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1000 tulosta hakusanalla Dan Englander

Dan Fowler: G-Man Volume Two

Dan Fowler: G-Man Volume Two

Aaron Smith; Joshua Reynolds; B. C. Bell

Airship 27
2013
nidottu
One of the greatest pulp heroes of old returns in four gun-blazing new adventures. Dan Fowler, ace investigator for the FBI, is back in action again. This time facing off against quartet of deadly villains; from a hideous monkey-faced gang boss to avenging the murder of an undercover agent. Along the way he'll team up with a colorful assortment of allies from a sexy jewel thief to none other than Jim Anthony, the Super Detective.Writers Derrick Ferguson, Aaron Smith, Joshua Reynolds and B.C. Bell have whipped up four of the most fast-paced, nail biting crime thrillers ever to grace any pulp collection. Dan Fowler is an iconic pulp hero who, during the course of his original series, battled criminals and outlaws from rural hick bootleggers to the organized syndicates of New York and Chicago. Always a fan favorite, Airship 27 Productions is thrilled to be bringing him back into the spotlight of New Pulp fiction with these original thrill-a-minutes tales.Wrapped up by a gorgeous cover from Brian McCulloch and featuring wonderful black and white interior illustrations by Neil T. Foster, DAN FOWLER G-MAN Vol II was designed by Rob Davis and edited by Ron Fortier. So move over Elliot Ness and Melvin Purvis, here comes the greatest G-Man of them all- DAN FOWLER Airship 27 Productions
Grumpy Dan's Weird Garden

Grumpy Dan's Weird Garden

Dan Vallely

Karla Vallely
2021
pokkari
An Early Childhood book set in Mackay Queensland Australia on the edge of the bush. It is written in rhyme which allows the child to explore new language. It takes the reader through Dans attempt to grow his vegetables with animals wanting to find food in his garden. After all the challenges he has, Dan, comes to understand that we need to live in harmony with the bush animals and find solutions. A page in the back of the book gives tangible ideas to help our animals.
Dan the Diver and SCUBA

Dan the Diver and SCUBA

John Paterson

Charonia Research
2023
sidottu
The Great Barrier Reef is amazing but we must always remember that we are in another world when we are underwater on SCUBA. We need to breathe air. Unlike the fish and corals, we carry our air with us in a tank on our back."What's happening with my air," said Dan the Diver. "There are bubbles everywhere. I need to surface but not in a hurry." Dan knew that air expands as it rises in the water and his lungs would do the same. He should be OK."My gear got caught in a cave and my air hose was broken. Luckily, it was shallow as I couldn't breathe at all." Dan knew that if he had been much deeper, then he would need to decompress slowly which was impossible.Divers try to come up no faster than their bubbles but if Dan runs out of air, he has no choice unless he can buddy breathe. If he comes up too quickly from depth, he can get decompression sickness from nitrogen bubbles in his blood.Dan tells how shallow water blackout occurs when snorkelers hyperventilate by repeated deep breathing followed by breath holding. This had happened to him when he was young and luckily a friend was there to help. "It was a close call.""You always need to have a dive buddy," said Bobby. "You never know what could happen and it is so different down there." Annabel agreed completely. "Even if you're only snorkeling, it is much safer with a dive buddy," she said.Dan tells a story he heard from old Arthur who lived on a creek way up north of Cairns. These two kids told Arthur that they had rowed in from the Reef. He could hardly believe them but Dan knew that they had both been very lucky.Dan remembers on one dive they found a shipwreck. It was only in shallow water but as the wind picked up Dan's boat dragged its anchor. Luckily, there was another boat to bring it back or Dan would have had a big swim for it.And there was another, that had washed up into the shallows and been abandoned. It was surrounded by venomous stonefish. Dan had collected venomous marine creatures when he was young so he ventured carefully."When it comes to the sea, anything that can go wrong will go wrong," said Dan. "You better check all your gear properly or you're going to wish that you had." Dan knew this from bitter experience and wasn't trying to scare them."It doesn't take a meteorite shower to sink a boat or drive it aground," was one of Dan's favorite quotes. He wouldn't say where he had heard it but it was probably old Arthur by the creek up north. He'd seen everything for sure."Make sure that your outboard is securely attached or be prepared to do a lot of rowing," Dan said as he remembered why it should have a safety chain when an outboard is not bolted to the transom of a boat. "Outboards don't float.""Make sure that you have all your boating safety gear, water, plenty of fuel and don't overload," he said. "Remember that the weather can change quickly and always check your anchor first when snorkeling or SCUBA diving."Grandad was quick to point out that our mask should fit perfectly and be comfortable on our face and not leak. Always check this before entering the water with SCUBA and always remember to turn on your tank."Fire can be a big problem as well," Dan said. "Petrol is more flammable than diesel and gas is heavier than air and accumulates in the bilge and may ignite." He reminded them that gas fridges have a pilot flame burning continuously.Uncle Albert is much older now but he still remembers the Lorraine when it burnt. Luckily, the trochus lugger hadn't picked up its crew in Innisfail when it caught fire. He was on the Northern Star searching for survivors at High Island.
Dan Versus Nature

Dan Versus Nature

Don Calame

Candlewick Press (MA)
2016
sidottu
From screenwriter Don Calame comes another outrageously funny and raunchy tale of teen boys whose plans go awry -- this time, on a survivalist camping trip. Shy and scrawny Dan Weekes spends his time creating graphic novels inspired by his dream girl and looking out for his mom as she dates every man in the state of California. Then his mom drops a bomb: she and her latest beau, Hank, are engaged, and she's sending her "two favorite men" on a survivalist camping trip to "bond." Determined to trick Hank into showing his true -- flawed -- colors on the trip, Dan and his nerdy germaphobe best friend, Charlie, prepare a series of increasingly gross and embarrassing pranks. But the boys hadn't counted on a hot girl joining their trip or on getting separated from their wilderness guide--not to mention the humiliating injuries Dan suffers in the course of terrorizing his stepdad-to-be. With a man-hungry bear on their trail, no supplies, and a lot of unpleasant itching going on, can Dan see his plan through now that his very survival depends on Hank?
Dan McCarthy

Dan McCarthy

Dan McCarthy

RIZZOLI INTERNATIONAL PUBLICATIONS
2024
sidottu
The first comprehensive monograph surveying the expansive twenty-five-plus-year career of the highly influential artist, known for his rainbow-colored paintings, drawings, and emotive ceramic facepots.McCarthy is known for his gestural and intuitive artwork. His brightly colored paintings, with loose brushwork, depict figures in action: dancing, surfing, fishing, and skateboarding often against a rainbow-colored background. His ongoing series of ceramic facepots delight with their hand-built immediacy and invested emotionality. McCarthy who worked on fishing boats near Catalina Island and cites the Pacific Ocean as a lasting influence on his work.The beautifully curated book includes an 8-page gatefold and a French-fold jacket, which opens up to a collectible foldout poster.
Dan Colen: Pigs and Pigs and Pigs

Dan Colen: Pigs and Pigs and Pigs

Rizzoli International Publications
2012
pokkari
This artist’s book documents Dan Colen’s 2011 exhibition at Gagosian Gallery in New York, as well as his June 2012 Gagosian exhibition in Paris. Drawing from mass media, local environment, and subculture, Dan Colen’s art imbues the ordinary, the disenfranchised, and the tribal with provocative new status. This publication includes over fifty new works, including Colen’s series of Grass, Gum, Confetti, and Stud, with extensive details of the works.
Dan Colen: Trash

Dan Colen: Trash

Josh Smith

Rizzoli International Publications
2014
sidottu
I'm interested in using the real world as a material and a force within my process. I like how these materials take some control away from me, allowing for a more uncertain future and yet a more finished piece. These materials come with a history, not one I necessarily know, but a history for sure. There is an infinity in real-world objects that, no matter how much I try, I couldn't paint or sculpt into being. -Dan Colen This visually lush artist's book, showing Dan Colen's Trash series, makes visible and palpable how Colen's studio has learned to work with abject things and materials by tapping into their individual histories and exposing their latent energies. The fervid paintings readdress midcentury painterly investigations of gravity and the flatbed picture plane, but unlike Colen's predecessors' radical experiments, where the composition of elements equals the sum total of the work, here the spirited debris of the street becomes the means by which paint is moved around on the canvas until they both (the tool and the medium) come to rest. Thus each painting is an actual and still potent record of real time and visceral experience, offering unexpected moments of transcendence. All images are full-page size, with accompanying details of the paintings.
Dan Colen

Dan Colen

Douglas Fogle; Dimitri Chamblas

Rizzoli International Publications
2020
sidottu
This book celebrates two new performance pieces and a recent body of paintings by the artist, drawing on desert landscapes, Road Runner cartoons, and Hollywood Westerns.Bursting with full-color plates and performance stills suffused in a rich desert palette, this volume was published on the occasion of an exhibition of new paintings by Dan Colen and the accompanying premiere of two performance pieces created in collaboration with choreographer Dimitri Chamblas.Colen's Desert Paintings (2015-19) are lush yet schematic interpretations of stills from Chuck Jones's animated shorts featuring Wile E. Coyote and the Road Runner. These unpopulated depictions of the cartoons' arid settings recall hard-edge abstraction, biomorphic landscapes by Georgia O'Keeffe, and popular art forms such as stage sets, billboards, and the Hollywood Western. The American cowboys who might inhabit these scenes were brought to life in two performances Colen presented with the Desert Paintings as a backdrop. In At Least They Died Together and Carry On Cowboy, figures in full Western regalia repeatedly performed a stylized, convulsive death on a mound of dirt in the gallery. In an insightful essay, Douglas Fogle explores the works' rich interplay of allusions, ultimately placing them in the context of the modern human condition.
Dan Burley's Jive

Dan Burley's Jive

Northern Illinois University Press
2009
pokkari
This book is a gem, and its reprinting highlights the contributions of one of the most creative and socially conscious wordsmiths in American history. — H. Samy Alim, UCLA, author of Roc the Mic Right This retro volume combines two brilliant and long out-of-print books, Dan Burley's Original Handbook of Harlem Jive (1944) and Diggeth Thou? (1959) by Dan Burley, with an introduction by Thomas Aiello. Burley was a journalist and sportswriter who worked for various African American newspapers and magazines, including the Chicago Defender, Chicago Crusader, New York New Amsterdam News, Jet, and Ebony in both Chicago and New York in the 1920s through the 1950s. Although he did not invent jive, throughout the 1940s Burley's Handbook fostered it, popularized it, and broadened its use beyond the cloister of the jazz community. Jive acted as an invisible conduit between the new urban linguistics and the inevitably square world. Burley's goal was to inform readers about this new language, as well as to entertain. Dan Burley's Original Handbook of Harlem Jive offers a history of and definition for jive, followed by examples of folktales, poetry, and Shakespeare "translated" into jive. The work also includes a jive glossary for easy reference. Burley followed up the success of the Handbook with Diggeth Thou?, which includes more stories told in jive. These rare books sparkle with wit and humor and offer a flashback to the world of New York's and Chicago's hepcats and chicks. Aiello's work will allow Burley's fascinating take on jive to reach a new generation of readers and scholars.
DAN IV - The Iron Age I Settlement

DAN IV - The Iron Age I Settlement

David Ilan

Hebrew Union College Press,U.S.
2020
sidottu
In this comprehensive final report David Ilan and 12 other contributing authors present the rich finds from the Iron Age I (circa 1200-950 BCE) levels at Tel Dan, located at the headwaters of the Dan tributary of the Jordan River, in the northeastern Hula Valley in northern Israel. The early Iron Age levels at Tel Dan have particular resonance in the light of their perceived association with the biblical account of the migration of the tribe of Dan, described in Judges 18. Much of what is portrayed in this volume is still visible at Tel Dan, in the national park located in the far north of modern-day Israel. The finds described in this volume were gleaned in the course of Avraham Biran's 1966-1999 excavations at the site. The architecture, ceramics, metal, flint, bone and ground stone objects and ecofacts all contribute to the portrayal of a cosmopolitan society that thrived, initially, under Egyptian imperial rule, subsequently forging its own way following the departure of Egyptian hegemony. The early Iron Age levels at Tel Dan show material evidence for the presence of local peoples, Egyptians, Cypriots, Aegeans, and Syrians, who together, negotiated a new identity, as Danites. Illustrated in colour and black & white throughout, and with five plans folded and within a pocket at the back of the volume.
Dan III

Dan III

R. Ben-Dov

Hebrew Union College Press,U.S.
2011
sidottu
This is the third volume in the final reports of the Tel Dan excavations, directed by Avraham Biran. It presents the findings from the Late Bronze levels—the Canaanite city of Laish. The entire stratigraphy of this period is discussed, from its roots in the transitional stage from the previous Mioddle Bronze Age, through to its conclusion in the transitional phases of the Early Iron Age.