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1000 tulosta hakusanalla Brett Webb-Mitchell

Brett Barker and the Paranormal Investigations Team: Hybird Asylum

Brett Barker and the Paranormal Investigations Team: Hybird Asylum

Glenn Andrew Irvine Haigh

Createspace Independent Publishing Platform
2018
nidottu
Brett Barker is Jerome Barker's, of the Clearance Clairvoyant series, equally gifted and psychic nephew. He is now twenty-four-years-old and at university studying for his doctorate in Psychology. Unlike his uncle, Brett chooses not to utilise his unique ability by working as a clairvoyant. Instead he has formed a paranormal society of fellow students. Armed with their own jaw-dropping supernatural gifts, together they investigate cases of hauntings and other-worldly activity, mainly for personal interest. Hybird Asylum is named after the man who built it in 1836 the crumbling sinister building, abandoned for some years is still home to most of the tormented inmates it has housed over the years. Only now they are the ghosts of the people that once were. The Burning question is: when the lives of a group of hedonist students collides with a building of malevolent manifestations, will they all emerge unscathed?
Brett Charles Seiler

Brett Charles Seiler

Brett Charles Seiler

TENEUES PUBLISHING UK LTD
2023
sidottu
Brett Charles Seiler lives and works in Cape Town, South Africa, where he also graduated from the Ruth Prowse School of Art in 2015. Seiler's work has elements of painting, installation, and object art, with a strong emphasis on the use of text and language. Sometimes poetic, nostalgic, or romantic, it is an integral part of his art or stands on its own as a piece as well. In his paintings, the space is indeterminate, the figures are not located and sketchily fleeting, the writing elements seem spontaneous like statements from street art. The colour scheme moves in a narrow spectrum between black, grey, white and brown tones, often using wood. His themes are sexual interaction, oppression, homosexuality, gender, men. Originally from Zimbabwe, a state where human rights violations are commonplace, his work also makes a mark in the struggle for equal sexual orientation in education, media, and institutions. “[My work] is a deep longing for understanding. It is from the point of view of something that I’ve missed, something that I cannot go back to. It’s a process of research.” Text in English and German.
John Brett

John Brett

Christiana Payne; Charles Brett

Yale University Press
2010
sidottu
Drawing on a wealth of unpublished sketchbooks, journals, and writings, this essential guide to John Brett (1831–1902) investigates the painter who was seen as the leader of the Pre-Raphaelite landscape school. In addition to exploring the familiar early works, including The Val d'Aosta and Stonebreaker, it provides rich information on his later, less-known coastal and marine paintings. Brett’s turbulent friendship with John Ruskin is discussed, as are his relations with his beloved sister, Rosa, and his partner Mary, with whom he had seven children. His fervent interest in astronomy, his love of the sea, and his lifelong pursuit of wealth and recognition are all examined in this reassessment, which concludes with a catalogue raisonné of his works, prepared by his descendent Charles Brett.Published for the Paul Mellon Centre for Studies in British Art
Lawrence and Brett (Softcover)

Lawrence and Brett (Softcover)

Dorothy Brett

Sunstone Press
2006
pokkari
In March of 1924, D. H. Lawrence, Frieda Lawrence and the Honorable Dorothy Brett went to Taos, New Mexico, to absorb the color and romance of what was to them a mysterious and compelling land. Dorothy Brett recreated those days in this fascinating first-hand account, and also writes of when she was the close friend of Aldous Huxley, Lytton Strachey, Katherine Mansfield, and other important literary and artistic figures. But more importantly, she focused on her relationship with Lawrence and the book was specifically addressed to him as if he were to read it, reminding him personally of her long-standing devotion.Such devotion was not rebuffed by Lawrence, it seems, but it was met differently by the two other women orbiting the famous writer: his wife, Frieda Lawrence, and Mabel Dodge Luhan. They were in turn cross and conciliatory to her. But it seems that she just accepted them as other intense admirers of Lawrence, took it all simply and wrote it all down with a minimum of comment. Dorothy Brett was well-known in her own right. The daughter of Viscount Esher Brett, confidant of Queen Victoria, she spent six years studying at the Slade School of Art in London and was a member of the Bloomsbury set in England, among whose many luminaries Brett moved when a young woman. She was also gaining recognition as an artist even before she arrived in the American Southwest. But it was there that her true artistic talents emerged and her works now hang in major museums as well as in private collections. When this book was first published in 1933, it was praised by critics as well as the general public. Alfred Stieglitz said: "It was a rare spiritual experience--no student of Lawrence can afford to miss this book.. There is an integrity in the book--a sense of the eternal--a sense of Light--which raises it above all the other books I have read about Lawrence." And, interestingly, Mabel Dodge Luhan called it "clearly and explicitly drawn." Here it all is again with additional material added by Dorothy Brett herself when the 1974 edition was first published by Sunstone Press.