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1000 tulosta hakusanalla Derek Moon

Derek Jeter

Derek Jeter

New York Post

HarperPaperbacks
2014
nidottu
In celebration of one of the most widely beloved Yankees on the eve of his retirement, a handsomely designed, lavishly illustrated full-color commemorative keepsake volume that showcases his outstanding nineteen-year career. In the fourth grade, Derek Jeter told his teacher that he was going to play shortstop for the New York Yankees-a dream would come true less than a decade later. Drafted out of Kalamazoo Central High School in 1992 when he was just eighteen, Jeter became the Yankees' starting shortstop and the American League's Rookie of the Year in just four years. One of the few professional athletes to have played his entire career with a single team, he helped the Yankees win five World Series championships, four of them in his first five years. In his nearly two decades in pinstripes, Jeter became the team's all-time career leader in hits, games played, stolen bases, and at bats and the all-time leader in hits by a shortstop in major league baseball. A recipient of dozens of awards and accolades, admired by fans, teammates, and opponents alike, Derek Jeter is and will always be the quintessential New York Yankee. Drawn from the breadth of the archives and photo library of the New York Post, Derek Jeter: Born to be a Yankee charts the future Hall of Famer's rise and commemorates every significant highlight and milestone in his career. Packed with dozens of color photographs, it pays homage to the man who has personified the modern New York Yankees, and will be a collector's item for both Yankee fans and baseball aficionados of all ages and generations.
Derek Parfit: His Life and Thought

Derek Parfit: His Life and Thought

Oxford University Press
2025
sidottu
At the time of his death in January 2017, Derek Parfit was widely regarded among philosophers as the best and most important moral philosopher in well over a century. He was also both legendarily eccentric and legendarily generous. In his later years he became increasingly reclusive in his obsessive struggle to develop his ideas and arguments about an extensive set of philosophical problems before he died. His perfectionism, meticulous concern for the truth, and openness to being proved wrong prevented him from being satisfied until he had a convincing response to every possible objection to the views he sought to defend. Because Parfit was so reclusive, there were relatively few people who knew him well. In this volume of essays devoted to exploring his legacy, many of those to whom he was closest offer portraits of both the man and the philosopher. The overall result is a tapestry of largely converging but also in places slightly conflicting perceptions. The authors include his widow (also a philosopher), his sister, and a substantial proportion of his closest friends, all of whom were both his colleagues in philosophy and some of whom were also his former students. The volume is thus part intellectual biography and part memoir.
Derek Walcott and West Indian Drama

Derek Walcott and West Indian Drama

Bruce King

Clarendon Press
1997
nidottu
Written at Derek Walcott's suggestion, and based on interviews with the playwright and actors, this is the first detailed study of a post-colonial theatre company and the problems of creating `serious' theatre in the former colonies. The book shows how Walcott strove to create a world class theatre ensemble in the West Indies - a Trinidadian Brecht Berliner ensemble - and traces his life and career in West Indian theatre, and the history of the Trinidad Theatre Workshop. Beginning with an actors' studio and the vision of a West Indian theatre company of international standards with its own style of acting, Derek Walcott developed the most important theatre company in the West Indies. This was the company which first performed his Dream on Monkey Mountain, the musical version of Ti-Jean and his Brothers, The Joker of Seville, and O Babylon! A major contribution to West Indian history and theatre, Bruce King's study reveals the heroic will of Derek Walcott and his actors, and their determination to prove that West Indian drama was a force with which to be reckoned.
Derek Walcott

Derek Walcott

Bruce King

Oxford University Press
2000
sidottu
This is the first literary biography of Nobel Prize-winning poet and dramatist Derek Walcott. It traces the creative contradictions in his life from colonial St Lucia, where he was part of a tiny English-speaking Protestant mulatto elite in an overwhelmingly French-creole Roman Catholic black society, to 1999 when, a star of international literature and a symbol of cultural decolonization, he wanted to be Poet Laureate of England. The author has had access to letters, diaries, uncollected and unpublished writings, and conducted numerous interviews in the Caribbean, North America and Europe. Walcott is seen as someone driven by the need to justify his life and fulfil his talents before an unknowable God, but who, in mastering the ways of the world often regards himself as an example of fallen humanity. Besides offering an approach to Walcott as a poet, dramatist, theatre director, arts critic, and teacher, the book shows how his desire to be a painter influenced his vision and the way he works.
Derek Walcott's Encounter with Homer

Derek Walcott's Encounter with Homer

Rachel D. Friedman

Oxford University Press
2024
sidottu
Derek Walcott's Encounter with Homer puts Derek Walcott's epic poem Omeros in conversation with Homer, especially the Odyssey, to show how reading them against each other changes our understanding of the poems of both poets. It explores Walcott's conscious use of the Odyssey and the Homeric persona of Omeros to explore his own deepening relationship with his craft and his identity as a Caribbean poet. Walcott's ability to serve as the vessel of history for his people and their landscapes rests on his transformation into (and self-perception as) Homer's contemporary and equal. Central to the project of Omeros is thus an account of his shift from a diachronic to synchronic relationship with Homer: over the course of the poem his poetic persona, the "Poet", and Homer come to occupy the same temporality and creative space. By locating the poems of Walcott and Homer in a zone of vibrant and unexpected encounter, Rachel Friedman demonstrates how they can be seen as mutually informing texts, each made richer in the presence of the other. The argument follows two intertwined thematic threads. The first focuses on the poems' landscapes and seascapes and the ways in which Omeros reworks the Odyssey's affective geography. While the Odyssey represents the sea as a dangerous space and valorizes life on land, Walcott reverses this trajectory from sea to land, bearing witness to the painful histories carried in the St Lucian soil and relocating homecoming to the space of the Caribbean Sea, a space which accommodates diasporic histories and the imagining of fluid forms of emplacement. The second thread focuses on Walcott's poetic persona: his journey in and out of the poem and his positioning of himself as a "tribal poet" like Homer. Central to the project of Omeros is the Poet's account of the processes by which he becomes the poet who can adequately give voice to the histories of his people and the archipelago they inhabit.
Derek Jarman and Lyric Film

Derek Jarman and Lyric Film

Steven Dillon

University of Texas Press
2004
pokkari
Derek Jarman was the most important independent filmmaker in England during the 1980s. Using emblems and symbols in associative contexts, rather than conventional, cause-and-effect narrative, he created films noteworthy for their lyricism and poetic feeling and for their exploration of the gay experience. His style of filmmaking also links Jarman with other prominent directors of lyric film, including Pier Paolo Pasolini, Andrei Tarkovsky, Jean Cocteau, and Jean Genet. This pathfinding book places Derek Jarman in the tradition of lyric film and offers incisive readings of all eleven of his feature-length films, from Sebastiane to Blue. Steven Dillon looks at Jarman and other directors working in a similar vein to establish how lyric films are composed through the use of visual imagery and actual poetry. He then traces Jarman's use of imagery (notably mirrors and the sea) in his films and discusses in detail the relationship between cinematic representations and sexual identity. This insightful reading of Jarman's work helps us better understand how films such as The Last of England and The Garden can be said to cohere and mean without being reduced to clear messages. Above all, Dillon's book reveals how truly beautiful and brilliant Jarman's movies are.
The Poetry of Derek Walcott 1948-2013

The Poetry of Derek Walcott 1948-2013

Derek Walcott

Farrar, Straus and Giroux
2014
sidottu
A collection spanning the whole of Derek Walcott's celebrated, inimitable, essential career "He gives us more than himself or 'a world'; he gives us a sense of infinity embodied in the language." Alongside Joseph Brodsky's words of praise one might mention the more concrete honors that the renowned poet Derek Walcott has received: a MacArthur Foundation Fellowship; the Queen's Gold Medal for Poetry; the Nobel Prize in Literature. The Poetry of Derek Walcott 1948-2013 draws from every stage of the poet's storied career. Here are examples of his very earliest work, like "In My Eighteenth Year," published when the poet himself was still a teenager; his first widely celebrated verse, like "A Far Cry from Africa," which speaks of violence, of loyalties divided in one's very blood; his mature work, like "The Schooner Flight" from The Star-Apple Kingdom; and his late masterpieces, like the tender "Sixty Years After," from the 2010 collection White Egrets. Across sixty-five years, Walcott grapples with the themes that have defined his work as they have defined his life: the unsolvable riddle of identity; the painful legacy of colonialism on his native Caribbean island of St. Lucia; the mysteries of faith and love and the natural world; the Western canon, celebrated and problematic; the trauma of growing old, of losing friends, family, one's own memory. This collection, selected by Walcott's friend the English poet Glyn Maxwell, will prove as enduring as the questions, the passions, that have driven Walcott to write for more than half a century.
The Poetry of Derek Walcott 1948-2013

The Poetry of Derek Walcott 1948-2013

Derek Walcott

FARRAR, STRAUS GIROUX INC
2017
nidottu
A collection spanning the whole of Derek Walcott's celebrated, inimitable, essential career "He gives us more than himself or 'a world'; he gives us a sense of infinity embodied in the language." Alongside Joseph Brodsky's words of praise one might mention the more concrete honors that the renowned poet Derek Walcott has received: a MacArthur Foundation Fellowship; the Queen's Gold Medal for Poetry; the Nobel Prize in Literature. The Poetry of Derek Walcott 1948-2013 draws from every stage of the poet's storied career. Here are examples of his very earliest work, like "In My Eighteenth Year," published when the poet himself was still a teenager; his first widely celebrated verse, like "A Far Cry from Africa," which speaks of violence, of loyalties divided in one's very blood; his mature work, like "The Schooner Flight" from The Star-Apple Kingdom; and his late masterpieces, like the tender "Sixty Years After," from the 2010 collection White Egrets. Across sixty-five years, Walcott grapples with the themes that have defined his work as they have defined his life: the unsolvable riddle of identity; the painful legacy of colonialism on his native Caribbean island of St. Lucia; the mysteries of faith and love and the natural world; the Western canon, celebrated and problematic; the trauma of growing old, of losing friends, family, one's own memory. This collection, selected by Walcott's friend the English poet Glyn Maxwell, will prove as enduring as the questions, the passions, that have driven Walcott to write for more than half a century.
Derek Jarman's Garden

Derek Jarman's Garden

Derek Jarman

Thames Hudson Ltd
1995
sidottu
Derek Jarman's garden is in the flat expanse of shingle that faces the nuclear power station in Dungeness, Kent. He mixed the flint, shells and driftwood of Dungeness with indigenous and introduced plants. This book is his own record of how this garden evolved, from its beginnings in 1985.
Derek Boshier

Derek Boshier

Paul Gorman

Thames Hudson Ltd
2015
sidottu
Taking as his subject icons of consumerism and American popular culture, Derek Boshier made his name in the 1960s as one of the key proponents of British Pop Art, along with contemporaries David Hockney, Peter Blake and Pauline Boty. Since then, his output has been exceptionally diverse, including collage, book design, set design and illustration, as well as photography, film and sculpture.Rethink/Re-entry traces Boshier's formidable career. Beginning with his rise to prominence in the early 1960s, it then follows his abandonment of painting in the 1970s and his experimentation with new modes of expression, such as collage and illustration, as exemplified by his iconic sleeve design for David Bowie's album Lodgerand his drawings for CLASH 2nd Songbook. In this decade he formed the Artists’ Union with Bridget Riley and Robin Klassnik and produced politically inspired banner, poster and flyer designs, as well as curating public events such as the Smith/Novak Event.The chapters on the 1980s detail Boshier’s return to painting. This move coincided with his departure to Texas to teach, where he adopted the iconic figure of the Texan cowboy as the subject for his 'Cowboy' series as well as producing a prolific number of landscape paintings. The 1990s saw him relocate to Los Angeles, where he encountered a culture and iconography that provided rich source material for his later works.
Derek Jarman's Sketchbooks

Derek Jarman's Sketchbooks

Ed Webb-Ingall

Thames Hudson Ltd
2013
sidottu
There are few more complete examples of an artist’s record of their own life than the intimately detailed and beautifully produced handmade books that Derek Jarman created throughout his career. Seen together they reveal the story of how he gathered, shaped and made concrete his ideas. Containing poetry, drawings, pressed flowers, photographs, excerpts from scripts and notes, the sketchbooks are part autobiography and part social history, layered and bursting with the energy and creativity not only of this groundbreaking film-maker and artist, but also of London in the 1970s and 80s. Wholly private during his lifetime, these precious books are an intimate pictorial record of the relationship between Jarman’s personal and professional life, revealing the detailed planning and research, and creative and emotional engagement, behind each of his films.
Derek Jarman's Sketchbooks (Deluxe Edition)

Derek Jarman's Sketchbooks (Deluxe Edition)

Ed Webb-Ingall

Thames Hudson Ltd
2013
sidottu
Derek Jarman’s Sketchbooks – Deluxe Edition. Edited by Stephen Farthing and Ed Webb-Ingall. With a preface by Tilda Swinton. Featuring contributions from Keith Collins, Christopher Hobbs, Andrew Logan, James Mackay, Jon Savage, Howard Sooley, Neil Tennant and Toyah Willcox. DELUXE SLIPCASED EDITION. INCLUDES THREE PRINTS. Containing poetry, drawings, pressed flowers, photographs, excerpts from scripts and notes, Derek Jarman’s sketchbooks are part autobiography and part social history, bursting with the energy and creativity of this groundbreaking artist. This publication collates the best of Jarman’s sketchbooks to reveal the detailed planning and emotional engagement behind each of his films in more depth than ever before. This deluxe edition is limited to 500 copies, each presented in a cloth-covered slipcase. Each numbered copy is accompanied by three prints reproduced from the sketchbooks, housed in an envelope tipped into the book. The book, which is covered in real blue cloth with gold foil blocking on the spine and in a debossed recess on the frontboard, is c.15% larger than the standard edition. 196 illustrations, 187 in colour, 31.0 x 24.0cm, 256pp, ISBN 978 0 500 517185 . £150.00 slipcased hardback + 3 prints
Derek Jarman: Protest!

Derek Jarman: Protest!

Thames Hudson Ltd
2020
sidottu
Derek Jarman was a very English rebel, a maverick and radical artist whose unique and distinctive voice was honed protesting against the strictures of life in post-war Britain. In an innovative practice that roamed freely across all varieties of media, Jarman refused to live and die quietly. He defined bohemian London life in the 1960s, exploded into queer punk in the 70s and with unbounded creative rage, ingenuity and sheer personal charm, he triumphed over an atmosphere of fear and ignorance in the age of AIDS to produce timeless, eloquent works of art which resonate still more strongly today. This major new publication offers a definitive overview of Derek Jarman’s life and work. It covers all aspects of his oeuvre, from his features to his Super-8 films, his painting, design for theatre, poetry, gardening, memoir and political activism. Protest! contains excerpts from Jarman’s own writings, short interviews with friends and collaborators and newly commissioned texts from a wide range of contributors including John Maybury, Peter Tatchell, Philip Hoare, Sir Norman Rosenthal and Olivia Laing. Generously illustrated with previously unseen images drawn from Jarman’s personal archive and unseen works from all stages of his career, this book brings the reader fresh and surprising insights into the world of this much-loved artist.
Derek Walcott

Derek Walcott

Edward Baugh

Cambridge University Press
2006
sidottu
Nobel Laureate Derek Walcott is one of the Caribbean's most famous writers. His unique voice in poetry, drama and criticism is shaped by his position at the crossroads between Caribbean, British and American culture and by his interest in hybrid identities and diaspora. Edward Baugh's Derek Walcott analyses and evaluates Walcott's entire career over the last fifty years. Baugh guides the reader through the continuities and differences of theme and style in Walcott's poems and plays. Walcott is an avowedly Caribbean writer, acutely conscious of his culture and colonial heritage, but he has also made a lasting contribution to the way we read and value the western literary tradition. This comprehensive survey considers each of Walcott's published books, offering a guide for students, scholars and readers of Walcott. Students of Caribbean and postcolonial studies will find this a perfect introduction to this important writer.
Derek Walcott

Derek Walcott

Edward Baugh

Cambridge University Press
2012
pokkari
Nobel Laureate Derek Walcott is one of the Caribbean's most famous writers. His unique voice in poetry, drama and criticism is shaped by his position at the crossroads between Caribbean, British and American culture and by his interest in hybrid identities and diaspora. Edward Baugh's Derek Walcott analyses and evaluates Walcott's entire career over the last fifty years. Baugh guides the reader through the continuities and differences of theme and style in Walcott's poems and plays. Walcott is an avowedly Caribbean writer, acutely conscious of his culture and colonial heritage, but he has also made a lasting contribution to the way we read and value the western literary tradition. This comprehensive survey considers each of Walcott's published books, offering a guide for students, scholars and readers of Walcott. Students of Caribbean and postcolonial studies will find this a perfect introduction to this important writer.
Selected Poems of Derek Walcott

Selected Poems of Derek Walcott

Derek Walcott

Faber Faber
2009
nidottu
This new Selected Poems offers an ordered retrospective of the fertile career of Derek Walcott, spanning six decades and drawing on twelve collections. Winner of the Nobel Prize for Literature in 1992, Walcott has, in the words of Seamus Heaney, 'moved with gradually deepening confidence to found his own poetic domain, independent of the tradition he inherited yet not altogether orphaned from it.'
The Poetry of Derek Walcott 1948–2013
The Poetry of Derek Walcott 1948-2013 draws from every stage of the poet's storied career. Here are examples of his very earliest work, like 'In My Eighteenth Year', published when the poet himself was still a teenager; his first widely celebrated verse, like 'A Far Cry from Africa', which speaks of violence, of loyalties divided in one's very blood; his mature work, like 'The Schooner Flight' from The Star-Apple Kingdom; and his late masterpieces, like the tender 'Sixty Years After', from the 2010 collection White Egrets. Across sixty-five years, Walcott has grappled with the themes that have defined his work as they have defined his life: the unsolvable riddle of identity; the painful legacy of colonialism on his native Caribbean island of St Lucia; the mysteries of faith and love; the trauma of growing old, of losing friends, family, one's own memory. This collection, selected by Walcott's friend the poet Glyn Maxwell, will prove as enduring as the questions, the passions, that have driven Walcott to write for more than half a century.