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Christopher Marlowe

Christopher Marlowe

Park Honan

Oxford University Press
2007
nidottu
Christopher Marlowe: Poet & Spy is the most thorough and detailed life of Marlowe since John Bakeless's in 1942. It has new material on Marlowe in relation to Canterbury, also on his home life, schooling, and six and a half years at Corpus Christi College, Cambridge, and includes fresh data on his reading, teachers, and early achievements, including a new letter with a new date for the famous 'putative portrait' of Marlowe at Cambridge. The biography uses for the first time the Latin writings of his friend Thomas Watson to illuminate Marlowe's life in London and his career as a spy (that is, as a courier and agent for the Elizabethan Privy Council). There are new accounts of him on the continent, particularly at Flushing or Vlissingen, where he was arrested. The book also more fully explains Marlowe's relations with his chief patron, Thomas Walsingham, than ever before. This is also the first biography to explore in detail Marlowe's relations with fellow playwrights such as Kyd and Shakespeare, and to show how Marlowe's relations with Shakespeare evolved from 1590 to 1593. With closer views of him in relation to the Elizabethan stage than have appeared in any biography, the book examines in detail his aims, mind, and techniques as exhibited in all of his plays, from Dido, the Tamburlaine dramas, and Doctor Faustus through to The Jew of Malta and Edward II. It offers new treatments of his evolving versions of 'The Passionate Shepherd', and displays circumstances, influences, and the bearings of Shakespeare's 'Venus and Adonis' in relation to Marlowe's 'Hero and Leander'. Throughout, there is a strong emphasis on Marlowe's friendships and so-called 'homosexuality'. Fresh information is brought to bear on his seductive use of blasphemy, his street fights, his methods of preparing himself for writing, and his atheism and religious interests. The book also explores his attraction to scientists and mathematicians such as Thomas Harriot and others in the Ralegh-Northumberland set of thinkers and experimenters. Finally, there is new data on spies and business agents such as Robert Poley, Nicholas Skeres, and Ingram Frizer, and a more exact account of the circumstances that led up to Marlowe's murder.
CHRISTOPHER L'inizio Della Fine

CHRISTOPHER L'inizio Della Fine

Kaori Moretti

Lulu.com
2017
pokkari
Autrice della saga di "CHRISTOPHER" ha scritto tre romanzi che riescono a rapire il lettore dalla prima all'ultima parola. dal primo libro "christopher", al secondo "christopher le origini del male" fino ad arrivare a "christopher l'inizio della fine". L'autrice riesce in un modo nettamente naturale, ad unire diverse specie, tra cui angeli, vampiri, streghe, bambini indaco ed arcobaleno, lupi mannari, leggende reali tramandate nel tempo e nei luoghi consoni a dove vengono raccontati. Se cercate una lettura che vi far viaggiare attraverso mondi di un inspiegabile bellezza, questo quello che fa per voi. Buona lettura..
CHRISTOPHER le origini del male

CHRISTOPHER le origini del male

Kaori Moretti

Lulu.com
2018
sidottu
La saga di CHRISTOPHER ha inizio, il primo capitolo, ""le origini del male"" vi terra letteralmente incollati al libro poiche ogni pagina sorprendera in modo diverso. Una storia di vampiri, angeli, bambini indaco, lupi mannari, streghe.. Leggende collegate a varie citta, tra cui Milano, Parigi, Valli Orobie, Londra, e tante altre.
Christopher Marlowe and the Renaissance of Tragedy

Christopher Marlowe and the Renaissance of Tragedy

Douglas Cole

Praeger Publishers Inc
1995
nidottu
This work focuses on Marlowe's works as an index of the major transformation of Elizabethan theatrical practices. In the opening chapter, Cole reviews the unusually intriguing historical record of Marlowe's life outside the theatre. The body of the book addresses Marlowe's individual plays as experiments in extending and redefining the traditional concepts and techniques of tragic drama, and suggests how his contemporaries and followers made use of his innovations. Intended as an introduction to the subject, this book provides an insightful approach to Marlowe's work and the study of Elizabethan thought and theatre.
Christopher Marlowe and the Renaissance of Tragedy

Christopher Marlowe and the Renaissance of Tragedy

Douglas Cole

Praeger Publishers Inc
1995
sidottu
This work focuses on Marlowe's works as an index of the major transformation of Elizabethan theatrical practices. In the opening chapter, Cole reviews the unusually intriguing historical record of Marlowe's life outside the theatre. The body of the book addresses Marlowe's individual plays as experiments in extending and redefining the traditional concepts and techniques of tragic drama, and suggests how his contemporaries and followers made use of his innovations. Intended as an introduction to the subject, this book provides an insightful approach to Marlowe's work and the study of Elizabethan thought and theatre.
Christopher Columbus and the Portuguese, 1476-1498

Christopher Columbus and the Portuguese, 1476-1498

Rebecca Catz

Praeger Publishers Inc
1993
sidottu
Although much has been written about Columbus's life in Italy and Spain, little has been written about his formative years in Portugal. This work is the first book-length analysis of Columbus's stay in Portugal and Madeira from 1476 to 1485 and his later experiences in the Portuguese islands of the Azores and the Madeiras. The work stresses the influence the Portuguese had in educating Columbus about the sea, and it depicts his famous voyage to the New World as a logical sequence of the pioneering voyages of the Portuguese in the North Atlantic and along the West Coast of Africa. The work attempts to sort legend from fact and debunks the many myths about Columbus's stays on the island of Madeira.
Christopher Pumpkin

Christopher Pumpkin

Sue Hendra; Paul Linnet

LB Kids
2020
sidottu
Fans of Room on the Broom and How to Catch a Monster will love this creepy-cute tale about one pumpkin who must learn to embrace his differences when he realizes he's unlike the other pumpkins. This oversized board book is perfect for Halloween Christopher Pumpkin is not like all the other evil pumpkin spawn of the wicked old witch. Christopher prefers cupcakes and hugs to cobwebs and slugs, unlike the rest of the pumpkin brood. But when the creepy clan starts planning the SCARIEST Halloween party ever, Christopher's cheerful ideas for d cor and treats cause a bit of a stir. Can he find a way to scare everyone and stay true to himself?
Christopher Marlowe

Christopher Marlowe

L. Hopkins

Palgrave Macmillan
2000
sidottu
Christopher Marlowe: A Literary Life situates the individual works of Marlowe within the context of his overall literary career. Areas covered include Marlowe's preference for foreign settings and his unusually accurate depictions of them, the importance of his scholarly background, his consistent portrayal of family groups as fissured and troubled, the challenge that his works posed to contemporary orthodoxies about religion, sexuality, and government, and the long and sometimes spectacular afterlife of his works and of his literary reputation as a whole.
Christopher Marlowe

Christopher Marlowe

L. Hopkins

Palgrave Macmillan
2000
nidottu
Christopher Marlowe: A Literary Life situates the individual works of Marlowe within the context of his overall literary career. Areas covered include Marlowe's preference for foreign settings and his unusually accurate depictions of them, the importance of his scholarly background, his consistent portrayal of family groups as fissured and troubled, the challenge that his works posed to contemporary orthodoxies about religion, sexuality, and government, and the long and sometimes spectacular afterlife of his works and of his literary reputation as a whole.
Christopher Bollas

Christopher Bollas

Steven Jaron

TAYLOR FRANCIS LTD
2022
sidottu
This book provides a clear and accessible overview of the seminal clinical thinking of Christopher Bollas. Placing Bollas’s writings besides those of analysts including Milner, Bion, Winnicott, Lacan, and Green, Steven Jaron examines the central concept of the unthought known in terms of unconscious communication in the primary environment while occasioning a reworking of Oedipal configurations. Through vivid narratives of character analyzing a range of adult patients, at times requiring a rethinking of the conventional psychoanalytic frame, Jaron offers a fresh perspective on Bollas in arguing for the importance of considering not only the patient’s self experience but also the psychoanalyst's.This important study will be rewarding to beginning and seasoned analysts alike, offering suggestions for using Bollas’ work in the consulting room as well as when faced with the demands of civic life today.
Christopher Bollas

Christopher Bollas

Steven Jaron

TAYLOR FRANCIS LTD
2022
nidottu
This book provides a clear and accessible overview of the seminal clinical thinking of Christopher Bollas. Placing Bollas’s writings besides those of analysts including Milner, Bion, Winnicott, Lacan, and Green, Steven Jaron examines the central concept of the unthought known in terms of unconscious communication in the primary environment while occasioning a reworking of Oedipal configurations. Through vivid narratives of character analyzing a range of adult patients, at times requiring a rethinking of the conventional psychoanalytic frame, Jaron offers a fresh perspective on Bollas in arguing for the importance of considering not only the patient’s self experience but also the psychoanalyst's.This important study will be rewarding to beginning and seasoned analysts alike, offering suggestions for using Bollas’ work in the consulting room as well as when faced with the demands of civic life today.
Christopher Marlowe at 450

Christopher Marlowe at 450

Sara Munson Deats; Robert A. Logan

Routledge
2019
nidottu
There has never been a retrospective on Christopher Marlowe as comprehensive, complete and up-to-date in appraising the Marlovian landscape. Each chapter has been written by an eminent, international Marlovian scholar to determine what has been covered, what has not, and what scholarship and criticism will or might focus on next. The volume considers all of Marlowe’s dramas and his poetry, including his translations, as well as the following special topics: Critical Approaches to Marlowe; Marlowe’s Works in Performance; Marlowe and Theatre History; Electronic Resources for Marlovian Research; and Marlowe’s Biography. Included in the discussions are the native, continental, and classical influences on Marlowe and the ways in which Marlowe has interacted with other contemporary writers, including his influence on those who came after him. The volume has appeal not only to students and scholars of Marlowe but to anyone interested in Renaissance drama and poetry. Moreover, the significance for readers lies in the contributors’ approaches as well as in their content. Interest in the biography of Christopher Marlowe and in his works has bourgeoned since the turn of the century. It therefore seems especially appropriate at this time to present a comprehensive assessment of past and present traditional and innovative lines of inquiry and to look forward to future developments.
Christopher Smart's English Lyrics

Christopher Smart's English Lyrics

Rosalind Powell

Routledge
2019
nidottu
In the first full-length study of Christopher Smart’s translations and the place and function of translation in Smart’s poetry, Rosalind Powell proposes a new approach to understanding the relationship between Smart’s poetics and his practice. Drawing on translation theory from the early modern period to the present day, this book addresses Smart's translations of Horace, Phaedrus and the Psalms alongside the better-known religious works such as Jubilate Agno and A Song to David. Five recurrent threads run throughout Powell’s study: the effect of translation on the identity of a narrative voice in a rewritten text; the techniques that are used to present translated texts to a new literary, cultural and linguistic readership; performance and reading contexts; the translation of great works as an attempt to achieve literary permanence; and, finally, the authorial influence of Smart himself in terms of the overt religiosity and nationalism that he champions in his writing. In exploring Smart’s major translation projects and revisiting his original poems, Powell offers insights into classical reception and translation theory; attitudes towards censorship; expressions of nationalism in the period; developments in liturgy and hymnody; and the composition of children’s books and school texts in the early modern era. Her detailed analysis of Smart’s translating poetics places them within a new, contemporary context and locality to uncover the poet's works as a coherent project of Englishing.
Christopher Marlowe and the Failure to Unify
In this sustained full length study of Marlowe's plays, Andrew Duxfield argues that Marlovian drama exhibits a marked interest in unity and unification, and that in doing so it engages with a discourse of anxiety over social discord that was prominent in the 1580s and 1590s. In combination with the ambiguity of the plays, he suggests, this focus produces a tension that both heightens dramatic effect and facilitates a cynical response to contemporary evocations of and pleas for unity. This book has three main aims. Firstly, it establishes that Marlowe’s tragedies exhibit a profound interest in the process of reduction and the ideal of unity. Duxfield shows this interest to manifest itself in different ways in each of the plays. Secondly, it identifies this interest in unity and unification as an engagement in a cultural discourse that was particularly prevalent in England during Marlowe’s writing career; during the late 1580s and early 1590s heightened inter-confessional tension, the threat and reality of foreign invasion and public puritan dissent in the form of the Marprelate controversy provoked considerable public anxiety about social discord. Thirdly, the book considers the plays’ focus on unity in relation to their marked ambiguity; throughout all of the plays, unifying ideals and reductive processes are consistently subject to renegotiation with, or undercut entirely by, the complexity and ambiguity of the dramas in which they feature. Duxfield’s focus on unity as a theme throughout the plays provides a new lens through which to examine the place of Marlowe’s work in its cultural moment.
The Animals: Love Letters Between Christopher Isherwood and Don Bachardy

The Animals: Love Letters Between Christopher Isherwood and Don Bachardy

Christopher Isherwood; Don Bachardy

Farrar, Straus and Giroux
2014
sidottu
The love story between Christopher Isherwood and Don Bachardy--in their own words The English novelist and screenwriter Christopher Isherwood was already famous as the author of Goodbye to Berlin when he met Don Bachardy, a California teenager, on the beach in Santa Monica in 1952. Within a year, they began to live together as an openly gay couple, defying convention in the closeted world of Hollywood. Isherwood was forty-eight; Bachardy was eighteen. The Animals is the testimony in letters to their extraordinary partnership, which lasted until Isherwood's death in 1986--despite the thirty year age gap, affairs and jealousy (on both sides), the pressures of increasing celebrity, and the disdain of twentieth-century America for love between two men. The letters reveal the private world of the Animals: Isherwood was "Dobbin," a stubborn old workhorse; Bachardy was the rash, playful "Kitty." Isherwood had a gift for creating a safe and separate domestic milieu, necessary for a gay man in mid-twentieth-century America. He drew Bachardy into his semi-secret realm, nourished Bachardy's talent as a painter, and launched him into the artistic career that was first to threaten and eventually to secure their life together. The letters also tell of public achievements--the critical acclaim for A Single Man, the commercial success of Cabaret--and the bohemian whirl of friendships in Los Angeles, London, and New York with such stars as Truman Capote, Julie Harris, David Hockney, Vanessa Redgrave, Gore Vidal, and Tennessee Williams. Bold, transgressive, and playful, The Animals articulates the devotion, in tenderness and in storms, between two uniquely original spirits.