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464 tulosta hakusanalla Delilah Devlin

Delilah – Treacherous Beauty

Delilah – Treacherous Beauty

Angela Hunt

Bethany House Publishers, a division of Baker Publishing Group
2016
nidottu
A Complex and Compelling Glimpse at One of the Bible's Baddest GirlsLife is not easy in Philistia, especially not for a woman and child alone. When beautiful, wounded Delilah finds herself begging for food to survive, she resolves that she will find a way to defeat all the men who have taken advantage of her. She will overcome the roadblocks life has set before her, and she will find riches and victory for herself. When she meets a legendary man called Samson, she senses that in him lies the means for her victory. By winning, seducing, and betraying the hero of the Hebrews, she will attain a position of national prominence. After all, she is beautiful, she is charming, and she is smart. No man, not even a supernaturally gifted strongman, can best her in a war of wits.
Delilah Montoya

Delilah Montoya

Josie Lopez

UNIVERSITY OF NEW MEXICO PRESS
2026
pokkari
The first publication to provide an art-historical examination of the broad scope and depth of Montoya’s world renowned body of work. Delilah Montoya: Reclaiming Chicano Narratives Through Art and Activism provides an in-depth exploration of Delilah Montoya’s decades-long engagement with printmaking, photography, and large-scale installation works, showcasing her contributions to contemporary art through the lens of her Chicana heritage. Born in Texas, raised in the Midwest, and now living in New Mexico, where she has spent much of her career, Montoya and her work are deeply rooted in the experiences of the Southwest and its communities. Her projects navigate the intersections of spirituality, gender norms, and cultural identity, challenging and redefining perceptions through a unique lens intently trained on the roots of mestizaje, the coming together of European and Indigenous cultures in the formation of Latino identities. From the very beginning, Montoya’s work has not only situated and defined Chicana and Chicano identity, it has also served as a tool rooted in activism to demand that these voices, stories, bodies, and histories be seen. This ambitious volume is the first publication to provide an art-historical examination of the broad scope and depth of Montoya’s body of work. This book cements Montoya’s status as a key artist in the discourse on Chicana and Chicano art and culture.