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1000 tulosta hakusanalla Christina Rossetti

Christina Rossetti in Context

Christina Rossetti in Context

Antony H. Harrison

The University of North Carolina Press
1988
nidottu
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Christina Rossetti and Illustration

Christina Rossetti and Illustration

Lorraine Janzen Kooistra

Ohio University Press
2002
sidottu
Readers do not always take into account how books that combine image and text make their meanings. But for the Pre-Raphaelite poet Christina Rossetti, such considerations were central. Christina Rossetti and Illustration maps the production and reception of Rossetti’s illustrated poetry, devotional prose, and work for children, both in the author’s lifetime and in posthumous twentieth-century reprints. Lorraine Janzen Kooistra’s reading of Rossetti’s illustrated works reveals for the first time the visual-verbal aesthetic that was fundamental to Rossetti’s poetics. Her exhaustive archival research brings to light new information on how Rossetti’s commitment to illustration and attitudes to copyright and control influenced her transactions with publishers and the books they produced. Janzen Kooistra also tracks the poet’s reception in the twentieth century through a complex web of illustrated books produced for a wide range of audiences. Analyzing an impressive array of empirical data, Janzen Kooistra shows how Rossetti’s packaging for commodity consumption-by religious presses, publishers of academic editions and children’s picture books, and makers of erotica and collectibles-influenced the reception of her work and her place in literary history.
Christina Rossetti: Her Life and Religion

Christina Rossetti: Her Life and Religion

Margaret Sawtell

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Christina Rossetti’s Environmental Consciousness
Christina Rossetti’s Environmental Consciousness takes a cognitive ecocritical approach to Rossetti’s writing as it developed throughout her career. This study provides a unique understanding of Rossetti’s identity as an artist through a cognitive model while also engaging significantly with her spiritual relationship to the nonhuman world. Rossetti was a deliberate and conscious creator who used her writing for therapeutic purposes to create, contemplate, maintain, verify, and, revise her identity. Her understanding of her autobiographical self and her place in the world often comes through observations and poetic treatments of the nonhuman. Rossetti, her speakers, and her characters seek spiritual knowledge in the natural world and share this knowledge with an audience. In nature, Rossetti finds evidence for and guidance from a loving God who offers salvation. Her work places a high value on nature from a Christian perspective that puts conservation over renunciation. She frequently uses strategies that have now been identified by Christian environmentalist such as retrieval, ecojustice, stewardship, and ecological spirituality. With new readings of popular works like "Goblin Market" and "A Birthday," along with treatments of largely neglected works like Verses (1847) and Rossetti’s devotional writings, Christina Rossetti’s Environmental Consciousness offers an understanding of Rossetti’s processes and purposes as a writer and displays new potential for her work in the face of twenty-first-century environmental issues.
Christina Rossetti: A Portrait with Background

Christina Rossetti: A Portrait with Background

Marya Zaturenska

Literary Licensing, LLC
2011
sidottu
""Christina Rossetti: A Portrait With Background"" by Marya Zaturenska is a biography of the renowned English poet Christina Rossetti. The book provides a comprehensive account of Rossetti's life, from her childhood in London to her literary career and personal relationships. Zaturenska delves into Rossetti's family background, including her father's Italian heritage and her mother's English roots, and how these influenced her work. The book also explores Rossetti's religious beliefs and how they shaped her poetry, as well as her struggles with mental illness and physical ailments. Zaturenska draws from Rossetti's own writings, as well as letters and other primary sources, to provide a vivid and insightful portrait of this important literary figure. Overall, ""Christina Rossetti: A Portrait With Background"" is a must-read for anyone interested in the life and work of this influential poet.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Christina Rossetti's Feminist Theology

Christina Rossetti's Feminist Theology

L. Palazzo

Palgrave Macmillan
2002
nidottu
This volume disputes the assumption that Rossetti was a follower of Keble and Pusey, and shows how her dissatisfaction with the male-dominated call to celibacy led her to reject their notions of worldliness, and to form a closer bond with the physical world and the body.
Christina Rossetti and the Bible

Christina Rossetti and the Bible

Elizabeth Ludlow

Bloomsbury Academic
2016
nidottu
Through theologically-engaged close readings of her poetry and devotional prose, this book explores how Christina Rossetti draws on the Bible and encourages her Victorian readers to respond to its radical message of grace. Structured chronologically, each chapter investigates her participation in the formation of Tractarian theology and details how her interpretative strategies changed over the course of her lifetime. Revealing how her encounter with the biblical text is informed by devotional classics, Christina Rossetti and the Bible highlights the influence of Thomas a’ Kempis, John Bunyan, George Herbert and John Donne and describes how Rossetti adapted the teaching of the Ancient and Patristic Fathers and medieval mystics. It also considers the interfaces that are established between her devotional poems and the anthology and periodical pieces alongside which they were published throughout the second half of the nineteenth-century.
Christina Rossetti's Gothic

Christina Rossetti's Gothic

Serena Trowbridge

Bloomsbury Academic USA
2013
sidottu
The poetry of Christina Rossetti is often described as ‘gothic' and yet this term has rarely been examined in the specific case of Rossetti's work. Based on new readings of the full range of her writings, from ‘Goblin Market' to the devotional poems and prose works, this book explores Rossetti's use of Gothic forms and images to consider her as a Gothic writer. Christina Rossetti's Gothic analyses the poet's use of the grotesque and the spectral and the Christian roots and Pre-Raphaelite influences of Rossetti's deployment of Gothic tropes.
Christina Rossetti and the Bible

Christina Rossetti and the Bible

Elizabeth Ludlow

Bloomsbury Academic
2014
sidottu
Through theologically-engaged close readings of her poetry and devotional prose, this book explores how Christina Rossetti draws on the Bible and encourages her Victorian readers to respond to its radical message of grace. Structured chronologically, each chapter investigates her participation in the formation of Tractarian theology and details how her interpretative strategies changed over the course of her lifetime. Revealing how her encounter with the biblical text is informed by devotional classics, Christina Rossetti and the Bible highlights the influence of Thomas a’ Kempis, John Bunyan, George Herbert and John Donne and describes how Rossetti adapted the teaching of the Ancient and Patristic Fathers and medieval mystics. It also considers the interfaces that are established between her devotional poems and the anthology and periodical pieces alongside which they were published throughout the second half of the nineteenth-century.
Christina Rossetti's Gothic

Christina Rossetti's Gothic

Serena Trowbridge

Bloomsbury Academic
2015
nidottu
The poetry of Christina Rossetti is often described as ‘gothic' and yet this term has rarely been examined in the specific case of Rossetti's work. Based on new readings of the full range of her writings, from ‘Goblin Market' to the devotional poems and prose works, this book explores Rossetti's use of Gothic forms and images to consider her as a Gothic writer. Christina Rossetti's Gothic analyses the poet's use of the grotesque and the spectral and the Christian roots and Pre-Raphaelite influences of Rossetti's deployment of Gothic tropes.
Recovering Christina Rossetti

Recovering Christina Rossetti

M. Arseneau

Palgrave Macmillan
2004
sidottu
This book re-conceives Christina Rossetti's poetic identity by exposing the androcentric bias inherent in the histories of the Rossetti family and of Pre-Raphaelitism, by turning new attention to the Rossetti women, and by reconstituting a female and religious community for Rossetti's writing. Drawing on extensive archival research, Mary Arseneau investigates how Rossetti's religious faith sustains her poetic practice and authorizes her cultural and aesthetic critique; the result is a re-evaluation and re-contextualization of the whole range of Rossetti's writing.