peter von Cornelius (1783-1867). In this rich and engaging book, Mitchell Frank explores the continuities between these two phases to reconstruct the historical position that existed in the nineteenth century and to look once again at the Nazarenes - and Overbeck in particular - as a fully integrated part of the Romantic movement. His innovative book is crucial to an understanding of German Romanticism and the legacy of this period in European art.
German Romantic Painting Redefined

German Romantic Painting Redefined

Mitchell Benjamin Frank

Routledge
2017
nidottu
The modernist aesthetic and, later, Nazi ideology split German Romantic painting into two opposed phases, an early progressive movement, represented by Caspar David Friedrich (1774-1840) and Philipp Otto Runge (1777-1810), and a later reactionary one - epitomized by Friedrich Overbeck (1789-1869) and Peter von Cornelius (1783-1867). In this rich and engaging book, Mitchell Frank explores the continuities between these two phases to reconstruct the historical position that existed in the nineteenth century and to look once again at the Nazarenes - and Overbeck in particular - as a fully integrated part of the Romantic movement. His innovative book is crucial to an understanding of German Romanticism and the legacy of this period in European art.
An Account of the Manners of the German Inhabitants of Pennsylvania, Written 1789
At a time in U.S. history when negative stereotypes and prejudices toward the Germans in Pennsylvania abounded, Benjamin Rush’s account sought to redeem their image in the eyes of Americans—both citizens and leaders. Rush uses sixteen points to discuss his observation of the habits and culture of the Pennsylvania Germans, portraying them as hardworking and industrious farmers, opposed to debt and excess.Published in 1789, just one year after the ratification of the U.S. Constitution, this account remains as part of an eighteenth-century narrative that stressed the virtues of Jeffersonian Republican ideals, which Rush held strongly. His positive generalizations about Pennsylvania German diet, material culture, work ethic, religion, hospitality, and other manners came from experience working with the members of the community, and are put forth to reinforce the group as an example of citizenship to others. The volume concludes with a call to citizens of the United States, and national and state legislators, to see the Pennsylvania Germans as a model for upholding the republican virtues of industry and economy. Benjamin Rush’s brief account is accompanied, in this reprint of an 1875 edition, by extensive notes, a preface, and appendixes written by the Pennsylvania historian I. Daniel Rupp.
Origin of the German Trauerspiel

Origin of the German Trauerspiel

Walter Benjamin

Harvard University Press
2019
nidottu
Origin of the German Trauerspiel was Walter Benjamin’s first full, historically oriented analysis of modernity. Readers of English know it as “The Origin of German Tragic Drama,” but in fact the subject is something else—the play of mourning. Howard Eiland’s completely new English translation, the first since 1977, is closer to the German text and more consistent with Benjamin’s philosophical idiom.Focusing on the extravagant seventeenth-century theatrical genre of the trauerspiel, precursor of the opera, Benjamin identifies allegory as the constitutive trope of the Baroque and of modernity itself. Allegorical perception bespeaks a world of mutability and equivocation, a melancholy sense of eternal transience without access to the transcendentals of the medieval mystery plays—though no less haunted and bedeviled. History as trauerspiel is the condition as well as subject of modern allegory in its inscription of the abyssal.Benjamin’s investigation of the trauerspiel includes German texts and late Renaissance European drama such as Hamlet and Calderón’s Life Is a Dream. The prologue is one of his most important and difficult pieces of writing. It lays out his method of indirection and his idea of the “constellation” as a key means of grasping the world, making dynamic unities out of the myriad bits of daily life. Thoroughly annotated with a philological and historical introduction and other explanatory and supplementary material, this rigorous and elegant new translation brings fresh understanding to a cardinal work by one of the twentieth century’s greatest literary critics.
The Origin of German Tragic Drama

The Origin of German Tragic Drama

Walter Benjamin

Verso Books
2023
nidottu
The Origin of German Tragic Drama is Walter Benjamin's most sustained and original work. It begins with a general theoretical introduction on the nature of the baroque art of the sixteenth and seventeenth centuries, concentrating on the peculiar stage-form of royal martyr dramas called Trauerspiel. Benjamin also comments on the engravings of Durer and the theatre of Calderon and Shakespeare. Baroque tragedy, he argues, was distinguished from classical tragedy by its shift from myth into history. Georg Lukacs, an opponent of Benjamin's aesthetics, singled out The Origin of German Tragic Drama as one of the main sources of literary modernism in the twentieth century.
The Origin of German Tragic Drama

The Origin of German Tragic Drama

Walter Benjamin

Verso Books
2009
nidottu
Cited by Lukács as a principal source of literary modernism, Walter Benjamin's study of the baroque stage-form called Trauerspiel (literally, "mourning play") is the most complete document of his prismatic literary and philosophical practice. Engaging with sixteenth- and seventeenth-century German playwrights as well as the plays of Shakespeare and Calderón and the engravings of Dürer, Benjamin attempts to show how the historically charged forms of the Trauerspiel broke free of tragedy's mythological timelessness. From its philosophical prologue, which offers a rare account of Benjamin's early aesthetics, to its mind-wrenching meditation on allegory, The Origin of German Tragic Drama sparkles with early insights and the seeds of Benjamin's later thought.
Catholic Theology in a Time of Upheaval and Transition: The German-Speaking Regions, 1750-1850
This book deals with a politically and intellectually exciting period in the history of Catholicism. In the late 18th and early 19th centuries, massive changes took place, especially in the German-speaking regions. First, the Holy Roman Empire ceased to exist, and new states emerged. Secondly, the Enlightenment exercised a significant effect on the wider culture, as did Classical German Philosophy. Both aspects had a significant impact on Catholic theology, too. Benjamin Dahlke offers a comprehensive account of these developments which have influenced Catholicism up to this day. In this sense, the book enables the reader to identify lasting substantive challenges and to gain a clearer understanding of the institutional framework of Catholic theology.
The Theory of Capital Structure - How theory meets practice in the German market

The Theory of Capital Structure - How theory meets practice in the German market

Benjamin Friedrich

ibidem-Verlag, Jessica Haunschild u Christian Schon
2005
nidottu
The theory of capital structure is one of the most exciting and complex topics in corporate finance. After many years of debate it is still extremely difficult to provide a conclusive answer to the question which capital structure maximises the value of a company and what factors determine the optimal mix of debt and equity capital.This book provides a comprehensive introduction to capital structure theory and investigates its practical relevance in the German market. The main objectives are to explore the link between capital structure theory and corporate practice and to test determinants of capital structure choice empirically.The book has been written for students, researchers, and academics, but also for practitioners seeking empirical evidence of capital structure theory and an empirical model that can be used to estimate the optimal level of debt for an individual company in relation to an existing industry optimum.