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1000 tulosta hakusanalla Constance Sayers
Born in Brighton in 1861, Constance Clara Garnett (née Black) was the sixth of eight children. Educated at Newnham College, Cambridge she studied Latin and Greek, as well as Russian. She married Edward Garnett in 1889 and they had one son, David. It was on a visit to Russia in 1893 that Garnett met Leo Tolstoy and this meeting prompted her to begin translating the Russian literature that she was most passionate about. As a translator of Gogol, Tolstoy, Pushkin, Turgenev, Chekhov and Dostoevsky among others, Constance Garnett translated about 70 Russian works and received great acclaim from writers such as D. H. Lawrence and Joseph Conrad. Her translations had a major effect on readers and were reprinted well into the twentieth century. First published in 1991 and written by her grandson Richard Garnett, Constance Garnett is the biography of an extraordinary woman who, in the late nineteenth and early twentieth centuries, made Russian literature available to the English speaking public. 'When you come to the last page you feel you have travelled through life with a peculiarly British heroine, self-effacing, frugal, honourable, clear-thinking, brave, and above all a worker on a scale that can only be called heroic.' Claire Tomalin, Independent on Sunday
Constance the Peahen and the Tale of Beauty Within
Nathan Dye; Chris Dye
Dye Brothers LLC
2019
pokkari
Constance is a Peahen who lives in the Cincinnati Zoo, where she walks around all day watching all of her friends get the attention of the kids because of their beautiful tales. Since only Peacocks, the boys, have big beautiful tales, Constance feels like she's not as beautiful as them. Every time she looks in the mirror, she doesn't like what she sees. One day, she shows unknowingly shows her greatest talent and it has everyone in awe of her beauty. This is a story about finding your beauty. Sometimes it's outward facing and sometimes it's something that comes from within, but each of us has something that makes us beautiful in our own way.
Constance is a Peahen who lives in the Cincinnati Zoo, where she walks around all day watching all of her friends get the attention of the kids because of their beautiful tales. Since only Peacocks, the boys, have big beautiful tales, Constance feels like she's not as beautiful as them. Every time she looks in the mirror, she doesn't like what she sees. One day, she shows unknowingly shows her greatest talent and it has everyone in awe of her beauty. This is a story about finding your beauty. Sometimes it's outward facing and sometimes it's something that comes from within, but each of us has something that makes us beautiful in our own way.
The third book in the Little Library series. When your collection is complete, youâ??ll have a little library â?? and big knowledge! Discover the revolutionary that was Constance Markievicz! She wanted Ireland to become free and the people to be treated fairly, so she spent her life working to make these things happen.
Constance Lindsay Skinner made a living as a writer at a time when few men, and fewer women, managed the feat. Born in 1877 on the British Columbia frontier, she worked as a journalist in Vancouver, Los Angeles, and Chicago, before moving to New York City in 1912, where she supported herself by her pen until her death in 1939. Despite a prolific output - poetry, plays, short stories, histories, reviews, adult and children's novels - and in contrast to her reputation in the United States, she remains virtually unknown in the country of her birth. Reconstructing Constance Lindsay Skinner's writing life from her papers in the New York Public Library and from her publications, Jean Barman argues for three bases to her success. As well as a capacity to respond to market forces by moving between genres, she possessed an aura of authenticity by virtue of her Canadian frontier heritage. As a literary device, the frontier gave a freedom to tackle contentious issues of Aboriginal and hybrid identities, gender and sexuality, that might otherwise have been far more difficult to get into print. Third, and very important, was her willingness to subordinate a private self to the life of the imagination. Barman ponders Constance Lindsay Skinner's absence from the Canadian literary canon. She mixed with such twentieth-century personalities as Jack London, Harriet Monroe, Frederick Jackson Turner, Vilhjalmur Stefansson, Cornelia Meigs, Long Lance, and Margaret Mitchell, yet was unrecognized in her own country. Her sex mattered, just as it did for fellow Canadian women writers. So did her facility at multiple genres, a talent that, even as it made possible a writing life, prevented her from achieving a major breakthrough in any one of them. Perhaps most responsible was her identification with the frontier of a nation whose centre long shaped literary matters in its own image. Constance Lindsay Skinner makes a significant contribution to Canadian and American history and to literary and gender studies.
Constance Rourke and American Culture
Joan Shelley Rubin
The University of North Carolina Press
2012
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The career of Constance Rourke (1885-1941) is one of the richest examples of the American writer's search for a ""usable past."" In this first full-length study of Rourke, Joan Shelley Rubin establishes the context for Rourke's defense of American culture -- the controversies that engaged her, the books that influenced her thinking, the premises that lay beneath her vocabulary. With the aid of Rourke's unpublished papers, the author explores her responses to issues that were compelling for her generation of intellectuals: the critique of America as materialistic and provincial; the demand for native traditions in the arts; the modern understanding of the nature of culture and myth; and the question of a critic's role in a democracy.Rourke's writings demonstrate that America did not suffer, as Van Wyck Brooks and others had maintained, from a damaging split between ""high-brow"" and ""low-brow"" but was rather a rich, unified culture in which the arts could thrive. Her classic American Humor (1931) and her biographies of Lotta Crabtree, Davy Crockett, Audubon, and Charles Sheeler celebrate the American as mythmaker. To foster what she called the ""possession"" of the national heritage, she used an evocative prose style accessible to a wide audience and depicted the frontier in more abstract terms than did other contempoaray scholars. Her commitment to social reform, acquired in her youth and strengthened at Vassar in the Progressive era, informed her sense of the function of criticism and guided her political activites in the 1930s.Drawing together Rourke's varied discussions of popular heroes, comic lore, literature, and art, Rubin illuminates the delicate balances and sometimes contradictory arguments underlying Rourke's description of America's cultural patterns. She also analyzes the way Rourke's encounters with the ideas of Van Wyck Brooks, Ruth Benedict, Jane Harrison, Bernard DeVoto, and Lewis Mumford shaped her view of America's achievements and possibilities. Rourke emerges not simply as a follower of Brooks or as a colleague of De Voto, nor even as an antiquarian or folklorist. Rather, she assumes her own unique and proper place -- as a pioneer who, more than anyone else of her day, boldly and eloquently showed Americans that they had the resources necessary for the future of both art and society. By placing Constance Rourke within the framework of a debate about the nature of American culture, the author makes a notable contribution to American intellectual history.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Initially refused by the author's scandalized publisher, Constance Ring is now considered a classic of Scandinavian and women's literature, a passionate condemnation of marriage and moral hypocrisy that has drawn comparisons to Madame Bovary and The Awakening. Constance is a naive young woman who marries Ring, a well-to-do businessman who loves her but indulges in the casual adultery that is customary for men of his social circle. When Constance sets out to divorce Ring, she finds that no one will support her decision. Constance Ring is an intimate portrayal of a vibrant woman who refuses to yield to the forces that constrict women's lives in a society that offers women few choices but marriage.
When the name Constance Baker Motley is mentioned, more often than not, the response is “Who was she?” or “What did she do?” The answer is multifaceted, complex, and inspiring.Constance Baker Motley was an African American woman; the daughter of immigrants from Nevis, British West Indies; a wife; and a mother who became a pioneer and trailblazer in the legal profession. She broke down barriers, overcame gender constraints, and operated outside the boundaries placed on black women by society and the civil rights movement. In Constance Baker Motley: One Woman's Fight for Civil Rights and Equal Justice under Law, Gary L. Ford Jr. explores the key role Motley played in the legal fight to desegregate public schools as well as colleges, universities, housing, transportation, lunch counters, museums, libraries, parks, and other public accommodations. The only female attorney at the NAACP Legal Defense and Educational Fund, Inc., Motley was also the only woman who argued desegregation cases in court during much of the civil rights movement. From 1946 through 1964, she was a key litigator and legal strategist for landmark civil rights cases including the Montgomery Bus Boycott and represented Martin Luther King Jr. as well as other protesters arrested and jailed as a result of their participation in sit-ins, marches, and freedom rides. Motley was a leader who exhibited a leadership style that reflected her personality traits, skills, and strengths. She was a visionary who formed alliances and inspired local counsel to work with her to achieve the goals of the civil rights movement. As a leader and agent of change, she was committed to the cause of justice and she performed important work in the trenches in the South and behind the scene in courts that helped make the civil rights movement successful.
Constance Pascal (1877–1937): Authority, Femininity and Feminism in French Psychiatry
Felicia Gordon
Institute of Modern Languages Research
2014
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Constance Fenimore Woolson, Literary Pioneer
John Dwight 1900-1948 Kern
Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Constance Fenimore Woolson, Literary Pioneer
John Dwight 1900-1948 Kern
Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
