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1000 tulosta hakusanalla David Mamet

November: A Play

November: A Play

David Mamet

VINTAGE
2008
nidottu
David Mamet's Oval Office satire depicts one day in the life of a beleaguered American commander-in-chief. It's November in a Presidential election year, and incumbent Charles Smith's chances for reelection are looking grim. Approval ratings are down, his money's running out, and nuclear war might be imminent. Though his staff has thrown in the towel and his wife has begun to prepare for her post-White House life, Chuck isn't ready to give up just yet. Amidst the biggest fight of his political career, the President has to find time to pardon a couple of turkeys--saving them from the slaughter before Thanksgiving--and this simple PR event inspires Smith to risk it all in attempt to win back public support. With Mamet's characteristic no-holds-barred style, November is a scathingly hilarious take on the state of America today and the lengths to which people will go to win.
The Spanish Prisoner And The Winslow Boy

The Spanish Prisoner And The Winslow Boy

David Mamet

Random House USA Inc
1999
nidottu
THE SPANISH PRISONER"Elegant, entertaining. . . . Mamet's craftiest and most satisfying cinematic puzzle." --The New York TimesTHE WINSLOW BOY"One of the most subtly compelling love stories of the year." --The New York ObserverPulitzer Prize winner David Mamet ranks among the century's most influential writers for stage and screen. His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents. The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.
Boston Marriage

Boston Marriage

David Mamet

VINTAGE
2002
nidottu
One of America's most provocative dramatists conquers new territory with this droll comedy of errors set in a Victorian drawing room. Anna and Claire are two bantering, scheming "women of fashion" who live together on the fringes of society. Anna has just become the mistress of a wealthy man, from whom she has received an enormous emerald. Claire, meanwhile, is infatuated with a young girl and wants to enlist the jealous Anna's help for an assignation. As the two women exchange barbs and taunt their hapless maid, Claire's inamorata arrives and sets off a crisis that puts both the valuable emerald and the women's future at risk. Mamet brings his trademark tart dialogue and impeccable plotting, spiced with Wildean wit, to this wickedly funny comedy.
Speed The Plow

Speed The Plow

David Mamet

Methuen Drama
1989
nidottu
"The finest American playwright of his generation" (Sunday Times) Speed-the-Plow sees two old-time movie collaborators manipulate the aspirations of a young woman who will do anything to attain her dream of success in "a brilliant black comedy, a dazzling dissection of Hollywood cupidity." (Newsweek)
Glengarry Glen Ross

Glengarry Glen Ross

David Mamet

Methuen Drama
1984
nidottu
First staged in Britain in 1983, Glengarry Glen Ross is the tale of four real-estate salesmen in a cut-throat sales competition. It won the Pulitzer Prize in 1984 and was made into a film, starring Al Pacino, Jack Lemmon, Kevin Spacey and Alec Baldwin, in 1992.
American Buffalo

American Buffalo

David Mamet

Methuen Drama
1984
nidottu
"The finest American playwright of his generation" (Sunday Times) A junk shop. Three small-time crooks plot to carry out the midnight robbery of a coin collection. In the hours leading up to the heist, friendship becomes the victim in a conflict between loyalty and business."This play is a parable about the US - not in the journalistic way...but quietly, stealthily, with all the rich interior organisation of a true work of art" (Observer)
Oleanna

Oleanna

David Mamet

Methuen Drama
1993
nidottu
In David Mamet's latest play, a male college instructor and his female student sit down to discuss her grades and in a terrifyingly short time become the participants in a modern reprise of the Inquisition.
The Cryptogram

The Cryptogram

David Mamet

Methuen Drama
1995
nidottu
"I suspect that in time, The Cryptogram will take its place among Mamet's major works" John Lahr "Mamet's play suggests that deception is an endless spiralling process that eventually corrodes the soul. But it also harps on a theme that runs right throughout Mamet's work: the notion that we use words as a destructive social camouflage to lie to others and ourselves...And here through all the repetitions, half sentences and echoing encounter of one question with another, you feel the characters devalue experience through their use of language. As Del cries in desperation at the end, 'If we could speak the truth for one instant, then we would be free.' Mamet's point is that we are held spiritually captive by our bluster and evasions." (Michael Billington, The Guardian)"Dense with thought, feeling and hard psychological insight...There is no spare flesh on this text: words, objects, images interlock in mutual dependence which is both natural and superbly contrived." (John Peter Sunday Times)
The Old Neighborhood

The Old Neighborhood

David Mamet

Methuen Drama
1998
nidottu
"The finest American playwright of his generation" (Sunday Times) When Bobby returns to the old neighborhood, the people and places of his past cast shadows over the present. In a trio of interleaved scenes, The Old Neighborhood provides a rare personal insight into the world of one of America's greatest contemporary dramatists.
Boston Marriage

Boston Marriage

David Mamet

Methuen Drama
2001
nidottu
One of America's most revered and provocative dramatists, David Mamet conquers new territory with this droll comedy of errors set in a Victorian drawing room. Anna and Claire are two bantering, scheming ladies of fashion who have long lived together on the fringes of upper-class society. Anna has just become the mistress of a wealthy man, from whom she has received an enormous emerald and an income to match. Claire, meanwhile, is infatuated with a respectable young lady and wants to enlist the jealous Anna's help for an assignation. As the two women exchange barbs and take turns taunting Anna's hapless parlour maid, Claire's young inamorata suddenly appears, setting off a crisis that puts the valuable emerald at risk and threatens the women's future."Devastatingly funny ...exceptionally clever" - New York Times "Brilliant ...One of Mamet's most satisfying and accomplished plays, and one of the funniest American comedies in years" - New York Post "Wickedly, wittily entertaining ...what makes the play such brilliant fun is its marriage of glinting period artifice and contemporary frankness" - Boston Phoenix "[Mamet's characters] are at each other's throats with a wit akin to characters out of Wilde and a vengeance not unlike those from Pinter or Edward Albee" - Boston Globe Boston Marriage was first performed at the American Repertory Theatre, Cambridge, Massachusetts, in June 1999. It received its British premiere at the Donmar Warehouse, London, in March 2001.
Edmond

Edmond

David Mamet

Methuen Drama
2003
nidottu
The first single-volume edition of this stunning early Mamet play You know how much of our life we're alive, you and me? Nothing. Two minutes out of the year. When we meet someone new, when we get married, when, when, when, when we're in difficulties...once in our life at the death of someone that we love. That's...in a carcrash...and that's it. You know, you know, we're sheltered...A fortune-teller's teasing rumination sends Edmond lurching into New York City's hellish underworld, his whole life abandoned in a searing quest for self-discovery and redemption. A furious, unflinching, whirlwind of a play first produced in 1982. "A stunning amorality play, glittering and disturbing, suspended in the dark void of contemporary New York. It is also a technically adventurous piece pared brilliantly to the bone, highly theatrical in its scenic elisions" Financial Times "A riveting theatrical experience that illuminates the heart of darkness" Newsweek Publication of this edition ties in with a production in July 2003 at the Royal National Theatre starring Kenneth Branagh.
Oleanna

Oleanna

David Mamet

Methuen Drama
2004
nidottu
Mamet's ground-breaking and controversial play on the male-female power struggle, annotated with an introduction, notes and commentary. "An ear for reproducing everyday language has long been David Mamet's hallmark and he has now employed it to skewer the dogmatic, puritannical streak which has become commonplace on and off the campus. With Oleanna he continues an exploration of male-female conflicts begun with Sexual Perversity in Chicago in 1974. Oleanna cogently demonstrates that when free thought and dialogue are imperilled, nobody wins." (Michael Wise, Independent) In Oleanna "John and Carol go to it with hand-to hand combat that amounts to a primal struggle for power. As usual with Mamet, the vehicle for that combat is crackling, highly distilled dialogue unencumbered by literary frills or phony theatrical ones." (Frank Rich, International Herald Tribune)
Dr Faustus

Dr Faustus

David Mamet

Methuen Drama
2005
nidottu
A modern retelling of the classic tale of pride, folly and the ultimate wager 'I covet fame ...Yes, I would have fame. For my works, and fame surpassing them, till Faustus's renown shines free of accomplishment.' Faustus has it all - fame, success, a loving family. But a careless wager with a beguiling magician threatens everything. In Mamet's retelling of the Faustus story a famed philosopher in the prime of life claims to have reduced the secret of life to a mathematical equation. With the arrival of a mysterious magician, he agrees to wager the life of his family on the accuracy and authenticity of his discovery. This timeless retelling of a classic legend explores one man's discovery of life's most important and fragile treasures. In language, scope and theatrical sensibility, Faustus represents a big departure for Mamet, melding resplendent language and metaphysics in an eerie and moving retelling of the tragedy of Doctor Faustus. 'The finest American playwright of his generation' Sunday Times
Glengarry Glen Ross

Glengarry Glen Ross

David Mamet

Methuen Drama
2004
nidottu
A student edition of Mamet's Pulitzer Prize-winning play First staged in Britain in 1983, Glengarry Glen Ross is the tale of four real-estate salesmen in a cut-throat sales competition. It won the Pulitzer Prize in 1984 and was made into a film, starring Al Pacino, Jack Lemmon, Kevin Spacey and Alec Baldwin, in 1992. "The finest American playwright of his generation" Sunday Times "A chillingly funny indictment of a world in which you are what you sell" Guardian "Nobody alive writes better American...Here at last, carving characters out of language, is a play with real muscle" Observer "David Mamet, screenwriter of The Verdict and The Postman Always Rings Twice, is alongside Sam Shepard and Michael Weller, one of the most distinctive voices on the contemporary American stage" Michael Coveney, Financial Times
Romance

Romance

David Mamet

Methuen Drama
2005
nidottu
Exhilarating courtroom farce from America's finest playwright Romance is an uproarious courtroom farce which lampoons the American judicial system and exposes the hypocrisy surrounding personal prejudices and political correctness. Wildly humorous and often gob-smackingly outrageous, the play is set in a modern-day courtroom in New York during a week when there are Middle East peace talks being brokered in town. The court case at hand is unrelated, but the defendant and counsel come up with a plan to solve the conflict in the region. A pill-popping judge, a defendant and lawyer (on the same side) who hate each other, and a prosecutor with a troubled personal life are part of the picture. A new comedy from 'the finest American playwright of his generation' Sunday Times'A deliriously funny David Mamet farce' Associated Press'An exhilarating spectacle. Mamet is a connoisseur of fiasco, knows all about legal punctilio, and he has great fun bringing mayhem to the ritual' New YorkerPublished to tie-in with the play's European premiere at the Almeida Theatre, opening 6th September 2005
True and False

True and False

David Mamet

Faber Faber
1998
nidottu
A guide to the acting profession by a leading American playwright. He advises aspiring actors on topics such as judging a role, approaching the part, working with the playwright, undertaking auditions, and the relationship with agents and the business in general.
Wilson

Wilson

David Mamet

Faber Faber
2000
nidottu
A literary jeu d'esprit, a modern-day Tristram Shandy, a hilarious satire on false scholarship, Wilson is David Mamet at his best and most mischievous. When the internet - and the collective memory of the twenty-first century - crashes, the past is reassembled from the downloaded memories of Ginger, wife of ex-President Wilson. The transcripts take the reader on an intellectually breathtaking tour. In Mamet's baroque, fragmented world, nothing is certain except the certainty of academics. His customary bilious playfulness has created a trompe l'oeil for the mind's eye. In playing with the ideas of perception, understanding, accuracy, he dares to doubt them all.
"Sexual Perversity in Chicago" and "the Duck Variations": Two Plays
Comedy Characters: 2 males, 2 females Bare stage, movable props The Obie award-winning Sexual Perversity in Chicago "takes funny and painful digs at the fantasies and distances of the contemporary sexual game," according to The New York Times. Two male office workers, Danny and Bernie, are on the make in the swinging singles scene of the early 1970's. Danny meets Deborah in a library and soon they are lovers as well as roommates. The other couple, Bernie and Joan, seem to have the politics of sex down pat but are as confused as their more naive counterparts. After much comic drama, the two men end as they started, talking a good game in the local bar. Published with The Duck Variations. "Mamet has the most acute ear for dialogue of any American writer since J.D. Salinger."-The Village Voice "Marvelously observant...A glittering mosaic of tiny, deadly muzzle flashes from the war between men and women among the filing cabinets and single bars."-The New York Times
The Water Engine & Mr. Happiness

The Water Engine & Mr. Happiness

David Mamet

Concord Theatricals
2017
nidottu
In The Water Engine actors an announcer and a sound effects man present a radio play during the 1930s with unerring authenticity. The "play within the play" reveals the story of a young inventor who's found a way to run an engine on distilled water. At first ridiculed he is courted by crooked lawyers attempting to buy the invention from him on behalf of "certain business interests." After refusing he is threatened and when he attempts to give his story to the newspapers he is murdered alo
Edmond

Edmond

David Mamet

Samuel French, Inc
2017
nidottu
Edmond, a man set morally adrift, leaves an unfulfilling marriage to find sex, adventure, companionship, and, ultimately, the meaning of his existence.