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Daniel Richter

Daniel Richter

HATJE CANTZ
2023
sidottu
"As a politically thinking person, I am not a morally thinking person.” While German painting of the postwar period essentially concerned itself with coming to terms with the past and presenting it in gestures ranging from the heroic to the ironic, Daniel Richter focuses on positioning himself in the present. Time and again he devises new ways of being “modern” in a medium that has long been labeled old-fashioned and anachronistic. His pictures constantly challenge the spectator by their painterly and contextually excessive demands, but they do not lecture on moral issues. In five chapters featuring more than 200 examples of his works, the author Eva Meyer-Hermann traces the chronological development of Richter’s artistic output for the first time. The turns from abstraction to figuration and back again that until now have been described as abrupt, prove on closer examination to be a logical consequence and a sign of conscious artistic action.
Daniel Rochat

Daniel Rochat

Victorien Sardou; Victorien Sardou

Antigonos Verlag
2025
pokkari
R impression inchang e de l' dition originale de 1880. La maison d' dition Antigonos est sp cialis e dans la publication de r impressions de livres historiques. Nous veillons ce que ces ouvrages soient mis la disposition du public dans de bonnes conditions afin de pr server leur patrimoine culturel.
Daniel Rochat

Daniel Rochat

Victorien Sardou

Antigonos Verlag
2025
sidottu
R impression inchang e de l' dition originale de 1880. La maison d' dition Antigonos est sp cialis e dans la publication de r impressions de livres historiques. Nous veillons ce que ces ouvrages soient mis la disposition du public dans de bonnes conditions afin de pr server leur patrimoine culturel.
Daniel Richter: Limbo

Daniel Richter: Limbo

Daniel Richter

Galerie Thaddaeus Ropac
2023
sidottu
Richter's colorful, epic paintings in dialogue with 17th-century works at a Venetian palazzo Published for a unique exhibition at the historic Venetian palazzo Scuola Grande di San Fantin, this clothbound catalog showcases large-scale oil paintings by German artist Daniel Richter (born 1962). Installation shots display the unique display of Richter's intensely colorful paintings, interwoven with the palazzo's 17th-century works. The combination highlights the punk ethos of the artist in full force. Richter studied with German modernist painter Werner B ttner at the Hochschule f r bildende K nste in Hamburg until 1994. Since then, his work has moved through several phases. His early paintings challenged the abstract canon of German postwar painting with an exuberant, psychedelic formal language. No less radical are Richter's monumental paintings begun after 2000, through which he used painterly allegories to subvert figurative history painting.
Daniel Roth, Organist of Saint Sulpice

Daniel Roth, Organist of Saint Sulpice

Pierre-François Dub-Attenti; Christophe Zerbini

BOYDELL BREWER LTD
2026
sidottu
The authoritative biography of the world-renowned French organist, composer, and teacher Daniel Roth, told in his own words through lively, wide-ranging interviews. Pierre-François Dub-Attenti and Christophe Zerbini† here offer a fascinating and detailed biography of Daniel Roth, a universally respected and admired organist, composer, and teacher. The authors chose the interview format in order to help readers gain a fuller sense of this remarkable and influential musician and to allow him to give voice to his thoughts about the art to which he has devoted his life. This book traces Daniel Roth's personal and professional journey: from Alsace to the Paris Conservatory, the Sacré-Cœur basilica, where he was titular organist for 12 years, and finally Saint-Sulpice, where he served for no fewer than 18 years. Roth's explanations help make clear his contributions as a liturgical organist, his rich thoughts on improvisation and transcription, and his lifelong commitment to preserving historic instruments. Through these interviews, as in his recordings and live performances, Daniel Roth reveals himself as most fundamentally a musician, not "just" an organist. In his view, the performer must always strive to make the organ, this complex mechanical instrument, sing.
Daniel Rothschild

Daniel Rothschild

VDM Publishing House
2010
nidottu
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