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Christ the Lord is risen today
for SATB, optional congregation, and organ or brass choir Christ the Lord Is Risen Today is an arrangement of the Easter hymn tune 'Lyra Davidica'. Not to be confused with Rutter's own composition, Christ the Lord is risen again, published as part of the John Rutter Anniversary Edition. With an exciting introductory fanfare composed by Rutter, this uplifting anthem provides a powerful ending to any Easter service. Brass choir score and parts are available on sale.
Christ the Lord is risen today
for SATB, optional congregation, and organ or brass choir Christ the Lord Is Risen Today is an arrangement of the Easter hymn tune 'Lyra Davidica'. Not to be confused with Rutter's own composition, Christ the Lord is risen again, published as part of the John Rutter Anniversary Edition.
Christ the Lord is risen today
for SATB, optional congregation, and organ or brass choir Christ the Lord Is Risen Today is an arrangement of the Easter hymn tune 'Lyra Davidica'. Not to be confused with Rutter's own composition, Christ the Lord is risen again, published as part of the John Rutter Anniversary Edition.
Christ hath a garden

Christ hath a garden

Oxford University Press
2003
muu
for SATB unaccompanied Set to an allegorical and evocative text by Robert Bridges, this gentle anthem is characterised by a simple, fluid melody which imparts a quiet sense of wonder. An instantly accessible and memorable setting, it is appropriate for many occasions.
Christ the Lord is risen again
for SATB and organ or orchestra John Rutter's original setting of this popular Easter hymn is resplendent and celebratory, with frequent metre changes that give a fresh feel to these historic words. Also available in Anthems for Choirs 4 and Ash Wednesday to Easter for Choirs, with a version for SSA and organ available in Anthems for Choirs 3. Orchestral scores and parts are available on hire/rental: 2fl, 2ob, 2cl, 2bsn, 2hn, 2tpt, timp, perc, hp, str.
Christ our Emmanuel

Christ our Emmanuel

Oxford University Press
2020
muu
for SATB and piano or organ or trio A lilting 3/4 metre carries the listener through this familiar Christmas story, beautifully depicted in a text by the composer. Rutter employs artful word-painting throughout, and the verse-refrain structure enables the compelling melody to soon become as familiar as any traditional carol of the season. Christ our Emmanuel may be accompanied by piano or organ, or by flute, oboe, and harp. Two versions of the vocal score are available: one with piano accompaniment and one with organ accompaniment. Full scores and parts are available for purchase.
Christ the Lord is Ris'n Today

Christ the Lord is Ris'n Today

Oxford University Press Inc
2009
muu
for SATB and organ or brass quartet and timpani Eleanor Daley sets the Wesley text in an antiphonal style between the SATB choir and organ or brass quartet. The sound is majestic and declamatory, just as one would expect from an Easter fanfare, with a hint of modal harmony, resulting in a strong and accessible Eastertide anthem.
Christ has conquered (Christus Vincit)
for SATB and organ, or SATB with congregation, brass quintet, timpani and organ The effective simplicity of the choral writing, the catchy melody, and the exhilarating fanfares make an ideal Easter exclamation of joy. Texts are in both English and Latin. The optional congregational part is included at the end of the vocal score and may be reproduced free of charge. Instrumental material is available on hire.
Christ ist erstanden

Christ ist erstanden

Oxford University Press
1997
muu
for SATB unaccompanied (with piano reduction for rehearsal purposes) An effective introit with German and English texts suitable for Easter or the Eucharist. The writing is mainly chordal and well within the capability of most choirs.
Christ and the Spirit

Christ and the Spirit

Ralph Del Colle

Oxford University Press Inc
1994
sidottu
This is a study of Spirit-Christology--a contemporary theological model of the relationship between Jesus Christ and the Holy Spirit. Del Colle measures this christological model against trinitarian theology and tests its viability. He investigates in particular the development of a Roman Catholic Spirit-Christology, which has arisen from within the modern neo-scholastic theological tradition. Contrary to other interpreters, Del Colle argues that an incarnational christology and a Spirit-Christology are not conflicting but complementary and that this is recognized by the older and deeper tradition. In conclusion, he seeks to demonstrate the productivity of the Spirit-Christological model in reference to three major areas of concern for contemporary systematic theology: cultural pluralism and diversity, emancipation and social praxis, and inter-religious dialogue.